Download or read book Night Song and Other Tales written by Joe Quirino and published by . This book was released on 1966 with total page 76 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Nightsong written by Ari Berk and published by Simon and Schuster. This book was released on 2012-09-25 with total page 48 pages. Available in PDF, EPUB and Kindle. Book excerpt: A breathtaking picture book with audio, illustrated by mega-bestseller Loren Long, about a young bat setting off into the world using only his good sense! Sense is the song you sing out into the world, and the song the world sings back to you. With these words, Chiro’s mother sends him off into the night for the first time alone. It’s an adventure, but how will he find his way? And how will he find his way home? As the young bat discovers, navigating the world around him is easy as long as he uses his good sense. This beautiful and touching coming-of-age story, with mesmerizing artwork from New York Times bestselling illustrator Loren Long and lyrical text from Ari Berk, includes audio and conveys a heartwarming and universal message: No matter how far away you go, you can always find your way home.

Download or read book Song for Night written by Chris Abani and published by Akashic Books. This book was released on 2007-09-01 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: My Luck, a West African boy solider who has not spoken for three years, fights in a senseless war and embarks on a terrifying yet beautiful journey to find his lost platoon.

Download or read book Aileen Aroon A Memoir With other Tales of Faithful Friends and Favourites written by Gordon Stables and published by Good Press. This book was released on 2023-09-17 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Aileen Aroon, A Memoir. With other Tales of Faithful Friends and Favourites" by Gordon Stables. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Download or read book Devil s Night written by Ze'ev Chafets and published by Vintage. This book was released on 2013-08-29 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: A New York Times Notable Book On Devil’s Night, the night before Halloween, some citizens of Detroit try to burn down their neighborhoods for an international audience of fire buffs. This gripping and often heartbreaking tour of the “Murder Capital of America” often seems lit by those same fires. But as a native Detroiter, Ze’ev Chafets also shows us the city beneath the crime statistics—its ecstatic storefront churches; its fearful and embittered white suburbs; its cops and criminals; and the new breed of black officials who are determined to keep Detroit running in the midst of appalling dangers and indifference.

Download or read book NIGHT PEOPLE and Other Tales of Working New York written by John Pietaro and published by Lulu.com. This book was released on 2013-11-03 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt: NIGHT PEOPLE and Other Tales of Working New York - Preface is by noted historian Paul Buhle. NIGHT PEOPLE is a collection unashamed to be called 'contemporary proletarian literature'. The energy and emotions within these stories are of the people, the workers who make the City run. But this book's scope also reaches into the asphalt itself and the mountains above--heralding the heartbeat of the land mass beneath us, acting as both oracle and protagonist. Night People speaks of those who labor on or who struggle with joblessness, those who strive toward artistic goals or advocate for others, those who face challenges of conscience and those who are simply of the streets. It brings to life the people who provide the soundtrack, the color, the breadth: those who thrive and those who perish in New York's wake. Here is a love song to reality, mourning the anguish and championing the everyday. --Author John Pietaro is a writer and musician. By day, he works in the Labor Movement in NYC.

Download or read book The Second Ardath Mayhar MEGAPACK 27 Science Fiction Fantasy Tales written by Ardath Mayhar and published by Wildside Press LLC. This book was released on 2017-04-19 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author of sixty-two books, more than forty of them published commercially, Ardath Mayhar (1930-2012) began her career in the early 1980s with science fiction novels from Doubleday and TSR. Atheneum published several of her young adult and children’s novels. Changing focus, she wrote westerns (as Frank Cannon) and mountain man novels (as John Killdeer), four prehistoric Indian books under her own name, and historical western High Mountain Winter under the byline Frances Hurst. This collection -- which features 27 fantasy & science fiction stories -- was originally published in paperback as "The Methodist Bobcat and Other Tales." Included are: THE METHODIST BOBCAT THE LYCH ROAD THE VEAULES MAY BANKED FIRES RISE ANEW THE GUARDIANS OF THE SHRINE ARPEGGIA'S DEATHSONG THE PLACE OF THE ANCIENTS OLD MAN, BAD SCENE THE SWAMP RUNNER FATE HAS THREE FACES MINDBEND IN THE LONE GRAY THE DAY OF THE DRUM DEEP WOODS LADY WELCOME TO SHIARA THE LAST PAS SEUL MY FRIEND EDDY THE FACE IN THE FOG NORTHER PER CASTANEA THE BLUE-FIRED COW-KILLING CRAZIES PURSUIT LALIQUE THIS IS THE NIGHT! STONE CIRCLES CONFLICT NIGHT SONG If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 300+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!

