Download or read book Orts Scraps and Fragments written by Lisa Coughlin McGarry and published by . This book was released on 2007 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work explores a central question of the human condition: how do we find meaning in human experience? Virginia Woolf's novels give us insight into the Modernist's response, one that reacts to the devastation of war, advances in the sciences, and a deeper understanding of human consciousness. Orts, Scraps, and Fragments contends that the social constructs of religion, marriage, and communication fail to provide the meaning and interpersonal connection that society invests in them. Instead, Woolf's characters struggle within these constructs and ultimately find themselves disillusioned, unfulfilled, and isolated. Through a close reading, Dr. McGarry analyzes the ways in which characters, such as Clarissa Dalloway, Mrs. Ramsay, Giles and Isa Oliver, and Jacob Flanders, attempt to work through the realization that meaning is elusive. However, Woolf's few artistic characters have the ability to transcend this darkness. Through their struggle for creative expression, they glimpse, if only briefly, a larger, unifying meaning. For Lily Briscoe, Miss LaTrobe, and Bernard this momentary hint of universal meaning provides sufficient motivation to continue the artistic process and life itself. For Woolf art, not imposed social constructs, sustains life.
Download or read book Scraps Orts and Fragments written by Jennifer Mueller and published by . This book was released on 1994 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reflections written by Susan Lotz Winton and published by . This book was released on 1999 with total page 30 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fiction and Repetition written by J. Hillis Miller and published by Harvard University Press. This book was released on 1985-10-15 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Fiction and Repetition, one of our leading critics and literary theorists offers detailed interpretations of seven novels: Emily Brontë's Wuthering Heights, Thackeray's Henry Esmond, Hardy's Tess of the d'Urbervilles and The Well-Beloved, Conrad's Lord Jim, and Woolf's Mrs. Dalloway and Between the Acts. Miller explores the multifarious ways in which repetition generates meaning in these novels—repetition of images, metaphors, motifs; repetition on a larger scale of episodes, characters, plots; and repetition from one novel to another by the same or different authors. While repetition creates meanings, it also, Miller argues, prevents the identification of a single determinable meaning for any of the novels; rather, the patterns made by the various repetitive sequences offer alternative possibilities of meaning which are incompatible. He thus sees “undecidability” as an inherent feature of the novels discussed. His conclusions make a provocative contribution to current debates about narrative theory and about the principles of literary criticism generally. His book is not a work of theory as such, however, and he avoids the technical terminology dear to many theorists; his book is an attempt to interpret as best he can his chosen texts. Because of his rare critical gifts and his sensitivity to literary values and nuances, his readings send one back to the novels with a new appreciation of their riches and their complexities of form.
Download or read book Orts Scraps and Fragments written by Lisa Coughlin McGarry and published by . This book was released on 2002 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt: From essays and short stories to novels, Woolf experimented with narrative form and character development based on scientific, political, and philosophical advancements that occurred just before and during her lifetime. Her fiction especially acknowledged the need for modes of expression that conveyed more accurately the modern human condition. This dissertation explores the extent to which Woolf demonstrated how social constructs fail to provide satisfactory fulfillment for men and women alike. Specifically, religion, marriage, and verbal or written communication, each developed to foster wellbeing in the community, break down because their standards no longer apply to the modern world and become incapable of making human interaction meaningful. Woolf's characters, then, actively seek alternatives to these obsolete constructs. This dissertation will show that for Woolf and her characters, the creative process and completed artistic endeavor become the only viable response to chaotic and isolating modern reality.
Download or read book Modernism and the Theater of Censorship written by Adam Parkes and published by Oxford University Press. This book was released on 1996-02-22 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adam Parkes investigates the literary and cultural implications of the censorship encountered by several modern novelists in the early twentieth century. He situates modernism in the context of this censorship, examining the relations between such authors as D.H. Lawrence, James Joyce, Radclyffe Hall, and Virginia Woolf and the public controversies generated by their fictional explorations of modern sexual themes. These authors located "obscenity" at the level of stylistic and formal experiment. The Rainbow, Lady Chatterley's Lover, Ulysses, and Orlando dramatized problems of sexuality and expression in ways that subverted the moral, political, and aesthetic premises on which their censors operated. In showing how modernism evolved within a culture of censorship, Modernism and the Theater of Censorship suggests that modern novelists, while shaped by their culture, attempted to reshape it.
