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Book Ovid and the Cultural Politics of Translation in Early Modern England

Download or read book Ovid and the Cultural Politics of Translation in Early Modern England written by Liz Oakley-Brown and published by Routledge. This book was released on 2017-03-02 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Ovid and the Cultural Politics of Early Modern England, Liz Oakley-Brown considers English versions of the Metamorphoses - a poem concerned with translation and transformation on a multiplicity of levels - as important sites of social and historical difference from the fifteenth to the early eighteenth centuries. Through the exploration of a range of canonical and marginal texts, from Shakespeare's Titus Andronicus to women's embroideries of Ovidian myths, Oakley-Brown argues that translation is central to the construction of national and gendered identities.

Book The Early Modern Medea

Download or read book The Early Modern Medea written by K. Heavey and published by Springer. This book was released on 2015-02-24 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.

Book Literature and Popular Culture in Early Modern England

Download or read book Literature and Popular Culture in Early Modern England written by Matthew Dimmock and published by Ashgate Publishing, Ltd.. This book was released on 2009 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now in its third edition, Peter Burke's 1978 book Popular Culture in Early Modern Europe has for thirty years set the benchmark for cultural historians with its wide ranging and imaginative exploration of early modern European popular culture. In order to celebrate this achievement, and to explore the ways in which perceptions of popular culture have changed in the intervening years a group of leading scholars are brought together in this new volume to examine Burke's thesis in relation to England. Adopting an appropriately interdisciplinary approach, the collection offers an unprecedented survey of the field of popular culture in early modern England as it currently stands, bringing together scholars at the forefront of developments in an expanding area. Concluded by an Afterword by Peter Burke, the volume provides a vivid sense of the range and significance of early modern popular culture and the difficulties involved in defining and studying it.

Book Violent Liminalities in Early Modern Culture

Download or read book Violent Liminalities in Early Modern Culture written by Kaye McLelland and published by Taylor & Francis. This book was released on 2022-11-25 with total page 217 pages. Available in PDF, EPUB and Kindle. Book excerpt: Violent liminalities in Early Modern Culture is a methodologically innovative book combining the twin disciplines of queer theory and disability studies. It investigates the violence feared from, and directed at, inhabitants of the ‘betwixt and between’ spaces of early modern literature and culture, through a focus on the perpetuated metamorphic states of Shakespeare’s and Spenser’s liminal figures including Lavinia, Puck, and Britomart. With chapters on gender, sexuality, adolescence, madness, and physical disability, Kaye McLelland applies a bi-theoretical lens to interrogate the ways in which being simultaneously ‘neither’ and ‘both’ brings to bear the non-normative disruption identified by queer theory in ways that use binary systems against themselves. For many of Spenser’s and Shakespeare’s characters, the ‘in-between’ state, whether ritually or otherwise induced, transforms the instantaneous binary threshold of the limen into a permanent ‘habitation’. This created space is one of great power that is feared and violently countered by those who would shut it down. Set against the literary history of Spenser’s and Shakespeare’s Ovidianism and festivity, and the historical context of the post-Reformation transformation from a tertiary to a binary model of the afterlife, this volume identifies a persistent positioning of liminal literary figures in proximity to the liminality of the dead and dying, whilst simultaneously tracing the positive ways in which these inhabitants of the powerful ‘betwixt and between’ are depicted.

Book Ovidian Myth and Sexual Deviance in Early Modern English Literature

Download or read book Ovidian Myth and Sexual Deviance in Early Modern English Literature written by S. Carter and published by Springer. This book was released on 2016-02-25 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt: Carter explores early modern culture's reception of Ovid through the manipulation of Ovidian myth by Shakespeare, Middleton, Heywood, Marlowe and Marston. With a focus on sexual violence, homosexuality, incest and idolatry, Carter analyses how depictions of mythology represent radical ideas concerning gender and sexuality.

