Download or read book Ownership of Rights in Audiovisual Productions written by Marjut Salokannel and published by Martinus Nijhoff Publishers. This book was released on 1997-05-28 with total page 406 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a single generation audiovisual production technology has made two enormous leaps: interactivity and digital exploitation. Any law that deals with satellite transmission must take into account the ownership rights in audiovisual productions, and maintain a clear perspective on how existing laws in the field have been adapted - and will continue to be adapted - to protect authors. Who owns the digital exploitation rights in the audiovisual work? Who is entitled to collect remunerations collected from private copying? How do moral rights affect the licensing of rights in audiovisual works? These are some of the most contentious questions dealt with in this book. The book provides a comprehensive comparative framework for analysis of the regulation of ownership of rights in audiovisual productions in Europe. It is the first presentation that examines these issues in the light of revised Nordic copyright laws and the respective national regulations of Germany, France, Belgium, the United Kingdom and the United States. In addition, the book explains in detail how international and European Community regulations affect rights owners in audiovisual productions. The audiovisual sector is also an area where the differences between the civil law systems of author's rights and common law based copyright systems are particularly pronounced. This book clarifies some of the common misunderstandings encountered in this respect.
Download or read book Ownership of Rights in Audiovisual Productions written by Salokannel and published by Martinus Nijhoff Publishers. This book was released on 2023-09-14 with total page 399 pages. Available in PDF, EPUB and Kindle. Book excerpt: In a single generation audiovisual production technology has made two enormous leaps: interactivity and digital exploitation. Any law that deals with satellite transmission must take into account the ownership rights in audiovisual productions, and maintain a clear perspective on how existing laws in the field have been adapted - and will continue to be adapted - to protect authors. Who owns the digital exploitation rights in the audiovisual work? Who is entitled to collect remunerations collected from private copying? How do moral rights affect the licensing of rights in audiovisual works? These are some of the most contentious questions dealt with in this book. The book provides a comprehensive comparative framework for analysis of the regulation of ownership of rights in audiovisual productions in Europe. It is the first presentation that examines these issues in the light of revised Nordic copyright laws and the respective national regulations of Germany, France, Belgium, the United Kingdom and the United States. In addition, the book explains in detail how international and European Community regulations affect rights owners in audiovisual productions. The audiovisual sector is also an area where the differences between the civil law systems of author's rights and common law based copyright systems are particularly pronounced. This book clarifies some of the common misunderstandings encountered in this respect.
Download or read book Film Copyright in the European Union written by Pascal Kamina and published by Cambridge University Press. This book was released on 2016-04-28 with total page 561 pages. Available in PDF, EPUB and Kindle. Book excerpt: This second edition details the substantial developments in EU law during the last decade, including major cases, new treaties and new directives.
Download or read book The Lifespan for Copyright of Audiovisual Works written by European Audiovisual Observatory and published by Council of Europe. This book was released on 2012 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Copyright is extremely important in the film and television sector. It is the legal basis for financial compensation for all creative work that goes into audiovisual productions and therefore for claims for remuneration for such contributions. Most claims continue after the death of the holders of such copyright and related rights and can be inherited. However, in contrast to tangible goods, intellectual property rights expire after a certain period of time, when audiovisual works enter the public domain and can be used by anyone without the need for a licence, including online. This IRIS plus examines, in relation to the various relevant scenarios, when copyright protection for films and audiovisual works ends, focusing in particular on two of the world's most economically powerful audiovisual markets: Europe and the USA.
Download or read book Music Rights Unveiled written by Brooke Wentz and published by Taylor & Francis. This book was released on 2017-09-22 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Rights Unveiled provides an inside look at the complex world of music rights for film and video and includes step-by-step guidance to navigate these tricky waters. Authors Brooke Wentz and Maryam Battaglia share their decades of expertise in this user-friendly guide, designed specifically with filmmakers and producers in mind. The book provides a brief history of the pricing of music in film, television and digital media markets, and explains the process by which music is licensed or acquired for films, highlighting pitfalls to avoid and strategies for success. Further features include: A discussion of new media platforms and the intricacies of the rights needed to use music on those platforms; Tips for working with key music staff on a production – the Composer, the Music Supervisor and the Music Editor; An in-depth explanation of building a budget for the music component of your media project.