Download or read book Bikey the Skicycle and Other Tales of Jimmieboy written by John Bangs and published by Litres. This book was released on 2021-01-18 with total page 197 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book TARAS BULBA AND OTHER TALES written by NIKOLAI VASILEVICH GOGOL and published by BEYOND BOOKS HUB. This book was released on 2023-06-03 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: Russian literature, so full of enigmas, contains no greater creative mystery than Nikolai Vasil’evich Gogol (1809-1852), who has done for the Russian novel and Russian prose what Pushkin has done for Russian poetry. Before these two men came Russian literature can hardly have been said to exist. It was pompous and effete with pseudo-classicism; foreign influences were strong; in the speech of the upper circles there was an over-fondness for German, French, and English words. Between them the two friends, by force of their great genius, cleared away the debris which made for sterility and erected in their stead a new structure out of living Russian words. The spoken word, born of the people, gave soul and wing to literature; only by coming to earth, the native earth, was it enabled to soar. Coming up from Little Russia, the Ukraine, with Cossack blood in his veins, Gogol injected his own healthy virus into an effete body, blew his own virile spirit, the spirit of his race, into its nostrils, and gave the Russian novel its direction to this very day. More than that. The nomad and romantic in him, troubled and restless with Ukrainian myth, legend, and song, impressed upon Russian literature, faced with the realities of modern life, a spirit titanic and in clash with its material, and produced in the mastery of this every-day material, commonly called sordid, a phantasmagoria intense with beauty. A clue to all Russian realism may be found in a Russian critic’s observation about Gogol: “Seldom has nature created a man so romantic in bent, yet so masterly in portraying all that is unromantic in life.” But this statement does not cover the whole ground, for it is easy to see in almost all of Gogol’s work his “free Cossack soul” trying to break through the shell of sordid to-day like some ancient demon, essentially Dionysian. So that his works, true though they are to our life, are at once a reproach, a protest, and a challenge, ever calling for joy, ancient joy, that is no more with us. And they have all the joy and sadness of the Ukrainian songs he loved so much. Ukrainian was to Gogol “the language of the soul,” and it was in Ukrainian songs rather than in old chronicles, of which he was not a little contemptuous, that he read the history of his people. Time and again, in his essays and in his letters to friends, he expresses his boundless joy in these songs: “O songs, you are my joy and my life! How I love you. What are the bloodless chronicles I pore over beside those clear, live chronicles! I cannot live without songs; they... reveal everything more and more clearly, oh, how clearly, gone-by life and gone-by men.... The songs of Little Russia are her everything, her poetry, her history, and her ancestral grave. He who has not penetrated them deeply knows nothing of the past of this blooming region of Russia.” Indeed, so great was his enthusiasm for his own land that after collecting material for many years, the year 1833 finds him at work on a history of “poor Ukraine,” a work planned to take up six volumes; and writing to a friend at this time he promises to say much in it that has not been said before him. Furthermore, he intended to follow this work with a universal history in eight volumes with a view to establishing, as far as may be gathered, Little Russia and the world in proper relation, connecting the two; a quixotic task, surely. A poet, passionate, religious, loving the heroic, we find him constantly impatient and fuming at the lifeless chronicles, which leave him cold as he seeks in vain for what he cannot find. “Nowhere,” he writes in 1834, “can I find anything of the time which ought to be richer than any other in events. Here was a people whose whole existence was passed in activity, and which, even if nature had made it inactive, was compelled to go forward to great affairs and deeds because of its neighbours, its geographic situation, the constant danger to its existence.... If the Crimeans and the Turks had had a literature I am convinced that no history of an independent nation in Europe would prove so interesting as that of the Cossacks.” Again he complains of the “withered chronicles”; it is only the wealth of his country’s song that encourages him to go on with its history. Too much a visionary and a poet to be an impartial historian, it is hardly astonishing to note the judgment he passes on his own work, during that same year, 1834: “My history of Little Russia’s past is an extraordinarily made thing, and it could not be otherwise.” The deeper he goes into Little Russia’s past the more fanatically he dreams of Little Russia’s future. St. Petersburg wearies him, Moscow awakens no emotion in him, he yearns for Kieff, the mother