Download or read book Parodies of the Works of English and American Authors written by Walter Hamilton and published by . This book was released on 1970 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Parodies of the Works of English American Authors written by and published by . This book was released on 1884 with total page 838 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Parodies of the works of English and American authors collected and annotated by W Hamilton written by English authors and published by . This book was released on 1884 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Parody written by Beate Müller and published by Rodopi. This book was released on 1997 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt: Parody is a most iridescent phenomenon: of ancient Greek origin, parody's very malleability has allowed it to survive and to conquer Western cultures. Changing discourse on parody, its complex relationship with related humorous forms (e.g. travesty, burlesque, satire), its ability to cross genre boundaries, the many parodies handed down by tradition, and its ubiquity in contemporary culture all testify to its multifaceted nature. No wonder that 'parody' has become a phrase without clear meaning. The essays in this collection reflect the multidimensionality of recent parody studies. They pay tribute to its long and varied tradition, covering examples of parodic practice from the Middle Ages to the present day and dealing with English, American, postcolonial, Austrian, and German parodies. The papers range from the Medieval classics (e.g. Chaucer), parodies of Shakespeare, and the role of parody in German Romanticism, to parodies of fin-de-si�cle literature and the intertextual puzzles of the late twentieth century (such as cross-dressing, Schwab's Faustparody, and Rushdie's Satanic Verses). And they have transformed the contentious nature of parody into a diverse range of methodologies. In doing so, these essays offer a survey of the current state of parody studies.
Download or read book The Genius of Parody written by R. Mack and published by Springer. This book was released on 2007-02-15 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recent theoretical approaches have compelled critics to rethink many received notions regarding the significance of contemporary parodic activity. This study places parody firmly (if paradoxically) where it belongs: at the centre of the literary-creative process in the literature of the Seventeenth and Eighteenth centuries.
Download or read book The New International Encyclop dia written by Frank Moore Colby and published by . This book was released on 1917 with total page 930 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The New International Encyclopaedia written by and published by . This book was released on 1923 with total page 924 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chambers Encyclop dia written by and published by . This book was released on 1893 with total page 946 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chambers s Encyclop dia written by Chambers W. and R., ltd and published by . This book was released on 1891 with total page 920 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chambers s Encyclopaedia written by and published by . This book was released on 1896 with total page 840 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Chambers s Encyclopa e dia written by and published by . This book was released on 1912 with total page 974 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Romantic Parodies 1797 1831 written by David A. Kent and published by Fairleigh Dickinson Univ Press. This book was released on 1992 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first collection of literary parodies, both poetry and prose, written during the English Romantic period. Many anthologies of literary parody have been published during the past century, but no previous selection has concentrated so intensively on a single period in English literary history, and no period in that history was more remarkable for the quantity and diversity of its parody. There was no Romantic writer untouched by parody, either as subject or as author, or even occasionally as both. Most parodies were intended to discredit the Romantics not only as poets but as individuals, and to disarm the threat they were seen as posing to establish literary and social norms. Because it focuses on the "swarm of imitative writers" about whom Robert Southey complained in an 1819 letter to Walter Savage Landor, this collection throws light on a large and often overlooked body of work whose authors had much more serious purposes than mere ridicule or amusement. Romantic parody situates itself between the eighteenth-century craft of burlesque and the nonsense verse that Victorian parody often became. This anthology demonstrates that parody is concerned with power: that it expresses ideological conflict, dramatizing clashes of ideas, styles, and values between different generations of writers, different classes and social groups, and even between writers of the same generation and class. Parody is not an inherently conservative mode; politically, it serves the whole range of opinion from extreme left to extreme right. While several of the parodies are playful - a few even affectionate - most angrily testify to the political, social, and aesthetic divisions embittering the times. Some parodies have aged more gracefully than others. But all contribute to a more vivid understanding of the era and to the reception accorded the most important Romantic writers. The venom and alarm of the response those writers provoked may surprise anyone who takes it for granted that the Romantics easily made their way into the mainstream of English literature. This volume reprints parodies by the major Romantics (including Coleridge, Keats, Byron, and Shelley) as well as by minor, obscure, and anonymous contemporaries. Several longer, better-known texts are given in their entirety, e.g., Peter Bell, Peter Bell III, and The Vision of Judgment, and there are also examples from distinguished collections such as Rejected Addresses, The Poetic Mirror, and Warreniana. Numerous shorter works are taken from periodicals of the time (such as Blackwood's or The Satirist), and many of these are reprinted for the first time since their initial publication. The foreword by Linda Hutcheon, "Parody and Romantic Ideology," examines the theoretical implications of Romantic parodies. The introduction, headnotes, and annotations by the editors place the parodies in their historical, social, and literary contexts.
Download or read book List of Books Forming the Reference Library in the Reading Room of the British Museum written by British Museum. Dept. of Printed Books and published by . This book was released on 1910 with total page 1162 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book List of Books Forming the Reference Library in the Reading Room of the British Museum written by British Museum. Department of Printed Books and published by . This book was released on 1910 with total page 554 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Preface to Oscar Wilde written by Anne Varty and published by Routledge. This book was released on 2014-07-15 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Preface to Oscar Wilde provides a detailed study of the cultural, personal and political influences that shaped Wilde's writing. The study concentrates primarily on his fiction, critical dialogues and plays that were published between 1890 and 1895, and detailed accounts of Wilde's lesser known works such as his poetry, journalism and letters are also presented. The first section places his work in a variety of cultural contexts: Wilde's family life and his Irish inheritance are examined, the impact of his sexuality on his writing and reputation is considered, and a description is provided of how Wilde became a legendary figure in the arts. Major innovations and successes, such as The Picture of Dorian Gray, Salome and The Importance of Being Earnest are related to avant garde movements of their day such as aestheticism, decadence, and symbolism. Reference sections provide supporting material such as a Wilde chronology, a glossary of terms and a bibliography for further study. Anne Varty sets out in this study to bring to life the work of Wilde, and to make his writing accessible to readers who are unfamiliar with his achievements. In so doing, she confronts the ethical drive of his work, and demonstrates the coherent evolution of his work from the aestheticism of the early poetry, through the sophisticated handling of theatre, to the dark self-scrutiny of autobiography. The comprehensive and accessible approach makes this a useful reference work to all who are studying Oscar Wilde, both at A Level and undergraduate level. The content will also appeal to the general reader who is seeking to gain a greater understanding and appreciation of Wilde's work.
Download or read book Bulletin of the Salem Public Library written by Salem Public Library and published by . This book was released on 1893 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Feeling of Reading written by Rachel Ablow and published by University of Michigan Press. This book was released on 2010 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first collection of criticism devoted to the problem of reading in Victorian literature