Download or read book Opera and the Culture of Fascism written by Jeremy Tambling and published by Oxford University Press on Demand. This book was released on 1996 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study looks at nineteenth - and early twentieth-century opera as part of a culture which produced fascism as a crisis-state, and threatened to extinguish the genre as an influential and contemporary high form of art altogether. Jeremy Tambling highlights the themes of the cultural crisis through a detailed discussion of some dozen operas and a general overview of the works of Wagner, Verdi, Puccini, Strauss, and others, drawing on the writings of Nietzsche, Adorno, Benjamin, and Heidegger, for an understanding of the ideological background. Reading fascism as a political, intellectual, and psychological phenomenon, the author draws on the works of Bataille, Theweleit, and Kristeva, for discussion of proto-fascist and fascist thought, and for its relation to gender-politics. Resisting the cliches about Wagner or Strauss's relationship to the Third Reich, Tambling takes the opera out the hermetically sealed-off state in which it is normally discussed, and presents it asboth complicit in, and in opposition to, the reactionary and regressive pressures that made up the `culture of fascism', and those that tried to make opera part of the `fascism of culture'.
Download or read book Culture in the Third Reich written by Moritz Föllmer and published by Oxford University Press, USA. This book was released on 2020-05-25 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'It's like being in a dream', commented Joseph Goebbels when he visited Nazi-occupied Paris in the summer of 1940. Dream and reality did indeed intermingle in the culture of the Third Reich, racialist fantasies and spectacular propaganda set-pieces contributing to this atmosphere alongside more benign cultural offerings such as performances of classical music or popular film comedies. A cultural palette that catered to the tastes of the majority helped encourage acceptance of the regime. The Third Reich was therefore eager to associate itself with comfortable middle-brow conventionality, while at the same time exploiting the latest trends that modern mass culture had to offer. And it was precisely because the culture of the Nazi period accommodated such a range of different needs and aspirations that it was so successfully able to legitimize war, imperial domination, and destruction. Moritz F�llmer turns the spotlight on this fundamental aspect of the Third Reich's successful cultural appeal in this ground-breaking new study, investigating what 'culture' meant for people in the years between 1933 and 1945: for convinced National Socialists at one end of the spectrum, via the legions of the apparently 'unpolitical', right through to anti-fascist activists, Jewish people, and other victims of the regime at the other end of the spectrum. Relating the everyday experience of people living under Nazism, he is able to give us a privileged insight into the question of why so many Germans enthusiastically embraced the regime and identified so closely with it.
Download or read book The Fascist Turn in the Dance of Serge Lifar written by Mark Franko and published by Oxford University Press, USA. This book was released on 2020 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book is an examination of neoclassical ballet initially in the French context before and after World War I (circa 1905-1944) with close attention to dancer and choreographer Serge Lifar. Since the critical discourses I analyze indulge in flights of poetic fancy I distinguish in my discussion of this material between the Lifar-image (the dancer on stage and object of discussion by critics), the Lifar-discourse (the writings on Lifar as well as his own discourse), and the Lifar-person (the historical actor). This topic is further developed in the final chapter into a discussion of the so-called Baroque dance both as a historical object and as a motif of contemporary experimentation as it emerged in the aftermath of World War II (circa 1947-1991) in France. Using Lifar as a through-line, the book explores the development of critical ideas of neoclassicism in relation to his work and his drift toward a fascist position that can be traced to the influence of Nietzsche on his critical reception. Lifar's collaborationism during the Occupation confirms this analysis. My discussion of neoclassicism begins in the final years of the nineteenth-century and carries us through the Occupation; I then track the Baroque in its gradual development from the early 1950s through the end of the 1980s and early 1990s. "--
Download or read book Politics of Culture in Liberal Italy written by Axel Körner and published by Routledge. This book was released on 2008-08-18 with total page 834 pages. Available in PDF, EPUB and Kindle. Book excerpt: With chapters on theatre and opera, architecture and urban planning, the medieval revival and the rediscovery of the Etruscan and Roman past, The Politics of Culture in Liberal Italy analyzes Italians' changing relationship to their new nation state and the monarchy, the conflicts between the peninsula's ancient elites and the rising middle class, and the emergence of new belief systems and of scientific responses to the experience of modernity.