of Russian cities, which in his vision he sees becoming “the Russian Athens.” Russian history gives him no pleasure, and he separates it definitely from Ukrainian history. He is “ready to cast everything aside rather than read Russian history,” he writes to Pushkin. During his seven-year stay in St. Petersburg (1829-36) Gogol zealously gathered historical material and, in the words of Professor Kotlyarevsky, “lived in the dream of becoming the Thucydides of Little Russia.” How completely he disassociated Ukrainia from Northern Russia may be judged by the conspectus of his lectures written in 1832. He says in it, speaking of the conquest of Southern Russia in the fourteenth century by Prince Guedimin at the head of his Lithuanian host, still dressed in the skins of wild beasts, still worshipping the ancient fire and practising pagan rites: “Then Southern Russia, under the mighty protection of Lithuanian princes, completely separated itself from the North. Every bond between them was broken; two kingdoms were established under a single name — Russia — one under the Tatar yoke, the other under the same rule with Lithuanians. But actually they had no relation with one another; different laws, different customs, different aims, different bonds, and different activities gave them wholly different characters.” This same Prince Guedimin freed Kieff from the Tatar yoke. This city had been laid waste by the golden hordes of Ghengis Khan and hidden for a very long time from the Slavonic chronicler as behind an impenetrable curtain. A shrewd man, Guedimin appointed a Slavonic prince to rule over the city and permitted the inhabitants to practise their own faith, Greek Christianity. Prior to the Mongol invasion, which brought conflagration and ruin, and subjected Russia to a two-century bondage, cutting her off from Europe, a state of chaos existed and the separate tribes fought with one another constantly and for the most petty reasons. Mutual depredations were possible owing to the absence of mountain ranges; there were no natural barriers against sudden attack. The openness of the steppe made the people war-like. But this very openness made it possible later for Guedimin’s pagan hosts, fresh from the fir forests of what is now White Russia, to make a clean sweep of the whole country between Lithuania and Poland, and thus give the scattered princedoms a much-needed cohesion. In this way Ukrainia was formed. Except for some forests, infested with bears, the country was one vast plain, marked by an occasional hillock. Whole herds of wild horses and deer stampeded the country, overgrown with tall grass, while flocks of wild goats wandered among the rocks of the Dnieper. Apart from the Dnieper, and in some measure the Desna, emptying into it, there were no navigable rivers and so there was little opportunity for a commercial people. Several tributaries cut across, but made no real boundary line. Whether you looked to the north towards Russia, to the east towards the Tatars, to the south towards the Crimean Tatars, to the west towards Poland, everywhere the country bordered on a field, everywhere on a plain, which left it open to the invader from every side. Had there been here, suggests Gogol in his introduction to his never-written history of Little Russia, if upon one side only, a real frontier of mountain or sea, the people who settled here might have formed a definite political body. Without this natural protection it became a land subject to constant attack and despoliation. “There where three hostile nations came in contact it was manured with bones, wetted with blood. A single Tatar invasion destroyed the whole labour of the soil-tiller; the meadows and the cornfields were trodden down by horses or destroyed by flame, the lightly-built habitations reduced to the ground, the inhabitants scattered or driven off into captivity together with cattle. It was a land of terror, and for this reason there could develop in it only a warlike people, strong in its unity and desperate, a people whose whole existence was bound to be trained and confined to war.” This constant menace, this perpetual pressure of foes on all sides, acted at last like a fierce hammer shaping and hardening resistance against itself. The fugitive from Poland, the fugitive from the Tatar and the Turk, homeless, with nothing to lose, their lives ever exposed to danger, forsook their peaceful occupations and became transformed into a warlike people, known as the Cossacks, whose appearance towards the end of the thirteenth century or at the beginning of the fourteenth was a remarkable event which possibly alone (suggests Gogol) prevented any further inroads by the two Mohammedan nations into Europe. The appearance of the Cossacks was coincident with the appearance in Europe of brotherhoods and knighthood-orders, and this new race, in spite of its living the life of marauders, in spite of turnings its foes’ tactics upon its foes, was not free of the religious spirit of its time; if it warred for its existence it warred not less for its faith, which was Greek. Indeed, as the nation grew stronger and became