Download or read book Renaissance Fun written by Philip Steadman and published by UCL Press. This book was released on 2021-04-13 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renaissance Fun is about the technology of Renaissance entertainments in stage machinery and theatrical special effects; in gardens and fountains; and in the automata and self-playing musical instruments that were installed in garden grottoes. How did the machines behind these shows work? How exactly were chariots filled with singers let down onto the stage? How were flaming dragons made to fly across the sky? How were seas created on stage? How did mechanical birds imitate real birdsong? What was ‘artificial music’, three centuries before Edison and the phonograph? How could pipe organs be driven and made to play themselves by waterpower alone? And who were the architects, engineers, and craftsmen who created these wonders? All these questions are answered. At the end of the book we visit the lost ‘garden of marvels’ at Pratolino with its many grottoes, automata and water jokes; and we attend the performance of Mercury and Mars in Parma in 1628, with its spectacular stage effects and its music by Claudio Monteverdi – one of the places where opera was born. Renaissance Fun is offered as an entertainment in itself. But behind the show is a more serious scholarly argument, centred on the enormous influence of two ancient writers on these subjects, Vitruvius and Hero. Vitruvius’s Ten Books on Architecture were widely studied by Renaissance theatre designers. Hero of Alexandria wrote the Pneumatics, a collection of designs for surprising and entertaining devices that were the models for sixteenth and seventeenth century automata. A second book by Hero On Automata-Making – much less well known, then and now – describes two miniature theatres that presented plays without human intervention. One of these, it is argued, provided the model for the type of proscenium theatre introduced from the mid-sixteenth century, the generic design which is still built today. As the influence of Vitruvius waned, the influence of Hero grew.
Download or read book The Northern Renaissance written by Jeffrey Chipps Smith and published by Phaidon. This book was released on 2004-07-28 with total page 452 pages. Available in PDF, EPUB and Kindle. Book excerpt: An up-to-date survey of this dynamic period of artistic innovation.
Download or read book Lives of the Courtesans written by Lynne Lawner and published by Rizzoli International Publications. This book was released on 1987 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painting as a Modern Art in Early Renaissance Italy written by Robert Brennan and published by Harvey Miller. This book was released on 2019 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Painting as a Modern Art in Early Renaissance Italy" reconstructs a historical concept of modern art on the basis of sources written between the 1390s and 1440s. The central point of reference in these sources was Giotto, the early fourteenth-century painter who, as one writer put it in 1442, "first modernized (modernizavit) ancient and mosaic figures." The word "modern" was used in a wide variety of ways throughout this period, some quite polemical, others rather prosaic. To call art (ars) modern, however, was to invoke a stable, well-defined concept whose roots ran deep in late-medieval intellectual life. According to this concept, to make an art modern was to set it on a new foundation in science (scientia) and rationalize it accordingly. As familiar as this formulation may sound in principle, each and every one of its key terms--art, modernity, science, rationality--meant something strikingly different in this period than it does in our time. The hallmark of modern art was not verisimilitude or expression or virtually any of the achievements that art historians associate with Giotto today, but rather the invention of techniques that aimed to imitate nature in its very manner of operation, aligning the concrete, step-by-step process of painting with the inner workings of nature itself. By reclaiming this concept and tracking its complex relation to early Renaissance concerns such as linear perspective and the canon of proportion, the book not only establishes a novel framework for the visual analysis of fourteenth- and fifteenth-century Italian painting, but also unravels a fundamental master narrative of Western art history from within, clearing the way for renewed discussions of alternative modernities, including those that precede the story of modernism as we know it. --Publisher's website.
Download or read book The Portrait in the Renaissance written by Sir John Wyndham Pope-Hennessy and published by . This book was released on 1996 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the twelfth volume of the AW Mellon Lectures in the Fine Arts, which are delivered annually at the National Gallery of Art, Washington. The volumes of the lectures constitute number xxxv in Bollingen series.