Download or read book Fragments of the City written by Colin McFarlane and published by Univ of California Press. This book was released on 2021-10-05 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: Pursuing fragments -- Pulling together, falling apart -- Knowing fragments -- Writing in fragments -- Political framings -- Walking cities -- In completion.
Download or read book Virginia Woolf and the Bloomsbury Avant garde written by Christine Froula and published by Columbia University Press. This book was released on 2006-09-22 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: Virginia Woolf and the Bloomsbury Avant-Garde traces the dynamic emergence of Woolf's art and thought against Bloomsbury's public thinking about Europe's future in a period marked by two world wars and rising threats of totalitarianism. Educated informally in her father's library and in Bloomsbury's London extension of Cambridge, Virginia Woolf came of age in the prewar decades, when progressive political and social movements gave hope that Europe "might really be on the brink of becoming civilized," as Leonard Woolf put it. For pacifist Bloomsbury, heir to Europe's unfinished Enlightenment project of human rights, democratic self-governance, and world peace—and, in E. M. Forster's words, "the only genuine movement in English civilization"— the 1914 "civil war" exposed barbarities within Europe: belligerent nationalisms, rapacious racialized economic imperialism, oppressive class and sex/gender systems, a tragic and unnecessary war that mobilized sixty-five million and left thirty-seven million casualties. An avant-garde in the twentieth-century struggle against the violence within European civilization, Bloomsbury and Woolf contributed richly to interwar debates on Europe's future at a moment when democracy's triumph over fascism and communism was by no means assured. Woolf honed her public voice in dialogue with contemporaries in and beyond Bloomsbury— John Maynard Keynes and Roger Fry to Sigmund Freud (published by the Woolfs'Hogarth Press), Bertrand Russell, T. S. Eliot, E. M. Forster, Katherine Mansfield, and many others—and her works embody and illuminate the convergence of aesthetics and politics in post-Enlightenment thought. An ambitious history of her writings in relation to important currents in British intellectual life in the first half of the twentieth century, this book explores Virginia Woolf's narrative journey from her first novel, The Voyage Out, through her last, Between the Acts.
Download or read book No Man s Land written by Sandra M. Gilbert and published by Yale University Press. This book was released on 1996-02-21 with total page 504 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do writers and their readers imagine the future in a turbulent time of sex war and sex change? And how have transformations of gender and genre affected literary representations of "woman," "man," "family," and "society"? This final volume in Gilbert and Gubar's landmark three-part No Man's Land: The Place of the Woman Writer in the Twentieth Century argues that throughout the twentieth century women of letters have found themselves on a confusing cultural front and that most, increasingly aware of the artifice of gender, have dispatched missives recording some form of the "future shock" associated with profound changes in the roles and rules governing sexuality. Divided into two parts, Letters from the Front is chronological in organization, with the first section focusing on such writers of the modernist period as Virginia Woolf, Zora Neale Hurston, Edna St. Vincent Millay, Marianne Moore, and H.D., and the second devoted to authors who came to prominence after the Second World War, including Gwendolyn Brooks, Sylvia Plath, Margaret Atwood, Toni Morrison, and A.S. Byatt. Embroiled in the sex antagonism that Gilbert and Gubar traced in The War of the Words and in the sexual experimentations that they studied in Sexchanges, all these artists struggled to envision the inscription of hitherto untold stories on what H.D. called "the blank pages/of the unwritten volume of the new." Through the works of the first group, Gilbert and Gubar focus in particular on the demise of any single normative definition of the feminine and the rise of masquerades of "femininity" amounting to "female female impersonation." In the writings of the second group, the critics pay special attention to proliferating revisions of the family romance--revisions significantly inflected by differences in race, class, and ethnicity--and to the rise of masquerades of masculinity, or "male male impersonation." Throughout, Gilbert and Gubar discuss the impact on literature of such crucial historical events as the Harlem Renaissance, the Second World War, and the "sexual revolution" of the sixties. What kind of future might such a past engender? Their book concludes with a fantasia on "The Further Adventures of Snow White" in which their bravura retellings of the Grimm fairy tale illustrate ways in which future writing about gender might develop.