Book Shakespeare s Erotic Mythology and Ovidian Renaissance Culture

Download or read book Shakespeare s Erotic Mythology and Ovidian Renaissance Culture written by Ms Agnès Lafont and published by Ashgate Publishing, Ltd.. This book was released on 2013-09-28 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: Taking cross-disciplinary and comparative approaches to the volume’s subject, this exciting collection of essays offers a reassessment of Shakespeare’s erotic and Ovidian mythology within classical and continental aesthetic contexts. Through extensive examination of mythological visual and textual material, scholars explore the transmission and reinvention of Ovidian eroticism in Shakespeare’s plays to show how early modern artists and audiences collectively engaged in redefining ways of thinking pleasure. Within the collection’s broad-ranging investigation of erotic mythology in Renaissance culture, each chapter analyses specific instances of textual and pictorial transmission, reception, and adaptation. Through various critical strategies, contributors trace Shakespeare’s use of erotic material to map out the politics and aesthetics of pleasure, unravelling the ways in which mythology informs artistic creation. Received acceptions of neo-platonic love and the Petrarchan tensions of unattainable love are revisited, with a focus on parodic and darker strains of erotic desire, such as Priapic and Dionysian energies, lustful fantasy and violent eros. The dynamics of interacting tales is explored through their structural ability to adapt to the stage. Myth in Renaissance culture ultimately emerges not merely as near-inexhaustible source material for the Elizabethan and Jacobean arts, but as a creative process in and of itself.

Book Re inventing Ovid   s Metamorphoses

Download or read book Re inventing Ovid s Metamorphoses written by and published by BRILL. This book was released on 2020-10-26 with total page 503 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores early modern recreations of myths from Ovid’s immensely popular Metamorphoses, focusing on the creative ingenium of artists and writers and on the peculiarities of the various media that were applied. The contributors try to tease out what (pictorial) devices, perspectives, and interpretative markers were used that do not occur in the original text of the Metamorphoses, what aspects were brought to the fore or emphasized, and how these are to be explained. Expounding the whatabouts of these differences, the contributors discuss the underlying literary and artistic problems, challenges, principles and techniques, the requirements of the various literary and artistic media, and the role of the cultural, ideological, religious, and gendered contexts in which these recreations were produced. Contributors are: Noam Andrews, Claudia Cieri Via, Daniel Dornhofer, Leonie Drees-Drylie, Karl A.E. Enenkel, Daniel Fulco, Barbara Hryszko, Gerlinde Huber-Rebenich, Jan L. de Jong, Andrea Lozano-Vásquez, Sabine Lütkemeyer, Morgan J. Macey, Kerstin Maria Pahl, Susanne Scholz, Robert Seidel, and Patricia Zalamea.

Book Shakespeare Survey  Volume 62  Close Encounters with Shakespeare s Text

Download or read book Shakespeare Survey Volume 62 Close Encounters with Shakespeare s Text written by Peter Holland and published by Cambridge University Press. This book was released on 2009-10-22 with total page 1300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948, Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies, and of the year's major British performances. The theme for volume 62 is 'Close Encounters with Shakespeare's Text'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully-searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.

Book Making and unmaking in early modern English drama

Download or read book Making and unmaking in early modern English drama written by Chloe Porter and published by Manchester University Press. This book was released on 2015-11-01 with total page 349 pages. Available in PDF, EPUB and Kindle. Book excerpt: This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Why are early modern English dramatists preoccupied with unfinished processes of ‘making’ and ‘unmaking’? And what did the terms ‘finished’ or ‘incomplete’ mean for dramatists and their audiences in this period? Making and unmaking in early modern English drama is about the significance of visual things that are ‘under construction’ in works by playwrights including Shakespeare, Robert Greene and John Lyly. Illustrated with examples from across visual and material culture, it opens up new interpretations of the place of aesthetic form in the early modern imagination. Plays are explored as a part of a lively post-Reformation visual culture, alongside a diverse range of contexts and themes, including iconoclasm, painting, sculpture, clothing and jewellery, automata and invisibility. Asking what it meant for Shakespeare and his contemporaries to ‘begin’ or ‘end’ a literary or visual work, this book is essential reading for scholars and students of early modern English drama, literature, visual culture and history.

