Download or read book New Dramaturgies of Contemporary Opera written by Jingyi Zhang and published by Taylor & Francis. This book was released on 2024-09-16 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, and administrators) who provide valuable first-hand insight into the coming into being of an opera today. The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that go into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera; and finally, Part IV looks at the ways in which technology has intersected with the creation of contemporary opera. With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera, as well as practicing dramaturgs in this field.
Download or read book Dramaturgy and History written by Caitlin A. Kane and published by Taylor & Francis. This book was released on 2024-10-22 with total page 142 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy and History provides a practical account of an aspect of dramaturgical practice that is often taken for granted: dramaturgs’ engagements with history and historiography. Dramaturgs play a vital role in amplifying and activating theatre’s unique potential to contribute to the pressing public discourse around the uses and legacies of history.This collection challenges the notion of history as an unassailable or settled set of facts, offering readers a glimpse into the processes and methods of eighteen dramaturgs working in a variety of settings, including professional theatres, universities, museums, and archives. The dramaturgs featured use history to a variety of ends: they reframe classical texts for contemporary audiences; advocate for the production of lesser-known writers and the expansion of the canon; create new works that bring women’s, LGBTQIA+, and Global Majority histories to life; and establish new and necessary archives by/of/for minoritarian artists. Collectively, they examine and animate some of the most urgent questions, concerns, and challenges that dramaturgs encounter in working with history. An essential resource for teachers and students of dramaturgy, the collection offers a concluding hands-on exercise for each chapter to facilitate the reader’s application of the methods discussed in their own practice.
Download or read book The Dramaturgy of Opera Aspects of Contemporary Reading written by Vania Batchvarova and published by Xlibris Corporation. This book was released on 2017-04-29 with total page 207 pages. Available in PDF, EPUB and Kindle. Book excerpt: ???????? ???????? ?? ????????? ???? ??? ???????? ?????????. ???????? ??????????? ???? ????? ?? ????????????????? ?????? ??????? ?????????? ???????? ???????????????? ??????? ? ????????????? ?? ????? ?????????? ????. ????????? ?? ??????????? ??????? ?? ??????????? ????????. ?????????? ?? ?????????? ????????? ?? ??????????????? ? ???????????????? ??????????. ???????????? ?????? ?? ????????? ? ???????????. ???? ??????????? ?? ??????? ???????? ?? ???????? ?????????? ?? ??????? ??????? ?? ???????? ? ??????? ?????? ?? ????????????? ?? ????????? ??????? ??? ????????? ???????????????? ???????. Directing an opera is examined as a kind of a practical applied philosophy. The opera dramaturgy is an expression of social interrelationthe individual follows a social-psychological process and their impact on the musical language. The objective borders of the philosophical context are outlined. The theoretical analysis develops further to the practical. The sphere of theory is leaved through the creation of work hypotheses for stage setting and begins a process of transference from authors intention to analogue decisions for interpretation.
Download or read book Contemporary Opera in Flux written by Yayoi U Everett and published by University of Michigan Press. This book was released on 2024-10-15 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: In twelve essays, Contemporary Opera in Flux discusses a series of shifts that, taken together, have radically redefined the production and reception of opera. Focusing on productions involving late twentieth- and twenty-first century scores and libretti, the contributors draw on conversations with members of creative teams and studies of archival material, dipping into a historical record that remains in flux as composers, librettists, directors, and designers revisit existing work and create anew. The contributors to this volume push the boundaries of contemporary opera scholarship by examining works that disrupt operatic conventions; tackle sociopolitical issues such as drug trafficking, racial injustice, and cultural trauma; and advance underrepresented works by female, African-American, Asian, and avant-garde composers around the globe. Contemporary Opera in Flux bridges the gaps between expanding literature on opera, theater, new music, postmodern dramaturgy, and posthuman aesthetics, while also confronting larger questions of identity, representation, and narrative agency that are at the forefront of contemporary music scholarship. This collection of essays engages critically with the past out of a conviction that, amid general public perceptions of opera as anachronistic or elitist, contemporary opera has emerged as an artistic incubator for experimentation.