Download or read book Sofonisba s Lesson written by Michael W. Cole and published by Princeton University Press. This book was released on 2019 with total page 315 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Within a span of seven or eight years in the 1550s, the Italian painter Sofonisba Anguissola produced more self-portraits than any known painter before her had in a lifetime. She was the first known artist in history to take her parents and siblings as primary subject matter, and may have painted the first group portrait featuring only women. Cole examines Sofonisba's paintings as expressions of her relationships and networks, looking at why Sofonisba was able to become a great woman artist: at her father, who decided to allow her to be educated as a painter; at her teacher, Bernardino Campi; and at her relationships with her students, sisters, and patrons, who included the Queen of Spain. Cole demonstrates that Sofonisba made teaching and education a central theme of her painting. The book also provides the first complete catalogue of all of Sofonisba's known works"--
Download or read book Influences written by Mary Quinlan-McGrath and published by University of Chicago Press. This book was released on 2013-02-20 with total page 396 pages. Available in PDF, EPUB and Kindle. Book excerpt: Today few would think of astronomy and astrology as fields related to theology. Fewer still would know that physically absorbing planetary rays was once considered to have medical and psychological effects. But this was the understanding of light radiation held by certain natural philosophers of early modern Europe, and that, argues Mary Quinlan-McGrath, was why educated people of the Renaissance commissioned artworks centered on astrological themes and practices. Influences is the first book to reveal how important Renaissance artworks were designed to be not only beautiful but also—perhaps even primarily—functional. From the fresco cycles at Caprarola, to the Vatican’s Sala dei Pontefici, to the Villa Farnesina, these great works were commissioned to selectively capture and then transmit celestial radiation, influencing the bodies and minds of their audiences. Quinlan-McGrath examines the sophisticated logic behind these theories and practices and, along the way, sheds light on early creation theory; the relationship between astrology and natural theology; and the protochemistry, physics, and mathematics of rays. An original and intellectually stimulating study, Influences adds a new dimension to the understanding of aesthetics among Renaissance patrons and a new meaning to the seductive powers of art.
Download or read book Medieval Into Renaissance written by Matthew Woodcock and published by Boydell & Brewer. This book was released on 2016 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays on topics of literary interest crossing the boundaries between the medieval and early modern period.
Download or read book The Art of Renaissance Europe written by Bosiljka Raditsa and published by Metropolitan Museum of Art. This book was released on 2000 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: Works in the Museum's collection that embody the Renaissance interest in classical learning, fame, and beautiful objects are illustrated and discussed in this resource and will help educators introduce the richness and diversity of Renaissance art to their students. Primary source texts explore the great cities and powerful personalities of the age. By studying gesture and narrative, students can work as Renaissance artists did when they created paintings and drawings. Learning about perspective, students explore the era's interest in science and mathematics. Through projects based on poetic forms of the time, students write about their responses to art. The activities and lesson plans are designed for a variety of classroom needs and can be adapted to a specific curriculum as well as used for independent study. The resource also includes a bibliography and glossary.
Download or read book The Beauty and the Terror written by Catherine Fletcher and published by Oxford University Press. This book was released on 2020-06-08 with total page 449 pages. Available in PDF, EPUB and Kindle. Book excerpt: A new account of the birth of the West through its birthplace--Renaissance Italy The period between 1492--resonant for a number of reasons--and 1571, when the Ottoman navy was defeated in the Battle of Lepanto, embraces what we know as the Renaissance, one of the most dynamic and creatively explosive epochs in world history. Here is the period that gave rise to so many great artists and figures, and which by its connection to its classical heritage enabled a redefinition, even reinvention, of human potential. It was a moment both of violent struggle and great achievement, of Michelangelo and da Vinci as well as the Borgias and Machiavelli. At the hub of this cultural and intellectual ferment was Italy. The Beauty and the Terror offers a vibrant history of Renaissance Italy and its crucial role in the emergence of the Western world. Drawing on a rich range of sources--letters, interrogation records, maps, artworks, and inventories--Catherine Fletcher explores both the explosion of artistic expression and years of bloody conflict between Spain and France, between Catholic and Protestant, between Christian and Muslim; in doing so, she presents a new way of witnessing the birth of the West.
Download or read book Renaissance written by Andrew Graham-Dixon and published by Univ of California Press. This book was released on 1999 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: A history of Renaissance art, placing the time in its historical and political context and arguing that the Renaissance grew out of the achievements of the medieval period.
Download or read book Renaissance and Reformation written by William Roscoe Estep and published by Wm. B. Eerdmans Publishing. This book was released on 1986 with total page 354 pages. Available in PDF, EPUB and Kindle. Book excerpt: Readable and informative, this major text in Reformation history is a detailed exploration of the many facets of the Reformation, especially its relationship to the Renaissance. Estep pays particular attention to key individuals of the period, including Wycliffe, Huss, Erasmus, Luther, Zwingli, and Calvin. Illustrated with maps and pictures.
Download or read book Studies in Medieval and Renaissance Literature written by C. S. Lewis and published by Cambridge University Press. This book was released on 2013-11-07 with total page 213 pages. Available in PDF, EPUB and Kindle. Book excerpt: An invaluable collection for those who read and love Lewis and medieval and Renaissance literature.