Download or read book Modernism and Non Translation written by Jason Harding and published by Oxford University Press. This book was released on 2019-10-24 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book explores the incorporation of untranslated fragments from various languages within modernist writing. It studies non-translation in modernist fiction, poetry, and other forms of writing, with a principally European focus and addresses the following questions: what are the aesthetic and cultural implications of non-translation for modernist literature? How did non-translation shape the poetics, and cultural politics, of some of the most important writers of this key period? This edited volume, written by leading scholars of modernism, explores American, British, and Irish texts, alongside major French and German writers and the wider modernist recovery of Classical languages. The chapters analyse non-translation from the dual perspectives of both 'insider' and 'outsider', unsettling that false opposition and articulating in the process their individuality of expression and experience. The range of voices explored indicates something of the reach and vitality of the matter of translation—and specifically non-translation—across a selection of poetry, fiction, and non-fictional prose, while focusing on mainly canonical voices. Together, these essays seek to provoke and extend debate on the aesthetic, cultural, political, and conceptual dimensions of non-translation as an important yet hitherto neglected facet of modernism, thus helping to re-define our understanding of that movement. It demonstrates the rich possibilities of reading modernism through instances of non-translation.
Download or read book Virginia Woolf The Common Ground written by Gillian Beer and published by Edinburgh University Press. This book was released on 2019-06-01 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book for the first time brings together Gillian Beer's essays on Virginia Woolf. Widely recognised as a leading authority on Woolf and a sophisticated critic of modernism and fiction, Beer's essays make fascinating reading. Beer demonstrates, through close investigative textual readings, how Woolf's conceptualisations of history and narrative are intimately bound up with her ways of thinking about women, writing and social and sexual relations.
Download or read book Virginia Woolf in the Age of Mechanical Reproduction written by Pamela Caughie and published by Routledge. This book was released on 2013-10-31 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of ten original essays is the first to read Virginia Woolf through the prism of our technological present. Expanding on the work of feminist and cultural critics of the past two decades, this volume offers a sustained reflection on the relationship between Walter Benjamin's analyses of mass culture and technology and Woolf's cultural productions of the 1920s and 1930s. It also brings out the extent to which Woolf was beginning to image the technological society then taking shape. This book takes part in contemporary efforts to rethink modernism as a more globalized and technologized phenomenon
Download or read book Fragmentary Modernism written by Nora Goldschmidt and published by Oxford University Press. This book was released on 2023-12-07 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fragmentary Modernism begins from a simple observation: what has been called the 'apotheosis of the fragment' in the art and writing of modernism emerged hand in hand with a series of paradigm-shifting developments in classical scholarship, which brought an unprecedented number of fragmentary texts and objects from classical antiquity to light in modernity. Focusing primarily on the writers who came to define the Anglophone modernist canon -- Ezra Pound, T.S. Eliot, Hilda Doolittle (H.D.), and Richard Aldington, and the artists like Jacob Epstein and Henri Gaudier-Brzeska with whom they were associated -- the book plots the multiple networks of interaction between modernist practices of the fragment and the disciplines of classical scholarship. Some of the most radical writers and artists of the period can be shown to have engaged intensively with the fragments of Greek and Roman antiquity and their mediations by classical scholars. But the direction of influence also worked the other way: the modernist aesthetic of gaps, absence, and fracture came to shape how classical scholars and museum curators themselves interpreted and presented the fragments of the past to audiences in the present. From papyrology to philology, from epigraphy to archaeology, the 'classical fragment', as we still often see it today, emerged as the joint cultural production of classical scholarship and the literary and visual cultures of modernism.