Download or read book Fascism Past and Present West and East written by Roger Griffin and published by Columbia University Press. This book was released on 2006-04-27 with total page 521 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the opinion of some historians the era of fascism ended with the deaths of Mussolini and Hitler. Yet the debate about its nature as a historical phenomenon and its value as a term of historical analysis continues to rage with ever greater intensity, each major attempt to resolve it producing different patterns of support, dissent, and even hostility, from academic colleagues. Nevertheless, a number of developments since 1945 not only complicate the methodological and definitional issues even further, but make it ever more desirable that politicians, journalists, lawyers, and the general public can turn to "experts" for a heuristically useful and broadly consensual definition of the term. These developments include: the emergence of a highly prolific European New Right, the rise of radical right populist parties, the flourishing of ultra-nationalist movements in the former Soviet empire, the radicalization of some currents of Islam and Hinduism into potent political forces, and the upsurge of religious terrorism. Most monographs and articles attempting to establish what is meant by fascism are written from a unilateral authoritative perspective, and the intense academic controversy the term provokes has to be gleaned from reviews and conference discussions. The uniqueness of this book is that it provides exceptional insights into the cut-and-thrust of the controversy as it unfolds on numerous fronts simultaneously, clarifying salient points of difference and moving towards some degree of consensus. Twenty-nine established academics were invited to engage with an article by Roger Griffin, one of the most influential theorists in the study of generic fascism in the Anglophone world. The resulting debate progressed through two 'rounds' of critique and reply, forming a fascinating patchwork of consensus and sometimes heated disagreement. In a spin-off from the original discussion of Griffin's concept of fascism, a second exchange documented here focuses on the issue of fascist ideology in contemporary Russia. This collection is essential reading for all those who realize the need to provide the term 'fascism' with theoretical rigor, analytical precision, and empirical content despite the complex issues it raises, and for any specialist who wants to participate in fascist studies within an international forum of expertise. The book will change the way in which historians and political scientists think about fascism, and make the debate about the threat it poses to infant democracies like Russia more incisive not just for academics, but for politicians, journalists, and the wider public.
Download or read book Opera in Postwar Venice written by Harriet Boyd-Bennett and published by Cambridge University Press. This book was released on 2021-09-02 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono.
Download or read book State Control in Fascist Italy written by Doug Thompson and published by Manchester University Press. This book was released on 1991 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This socio-political study traces the rise to power of a fascist dictatorship in Italy and its control of the state during World War II. It focuses specifically on the institutions of the fascist state, the suppression of anti-fascism, and the use of propaganda in maintaining the state.
Download or read book The Culture of Consent written by Victoria De Grazia and published by Cambridge University Press. This book was released on 2002-07-25 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: A portrait of the dopolavoro, or leisure-time organization, the largest of the regime's mass institutions.
Download or read book The Culture of Fascism written by Julie V. Gottlieb and published by Bloomsbury Publishing. This book was released on 2003-12-31 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The history and ideologies of the Far Right in Britain have been well documented, but there has been little understanding of the movement's cultural foundations. This text explores the cultural history of fascism and the Far Right and mines a seam of intense interest for both academics and students, as well as for the general reader. The book demonstrates that British fascism is essentially not just a political movement, but one that has as its goal the establishment of an all-embracing fascist culture in Britain. The contributions cover film, theatre, music, literature, the visual arts and the mass media. Striking examples of the material that they examine include fascist marching songs, "Aryan music", the creation of Mosley as a "matinee idol", even "fascist science", the cult of the "New Fascist Man" and fascist "masculinity" and "feminity". The authors demonstrate the persistence of the Far Right cultural forms from Mosley's British Union of Fascists within the present National Front and British National Party.