Download or read book Editing the Harlem Renaissance written by Joshua M. Murray and published by Liverpool University Press. This book was released on 2021-05-01 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: In his introduction to the foundational 1925 text The New Negro, Alain Locke described the “Old Negro” as “a creature of moral debate and historical controversy,” necessitating a metamorphosis into a literary art that embraced modernism and left sentimentalism behind. This was the underlying theoretical background that contributed to the flowering of African American culture and art that would come to be called the Harlem Renaissance. While the popular period has received much scholarly attention, the significance of editors and editing in the Harlem Renaissance remains woefully understudied. Editing the Harlem Renaissance foregrounds an in-depth, exhaustive approach to relevant editing and editorial issues, exploring not only those figures of the Harlem Renaissance who edited in professional capacities, but also those authors who employed editorial practices during the writing process and those texts that have been discovered and/or edited by others in the decades following the Harlem Renaissance. Editing the Harlem Renaissance considers developmental editing, textual self-fashioning, textual editing, documentary editing, and bibliography. Chapters utilize methodologies of authorial intention, copy-text, manuscript transcription, critical edition building, and anthology creation. Together, these chapters provide readers with a new way of viewing the artistic production of one of the United States’ most important literary movements.
Download or read book On the Importance of Being an Individual in Renaissance Italy written by Douglas Biow and published by University of Pennsylvania Press. This book was released on 2015-02-04 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: In recent decades, scholars have vigorously revised Jacob Burckhardt's notion that the free, untrammeled, and essentially modern Western individual emerged in Renaissance Italy. Douglas Biow does not deny the strong cultural and historical constraints that placed limits on identity formation in the early modern period. Still, as he contends in this witty, reflective, and generously illustrated book, the category of the individual was important and highly complex for a variety of men in this particular time and place, for both those who belonged to the elite and those who aspired to be part of it. Biow explores the individual in light of early modern Italy's new patronage systems, educational programs, and work opportunities in the context of an increased investment in professionalization, the changing status of artisans and artists, and shifting attitudes about the ideology of work, fashion, and etiquette. He turns his attention to figures familiar (Benvenuto Cellini, Baldassare Castiglione, Niccolò Machiavelli, Jacopo Tintoretto, Giorgio Vasari) and somewhat less so (the surgeon-physician Leonardo Fioravanti, the metallurgist Vannoccio Biringuccio). One could excel as an individual, he demonstrates, by possessing an indefinable nescio quid, by acquiring, theorizing, and putting into practice a distinct body of professional knowledge, or by displaying the exclusively male adornment of impressively designed facial hair. Focusing on these and other matters, he reveals how we significantly impoverish our understanding of the past if we dismiss the notion of the individual from our narratives of the Italian and the broader European Renaissance.
Download or read book Natural Particulars written by Anthony Grafton and published by MIT Press. This book was released on 1999 with total page 448 pages. Available in PDF, EPUB and Kindle. Book excerpt: Recently the history of science in early modern Europe has been both invigorated and obscured by divisions between scholars of different schools. One school tends to claim that rigorous textual analysis provides the key to the development of science, whereas others tend to focus on the social and cultural contexts within which disciplines grew. This volume challenges such divisions, suggesting that multiple historical approaches are both legitimate and mutually complementary."--
Download or read book The Renaissance Nude written by Thomas Kren and published by Getty Publications. This book was released on 2018-11-20 with total page 436 pages. Available in PDF, EPUB and Kindle. Book excerpt: A gloriously illustrated examination of the origins and development of the nude as an artistic subject in Renaissance Europe Reflecting an era when Europe looked to both the classical past and a global future, this volume explores the emergence and acceptance of the nude as an artistic subject. It engages with the numerous and complex connotations of the human body in more than 250 artworks by the greatest masters of the Renaissance. Paintings, sculptures, prints, drawings, illuminated manuscripts, and book illustrations reveal private, sometimes shocking, preoccupations as well as surprising public beliefs—the Age of Humanism from an entirely new perspective. This book presents works by Albrecht Dürer, Lucas Cranach, and Martin Schongauer in the north and Donatello, Raphael, and Giorgione in the south; it also introduces names that deserve to be known better. A publication this rich in scholarship could only be produced by a variety of expert scholars; the sixteen contributors are preeminent in their fields and wide-ranging in their knowledge and curiosity. The structure of the volume—essays alternating with shorter texts on individual artworks—permits studies both broad and granular. From the religious to the magical and the poetic to the erotic, encompassing male and female, infancy, youth, and old age, The Renaissance Nude examines in a profound way what it is to be human.
