Download or read book War written by Carol Fallows and published by Allen & Unwin. This book was released on 2005 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Commemorates the 60th anniversary of the end of World War II. This collection of stills from the Cinesound and Movietone Newsreel Archive, captures Australians at war as they fought at home and abroad for their country.
Download or read book OCEANIA SB written by Peter William Brunt and published by . This book was released on 2018 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Polynesian and Oceanian Designs written by Gregory Mirow and published by Courier Corporation. This book was released on 2000-01-01 with total page 49 pages. Available in PDF, EPUB and Kindle. Book excerpt: This magnificent treasury features a wealth of original designs carefully adapted from authentic folk art of New Zealand, the Solomon Islands, New Guinea, Hawaii, Australia, and other locales comprising the Pacific island regions known as Polynesia and Oceania. Rendered with great detail and accuracy, the collection contains over 200 images drawn from the area's ancient tradition of decorative art: geometric patterns from tapa, the much-admired bark cloth; highly ornamented masks, canoe prows, and shields of Papua New Guinea; wood carvings from the Marquesas Islands; images of the mysterious giant statuary of Easter Island; Australian rock paintings; and much more. Additional sources include wall tapestries, pictorial ornaments, sand paintings, pottery, wooden musical instruments, temple art, and numerous other artifacts.
Download or read book How to Read Oceanic Art written by Eric Kjellgren and published by . This book was released on 2014-09 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art from Oceania, the region encompassing the islands of the central and south Pacific, spans hundreds of distinct artistic processes, formats, and mediums. Many people's exposure to Oceanic art comes through its influence on the work of European artists, and therefore Oceanic works themselves often remain difficult for Western viewers to interpret and comprehend. "How to Read Oceanic Art, "the third book in a series of guides to understanding different artistic genres, helps elucidate this subject through explanation of specific objects. The book analyzes the most illustrative Oceanic pieces from the Metropolitan Museum's collection--including lively painted masks, powerful figurines, and intricately carved wooden poles--which together represent the extraordinary diversity of artistic traditions in the region. Attractive photography and clear, engaging texts explain how and why various works were made as well as how they were used. This publication is an invaluable resource for art historical study, and also an important gateway to wider appreciation of Oceanic heritage and visual culture.
Download or read book The Hidden Order of Art written by Anton Ehrenzweig and published by Univ of California Press. This book was released on 2023-04-28 with total page 346 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Preface: The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level of the argument. But fortunately this does not really matter. The principal ideas of the book can be understood even if the reader follows only one of the many lines of the discussion. The other aspects merely add stereoscopic depth to the argument, but not really new substance. May I, then, ask the reader not to be irritated by the obscurity of some of the material, to take out from the book what appeals to him and leave the rest unread? In a way this kind of reading needs what I will call a syncretistic approach. Children can listen breathlessly to a tale of which they understand only little. In the words of William James they take 'flying leaps' over long stretches that elude their understanding and fasten on the few points that appeal to them. They are still able to profit from this incomplete understanding. This ability of understanding- and it is an ability may be due to their syncretistic capacity to comprehend a total structure rather than analysing single elements. Child art too goes for the total structure without bothering about analytic details. I myself seem to have preserved some of this ability. This enables me to read technical books with some profit even if I am not conversant with some of the technical terms. A reader who cannot take 'flying leaps' over portions of technical information which he cannot understand will become of necessity a rather narrow specialist. It is an advantage therefore to retain some of the child's syncretistic ability, in order to escape excessive specialization. This book is certainly not for the man who can digest his information only within a well-defined range of technical terms. A publisher's reader once objected to my lack of focus. What he meant was that the argument had a tendency to jump from high psychological theory to highly practical recipes for art teaching and the like; scientific jargon mixed with mundane everyday language. This kind of treatment may well appear chaotic to an orderly mind. Yet I feel quite unrepentant. I realize that the apparently chaotic and scattered structure of my writing fits the subject matter of this book, which deals with the deceptive chaos in art's vast substructure. There is a 'hidden order' in this chaos which only a properly attuned reader or art lover can grasp. All artistic structure is essentially 'polyphonic'; it evolves not in a single line of thought, but in several superimposed strands at once. Hence creativity requires a diffuse, scattered kind of attention that contradicts our normal logical habits of thinking. Is it too high a claim to say that the polyphonic argument of my book must be read with this creative type of attention? I do not think that a reader who wants to proceed on a single track will understand the complexity of art and creativity in general anyway. So why bother about him? Even the most persuasive and logical argument cannot make up for his lack of sensitivity. On the other hand I have reason to hope that a reader who is attuned to the hidden substructure of art will find no difficulty in following the diffuse and scattered structure of my exposition. There is of course an intrinsic order in the progress of the book. Like most thinking on depth-psychology it proceeds from the conscious surface to the deeper levels of the unconscious. The first chapters deal with familiar technical and professional problems of the artist. Gradually aspects move into view that defy this kind of rational analysis. For instance the plastic effects of painting (pictorial space) which are familiar to every artist and art lover tum out to be determined by deeply unconscious perceptions. They ultimately evade all conscious control. In this way a profound conflict between conscious and unconscious (spontaneous) control comes forward. The conflict proves to be akin to the conflict of single-track thought and 'polyphonic' scattered attention which I have described. Conscious thought is sharply focused and highly