Download or read book Myth and History in Caribbean Fiction written by Barbara J. Webb and published by . This book was released on 1992 with total page 210 pages. Available in PDF, EPUB and Kindle. Book excerpt: At a time of growing interest in postcolonial writing, this volume offers a comparative study of three major Caribbean novelists: Alejo Carpentier, Wilson Harris, and Edouard Glissant. Despite differences of language and background, these writers from Cuba, Guyana and Martinique have much in common. Each has written extensively on the shared heritage of the peoples of the Caribbean and each has been influential in redefining the poetics of the novel in the context of New World culture.
Download or read book History Fable Myth in the Caribbean Guianas written by Wilson Harris and published by . This book was released on 1970 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Fred D Aguiar and Caribbean Literature written by Leo Courbot and published by BRILL. This book was released on 2019-02-26 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: With Fred D'Aguiar and Caribbean Literature: Metaphor, Myth, Memory, Leo Courbot offers the first research monograph entirely dedicated to a comprehensive reading of the verse and prose works of Fred D'Aguiar, prized American author of Anglo-Guyanese origin.
Download or read book History Fable and Myth in the Caribbean and Guianas written by Wilson Harris and published by . This book was released on 1970 with total page 50 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Memory and Myth written by Fiona Darroch and published by Rodopi. This book was released on 2009 with total page 235 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book investigates the problematical historical location of the term 'religion' and examines how this location has affected the analytical reading of postcolonial fiction and poetry. The adoption of the term 'religion' outside of a Western Enlightenment and Christian context should therefore be treated with caution. Within postcolonial literary criticism, there has been either a silencing of the category as a result of this caution or an uncritical and essentializing adoption of the term 'religion'. It is argued in the present study that a vital aspect of how writers articulate their histories of colonial contact, migration, slavery, and the re-forging of identities in the wake of these histories is illuminated by the classificatory term 'religion'. Aspects of postcolonial theory and Religious Studies theory are combined to provide fresh insights into the literature, thereby expanding the field of postcolonial literary criticism. The way in which writers 'remember' history through writing is central to the way in which 'religion' is theorized and articulated; the act of remembrance can be persuasively interpreted in terms of 'religion'. The title 'Memory and Myth' therefore refers to both the syncretic mythology of Guyana, and the key themes in a new critical understanding of 'religion'. Particular attention is devoted to Wilson Harris's novel Jonestown, alongside theoretical and historical material on the actual Jonestown tragedy; to the mesmerizing effect of the Anancy tales on contemporary writers, particularly the poet John Agard; and to the work of the Indo-Guyanese writer David Dabydeen and his elusive character Manu.
Download or read book Tales of Caribbean Myth and Magic written by Theodore O. Francis and published by . This book was released on 2013 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Caribbean Literature in English written by Louis James and published by Routledge. This book was released on 2014-07-30 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Caribbean Literature in English places its subject in its precise regional context. The `Caribbean', generally considered as one area, is highly discrete in its topography, race and languages, including mainland Guyana, the Atlantic island of Barbados, the Lesser Antilles, Trinidad, and Jamaica, whose size and history gave it an early sense of separate nationhood. Beginning with Raleigh's Discoverie of...Guiana (1596), this innovative study traces the sometimes surprising evolution of cultures which shared a common experience of slavery, but were intimately related to individual local areas. The approach is interdisciplinary, examining the heritage of the plantation era, and the issues of language and racial identity it created. From this base, Louis James reassesses the phenomenal expansion of writing in the contemporary period. He traces the influence of pan-Caribbean movements and the creation of an expatriate Caribbean identity in Britain and America: `Brit'n' is considered as a West Indian island, created by `colonization in reverse'. Further sections treat the development of a Caribbean aesthetic, and the repossession of cultural roots from Africa and Asia. Balancing an awareness of the regional identity of Caribbean literature with an exploration of its place in world and postcolonial literatures, this study offers a panoramic view that has become one of the most vital of the `new literatures in English'. This accessible overview of Caribbean writing will appeal to the general reader and student alike, and particularly to all who are interested in or studying Caribbean literatures and culture, postcolonial studies, Commonwealth 'new literatures' and contemporary literature and drama.
Download or read book Island Paradise The Myth written by Melanie A. Murray and published by BRILL. This book was released on 2009-01-01 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality – the ‘Great House’ being an ideological symbol of power. Island Paradise: The Myth investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka. It analyzes texts which focus on gardens, island space, and houses to examine how these motifs are used to re-vision colonial/contested sites. This book examines the relationship between landscape and identity and, with reference to Homi K. Bhabha, considers how these writers offer an alternative space for negotiating the ambivalence of hybridity.