conscious of its strength, the struggle began to partake something of the nature of a religious war, not alone defensive but aggressive also, against the unbeliever. While any man was free to join the brotherhood it was obligatory to believe in the Greek faith. It was this religious unity, blazed into activity by the presence across the borders of unbelieving nations, that alone indicated the germ of a political body in this gathering of men, who otherwise lived the audacious lives of a band of highway robbers. “There was, however,” says Gogol, “none of the austerity of the Catholic knight in them; they bound themselves to no vows or fasts; they put no self-restraint upon themselves or mortified their flesh, but were indomitable like the rocks of the Dnieper among which they lived, and in their furious feasts and revels they forgot the whole world. That same intimate brotherhood, maintained in robber communities, bound them together. They had everything in common — wine, food, dwelling. A perpetual fear, a perpetual danger, inspired them with a contempt towards life. The Cossack worried more about a good measure of wine than about his fate. One has to see this denizen of the frontier in his half-Tatar, half-Polish costume — which so sharply outlined the spirit of the borderland — galloping in Asiatic fashion on his horse, now lost in thick grass, now leaping with the speed of a tiger from ambush, or emerging suddenly from the river or swamp, all clinging with mud, and appearing an image of terror to the Tatar....” Little by little the community grew and with its growing it began to assume a general character. The beginning of the sixteenth century found whole villages settled with families, enjoying the protection of the Cossacks, who exacted certain obligations, chiefly military, so that these settlements bore a military character. The sword and the plough were friends which fraternised at every settler’s. On the other hand, Gogol tells us, the gay bachelors began to make depredations across the border to sweep down on Tatars’ wives and their daughters and to marry them. “Owing to this co-mingling, their facial features, so different from one another’s, received a common impress, tending towards the Asiatic. And so there came into being a nation in faith and place belonging to Europe; on the other hand, in ways of life, customs, and dress quite Asiatic. It was a nation in which the world’s two extremes came in contact; European caution and Asiatic indifference, niavete and cunning, an intense activity and the greatest laziness and indulgence, an aspiration to development and perfection, and again a desire to appear indifferent to perfection.” All of Ukraine took on its colour from the Cossack, and if I have drawn largely on Gogol’s own account of the origins of this race, it was because it seemed to me that Gogol’s emphasis on the heroic rather than on the historical — Gogol is generally discounted as an historian — would give the reader a proper approach to the mood in which he created “Taras Bulba,” the finest epic in Russian literature. Gogol never wrote either his history of Little Russia or his universal history. Apart from several brief studies, not always reliable, the net result of his many years’ application to his scholarly projects was this brief epic in prose, Homeric in mood. The sense of intense living, “living dangerously” — to use a phrase of Nietzsche’s, the recognition of courage as the greatest of all virtues — the God in man, inspired Gogol, living in an age which tended toward grey tedium, with admiration for his more fortunate forefathers, who lived in “a poetic time, when everything was won with the sword, when every one in his turn strove to be an active being and not a spectator.” Into this short work he poured all his love of the heroic, all his romanticism, all his poetry, all his joy. Its abundance of life bears one along like a fast-flowing river. And it is not without humour, a calm, detached humour, which, as the critic Bolinsky puts it, is not there merely “because Gogol has a tendency to see the comic in everything, but because it is true to life.” Yet “Taras Bulba” was in a sense an accident, just as many other works of great men are accidents. It often requires a happy combination of circumstances to produce a masterpiece. I have already told in my introduction to “Dead Souls” how Gogol created his great realistic masterpiece, which was to influence Russian literature for generations to come, under the influence of models so remote in time or place as “Don Quixote” or “Pickwick Papers”; and how this combination of influences joined to his own genius produced a work quite new and original in effect and only remotely reminiscent of the models which have inspired it. And just as “Dead Souls” might never have been written if “Don Quixote” had not existed, so there is every reason to believe that “Taras Bulba” could not have been written without the “Odyssey.” Once more ancient fire gave life to new beauty. And yet at the time Gogol could not have had more than a smattering of the “Odyssey.” The magnificent translation made by his friend