Download or read book Fascism Communism and the Consolidation of Democracy written by Gerhard Besier and published by LIT Verlag Münster. This book was released on 2006 with total page 122 pages. Available in PDF, EPUB and Kindle. Book excerpt: The authoritarian and totalitarian systems of individual countries have long been studied independently of each other. The separation of Eastern and Western Europe was used as a parameter by historians. This also applies to the analysis of Communism and Mussolini's Fascism. Only in recent years has the comparative perspective in the regional, chronological and system-oriented sense been applied, thus allowing many phenomena to be correctly understood and assessed. Central and Eastern Europe is tied to Western and Southern Europe by the experience of dictatorship and the ongoing need to evaluate and come to terms with these dictatorships. In the present anthology Mussolini's Fascism, National Socialism and Communism are examined comparatively. Similarities, connections and mutual influences in these dictatorships are sought. Finally, the transition from dictatorship to democracy is examined. With this collection of essays the editors intend to give impulse for inter-European comparative research on dictatorships and democracy.
Download or read book The Nazi Fascist New Order for European Culture written by Benjamin G. Martin and published by Harvard University Press. This book was released on 2016-10-24 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following France’s defeat, the Nazis moved forward with plans to reorganize a European continent now largely under Hitler’s heel. Some Nazi elites argued for a pan-European cultural empire to crown Hitler’s conquests. Benjamin Martin charts the rise and fall of Nazi-fascist soft power and brings into focus a neglected aspect of Axis geopolitics.
Download or read book Jazz Italian Style written by Anna Harwell Celenza and published by Cambridge University Press. This book was released on 2017-03-06 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the arrival of jazz in Italy, its reception and development, and how its distinct style influenced musicians in America.
Download or read book Politics of Culture in Liberal Italy written by Axel Körner and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Exploring theatre and opera, architecture and urban planning, the medieval revival and the rediscovery of the Etruscan and Roman past, this book analyzes Italians' changing relationship to their new nation state and the monarchy, class conflicts, and the emergence of new belief systems and of scientific responses to the experience of modernity.
Download or read book Pietro Mascagni and His Operas written by Alan Mallach and published by UPNE. This book was released on 2002 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Just twenty-six when the electrifying premiere of his Cavalleria Rusticana at the Teatro Costanzi in Rome catapulted the impoverished musician into sudden fame and fortune, Pietro Mascagni (1863-1945) went on to write fifteen more operas, including L'Amico Fritz, Guglielmo Ratcliff, Iris, Parisina, and Il Piccolo Marat. With privileged access to extensive primary sources, including Mascagni's 4,200 letters to Anna Lolli, his mistress for more than three decades, author Alan Mallach provides a compelling portrait of a flamboyant, combative, and emotional man who was passionately devoted to the Italian opera tradition and committed to innovation in musical language and dramatic form. Deftly combining serious biography with critical commentary, Mallach begins with the captivating story of Mascagni's rags-to-riches adventure, from his birth in Livorno in Tuscany, to his musical studies first with Alfredo Soffredini and later at the Milan Conservatory, to his years as a vagabond musician, to the worldwide success of his breakthrough opera. He then traces Mascagni's private and professional life after Cavalleria, examining a prolific yet controversial career that was forever overshadowed by the work that unexpectedly thrust him into the limelight. Mallach provides a full analysis of Mascagni's oeuvre and discusses his complex relationships with such Italian cultural and political figures as Edoardo Sonzogno, Giacomo Puccini, Gabriele D'Annunzio, Luigi Illica, and Benito Mussolini. He also thoroughly chronicles Mascagni's bouts with manic depression, his marriage to Lina and devotion to their three children, his grueling schedule of concert and operatic tours, his patriotism and bitter opposition to Italy's involvement in both world wars, and his passionate love affair with Anna Lolli. This richly textured biography will appeal to fans of the still beloved and popular Cavalleria, and it will introduce opera enthusiasts to the power, intensity, and melodic beauty of the brilliant composer's many other significant works.
