Download or read book The Rules of Musical Interpretation in the Baroque Era 17th 18th Centuries Common to All Instruments written by Jean Claude Veilhan and published by . This book was released on 1979 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Elements of Musical Composition Comprehending the Rules of Thorough Bass and the Theory of Tuning written by William Crotch and published by . This book was released on 1833 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Musical Expositor Or A Treatise on the Rules and Elements of Music written by Russel Haskell and published by . This book was released on 1847 with total page 102 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dramatic and Musical Law written by Albert Ambrose Strong and published by . This book was released on 1898 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dramatic Musical Law written by Albert Ambrose Strong and published by . This book was released on 1910 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Rumba Rules written by Bob W. White and published by Duke University Press. This book was released on 2008-06-27 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mobutu Sese Seko, who ruled Zaire (now the Democratic Republic of Congo) from 1965 until 1997, was fond of saying “happy are those who sing and dance,” and his regime energetically promoted the notion of culture as a national resource. During this period Zairian popular dance music (often referred to as la rumba zaïroise) became a sort of musica franca in many parts of sub-Saharan Africa. But how did this privileged form of cultural expression, one primarily known for a sound of sweetness and joy, flourish under one of the continent’s most brutal authoritarian regimes? In Rumba Rules, the first ethnography of popular music in the Democratic Republic of Congo, Bob W. White examines not only the economic and political conditions that brought this powerful music industry to its knees, but also the ways that popular musicians sought to remain socially relevant in a time of increasing insecurity. Drawing partly on his experiences as a member of a local dance band in the country’s capital city Kinshasa, White offers extraordinarily vivid accounts of the live music scene, including the relatively recent phenomenon of libanga, which involves shouting the names of wealthy or powerful people during performances in exchange for financial support or protection. With dynamic descriptions of how bands practiced, performed, and splintered, White highlights how the ways that power was sought and understood in Kinshasa’s popular music scene mirrored the charismatic authoritarianism of Mobutu’s rule. In Rumba Rules, Congolese speak candidly about political leadership, social mobility, and what it meant to be a bon chef (good leader) in Mobutu’s Zaire.

Download or read book Musical Digest written by and published by . This book was released on 1923 with total page 592 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Dictionary of Musical Terms written by John Stainer and published by . This book was released on 1876 with total page 468 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Elements of Musical Composition and Through base Together with Rules for Arranging Music for the Full Orchestra and Military Bands written by Isaac Baker Woodbury and published by . This book was released on 1844 with total page 156 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Musical Times written by and published by . This book was released on 1924 with total page 790 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Cognition of Basic Musical Structures written by David Temperley and published by MIT Press. This book was released on 2004-08-20 with total page 432 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, David Temperley addresses a fundamental question about music cognition: how do we extract basic kinds of musical information, such as meter, phrase structure, counterpoint, pitch spelling, harmony, and key from music as we hear it? Taking a computational approach, Temperley develops models for generating these aspects of musical structure. The models he proposes are based on preference rules, which are criteria for evaluating a possible structural analysis of a piece of music. A preference rule system evaluates many possible interpretations and chooses the one that best satisfies the rules. After an introductory chapter, Temperley presents preference rule systems for generating six basic kinds of musical structure: meter, phrase structure, contrapuntal structure, harmony, and key, as well as pitch spelling (the labeling of pitch events with spellings such as A flat or G sharp). He suggests that preference rule systems not only show how musical structures are inferred, but also shed light on other aspects of music. He substantiates this claim with discussions of musical ambiguity, retrospective revision, expectation, and music outside the Western canon (rock and traditional African music). He proposes a framework for the description of musical styles based on preference rule systems and explores the relevance of preference rule systems to higher-level aspects of music, such as musical schemata, narrative and drama, and musical tension.

Download or read book Musical Creativity written by Irène Deliège and published by Psychology Press. This book was released on 2006-10-16 with total page 444 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection initiates a resolutely interdisciplinary research dynamic specifically concerning musical creativity. Creativity is one of the most challenging issues currently facing scientific psychology and its study has been relatively rare in the cognitive sciences, especially in artificial intelligence. This book will address the need for a coherent and thorough exploration. Musical Creativity: Multidisciplinary Research in Theory and Practice comprises seven sections, each viewing musical creativity from a different scientific vantage point, from the philosophy of computer modelling, through music education, interpretation, neuroscience, and music therapy, to experimental psychology. Each section contains discussions by eminent international specialists of the issues raised, and the book concludes with a postlude discussing how we can understand creativity in the work of eminent composer, Jonathan Harvey. This unique volume presents an up-to-date snapshot of the scientific study of musical creativity, in conjunction with ESCOM (the European Society for the Cognitive Sciences of Music). Describing many of the different aspects of musical creativity and their study, it will form a useful springboard for further such study in future years, and will be of interest to academics and practitioners in music, psychology, cognitive science, artificial intelligence, neuroscience and other fields concerning the study of human cognition in this most human of behaviours.

Download or read book The Musical Times Singing class Circular written by and published by . This book was released on 1922 with total page 756 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The American History and Encyclopedia of Music Theory of music with introductions by W L Hubbard E Liebling and W J Henderson A Foote editor written by and published by . This book was released on 1910 with total page 414 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Education written by Robert Walker and published by Charles C Thomas Publisher. This book was released on 2007 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an important work that addresses the complex issues surrounding musical meaning and experience, and the Western traditional justification for including music in education. The chapters in this volume examine the important subjects of tradition, innovation, social change, the music curriculum, music in the twentieth century, social strata, culture and music education, psychology, science and music education, including musical values and education. Additional topics include the origins of mania, aesthetics and musical meaning related to concepts that are well-known to the ancient Greeks.

Download or read book The Key stone Collection of Church Music written by Artemas Nixon Johnson and published by . This book was released on 1868 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book John Birchensha Writings on Music written by Christopher D.S. Field and published by Routledge. This book was released on 2017-07-05 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Birchensha (c.1605-?1681) is chiefly remembered for the impression that his theories about music made on the mathematicians, natural philosophers and virtuosi of the Royal Society in the 1660s and 1670s, and for inventing a system that he claimed would enable even those without practical experience of music to learn to compose in a short time by means of 'a few easy, certain, and perfect Rules'-his most famous composition pupil being Samuel Pepys in 1662. His great aim was to publish a treatise on music in its philosophical, mathematical and practical aspects (which would have included a definitive summary of his rules of composition), entitled Syntagma music Subscriptions for this book were invited in 1672-3, and it was due to be published by March 1675; but it never appeared, and no final manuscript of it survives. Consequently knowledge about his work has hitherto remained extremely sketchy. Recent research, however, has brought to light a number of manuscripts which allow us at last to form a more complete view of Birchensha's ideas. Almost none of this material has been previously published. The new items include an autograph treatise of c.1664 ('A Compendious Discourse of the Principles of the Practicall & Mathematicall Partes of Musick') which Birchensha presented to the natural philosopher Robert Boyle, and which covers concisely much of the ground that he intended to cover in Syntagma music a detailed synopsis for Syntagma music hich he prepared for a meeting of the Royal Society in February 1676; and an autograph notebook (now in Brussels) containing his six rules of composition with music examples, presumably written for a pupil. Bringing all this material together in a single volume will allow scholars to see how Birchensha's rules and theories developed over a period of fifteen years, and to gain at least a flavour of the lost Syntagma music