Book Ovidian Bibliofictions and the Tudor Book

Download or read book Ovidian Bibliofictions and the Tudor Book written by Lindsay Ann Reid and published by Routledge. This book was released on 2016-05-23 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ovidian Bibliofictions and the Tudor Book examines the historical and the fictionalized reception of Ovid’s poetry in the literature and books of Tudor England. It does so through the study of a particular set of Ovidian narratives-namely, those concerning the protean heroines of the Heroides and Metamorphoses. In the late medieval and Renaissance eras, Ovid’s poetry stimulated the vernacular imaginations of authors ranging from Geoffrey Chaucer and John Gower to Isabella Whitney, William Shakespeare, and Michael Drayton. Ovid’s English protégés replicated and expanded upon the Roman poet’s distinctive and frequently remarked ’bookishness’ in their own adaptations of his works. Focusing on the postclassical discourses that Ovid’s poetry stimulated, Ovidian Bibliofictions and the Tudor Book engages with vibrant current debates about the book as material object as it explores the Ovidian-inspired mythologies and bibliographical aetiologies that informed the sixteenth-century creation, reproduction, and representation of books. Further, author Lindsay Ann Reid’s discussions of Ovidianism provide alternative models for thinking about the dynamics of reception, adaptation, and imitatio. While there is a sizeable body of published work on Ovid and Chaucer as well as on the ubiquitous Ovidianism of the 1590s, there has been comparatively little scholarship on Ovid’s reception between these two eras. Ovidian Bibliofictions and the Tudor Book begins to fill this gap between the ages of Chaucer and Shakespeare by dedicating attention to the literature of the early Tudor era. In so doing, this book also contributes to current discussions surrounding medieval/Renaissance periodization.

Book Ovid in English  1480 1625  Part One  Metamorphoses

Download or read book Ovid in English 1480 1625 Part One Metamorphoses written by Sarah Annes Brown and published by MHRA. This book was released on 2013-10-07 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings together a range of celebrated and less familiar translations of Ovid’s Metamorphoses produced in English between 1480 and 1625, beginning with the story of Narcissus from Caxton’s manuscript translation of the Metamorphoses and ending with George Sandys’s version of Callisto’s tale. The volume as a whole reflects the complex (and shifting) variety of Ovid’s early modern reception. These poems, some of them republished here for the first time, help extend and enrich our understanding of Ovid’s influence on early modern literature. All texts have been fully modernised and annotated, rendering them accessible to students and general readers as well as scholars of the period.

Book A New Companion to English Renaissance Literature and Culture

Download or read book A New Companion to English Renaissance Literature and Culture written by Michael Hattaway and published by John Wiley & Sons. This book was released on 2010-05-10 with total page 1267 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this revised and greatly expanded edition of the Companion, 80 scholars come together to offer an original and far-reaching assessment of English Renaissance literature and culture. A new edition of the best-selling Companion to English Renaissance Literature, revised and updated, with 22 new essays and 19 new illustrations Contributions from some 80 scholars including Judith H. Anderson, Patrick Collinson, Alison Findlay, Germaine Greer, Malcolm Jones, Arthur Kinney, James Knowles, Arthur Marotti, Robert Miola and Greg Walker Unrivalled in scope and its exploration of unfamiliar literary and cultural territories the Companion offers new readings of both ‘literary’ and ‘non-literary’ texts Features essays discussing material culture, sectarian writing, the history of the body, theatre both in and outside the playhouses, law, gardens, and ecology in early modern England Orientates the beginning student, while providing advanced students and faculty with new directions for their research All of the essays from the first edition, along with the recommendations for further reading, have been reworked or updated

Book Unperfect Histories

Download or read book Unperfect Histories written by Harriet Archer and published by Oxford University Press. This book was released on 2017-10-13 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Mirror for Magistrates, the collection of de casibus complaint poems in the voices of medieval rulers and rebels compiled by William Baldwin in the 1550s, was central to the development of imaginative literature in the sixteenth and early seventeenth centuries. Additions by John Higgins, Thomas Blenerhasset, and Richard Niccols between 1574 and 1610 extended the Mirror's scope, shifted its focus, and prolonged its popularity; in particular, the texts' later manifestations profoundly influenced the work of Spenser and Shakespeare. Unperfect Histories is the first monograph to consider the text's early modern transmission history as a whole. In chapters on Baldwin, Higgins, Blenerhasset, and Niccols's complaint collections, it demonstrates that the Mirror is an invaluable witness to how verse history was conceptualized, written, and read across the period, and explores the ways in which it was repeatedly reinterpreted and redeployed in response to changing contemporary concerns. The Mirror corpus encompasses topical allegory, nationalist polemic, and historiographical skepticism, as well as the macabre humour and metatextual play which have come to be known as hallmarks of Baldwin's mid-Tudor writings. What has not been recognised is the complex interaction of these themes and techniques right across the Mirror's history. Higgins, Blenerhasset, and Niccols's contributions are analysed for the first time here, both within their own literary and historiographical contexts, and in dialogue with Baldwin's early editions. This new reading offers a lively account of the texts' depth and variety, and provides insight into the extent of the Mirror's influence and ubiquity in early modern literary culture.

