Download or read book New Josquin Edition Motets on non Biblical texts De beata Maria virgine written by and published by . This book was released on 1991 with total page 244 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin Edition Motets on texts from the New Testament 2 written by Josquin (des Prez) and published by . This book was released on 2006 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin edition Motets on texts from the New Testament 1 2 written by Josquin (des Prez) and published by . This book was released on 1998 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin Edition Motets on texts from the Old Testament written by Josquin (des Prez) and published by . This book was released on 1991 with total page 136 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin Edition Motets on texts from the Old Testament 1 Texts from Samuel Job The Song of Songs Ecclesiasticus written by and published by . This book was released on 2002 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin edition written by Josquin (des Prez) and published by . This book was released on 2009 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book MS Florence Biblioteca Nazionale Centrale Magl XIX 164 167 written by AnthonyM. Cummings and published by Routledge. This book was released on 2017-07-05 with total page 140 pages. Available in PDF, EPUB and Kindle. Book excerpt: Manuscript Florence, Biblioteca Nazionale Centrale, Magliabechiana XIX, 164-167 (FlorBN Magl. 164-7) has been the subject of considerable scholarly attention. The prevailing assumption had been that it was a Florentine source of the early sixteenth century. More recently, it has been argued that its provenance is not as easily determined as it first appears, and that there are Roman connections suggested by one of its codicological features. This monograph provides as full a bibliographical and codicological report on FlorBN Magl. 164-7 as is currently possible. Such evidence suggests that the earlier thesis is more likely to be correct: the manuscript was copied in Florence c.1520. After a review of the evidence for provenance and date, the repertory of the manuscript is placed in its historical and cultural context. Florence of the early sixteenth century is shown to have an organized cultural life that was characterized by the activities of such institutions as the Sacred Academy of the Medici, the famous group that met in the garden of the Rucellai, and others. FlorBN Magl. 164-7 is an exceedingly interesting and important source; an eclectic repository not only of compositionally advanced settings of Petrarchan verse by Rucellai-group intimate Bernardo Pisano but also of sharply contrasting works, popular in character. It is almost a manifesto of the sensibilities of preeminent Florentine cultural figures of the sort who frequented the garden of the Rucellai and as such is a revealing document of Florentine musical taste during those crucial years that witnessed the emergence of the new secular genre we know as the Italian madrigal.
Download or read book Uncovering Music of Early European Women 1250 1750 written by Claire Fontijn and published by Routledge. This book was released on 2020-04-28 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Uncovering Music of Early European Women (1250 – 1750) brings together nine chapters that investigate aspects of female music-making and musical experience in the medieval and early modern periods. Part I, "Notes from the Underground," treats the spirituality of women in solitude and in community. Parts II and III, "Interlude" and "Music for Royal Rivals," respond to Joan Kelly’s famous feminist question and suggest that women of a certain stature did have a Renaissance. Part IV, "Serenissime Sirene," plays with the notion of the allure of music and its risks in Venice during the Baroque. The process of uncovering requires close listening to women’s creative endeavors in an ongoing effort to piece together equitably the terrain of early music. Contributors include: Cynthia J. Cyrus, Claire Fontijn, Catherine E. Gordon, Laura Jeppesen, Eva Kuhn, Anne MacNeil, Jason Stoessel, Elizabeth Randell Upton, and Laurence Wuidar. An invaluable book for college students and scholars interested in the social and cultural meanings of women in early music.
Download or read book Distributed Cognition in Medieval and Renaissance Culture written by Miranda Anderson and published by Edinburgh University Press. This book was released on 2019-05-15 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection brings together 14 essays by international specialists in Medieval and Renaissance culture to bring recent insights from cognitive science and philosophy of mind to bear on how cognition was seen as distributed across brain, body and world between the 9th and 17th centuries.