Download or read book New Dramaturgies of Contemporary Opera written by Jingyi Zhang (Musicologist) and published by Routledge. This book was released on 2024-10 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: "New Dramaturgies of Contemporary Opera is the first and only book that approaches the dramaturgy of contemporary opera from the unique perspectives of living practitioners (composers, librettists, directors, producers, singers, dramaturgs, administrators) who provide valuable first-hand insight into the coming into being of an opera today. The edited collection captures the ethos of contemporary opera-making in the global context and serves as a timely intervention in addressing the array of heterogenous dramaturgical practices that goes into making an opera today in an era of flux. The collection is split into four parts: Part I presents the new dramaturgical considerations that the field is currently exploring; Part II investigates the ways in which non-Western cultures and perspectives can and have been represented; Part III explores the roles of space, nature, and environment in contemporary opera and finally Part IV looks at the ways in which technology has intersected with the creation of contemporary opera. With perspectives from practitioners throughout, this collection is essential reading for advanced students, researchers, and scholars of contemporary opera as well as practicing dramaturgs in this field"--
Download or read book Dramaturgies of Interweaving written by Erika Fischer-Lichte and published by Routledge. This book was released on 2021-08-23 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgies of Interweaving explores present-day dramaturgies that interweave performance cultures in the fields of theater, performance, dance, and other arts. Merging strategies of audience engagement originating in different cultures, dramaturgies of interweaving are creative methods of theater and art-making that seek to address audiences across cultures, making them uniquely suitable for shaping people’s experiences of our entangled world. Presenting in-depth case studies from across the globe, spanning Australia, China, Germany, India, Iran, Japan, Singapore, Taiwan, Vietnam, the US, and the UK, this book investigates how dramaturgies of interweaving are conceived, applied, and received today. Featuring critical analyses by scholars—as well as workshop reports and artworks by renowned artists—this book examines dramaturgies of interweaving from multiple locations and perspectives, thus revealing their distinct complexities and immense potential. Ideal for scholars, students, and practitioners of theater, performance, dramaturgy, and devising, Dramaturgies of Interweaving opens up an innovative perspective on today’s breathtaking plurality of dramaturgical practices of interweaving in theater, performance, dance, and other arts, such as curation and landscape design.
Download or read book Multilingual Dramaturgies written by Kasia Lech and published by Springer Nature. This book was released on with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Dramaturgies of War written by Anselm Heinrich and published by Springer Nature. This book was released on 2024-01-08 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the institutional contexts of dramaturgical practices in the changing political landscape of 20th century Germany. Through wide-ranging case studies, it discusses the way in which operationalised modes of action, legal frameworks and an established profession have shaped dramaturgical practice and thus links to current debates around the “institutional turn” in theatre and performance studies. German theatre represents a rich and well-chosen field as it is here where the role of the dramaturg was first created and where dramaturgy played a significantly politicised role in the changing political systems of the 20th century. The volume represents an important addition to a growing field of work on dramaturgy by contributing to a historical contextualisation of current practice. In doing so, it understands dramaturgy not only as a process which occurs in rehearsal rooms and writers’ studies, but one that has far wider institutional and political implications.
Download or read book Aural Oral Dramaturgies written by Duška Radosavljević and published by Taylor & Francis. This book was released on 2022-10-26 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aural/Oral Dramaturgies: Theatre in the Digital Age focuses on the ‘aural turn’ in contemporary theatre-making, examining a number of seemingly disparate trends that foreground speech and sound -- ‘post-verbatim’ theatre, 'amplified storytelling' (works using microphones and headphones), and ‘gig theatre’ that incorporates live music performance. Its main argument is that the dramaturgical underpinnings of these works contribute to an understanding of theatre as an extra-literary activity, greater than the centrality of the script that traditionally dominated many historical discussions. This quality is usually expressed in terms of the corporeality in dance and physical theatre, but the aural/oral turn gives an alternative viewpoint on the interplay between text and performance. The book's case studies draw on the ways in which a range of theatre companies engage with the dramaturgy of speech and sound in their work. It is further accompanied by a specially curated collection of digital resources, including interviews, conversations, and presentations from artists and academics. This is a key text for scholars, students, and practitioners of contemporary performance, and anyone working with dramaturgies of orality and aurality in today’s performance environment.
Download or read book Dramaturgy to Make Visible written by Peter Eckersall and published by Taylor & Francis. This book was released on 2024-06-14 with total page 209 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book argues that dramaturgy makes things visible and does so in two distinct and interrelating ways: creative processes and formal elements of performance are rendered visible and readable; and performance dramaturgy becomes an expanded practice in which performance is a locus for creating wide-ranging events and activities. This exploration defines dramaturgy as a perceptibly transforming agency in the construction, presentation and reception of contemporary performance; and it shows how contemporary performance has an intrinsic dramaturgical aspect whose proliferation of dramaturgical practices has led to a far-reaching reinvention of what contemporary theatre is. In doing so, this book deals with a careful selection of performance practices, including theatrical adaptations, new media dramaturgy, contemporary dance, installation-performance, postdramatic theatre, visionary works by auteurs, and revivals of well-known stage shows. This study will be of great interest to students and scholars in theater studies, performance studies, cultural studies, curating, and dance scholarship.
