Download or read book Paintings from the Samuel H Kress Collection Italian Schools XIII XV century written by Fern Rusk Shapley and published by . This book was released on 1966 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paintings from the Samuel H Kress Collection written by Fern Rusk Shapley and published by . This book was released on 1973 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paintings from the Samuel H Kress Collection written by Fern Rusk Shapley and published by . This book was released on 1968 with total page 459 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paintings from the Samuel H Kress Collection Italian Schools XVI XVIII century written by Fern Rusk Shapley and published by . This book was released on 1973 with total page 492 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paintings from the Samuel H Kress Collection written by F. R. Shapley and published by . This book was released on 1966 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: Phaidon.
Download or read book The Samuel H Kress Study Collection at the University of Missouri written by University of Missouri--Columbia. Museum of Art and Archaeology and published by University of Missouri Press. This book was released on 1999 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: Land, Burton Dunbar, Judith Mann, Marjorie Och, and William E. Wallace."--BOOK JACKET. "This catalog will be accessible to both the art historian and the general reader."--Jacket.
Download or read book Art of the Italian Renaissance from the Samuel H Kress Collection written by Columbia Museum of Art and published by . This book was released on 1954 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paintings from the Samuel H Kress Collection Italian Schools XV XVI century written by Fern Rusk Shapley and published by . This book was released on 1968 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of the Samuel H Kress Collection of Italian Paintings and Sculptures written by William Rockhill Nelson Gallery of Art and Mary Atkins Museum of Fine Arts and published by . This book was released on 1952 with total page 72 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Italian Paintings written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 1986 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paintings from the Samuel H Kress Collection Italian Schools XIII XV century written by Fern Rusk Shapley and published by . This book was released on 1966 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Drawing Relationships in Northern Italian Renaissance Art written by Giancarla Periti and published by Routledge. This book was released on 2017-07-05 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Vasari's celebration of the art of the central Italian cities of Florence, Rome and Venice, has long left in shadow the art of northern Italy. The economic and historical decline of the region compounded this effect with the dispersal of the treasures of the Farnese to Naples, the Este to Dresden and the Gonzaga to Madrid and Paris. Each chapter in this volume celebrates a stunning work from the region, among them Correggio's famed Camera di San Paolo in Parma, Parmigianino's Camerino in the Rocca Sanvitale near Parma, the studiolo of Alberto Pio at Carpi, and the Tomb of the Ancestors in the Tempio Malatestiano in Rimini. The volume as a whole offers fascinating insights into the tussle between the maniera moderna and the maniera devota in the first half of the sixteenth century, when the unity between the elegance and beauty of art and its religious significance came under debate. Around the year 1550, when Michelangelo's Last Judgement came under attack for impiety and lasciviousness and the reformists called for an art that would invoke in the viewer a devotional response that identified manifestations of the divine with human feelings and emotions. In northern Italy, it was on the foundation laid by Correggio, with his tenderness and ability to evoke the softness of living flesh, that the Carracci brothers built their reform of painting.
Download or read book Dosso Dossi written by Peter Humfrey and published by Metropolitan Museum of Art. This book was released on 1998 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dosso's rich color schemes are akin to those of his fellow North Italian Titian; he learned something about innovative composition from Raphael and about the force of the body from Michelangelo. But his paintings have a very individual appeal. In leafy natural surroundings containing an array of animals and heavenly bodies, events unfold that are often enigmatic, enacted by characters whose interrelationships elude definition.
Download or read book Filippino Lippi written by Paula Nuttall and published by BRILL. This book was released on 2020-07-20 with total page 407 pages. Available in PDF, EPUB and Kindle. Book excerpt: Filippino Lippi (1457–1504), although one of the most original and gifted artists of the Florentine renaissance, has attracted less scholarly attention than his father Fra Filippo Lippi or his master Botticelli, and very little has been published on him in English. This book, authored by leading Renaissance art historians, covers diverse aspects of Filippino Lippi’s art: his role in Botticelli’s workshop; his Lucchese patrons; his responses to Netherlandish painting; portraits; space and temporality; the restoration of the Strozzi Chapel in Santa Maria Novella; his immediate artistic legacy; and, finally, his nineteenth-century critical reception. The fourteen chapters in this volume were originally presented at the international conference Filippino Lippi: Beauty, Invention and Intelligence, held at the Dutch University Institute (NIKI) in Florence in 2017. See inside the book.