Download or read book Ave mundi domina written by Gaspar van Weerbeke and published by A-R Editions, Inc.. This book was released on with total page 83 pages. Available in PDF, EPUB and Kindle. Book excerpt: The motet cycles known as motetti missales are among the most intriguing repertoires of late-fifteenth-century polyphony. This series features a new critical edition of the six cycles by Loyset Compère, Gaspar van Weerbeke, and Franchinus Gaffurius included in the Milanese Libroni and of the two anonymous cycles transmitted in the Leopold Codex (Munich MS 3154). For the first time this corpus is presented with uniform editorial criteria, facilitating the comparison of mensural choices and other compositional strategies. Furthermore, the introduction of each volume thematizes the peculiar characteristics of each cycle, in terms of textual choices, use of preexisting material, and musical design, allowing for a new assessment of the motetti missales that goes beyond the homogenizing stereotypes of earlier literature and accounts for the individual contributions of the various composers. The editors’ insight in this repertoire is the result of two interdisciplinary research projects financed by the Swiss National Fund and carried out at the Schola Cantorum Basiliensis in 2014–21. The cycle Ave, mundi domina by Gaspar van Weerbeke (ca. 1452–1517) consists of eight four-voice motets on assorted Marian texts. All eight motets are preserved in Librone 1 of the Milanese Libroni (Gaffurius Codices), with two also appearing in Librone 2. Of all the surviving motetti missales cycles, Ave, mundi domina is the only cycle whose component motets can also be found in sources from outside Milan; particularly notable in this regard is its fourth motet, “Anima mea liquefacta est,” on a highly expressive text from the Song of Songs, which with seven concordant sources is not only the single most transmitted motet within the motetti missales repertory but also in Weerbeke’s entire output.
Download or read book New Josquin Edition Masses based on secular polyphonic songs written by and published by . This book was released on 1996 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin Edition Masses based on secular polyphonic songs 2 written by Josquin (des Prez) and published by . This book was released on 1997 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin Edition Secular works for four voices written by Josquin (des Prez) and published by . This book was released on 1991 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fugue in the Sixteenth Century written by Paul Walker and published by Oxford University Press, USA. This book was released on 2020-11-25 with total page 385 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examining the roots of the classical fugue and the early history of non-canonic fugal writing, Paul Walker's Fugue in the Sixteenth Century explores the three principal fugal genres of the period: motet, ricercar, and canonza. The volume treats each genre in turn, tracing the fugue's development throughout the century and highlighting important moments and trends along the way. Taking a two-tiered approach, Walker, on one level, examines fugue from the perspective of contemporary musicians, and on another level, takes into account fugue's later history and the elements that came to play a significant role in its formation. Walker is the first scholar to successfully tie together the various strands of the "pre-Bach fugue" thanks to the growing availability of editions of the repertories involved. He also takes account of recent work elucidating the change in compositional approach around 1500 from a basis in cantus firmus and canon to one favoring non-canonical, fugal imitation. Featuring well-chosen musical examples to illustrate the compositional developments of the sixteenth century, Fugue in the Sixteenth Century is a definitive study for both specialist musicologists and organists and harpsichordists alike.
Download or read book New Josquin Edition Secular works for three voices written by Josquin (des Prez) and published by . This book was released on 1991 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book New Josquin Edition Mass movements written by Josquin (des Prez) and published by . This book was released on 1991 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Fullness of Time written by Matthew S. Champion and published by University of Chicago Press. This book was released on 2017-11-13 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the course of the fifteenth century, the Low Countries transformed Europe's economic, political and cultural life. Innovative and influential cultural practices emerged across the region in flourishing courts, towns, religious houses, guilds and confraternities. Whether in visual culture, music, devotional practice, or communal rituals, the thriving cultures of the Low Countries wrestled with time, both through explicit measurement and reflection, and in the rhythms of social and religious life. This book offers a deeper understanding of how time was structured and experienced by different constituencies through a series of detailed readings of diverse cultural objects and practices, ranging from woodcuts and painted altarpieces, to early print books, and to the use of polyphony in the liturgy. Individual chapters are devoted to life in the university towns of Louvain and Ghent, the liturgical rituals at Cambrai Cathedral, and the rich pageantry that marked the courts of Philip the Good and the new Burgundian rulers. What emerges is a complex temporal landscape in which devotional and secular practices and experiences merged into a new "fullness of time."