Download or read book Media Law for Producers written by Philip Miller and published by . This book was released on 1998 with total page 438 pages. Available in PDF, EPUB and Kindle. Book excerpt: Legal problems can be very costly to media producers. Lawyers and court fees, coupled with the loss of work time, can lead to bankruptcy. Media Law for Producers cuts through the legalese and illustrates legal issues to help producers recognize the legal questions that can come up during production, from performer contracts through copyright registrations. Beginning with an overview of what is media law, Media Law for Producers examines the court system and how media law is made: litigation and arbitration; contracts (sample production contracts are included); copyright, trademarks, and patents; permits, releases, and insurance; privacy, libel, and defamation; licensing music; working with and without unions; royalties and residuals; protecting your finished production; and special considerations for productions that will be broadcast. Contracts are a very important part of this book and Miller explains the reasons behind the necessary components of several types of media contracts. Through clear explanations and examples, Media Law for Producers completely covers what producers need to be aware of to avoid legal trouble. Philip Miller is an attorney in the Century City (Los Angeles) office of Irell & Manella LLP, where he specializes in entertainment and intellectual property law. He writes often on the subject of media and technology law and policy.
Download or read book Cinematographers copyright written by Carlos Rogel Vide and published by Editorial Reus. This book was released on 2018-04-09 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt: I. GENERAL APPROACH 1. Cinema; Article 10.1.d) of the Intellectual Property Law and Article 86.1 of the same; author or authors. Essential Arti-cles of the Intellectual Property Law relative to authors; Ar-ticles 5.1, 1 and 7.1 2. The cinematographic work; Hollywood Oscars; cinematograp-hic work: work with plurality of authors, work of joint creation and not collective 3. Cinematographic work authorship; Article 87 of the Inte-llectual Property Law; reverential reading of the text; Law 17/66 derogated; Article 87 of the Intellectual Property Law contains -for some- a closed list 4. Arguments to defend the co-authorship of directors of photography in the cinematographic work: qui tacet non altrui consentire videtur; the line of argument a simile and the possi-ble analogy game; voluntas legis and voluntas legislatoris 5. Regulation interpretation criteria; Article 3.1 of the Civil Code. Systematic interpretation; Article 87 of the Inte-llectual Property Law presupposes a series of Articles that pre-cede it. The essential element in cinema are the images. Article 10 of the Intellectual Property Law: a list of works not inten-ded to be exhaustive but by way of illustration. Article 3 of the Intellectual Property Law on the cinematographic works of 1966, legislative precedent appropriate for interpreting Article 87 of the Intellectual Property Law 6. Royal Decree 526/2002 of 14 June which regulates measures for fostering and promoting cinematography and making co-production films 7. Photographs, simple photographs and cinematographic pho-tography II. THE MATTER IN THE LIGHT OF HISTORY AND COMPARATIVE LAW 1. The matter in the light of History, with particular refe-rence to Spain: the beginning of cinema; the Berne Convention and its various reviews -Ber lin, 1908; Rome, 1928-; the French Bill on Cinematography of 1939 2. Spanish Law 17/1966 on intellectual property rights in cinematographic works; Article 87 of the current Spanish Inte-llectual Property Law; people who have participated in the creation of audiovisual work; numerus clausus or numerus aper-tus of authors; instructions on the photographs; creative role of the director of photography 3. Comparative law. The matter in Latin America. Plurality of systems 4. The matter in the Member States of the European Union. Plurality of systems 5. The matter in the European Union Directives on rental and lending rights, satellites and duration and their impact on au-diovisual work authorship 6. The report of 6 December 2002 from the Commission to the Council, the European Parliament, and the Economic and Social Committee on the question of authorship of cinematographic or audiovisual works in the Community and its review III. RECAPITULATION AND PROPOSALS FOR THE FUTURE IV. DIRECTORS OF PHOTOGRAPHY AND AUDIOVISUAL WORKS IN THE NEW SPANISH LAW ON CINEMA 1. Law on Cinema. Preamble of the same. Article 1 of the Law 2. The creative artists of audiovisual works 3. The co-authors 4. The director of photography as co-author of the audiovi-sual work 5. Law on Cinema Law, integrated by general legal regula-tions. The so-called nationality of audiovisual works. Spanish director of photography, director of photography/author 6. The authorship of the director of photography, determined in accordance with the entire Spanish Legal System and also in accordance with the Intellectual Property Law. Of the derogation of laws. Article 2.2 of the Civil Code. Express derogation and tacit derogation. The Only Derogation Provision of the Law on cinema 7. Directors of photography, copyright owners on audiovisual works. Need for an entity that administers the rights of the di-rectors of photography. Remuneration and compensation. Rules es-tablished in the Civil Code for joint ownership. The scope of the new Law. The First Temporary Provision of the Civil Code
Download or read book The Key to the Negotiation of Audiovisual Co production Contracts written by Dorothy Viljoen and published by Council of Europe. This book was released on 1994 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Film Copyright in the European Union written by Pascal Kamina and published by Cambridge University Press. This book was released on 2002-06-20 with total page 465 pages. Available in PDF, EPUB and Kindle. Book excerpt: Intellectual property issues in the film industry are often highly complex and in today's world are evolving rapidly. In the first book on this subject, Pascal Kamina unravels the complexities of film protection in the fifteen member states of the European Union, giving special emphasis to the United Kingdom and France. As well as addressing key aspects of film copyright, Kamina also deals with the protection of film works within the European Union in the context of European harmonisation of copyright laws. He details the main features of the domestic legislations of EU member states, and identifies the difficulties awaiting a further harmonization of copyright and neighbouring rights in this field. This book will interest practitioners, academics and students. The developments on contracts and moral rights will be of particular interest to lawyers outside continental Europe.