Download or read book Titian to 1518 written by Paul Joannides and published by Yale University Press. This book was released on 2001-01-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: The work that Titian produced during the first decade of his career is beautiful and varied, but it has raised many questions of attribution and chronology. This book - the first thorough and coherent account of this period in Titian's life - reconstructs what he painted, when he painted it and what these paintings mean. Paul Joannides begins by discussing the probable course of Titian's early career and his relationship to the Bellinis. There are individual excurses on Giorgione and on Sebastiano del Piombo whose work has often been confused with his. Joannides then offers new interpretations of some of Titian's paintings, emphasising their poetic and dramatic qualities. Among other topics, he associates for the first time the paintings in Saint Petersburg, Venice and Houston; lays out Titian's part of the Fondaco; connects the privately owned Resurrected Christ with the Fogg Circumcision; integrates the Dresden Venus and the Berlin Portrait into Titian's work; and establishes the dynamism and inventiveness of the great Assunta of 1516-18. Joannides provides detailed arguments in support of both new and familiar attributions, proposes a more closely reasoned and precise chronology
Download or read book Painting in Renaissance Perugia written by Sheri Francis Shaneyfelt and published by Cambridge University Press. This book was released on 2023-04-30 with total page 523 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume offers the first comprehensive study of painting in Renaissance Perugia from the late fifteenth to the mid- sixteenth centuries. Showcasing works by Perugino, Raphael, and Pintoricchio, as well as less familiar artists who worked in Perugia from ca. 1480–1540, Sheri Shaneyfelt traces the influence and impact of Perugino's workshop in central Italy over more than a half a century. She demonstrates why Perugia, which has been overlooked in modern scholarship, was such a vital center for the production of early modern Italian art. Shaneyfelt's study also shifts the focus away from the analysis of individual artistic creativity by highlighting the importance and significance of collaboration and workshop production in Renaissance Italy. Interweaving historical and archival evidence with analyses of numerous paintings and drawings, her book, richly illustrated with 115 color illustrations, offers many new insights into the vibrant artistic culture of early modern Perugia.
Download or read book Byzantium written by Metropolitan Museum of Art (New York, N.Y.) and published by Metropolitan Museum of Art. This book was released on 2004 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fall of the Byzantine capital of Constantinople to the Latin West in 1204 during the Fourth Crusade abruptly interrupted nearly nine hundred years of artistic and cultural traditions. In 1261, however, the Byzantine general Michael VIII Palaiologos triumphantly re-entered Constantinople and reclaimed the seat of the empire, initiating a resurgence of art and culture that would continue for nearly three hundred years, not only in the waning empire itself but also among rival Eastern Christian nations eager to assume its legacy. Byzantium: Faith and Power (1261–1557), and the groundbreaking exhibition that it accompanies, explores the artistic and cultural flowering of the last centuries of the "Empire of the Romans" and its enduring heritage. Conceived as the third of a trio of exhibitions dedicated to a fuller understanding of the art of the Byzantine Empire, whose influence spanned more than a millennium, "Byzantium: Faith and Power (1261–1557)" follows the 1997 landmark presentation of "The Glory of Byzantium," which focused on the art and culture of the Middle Byzantine era—the Second Golden Age of the Byzantine Empire (843–1261). In the late 1970s, "The Age of Spirituality" explored the early centuries of Byzantium's history. The present concluding segment explores the exceptional artistic accomplishments of an era too often considered in terms of political decline. Magnificent works—from splendid frescoes, textiles, gilded metalwork, and mosaics to elaborately decorated manuscripts and liturgical objects—testify to the artistic and intellectual vigor of the Late and Post-Byzantine era. In addition, forty magnificent icons from the Holy Monastery of Saint Catherine, Sinai, Egypt, join others from leading international institutions in a splendid gathering of these powerful religious images. While the political strength of the empire weakened, the creativity and learning of Byzantium spread father than ever before. The exceptional works of secular and religious art produced by Late Byzantine artists were emulated and transformed by other Eastern Christian centers of power, among them Russia, Serbia, Bulgaria, and Cilician Armenia. The Islamic world adapted motifs drawn from Byzantium's imperial past, as Christian minorities in the Muslin East continued Byzantine customs. From Italy to the Lowlands, Byzantium's artistic and intellectual practices deeply influenced the development of the Renaissance, while, in turn, Byzantium's own traditions reflected the empire's connections with the Latin West. Fine examples of these interrelationships are illustrated by important panel paintings, ceramics, and illuminated manuscripts, among other objects. In 1557 the "Empire of the Romans," as its citizens knew it, which had fallen to the Ottoman Turks in 1453, was renamed Byzantium by the German scholar Hieronymus Wolf. The cultural and historical interaction and mutual influence of these major cultures—the Latin West and the Christian and Islamic East—during this fascinating period are investigated in this publication by a renowned group of international scholars in seventeen major essays and catalogue discussions of more than 350 exhibited objects.