Zhukovsky had not yet appeared and Gogol, in spite of his ambition to become a historian, was not equipped as a scholar. But it is evident from his dithyrambic letter on the appearance of Zhukovsky’s version, forming one of the famous series of letters known as “Correspondence with Friends,” that he was better acquainted with the spirit of Homer than any mere scholar could be. That letter, unfortunately unknown to the English reader, would make every lover of the classics in this day of their disparagement dance with joy. He describes the “Odyssey” as the forgotten source of all that is beautiful and harmonious in life, and he greets its appearance in Russian dress at a time when life is sordid and discordant as a thing inevitable, “cooling” in effect upon a too hectic world. He sees in its perfect grace, its calm and almost childlike simplicity, a power for individual and general good. “It combines all the fascination of a fairy tale and all the simple truth of human adventure, holding out the same allurement to every being, whether he is a noble, a commoner, a merchant, a literate or illiterate person, a private soldier, a lackey, children of both sexes, beginning at an age when a child begins to love a fairy tale — all might read it or listen to it, without tedium.” Every one will draw from it what he most needs. Not less than upon these he sees its wholesome effect on the creative writer, its refreshing influence on the critic. But most of all he dwells on its heroic qualities, inseparable to him from what is religious in the “Odyssey”; and, says Gogol, this book contains the idea that a human being, “wherever he might be, whatever pursuit he might follow, is threatened by many woes, that he must need wrestle with them — for that very purpose was life given to him — that never for a single instant must he despair, just as Odysseus did not despair, who in every hard and oppressive moment turned to his own heart, unaware that with this inner scrutiny of himself he had already said that hidden prayer uttered in a moment of distress by every man having no understanding whatever of God.” Then he goes on to compare the ancient harmony, perfect down to every detail of dress, to the slightest action, with our slovenliness and confusion and pettiness, a sad result — considering our knowledge of past experience, our possession of superior weapons, our religion given to make us holy and superior beings. And in conclusion he asks: Is not the “Odyssey” in every sense a deep reproach to our nineteenth century? An understanding of Gogol’s point of view gives the key to “Taras Bulba.” For in this panoramic canvas of the Setch, the military brotherhood of the Cossacks, living under open skies, picturesquely and heroically, he has drawn a picture of his romantic ideal, which if far from perfect at any rate seemed to him preferable to the grey tedium of a city peopled with government officials. Gogol has written in “Taras Bulba” his own reproach to the nineteenth century. It is sad and joyous like one of those Ukrainian songs which have helped to inspire him to write it. And then, as he cut himself off more and more from the world of the past, life became a sadder and still sadder thing to him; modern life, with all its gigantic pettiness, closed in around him, he began to write of petty officials and of petty scoundrels, “commonplace heroes” he called them. But nothing is ever lost in this world. Gogol’s romanticism, shut in within himself, finding no outlet, became a flame. It was a flame of pity. He was like a man walking in hell, pitying. And that was the miracle, the transfiguration. Out of that flame of pity the Russian novel was born. — JOHN COURNOS Evenings on the Farm near the Dikanka, 1829-31; Mirgorod, 1831-33; Taras Bulba, 1834; Arabesques (includes tales, The Portrait and A Madman’s Diary), 1831-35; The Cloak, 1835; The Revizor (The Inspector-General), 1836; Dead Souls, 1842; Correspondence with Friends, 1847; Letters, 1847, 1895, 4 vols. 1902. ENGLISH TRANSLATIONS: Cossack Tales (The Night of Christmas Eve, Tarass Boolba), trans. by G. Tolstoy, 1860; St. John’s Eve and Other Stories, trans. by Isabel F. Hapgood, New York, Crowell, 1886; Taras Bulba: Also St. John’s Eve and Other Stories, London, Vizetelly, 1887; Taras Bulba, trans. by B. C. Baskerville, London, Scott, 1907; The Inspector: a Comedy, Calcutta, 1890; The Inspector-General, trans. by A. A. Sykes, London, Scott, 1892; Revizor, trans. for the Yale Dramatic Association by Max S. Mandell, New Haven, Conn., 1908; Home Life in Russia (adaptation of Dead Souls), London, Hurst, 1854; Tchitchikoff’s Journey’s; or Dead Souls, trans. by Isabel F. Hapgood, New York, Crowell, 1886; Dead Souls, London, Vizetelly, 1887; Dead Souls, London, Maxwell 1887; Dead Souls, London, Fisher Unwin, 1915; Dead Souls, London, Everyman’s Library (Intro. by John Cournos), 1915; Meditations on the Divine Liturgy, trans. by L. Alexeieff, London, A. R. Mowbray and Co., 1913. LIVES, etc.: (Russian) Kotlyarevsky (N. A.), 1903; Shenrok (V. I.), Materials for a Biography, 1892; (French) Leger (L.), Nicholas Gogol, 1914...FROM THE BOOK.

Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1970 with total page 902 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Of Starfish Tides and Other Tales written by Suzanne J. Willis and published by Trepidatio Publishing. This book was released on 2022-05-06 with total page 179 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seventeen stories in Of Starfish Tides and Other Tales take place at the edges of this world, some veering more deeply into it, others towards worlds on the other side. With elements of fairy tales and folklore, and occasional forays into dystopian futures, its constant theme is a search for home and belonging, and the darkness at the heart of that search. Women stalk through these pages looking for the keeper of human hearts and a cruel map that will answer only to its true owner. Faeries are more likely to seek revenge or a human soul than they are to grant wishes. A man washes up on a pebbled beach, his only means of communication being the haunting songs he plays on an old piano. Elsewhere, music is the language of love and sorrow and, sometimes, a weapon. Stay awhile, here, and learn the secrets of a city built for a long-gone lover and how to find the land of the dead. Learn what it means to chart stories on human skin. But remember that, between these covers, getting what one needs is often different from what one wants. “Suzanne J. Willis is a chronicler of note, a documenter of the glorious strange, a creator of such wonders and horrors as might make a heart sing or the blood curdle.” -from the introduction by Angela Slatter

Download or read book Waiting for the Night Song written by Julie Carrick Dalton and published by Forge Books. This book was released on 2021-01-12 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Named a Most Anticipated book by Newsweek * USA Today * CNN * Parade * Buzzfeed * Medium * GoodReads * PopSugar * Frolic Media * Betches * The Nerd Daily * SheReads and more "Smart and searingly passionate...an illuminating snapshot of nature, betrayal, and sacrifices set in the evocative New Hampshire wilderness."--Kim Michele Richardson, bestselling author of The Book Woman of Troublesome Creek A startling and timely debut, Julie Carrick Dalton's Waiting for the Night Song is a moving, brilliant novel about friendships forged in childhood magic and ruptured by the high price of secrets that leave you forever changed. Cadie Kessler has spent decades trying to cover up one truth. One moment. But deep down, didn’t she always know her secret would surface? An urgent message from her long-estranged best friend Daniela Garcia brings Cadie, now a forestry researcher, back to her childhood home. There, Cadie and Daniela are forced to face a dark secret that ended both their idyllic childhood bond and the magical summer that takes up more space in Cadie’s memory then all her other years combined. Now grown up, bound by long-held oaths, and faced with truths she does not wish to see, Cadie must decide what she is willing to sacrifice to protect the people and the forest she loves, as drought, foreclosures, and wildfire spark tensions between displaced migrant farm workers and locals. Waiting for the Night Song is a love song to the natural beauty around us, a call to fight for what we believe in, and a reminder that the truth will always rise. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Download or read book Tales for leisure hours The widow and her son with other tales Tr from the Germ by W B Flower written by and published by . This book was released on 1860 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Taras Bulba And Other Tales written by Nikolai Vasilievich Gogol and published by BoD – Books on Demand. This book was released on 2023-07-01 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Taras Bulba and Other Tales" is a collection of stories written by Nikolai Vasilievich Gogol, one of the most renowned Russian authors of the 19th century. The collection contains several distinct tales that showcase Gogol's unique blend of satire, dark humor, and vivid storytelling. The centerpiece of the collection is the titular story, "Taras Bulba," which follows the life of a Cossack warrior and his two sons during the tumultuous times of the Polish-Lithuanian Commonwealth. Gogol's depiction of the fierce and proud Cossack culture, along with the intense conflicts and vivid battle scenes, brings to life the spirit of the era and the struggles of the characters. In addition to "Taras Bulba," the collection includes other notable tales such as "St. John's Eve," a mysterious and atmospheric story set during a pagan festival, and "The Portrait," a haunting tale of a painter's obsession with his subject. These stories exhibit Gogol's ability to delve into the depths of human nature, exploring themes of identity, passion, and the supernatural. "Taras Bulba and Other Tales" is a captivating collection that showcases Gogol's mastery of storytelling and his exploration of themes that remain relevant today.

Download or read book Henry written by Adams and published by . This book was released on 1883 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Philippine Short Story Index written by and published by . This book was released on 1976 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Heart Songs and Other Stories written by Annie Proulx and published by Simon and Schuster. This book was released on 2007-12-01 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Before she wrote the bestselling Brokeback Mountain, Annie Proulx was already producing some of the finest short fiction in the country. Here are her collected stories, including two new works never before anthologized. These stories reverberate with rural tradition, the rites of nature, and the rituals of small town life. The country is blue collar New England; the characters are native families and the dispossessed working class, whose heritage is challenged by the neorural bourgeoisie from the city; and the themes are as elemental as the landscape: revenge, malice, greed, passion. Told with skill and profundity and crafted by a master storyteller, these are lean, tough tales of an extraordinary place and its people.