Download or read book Greek Tragedy Education and Theatre Practices in the UK Classics Ecology written by David Bullen and published by Taylor & Francis. This book was released on 2024-06-12 with total page 114 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through a series of case studies, this book explores the interrelations among Greek tragedy, theatre practices, and education in the United Kingdom. This is situated within what the volume proposes as ‘the Classics ecology’. The term ‘ecology’, frequently used in Theatre Studies, understands Classics as a field of cultural production dependent on shared knowledge circulated via formal and informal networks, which operate on the basis of mutually beneficial exchange. Productions of Greek tragedy may be influenced by members of the team studying Classics subjects at school or university, or reading popular works of Classical scholarship, or else by working with an academic consultant. All of these have some degree of connection to academic Classics, albeit filtered through different lenses, creating a network of mutual influence and benefit (the ecology). In this way, theatrical productions of Greek drama may, in the long term, influence Classics as an academic discipline, and certainly contribute to attesting to the relevance of Classics in the modern world. The chapters in this volume include contributions by both theatre makers and academics, whose backgrounds vary between Theatre Studies and Classics. They comprise a variety of case studies and approaches, exploring the dissemination of knowledge about the ancient world through projects that engage with Greek tragedy, theories and practices of theatre making through the chorus, and practical relationships between scholars and theatre makers. By understanding the staging of Greek tragedy in the United Kingdom today as being part of the Classics ecology, the book examines practices and processes as key areas in which the value of engaging with the ancient past is (re)negotiated. This book is primarily suitable for students and scholars working in Classical Reception and Theatre Studies who are interested in the reception history of Greek tragedy and the intersection of the two fields. It is also of use to more general Classics and Theatre Studies audiences, especially those engaged with current debates around ‘saving Classics’ and those interested in a structural, systemic approach to the intersection between theatre, culture, and class.
Download or read book Selected Works of Virginia Woolf written by Virginia Woolf and published by Wordsworth Editions. This book was released on 2005 with total page 1028 pages. Available in PDF, EPUB and Kindle. Book excerpt: The delicate artistry and lyrical prose of Woolf's novels have established her as a writer of sensitivity and profound talent. Virginia Woolf displays genuine humanity and concern for the experiences that enrich and stultify existence.
Download or read book Modernism and World War II written by Marina MacKay and published by Cambridge University Press. This book was released on 2007-01-18 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: World War II marked the beginning of the end of literary modernism in Britain. However, this late period of modernism and its response to the war have not yet received the scholarly attention they deserve. In this full-length study of modernism and World War II, Marina MacKay offers historical readings of Virginia Woolf, Rebecca West, T. S. Eliot, Henry Green and Evelyn Waugh set against the dramatic background of national struggle and transformation. In recovering how these major authors engaged with other texts of their time - political discourses, mass and middlebrow culture - this study reveals how World War II brought to the surface the underlying politics of modernism's aesthetic practices. Through close analyses of the revisions made to modernist thinking after 1939, MacKay establishes the significance of this persistently neglected phase of modern literature as a watershed moment in twentieth-century literary history.
Download or read book Virginia Woolf s Novels and the Literary Past written by Jane de Gay and published by Edinburgh University Press. This book was released on 2007-09-25 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first book to explore Virginia Woolf's preoccupation with the literary past and its profound impact on the content and structure of her novels.It analyses Woolf's reading and writing practices via her essays, diaries and reading notebooks and presents chronological studies of eight of her novels, exploring how Woolf's intensive reading surfaced in her fiction. The book sheds light on Woolf's varied and intricate use of literary allusions; examines ways in which Woolf revisited and revised plots and tropes from earlier fiction; and looks at how she used parody as a means both of critical comment and homage.