Download or read book Memories of the Classical Underworld in Irish and Caribbean Literature written by Madeleine Scherer and published by Walter de Gruyter GmbH & Co KG. This book was released on 2021-09-20 with total page 323 pages. Available in PDF, EPUB and Kindle. Book excerpt: Classical Memories is an intervention into the field of adaptation studies, taking the example of classical reception to show that adaptation is a process that can be driven by and produce intertextual memories. I see ‘classical memories’ as a memory-driven type of adaptation that draws on and reproduces schematic and otherwise de-contextualised conceptions of antiquity and its cultural ‘exports’ in, broadly speaking, the twentieth and twenty-first centuries. These memory-driven adaptations differ, often in significant ways, from more traditional adaptations that seek to either continue or deconstruct a long-running tradition that can be traced back to antiquity as well as its canonical points of reception in later ages. When investigating such a popular and widespread set of narratives, characters, and images like those that remain of Graeco-Roman antiquity, terms like ‘adaptation’ and ‘reception’ could and should be nuanced further to allow us to understand the complex interactions between modern works and classical antiquity in more detail, particularly when it pertains to postcolonial or post-digital classical reception. In Classical Memories, I propose that understanding certain types of adaptations as intertextual memories allows us to do just that.
Download or read book C L R James and Creolization written by Nicole King and published by Univ. Press of Mississippi. This book was released on 2011-01-01 with total page 189 pages. Available in PDF, EPUB and Kindle. Book excerpt: C. L. R. James (1901–1989), one of the most important intellectuals of the twentieth century, expressed his postcolonial and socialist philosophies in fiction, speeches, essays, and book-length scholarly discourses. However, the majority of academic attention given to James keeps the diverse mediums of James's writing separate, focuses on his work as a political theorist, and subordinates his role as a fiction writer. This book, however, seeks to change such an approach to studying James. Defining creolization as a process by which European, African, Amerindian, Asian, and American cultures are amalgamated to form new hybrid identities and cultures, Nicole King uses this process as a means to understanding James's work and life. She argues that, throughout his career, whether writing a short story or a political history, James articulated his attempt to produce revolutionary, radical discourses with a consistent methodology. James, a Trinidad-born scholar who migrated to England and then to the United States and who described himself both as a black radical and a Victorian intellectual, serves as a definitive model of creolization. King argues that James's writings also fit the model of creolization, for each is influenced by diverse types of discourses. James rarely wrote from within the confines of a single discipline, instead choosing to make the layers of history, literature, philosophy, and political theory coalesce in order to make his point. As his West Indian and Western European influences converge in his work and life, he creates texts that are difficult to confine to a specific category or discipline. No matter which writerly medium he uses, James was preoccupied with how to represent the individual personality and at the same time represent the community. The C. L. R. James that emerges from King's study is a man made more compelling and more human because of his complicated, multilayered, and sometimes contradictory allegiances.
Download or read book The Myth of Indigenous Caribbean Extinction written by T. Castanha and published by Springer. This book was released on 2010-12-14 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book debunks one of the greatest myths ever told in Caribbean history: that the indigenous peoples who encountered a very lost Christopher Columbus are 'extinct.' Through the uncovering of recent ethnographical data, the author reveals extensive narratives of Jíbaro Indian resistance and cultural continuity on the island of Borikén.
Download or read book Popular Myths about Caribbean History written by Basil A. Reid and published by . This book was released on 2007* with total page 119 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literature Modernism and Myth written by Michael Bell and published by Cambridge University Press. This book was released on 1997-01-28 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of myth in Modernist literature is a misleadingly familiar theme. Joyce's appropriation of Homer's Odyssey and Eliot's of Frazer's Golden Bough are, like Lawrence's primitivism or Yeats's nationalist folklore, attempts to discover an underlying metaphysic in an increasingly fragmented world. In Literature, Modernism and Myth Michael Bell also examines the relationship of myth and modernism to postmodernism. Myth, Bell shows, is inherently flexible; it was used to justify Pound's totalizing vision of society which eventually descended into fascism, and the liberal, ironic vision of human existence Joyce and Mann expressed. Those theorists who present myth as another form of mystification, a search for false origins, ignore its use by modernists to emphasise the ultimate contingency of all values. This anti-foundational element, Bell claims, enables myth to act as a corrective to the claims of ideological critique. Bell shows how postmodern concerns with political and social responsibility, and the role literature plays in formulating this, have in fact been inherited from modernism.