Download or read book Opera As Drama written by Joseph Kerman and published by Knopf. This book was released on 2013-08-21 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: Passionate, witty, and brilliant, Opera as Drama has been lauded as one of the most controversial, thought-provoking, and entertaining works of operatic criticism ever written. First published in 1956 and revised in 1988, Opera as Drama continues to be indispensable reading for all students and lovers of opera.
Download or read book Reading Contemporary Performance written by Gabrielle Cody and published by Routledge. This book was released on 2015-09-25 with total page 508 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the nature of contemporary performance continues to expand into new forms, genres and media, it requires an increasingly diverse vocabulary. Reading Contemporary Performance provides students, critics and creators with a rich understanding of the key terms and ideas that are central to any discussion of this evolving theatricality. Specially commissioned entries from a wealth of contributors map out the many and varied ways of discussing performance in all of its forms – from theatrical and site-specific performances to live and New Media art. The book is divided into two sections: Concepts - Key terms and ideas arranged according to the five characteristic elements of performance art: time; space; action; performer; audience. Methodologies and Turning Points - The seminal theories and ways of reading performance, such as postmodernism, epic theatre, feminisms, happenings and animal studies. Case Studies – entries in both sections are accompanied by short studies of specific performances and events, demonstrating creative examples of the ideas and issues in question. Three different introductory essays provide multiple entry points into the discussion of contemporary performance, and cross-references for each entry also allow the plotting of one’s own pathway. Reading Contemporary Performance is an invaluable guide, providing not just a solid set of familiarities, but an exploration and contextualisation of this broad and vital field.
Download or read book New Dramaturgy written by Katalin Trencsényi and published by Bloomsbury Publishing. This book was released on 2014-06-19 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: An edited collection of case studies, essays and interviews with theatre practitioners and scholars from Europe and across the world, New Dramaturgy: International Perspectives on Theory and Practice offers a uniquely international overview of current practice.
Download or read book Dramaturgy and Performance written by Cathy Turner and published by Bloomsbury Publishing. This book was released on 2017-09-16 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: Outlining different perspectives, this classic and field-defining text introduces 'dramaturgy' as a critical concept and a practical process in an accessible and engaging style. The revised edition includes a new introduction and afterword which provides insight into contemporary developments and future directions of scholarship.
Download or read book Contemporary Approaches to Adaptation in Theatre written by Kara Reilly and published by Springer. This book was released on 2017-11-28 with total page 376 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines contemporary approaches to adaptation in theatre through seventeen international case studies. It explores company and directorial approaches to adaptation through analysis of the work of Kneehigh, Mabou Mines, Robert Le Page and Katie Mitchell. It then moves on to look at the transformation of the novel onto the stage in the work of Mitchell, and in The Red Badge of Courage, The Kite Runner, Anne Frank, and Fanny Hill. Next, it examines contemporary radical adaptations of Trojan Women and The Iliad. Finally, it looks at five different approaches to postmodern metatheatrical adaptation in early modern texts of Hamlet, The Changeling, and Faustus, as well as the work of the Neo-Futurists, and the mash-up Medea/Macbeth/Cinderella. Overall, this comprehensive study offers insights into key productions, ideas about approaches to adaptation, and current debates on fidelity, postmodernism and remediation.
Download or read book Dramaturgies of Love in Romeo and Juliet written by Jonas Kellermann and published by Routledge. This book was released on 2021-09-30 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Bringing together current intermedial discourses on Shakespeare, music, and dance with the affective turn in the humanities, Dramaturgies of Love in Romeo and Juliet offers a unique and highly innovative transdisciplinary discussion of "unspeakable" love in one of the most famous love stories in literary history: the tragic romance of Romeo and Juliet. Through in-depth case studies and historical contextualisation, this book showcases how the "woes that no words can sound" of Shakespeare’s iconic lovers nevertheless have found expression not only in his verbal poetry, but also in non-verbal adaptations of the play in 19th-century symphonic music and 20th- and 21st-century theatre dance. Combining methodological approaches from diverse disciplines, including affect theory, musicology, and dance studies, this study opens up a new perspective onto the artistic representation of love, defining amorous emotion as a generically transformative constellation of dialogic performativity. To explore how this constellation has become manifest across the arts, this book analyses and compares dramatic, musical, and choreographic dramatisations of love in William Shakespeare’s early modern tragedy, French composer Hector Berlioz’s dramatic symphony Roméo et Juliette (1839), and the staging of Berlioz’s symphony by German contemporary choreographer Sasha Waltz for the Paris Opera Ballet (2007). Chapters 1 and 4 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Download or read book The Routledge Companion to Dramaturgy written by Magda Romanska and published by Routledge. This book was released on 2014-08-07 with total page 730 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist. This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach. Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).
