Download or read book The Myth of the Golden Age in English Romantic Poetry written by Warren Stevenson and published by . This book was released on 1981 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Myth of the Golden Age in English Romantic Poetry written by Warren Stevenson and published by . This book was released on 1981 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Romantic Idea of the Golden Age in Friedrich Schlegel s Philosophy of History written by Asko Nivala and published by Taylor & Francis. This book was released on 2017-02-03 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: The nineteenth-century Romantic understanding of history is often confused with the longing for the past Golden Age. In this book, the Golden Age is seen from a new angle by discussing it in the context of the works of Friedrich Schlegel, who saw it not as bygone, but to be produced in the future.
Download or read book Keywords for Children s Literature written by Philip Nel and published by NYU Press. This book was released on 2011-06-13 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: 49 original essays on the essential terms and concepts in children's literature
Download or read book Romanticism and the Androgynous Sublime written by Warren Stevenson and published by Fairleigh Dickinson Univ Press. This book was released on 1996 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies and articulates the emergence from the poetical subtext of six major English romantics of "the androgynous sublime", a mode that conflates the motif of psychic androgyny (traceable as far back as the Book of Genesis and Plato's Symposium) with the mode of sublimity, first discussed by Longinus and much debated from the eighteenth century onward. Frequently echoed by the romantic poets, Milton's description of the Holy Spirit's role in the creation of the world is androgynous. Since humane creativity mirrors divine creativity, it follows that the artist qua artist muct also be androgynous - that is, endowed with what Lyrical Ballads, calls "a more comprehensive soul" than is "supposed to be common among mankind". Characterized by a flexuous, limber style and an association with androgynous subject matter, the androgynous sublime subverts conventional notions of sublimity while offering a more comprehensive model with which to supplement, of non supplant, them. The methodology of this study is to present a "counter-deconstructive" reading of the text and, where applicable, designs of Blake, as well as the poetry of Wordsworth, Coleridge, Byron, Shelley, and Keats, seen from this somewhat novel but not ignoble perspective.
Download or read book The Golden Age of Myth Legend written by Thomas Bulfinch and published by . This book was released on 1915 with total page 606 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Blake written by and published by . This book was released on 2008 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated quarterly.
Download or read book The Classic Myths in English Literature and in Art written by Charles Mills Gayley and published by . This book was released on 1911 with total page 690 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Classic Myths in English Literature and in Art Based Chiefly on Bulfinch s Age of Fable 1855 written by Charles Mills Gayley and published by . This book was released on 1911 with total page 680 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Classic Myths in English Literature and in Art Based Originally on Bulfinch s Age of Fable 1855 written by Charles Mills Gayley and published by Biblo & Tannen Publishers. This book was released on 1995 with total page 682 pages. Available in PDF, EPUB and Kindle. Book excerpt: An illustrated anthology of classical myths, based on Bulfinch's nineteenth-century "Age of Fable," examining myths of divinities and heroes, and including commentary.
Download or read book The Classic Myths in English Literature and in Art Based Originally on Bulfinch s Age of Fable written by Thomas Bulfinch and published by Library of Alexandria. This book was released on with total page 681 pages. Available in PDF, EPUB and Kindle. Book excerpt: Purpose of the Study. Interwoven with the fabric of our English literature, of our epics, dramas, lyrics, and novels, of our essays and orations, like a golden warp where the woof is only too often of silver, are the myths of certain ancient nations. It is the purpose of this work to relate some of these myths, and to illustrate the uses to which they have been put in English literature, and, incidentally, in art. The Fable and the Myth. Careful discrimination must be made between the fable and the myth. A fable is a story, like that of King Log, or the Fox and the Grapes, in which characters and plot, neither pretending to reality nor demanding credence, are fabricated confessedly as the vehicle of moral or didactic instruction. Dr. Johnson narrows still further the scope of the fable: "It seems to be, in its genuine state, a narrative in which beings irrational, and sometimes inanimate, are, for the purpose of moral instruction, feigned to act and speak with human interests and passions." Myths, on the other hand, are stories of anonymous origin, prevalent among primitive peoples and by them accepted as true, concerning supernatural beings and events, or natural beings and events influenced by supernatural agencies. Fables are made by individuals; they may be told in any stage of a nation's history,—by a Jotham when the Israelites were still under the Judges, 1200 years before Christ, or by Christ himself in the days of the most critical Jewish scholarship; by a Menenius when Rome was still involved in petty squabbles of plebeians and patricians, or by Phædrus and Horace in the Augustan age of Roman imperialism and Roman letters; by an Æsop, well-nigh fabulous, to fabled fellow-slaves and Athenian tyrants, or by La Fontaine to the Grand Monarch and the most highly civilized race of seventeenth-century Europe. Fables are vessels made to order into which a lesson may be poured. Myths are born, not made. They are born in the infancy of a people. They owe their features not to any one historic individual, but to the imaginative efforts of generations of story-tellers. The myth of Pandora, the first woman, endowed by the immortals with heavenly graces, and of Prometheus, who stole fire from heaven for the use of man; the myth of the earthborn giants that in the beginning contested with the gods the sovereignty of the universe; of the moon-goddess who, with her buskined nymphs, pursues the chase across the azure of the heavens, or descending to earth cherishes the youth Endymion,—these myths, germinating in some quaint and childish interpretation of natural events or in some fireside fancy, have put forth unconsciously, under the nurture of the simple folk that conceived and tended them, luxuriant branches and leaves of narrative, and blossoms of poetic comeliness and form. The myths that we shall relate present wonderful accounts of the creation, histories of numerous divine beings, adventures of heroes in which magical and ghostly agencies play a part, and where animals and inanimate nature don the attributes of men and gods. Many of these myths treat of divinities once worshiped by the Greeks and the Romans, and by our Norse and German forefathers in the dark ages. Myths, more or less like these, may be found in the literatures of nearly all nations; many are in the memories and mouths of savage races at this time existent. But the stories here narrated are no longer believed by any one. The so-called divinities of Olympus and of Asgard have not a single worshiper among men. They dwell only in the realm of memory and imagination; they are enthroned in the palace of art.