Download or read book Soundings in French Caribbean Writing Since 1950 written by Mary Gallagher and published by OUP Oxford. This book was released on 2002-11-07 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the second half of the twentieth century, a substantial flow of writing emerged from the French-held Caribbean. Much of this work is both theoretically knowing and poetically potent and has attracted international attention to the literary resonances of the uniquely complex geo-historical situation of the Caribbean, and indeed of the Americas in general. Much of its passion, pertinence, and appeal inheres in its approach to time and to space, an approach still reverberating with the shock of displacement and its various after-tremors: an exploded sense of diversity; radical relativization; the profound expropriations of enslavement; colonial erosion. Through readings of high-profile as well as lesser known writing, this book tracks some of the more striking tensions and tropisms at work in the French Caribbean imagination of space and time and their intersection. It studies generic interplay, textual palimpseste, narrative structure, and other dynamics of writing that realize and manipulate the intersections of time and space, history and memory, writing and rewriting, voice and text, referential space and (inter)textual space, as well as cultural theory and literary practice, identity and difference, place and displacement. In this way, it probes both the strains and the stresses, and also the insights and gravitations that make for the particular 'French Caribbean' timbre of this volume of writing. This specific vibration, while illuminating Caribbean, New World, and post-colonial thinking in general, also encourages wider reflection on global resonances of displacement and dislocation and on more general issues such as the role of writing, and of narrative in particular, in the confrontation of absence and presence, loss and desire, distance and diversity. This book locates the problematic of time/space in relation to historiographical, geo-cultural, and phenomenological thinking and it also takes account of the detonation of critical interest in what is broadly termed post-colonial writing. Its fundamental concern, however, is to show how a particular corpus of writing has, in the space of half a century, and from a bracing position of hyper-relationality, responded imaginatively and poetically to the challenge of envisioning place, and of relating space to time.
Download or read book New World Myth written by Marie Vautier and published by McGill-Queen's Press - MQUP. This book was released on 1998 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this comparative study of six Canadian novels Marie Vautier examines reworkings of myth in the postcolonial context. While myths are frequently used in literature as transhistorical master narratives, she argues that these novels destabilize the traditional function of myth in their self-conscious reexamination of historical events from a postcolonial perspective. Through detailed readings of François Barcelo's La Tribu, George Bowering's Burning Water, Jacques Godbout's Les Têtes à Papineau, Joy Kogawa's Obasan, Jovette Marchessault's Comme une enfant de la terre, and Rudy Wiebe's The Scorched-Wood People, Vautier situates New World myth within the broader contexts of political history and of classical, biblical, and historical myths.
Download or read book Diasporic Marvellous Realism written by María Alonso Alonso and published by BRILL. This book was released on 2015-07-14 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Diasporic Marvellous Realism urges a deeper dialogue between postcolonial and Latin American literary theory in order to analyse the influence that the latter has exerted on the former and thus to indicate the constant feedback between these two traditions.
Download or read book Rewriting the Return of Africa written by Anne M. François and published by Lexington Books. This book was released on 2011-08-16 with total page 147 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rewriting The Return to Africa: Voices of Francophone Caribbean Women Writers examines the ways Guadeloupean women writers Maryse Condé, Simone Schwarz-Bart and Myriam Warner-Vieyra demystify the theme of the return to Africa as opposed to the its masculinist version by Négritude male writers from the 1930s to 1960s. Négritude, a cultural and literary movement, drew much of its strength from the idea of a mythical or cultural reconnection with the African past allegorized as a mother figure. In contrast these women writers, of the post-colonial era who are to large extent heirs of Négritude, differ sharply from their male counterparts in their representation of Africa. In their novels, the continent is not represented as a propitious mother figure but a disappointing father figure. This study argues that these women writers' subversion of the metaphorical figure of Africa and its transformation is tied to their gender. The women novelists are indeed critical of a female allegorization of the land that is reminiscent of a colonial or nationalist project and a simplistic representation of motherhood that does not reflect the complexities of the Diaspora's relation to origins and identity. Unlike the primary male writers of the Négritude movement, theycarefully "gendered" the notion of return by choosing female protagonists who made their way back to the Motherland in search of identity. I argue that writing is a more suitable space for the female subject seeking identity because it allows her to havea voice and become subject rather than object as that was the case with the Négritude writers. The women writers' shattering of the image of Mother Africa and subsequently that of Father Africa highlights the complex relationship between Africa and the Diaspora from a female point of view. It shifts the identity quest of the characters towards the Caribbean, which emerges as the real problematic mother: a multi-faceted, fragmented figure that reflects the constitutive clash that occurred in the archipelago between Europe, Africa, and the Americas where the issues of race, gender, class, culture, ethnicity, history, and language are very complex.