differentiated in its elements; the deeper we penetrate into low-level imagery and phantasy the more the single track divides and branches into unlimited directions so that in the end its structure appears chaotic. The creative thinker is capabte of alternating between differentiated and undifferentiated modes of thinking, harnessing them together to give him service for solving very definite tasks. The uncreative psychotic succumbs to the tension between conscious (differentiated) and unconscious (undifferentiated) modes of mental functioning. As he cannot integrate their divergent functions, true chaos ensues. The unconscious functions overcome and fragment the conscious surface sensibilities and tear reason into shreds. Modern art displays this attack of unreason on reason quite openly. Yet owing to the powers of the creative mind real disaster is averted. Reason may seem to be cast aside for a moment. Modern art seems truly chaotic. But as time passes by the 'hidden order' in art's substructure (the work of unconscious form creation) rises to the surface. The modern artist may attack his own reason and single-track thought; but a new order is already in the making. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1971. From the Preface: The argument of this book ranges from highly theoretical speculations to highly topical problems of modern art and practical hints for the art teacher, and it is most unlikely that I can find a reader who will feel at home on every level
Download or read book Acquisition List written by University of Hawaii at Manoa. Library. Pacific Collection and published by . This book was released on 1990 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From the South Seas written by Michael Gunn and published by . This book was released on 2006 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: From New Guinea to New Zealand, Easter Island to Hawaii, the Pacific region known as Oceania has long excited the Western imagination, but its traditional sculptures, pots and paintings have only recently been studied and appreciated as fine art. While much about these works and the cultures that produced them remains mysterious, we do know that most items were created for use in daily life rather than as products for the art market. Nonetheless, their beauty and craftsmanship elevate the best of them to objects of contemplation and wonder. This catalogue presents some 80 Oceanic works of art, each illustrated with its form and function described. Michael Gunn's introduction places the works in context; Christraud Geary discusses provenance; and contextual photographs throughout show many of the objects in situ, aiding in a growing understanding of these intriguing but still elusive works, and adding to the scholarship on, and interest in, Oceania.
Download or read book South Pacific Bibliography written by and published by . This book was released on 1996 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Monthly Catalog of United States Government Publications written by and published by . This book was released on with total page 1450 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Oceania written by Paula Savage and published by . This book was released on 2001 with total page 6 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Book catalog of the Library and Information Services Division written by Environmental Science Information Center. Library and Information Services Division and published by . This book was released on 1977 with total page 582 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Iconic Power written by J. Alexander and published by Springer. This book was released on 2012-01-02 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of original articles that explore social aspects of the phenomenon of icon. Having experienced the benefits and realized the limitations of so called 'linguistic turn', sociology has recently acknowledged a need to further expand its horizons.
Download or read book The Hidden Order of Art written by and published by Univ of California Press. This book was released on with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Through the Eyes of Picasso written by Yves Le Fur and published by Rizzoli Publications. This book was released on 2017-10-03 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Through works of art, photographs, and writings, this volume explores Picasso’s fascination with tribal art and the influences he repeatedly drew upon for his own oeuvre. “African art? I don’t know it.” With this provocative tone, Picasso tried to deny his relationship with art from outside of Europe. However, through hundreds of archival documents and photographs, this volume illustrates how tribal art from Africa, Oceania, the Americas, and Asia was a recurring source of inspiration for the artist. Side-by-side comparisons illustrate the links between Picasso’s oeuvre and diverse tribal arts. In both, we find the same themes—nudity, sexuality, impulses, death, and more—along with parallel artistic expressions of those themes—such as disfiguration or destruction of the body. The volume is completed with a chronology of the relevant works and photographs of the artist in his studio.
Download or read book Made in Oceania written by Peter Mesenhöller and published by Cambridge Scholars Publishing. This book was released on 2016-11-14 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Both anthropologists and conservation scientists are fascinated by Oceanic barkcloth, or tapa, as it is known by its generic Polynesian term. Historic tapa designs are often living cultural heritage, but today’s objects also combine content, form and tradition in new ways and are intimately connected with the social and cultural identity of individuals, groups, and even nations. With tapa being completely alien to European traditions, conservation scientists are challenged by the material and its restoration and preservation. Questions of adequate presentation in exhibitions touch upon both disciplines, particularly when cultural requirements of the source communities come into play. This volume brings together presentations given at an interdisciplinary symposium on the social and cultural meanings, conservation and presentation of Oceanic tapa, organised and hosted by the Rautenstrauch-Joest-Museum of World Cultures and the Institute of Conservation Sciences, Cologne, in 2014. By presenting new, international, cutting-edge research from both disciplines, Made in Oceania offers unique insights into current museum practice, and connects historical research with recent social and cultural developments in the Pacific.
Download or read book written by 孫慶萼 and published by . This book was released on 2000 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Book Catalog of the Library and Information Services Division Shelf List catalog written by Environmental Science Information Center. Library and Information Services Division and published by . This book was released on 1977 with total page 578 pages. Available in PDF, EPUB and Kindle. Book excerpt:
