Download or read book Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1905 with total page 928 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The British Museum Catalogue of Printed Books 1881 1900 Supplement 1900 1905 written by British Museum. Department of Printed Books and published by . This book was released on 1950 with total page 932 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalogue of the Printed Books in the Library of the British Museum written by British Library and published by . This book was released on 1950 with total page 932 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The British Museum Catalogue of Printed Books 1881 1900 written by British Museum. Department of Printed Books and published by . This book was released on 1946 with total page 934 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book General Catalogue of Printed Books written by British Museum. Department of Printed Books and published by . This book was released on 1964 with total page 506 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Sword and the Pen written by Konrad Eisenbichler and published by University of Notre Dame Pess. This book was released on 2012-11-15 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: In The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena, Konrad Eisenbichler analyzes the work of Sienese women poets, in particular, Aurelia Petrucci, Laudomia Forteguerri, and Virginia Salvi, during the first half of the sixteenth century up to the fall of Siena in 1555. Eisenbichler sets forth a complex and original interpretation of the experiences of these three educated noblewomen and their contributions to contemporary culture in Siena by looking at the emergence of a new lyric tradition and the sonnets they exchanged among themselves and with their male contemporaries. Through the analysis of their poems and various book dedications to them, Eisenbichler reveals the intersection of poetry, politics, and sexuality, as well as the gendered dialogue that characterized Siena's literary environment during the late Renaissance. Eisenbichler also examines other little-known women poets and their relationship to the cultural environment of Siena, underlining the exceptional role of the city of Siena as the most important center of women's writing in the first half of the sixteenth century in Italy, and probably in all of Europe. This innovative contribution to the field of late Renaissance and early modern Italian and women's studies rescues from near oblivion a group of literate women who were celebrated by contemporary scholars but who have been largely ignored today, both because of a dearth of biographical information about them and because of a narrow evaluation of their poetry. Eisenbichler's analysis and reproduction of many of their poems in Italian and modern English translation are an invaluable contribution not only to Italian cultural studies but also to women's studies.

Download or read book Parte presa nell eccellentiss Conseglio di Pregadi 1636 Ad 24 settembre In materia di cernide written by Venezia and published by . This book was released on 1636 with total page 12 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Canzoniere Poems CLXXX CCCLXVI written by Francesco Petrarca and published by Troubador Publishing. This book was released on 2000 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Francesco Petrarca (1304-74) has been described as the 'first modern man of letters' and his influence on the European lyric tradition has been widespread. The poems of his Canzoniere, closely associated as they are with the enigmatic figure of Laura, were soon to become the models for love-poetry in nearly all major European literatures in the Renaissance. The new translations here use the same rhyme schemes and broadly the same metres as those used by Petrarch himself. The facing English texts are thus not intended to be absolutely literal, but to reflect the inner meanings and moods of the originals, with some further literal translations of difficult passages added in the notes. The notes to the poems also cover their likely dates, mythological allusions, certain background settings, and a number of other calendrical and structural features which appear to emerge from the actual sequencing of the collection itself. There is also a section on old Italian syntax. and other linguistic aids. The new translation of Petrarch's Rerum Vulgarian Fragmenta is in two separate volumes.