Download or read book A History of Italian Fascist Culture 1922 1943 written by Alessandra Tarquini and published by University of Wisconsin Pres. This book was released on 2022-04-12 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: Alessandra Tarquini’s A History of Italian Fascist Culture, 1922–1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini’s compact, clear prose to readers previously unable to read it in the original Italian. Tarquini sketches the universe of Italian fascism in three broad directions: the regime’s cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural policies shaped the country and how intellectuals and artists contributed to those decisions. The result is a view of fascist ideology as a system of visions, ideals, and, above all, myths capable of orienting political action and promoting a precise worldview. Building on George L. Mosse’s foundational research, Tarquini provides the best single-volume work available to fully understand a complex and challenging subject. It reveals how the fascists used culture—art, cinema, music, theater, and literature—to build a conservative revolution that purported to protect the traditional social fabric while presenting itself as maximally oriented toward the future.
Download or read book Fascist Spectacle written by Simonetta Falasca-Zamponi and published by Univ of California Press. This book was released on 2023-09-01 with total page 318 pages. Available in PDF, EPUB and Kindle. Book excerpt: This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature.
Download or read book Liberal Fascism written by Jonah Goldberg and published by Crown Forum. This book was released on 2008-01-08 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Fascists,” “Brownshirts,” “jackbooted stormtroopers”—such are the insults typically hurled at conservatives by their liberal opponents. Calling someone a fascist is the fastest way to shut them up, defining their views as beyond the political pale. But who are the real fascists in our midst? Liberal Fascism offers a startling new perspective on the theories and practices that define fascist politics. Replacing conveniently manufactured myths with surprising and enlightening research, Jonah Goldberg reminds us that the original fascists were really on the left, and that liberals from Woodrow Wilson to FDR to Hillary Clinton have advocated policies and principles remarkably similar to those of Hitler's National Socialism and Mussolini's Fascism. Contrary to what most people think, the Nazis were ardent socialists (hence the term “National socialism”). They believed in free health care and guaranteed jobs. They confiscated inherited wealth and spent vast sums on public education. They purged the church from public policy, promoted a new form of pagan spirituality, and inserted the authority of the state into every nook and cranny of daily life. The Nazis declared war on smoking, supported abortion, euthanasia, and gun control. They loathed the free market, provided generous pensions for the elderly, and maintained a strict racial quota system in their universities—where campus speech codes were all the rage. The Nazis led the world in organic farming and alternative medicine. Hitler was a strict vegetarian, and Himmler was an animal rights activist. Do these striking parallels mean that today’s liberals are genocidal maniacs, intent on conquering the world and imposing a new racial order? Not at all. Yet it is hard to deny that modern progressivism and classical fascism shared the same intellectual roots. We often forget, for example, that Mussolini and Hitler had many admirers in the United States. W.E.B. Du Bois was inspired by Hitler's Germany, and Irving Berlin praised Mussolini in song. Many fascist tenets were espoused by American progressives like John Dewey and Woodrow Wilson, and FDR incorporated fascist policies in the New Deal. Fascism was an international movement that appeared in different forms in different countries, depending on the vagaries of national culture and temperament. In Germany, fascism appeared as genocidal racist nationalism. In America, it took a “friendlier,” more liberal form. The modern heirs of this “friendly fascist” tradition include the New York Times, the Democratic Party, the Ivy League professoriate, and the liberals of Hollywood. The quintessential Liberal Fascist isn't an SS storm trooper; it is a female grade school teacher with an education degree from Brown or Swarthmore. These assertions may sound strange to modern ears, but that is because we have forgotten what fascism is. In this angry, funny, smart, contentious book, Jonah Goldberg turns our preconceptions inside out and shows us the true meaning of Liberal Fascism.