Download or read book Walking and the Aesthetics of Modernity written by Klaus Benesch and published by Springer. This book was released on 2016-08-31 with total page 343 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book gathers together an array of international scholars, critics, and artists concerned with the issue of walking as a theme in modern literature, philosophy, and the arts. Covering a wide array of authors and media from eighteenth-century fiction writers and travelers to contemporary film, digital art, and artists’ books, the essays collected here take a broad literary and cultural approach to the art of walking, which has received considerable interest due to the burgeoning field of mobility studies. Contributors demonstrate how walking, far from constituting a simplistic, naïve, or transparent cultural script, allows for complex visions and reinterpretations of a human’s relation to modernity, introducing us to a world of many different and changing realities.
Download or read book Romanticism written by Aidan Day and published by Routledge. This book was released on 1995-11-16 with total page 239 pages. Available in PDF, EPUB and Kindle. Book excerpt: Day examines the history and usage of the term Romanticism and the changing views and debates which surround it. A range of writers - canonical and non-canonical - are included, as are today's debates such as feminism and new historicism.
Download or read book Byron the Bible and Religion written by Wolf Z. Hirst and published by University of Delaware Press. This book was released on 1991 with total page 218 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work consists of eight essays selected from papers given at the Twelfth International Byron Symposium. Much of Byron's poetry is examined, but the focus is on the Mysteries and Don Juan. The subjects include the Cain figure, Byron's skepticism, his attitude toward Christianity and religion in general, and his literary use of the Bible.
Download or read book Romantic and Its Cognates written by Hans Eichner and published by University of Toronto Press. This book was released on 1972-12-15 with total page 540 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ever since the word romantic and its many cognates in European languages began to be used as technical terms towards the end of the eighteenth century, the quest for a satisfactory definition of their meanings has continued unabated. This collection of essays traces the history of the word in the major European languages, showing how romantic and its cognates were first introduced, how their usage spread and their connotations proliferated, and how their present usage became established. This book opens with an introduction by the editor, followed by an essay in which Professor Raymond Immerwaher, Chairman of the Department of German, University of Western Ontario, shows how romantic and its cognates became fashionable in England, France and Germany, and traces the extension of the meanings of these words up to 1790. The story is then taken up in individual essays on the history of the word and its cognates in the major European countries: in Germany, by the editor; in England, by Professor George Whalley, FRSC, of the Department of English, Queen's University, Kingston; in France, by Professor Maurice Z. Shroder of the Department of French, Barnard College, Columbia University; in Italy, by Professor Olga Ragusa of the Department of Italian, Columbia University; in Spain, by Professor Donald L. Shaw of the Department of Hispanic Studies, University of Edinburgh; in Scandinavia, by Professor P.M. Mitchell of the Department of Germanic Languages and Literature, University of Illinois; and in Russia, by Professor Sigrid McLaughlin of the Department of Slavic Studies, University of California at Santa Cruz. The final essay, by H.H.H. Remak, Professor of German and Comparative Literature at the University of Indiana, reports on trends of recent research on West European romanticism and suggests fruitful avenues for further exploration. The book will be of immense value to students and specialists interested in literary, linguistic and cultural aspects of romanticism, and to those concerned with comparative literature and the history of ideas. Hans Eicner taught at Queen's University, Kingston, from 1950 to 1967 when he was appointed Professor and Chairman of German, University of Toronto. Among his published books are: Thomas Mann, Eine Einführung in sein Werk; Friedrich Schlegel: Literary Notebooks 1797-1801; Reading German for Scientists; Kritische Friedrich Schlegel-Ausgabe (in four volumes); Four Modern German Authors: Mann, Rilke, Kafka, Brecht. In 1967 he was elected a Fellow of the Royal Society of Canada.
Download or read book The Works of Aphra Behn v 1 Poetry written by Janet Todd and published by Routledge. This book was released on 2018-10-24 with total page 579 pages. Available in PDF, EPUB and Kindle. Book excerpt: Aphra Behn (1640-1689) was one of the most successful dramatists of the Restoration theatre and a popular poet. This is the first volume in a set of seven which comprises a complete edition of all her works. This volume is a collection of her poetry.
Download or read book Work on Myth written by Hans Blumenberg and published by MIT Press. This book was released on 1988-03-18 with total page 727 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this rich examination of how we inherit and transform myths, Hans Blumenberg continues his study of the philosophical roots of the modern world. Work on Myth is in five parts. The first two analyze the characteristics of myth and the stages in the West's work on myth, including long discussions of such authors as Freud, Joyce, Cassirer, and Valéry. The latter three parts present a comprehensive account of the history of the Prometheus myth, from Hesiod and Aeschylus to Gide and Kafka. This section includes a detailed analysis of Goethe's lifelong confrontation with the Prometheus myth, which is a unique synthesis of "psychobiography" and history of ideas. Work on Myth is included in the series Studies in Contemporary German Social Thought, edited by Thomas McCarthy.