Book Mural Painting in Britain 1630 1730

Download or read book Mural Painting in Britain 1630 1730 written by Lydia Hamlett and published by Routledge. This book was released on 2020-03-20 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book illuminates the original meanings of seventeenth- and early-eighteenth-century mural paintings in Britain. At the time, these were called ‘histories’. Throughout the eighteenth century, though, the term became directly associated with easel painting and, as ‘history painting’ achieved the status of a sublime genre, any link with painted architectural interiors was lost. Whilst both genres contained historical figures and narratives, it was the ways of viewing them that differed. Lydia Hamlett emphasises the way that mural paintings were experienced by spectators within their architectural settings. New iconographical interpretations and theories of effect and affect are considered an important part of their wider historical, cultural and social contexts. This book is intended to be read primarily by specialists, graduate and undergraduate students with an interest in new approaches to British art of the seventeenth and eighteenth centuries.

Book Violence  Trauma  and Virtus in Shakespeare s Roman Poems and Plays

Download or read book Violence Trauma and Virtus in Shakespeare s Roman Poems and Plays written by L. Starks-Estes and published by Springer. This book was released on 2014-07-08 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Employing psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare's appropriations of Ovid's poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.

Book Narcissism and Suicide in Shakespeare and his Contemporaries

Download or read book Narcissism and Suicide in Shakespeare and his Contemporaries written by Eric Langley and published by OUP Oxford. This book was released on 2009-11-12 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: The subjects of this book are the subjects whose subjects are themselves. Narcissus so himself himself forsook, And died to kiss his shadow in the brook. In accusing the introspective Adonis of narcissistic self-absorption, Shakespeare's Venus employs a geminative construction - 'himself himself' - that provides a keynote for this study of Renaissance reflexive subjectivity. Through close analysis of a number of Shakespearean texts - including Venus and Adonis, Romeo and Juliet, Julius Caesar, Hamlet, and Othello - his book illustrates how radical self-reflection is expressed on the Renaissance page and stage, and how representations of the two seemingly extreme figures of the narcissist and self-slaughterer are indicative of early-modern attitudes to introspection. Encompassing a broad range of philosophical, theological, poetic, and dramatic texts, this study examines period descriptions of the early-modern subject characterised by the rhetoric of reciprocation and reflection. The narcissist and the self-slaughter provide models of dialogic but self-destructive identity where private interiority is articulated in terms of self-response, but where this geminative isolation is understood as self-defeating, both selfish and suicidal. The study includes work on Renaissance revisions of Ovid, classical attitudes to suicide, the rhetoric of friendship literature, discussion of early-modern optic theory, and an extended discussion of narcissism in the epyllia tradition. Sustained textual analysis offers new readings of major Shakespearean texts, allowing familiar works of literature to be seen from the unusual and anti-social perspectives of their narcissistic and suicidal protagonists.

Book Shakespeare and Greece

Download or read book Shakespeare and Greece written by Alison Findlay and published by Bloomsbury Publishing. This book was released on 2017-01-26 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book seeks to invert Ben Jonson's claim that Shakespeare had 'small Latin and less Greek' and to prove that, in fact, there is more Greek and less Latin in a significant group of Shakespeare's texts: a group whose generic hybridity (tragic-comical-historical-romance) exemplifies the hybridity of Greece in the early modern imagination. To early modern England, Greece was an enigma. It was the origin and idealised pinnacle of Western philosophy, tragedy, democracy, heroic human endeavour and, at the same time, an example of decadence: a fallen state, currently under Ottoman control, and therefore an exotic, dangerous, 'Other' in the most disturbing senses of the word. Indeed, while Britain was struggling to establish itself as a nation state and an imperial authority by emulating classical Greek models, this ambition was radically unsettled by early modern Greece's subjection to the Ottoman Empire, which rendered Europe's eastern borders dramatically vulnerable. Focusing, for the first time, on Shakespeare's 'Greek' texts (Venus and Adonis, The Comedy of Errors, A Midsummer Night's Dream, Love's Labour's Lost, Troilus and Cressida, Timon of Athens, King Lear, Pericles and The Two Noble Kinsmen), the volume considers how Shakespeare's use of antiquity and Greek myth intersects with early modern perceptions of the country and its empire.