Download or read book Intellectual Property Rights in Sound Recordings Film Video written by J. A. L. Sterling and published by . This book was released on 1992 with total page 794 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book E Publishing and Digital Libraries Legal and Organizational Issues written by Iglezakis, Ioannis and published by IGI Global. This book was released on 2010-10-31 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: "In this book, a comprehensive review of various legal issues concerning digital libraries is presented"--Provided by publisher.
Download or read book International Copyright written by Paul Goldstein and published by Oxford University Press, USA. This book was released on 2010 with total page 589 pages. Available in PDF, EPUB and Kindle. Book excerpt: Previous edition, 1st, published in 2001.
Download or read book Copyright Law in the Digital Society written by Tanya Aplin and published by Bloomsbury Publishing. This book was released on 2005-08-30 with total page 324 pages. Available in PDF, EPUB and Kindle. Book excerpt: Multimedia technology is a key component of the Digital Society. This book comprehensively examines the extent to which copyright and database right protect multimedia works. It does so from the perspective of UK law, but with due attention being paid to EU law, international treaties and comparative developments in other jurisdictions, such as Australia and the U.S. The central argument of the book is that the copyright and database right regimes are, for the most part, flexible enough to meet the challenges presented by multimedia. As a result, it is neither necessary nor desirable to introduce separate copyright protection or sui generis protection for multimedia works. This important and original new work will be essential reading for any lawyer engaged in advising on IP matters relating to the new media industries, and scholars and students working in intellectual property and computer law.
Download or read book Getting Permission written by Richard Stim and published by NOLO. This book was released on 2004 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Detailed advice (and plenty of sample forms, worksheets and agreements) on everything from getting a business started to kicking out an unwanted partner later. - Los Angeles Times - It is the most definitive, complete and current do-it-yourself patent book ever written and it is written in easy-to-understand laymen's terms. - Mary Bellis, Inventor's Guide at About.com - Every step of the patent process is presented in order in this gem of a book, complete with official forms - San Francisco Chronicle - David Pressman is a practicing patent attorney, a former patent examiner, and the author of Patent It Yourself. His book is easy to understand and can save thousands of dollars by writing your own patent application, or by writing much of it, and having a patent agent or attorney edit and write the claims section. - Jack Lander, The Inventor's Bookstore - Like all law, [patent law] is pretty complex stuff. This clearly written guide will help minimize legal fees by preparing you to do what you can for yourself.- Mike Maza, Dallas Morning News - The book presents complicated procedures in easily digested chunks, with anecdotes, forms and plenty of old-fashioned good advice - The Denver Post - The most complete and authoritative work on patents and inventions for laypersons - InventNet - Contains all necessary forms and instructions plus advice on marketing your invention. - Money Magazine - The best roll-up-your-sleeves guide for filers who don't want to pay a ransom. - Inc.- Patent It Yourself is a top-notch reference for patent and trademark information. - San Francisco Examiner
Download or read book Understanding Copyright and Related Rights written by World Intellectual Property Organization and published by WIPO. This book was released on 2006 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt: This booklet is intended to provide an introduction for non-specialists or new-comers to the subject of copyright and related rights. It explains in layman's terms the fundamentals underpinning copyright law and practice. It describes the different types of rights which copyright and related rights law protects, as well as the limitations on those rights. And finally it briefly covers transfer of copyright and provisions for enforcement.
Download or read book Management of Copyright and Related Rights in the Audiovisual Field written by World Intellectual Property Organization and published by WIPO. This book was released on 2014 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt: WIPO commissioned this publication - with the support of the Norwegian Copyright Development Association (Norcode) - to be used as reference material in various training activities on collective management.
Download or read book Copyright and Multimedia Products written by Irini A. Stamatoudi and published by Cambridge University Press. This book was released on 2001-11-08 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Multimedia products have experienced tremendous market success. Yet too often they are given inadequate protection under existing national and international copyright schemes. Irini Stamatoudi provides a comprehensive, comparative treatment of multimedia works and copyright protection in this clear and concise volume. A detailed introduction outlines the nature of the multimedia work, as well as the scope of existing legislation; separate chapters consider collections and compilations, databases, audiovisual works and computer programs (video games are here treated as a 'test case'). Stamatoudi then analyses issues of qualification, regime of protection, and offers a model for a European legislative solution. Copyright and Multimedia Products will interest academics and students, as well as practitioners and copyright policy makers.
