Download or read book Musical Morphology written by Claus-Steffen Mahnkopf and published by . This book was released on 2004 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Morphology written by Siegmund Levarie and published by . This book was released on 1983 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Morphology written by Siegmund Levarie and published by . This book was released on 1983 with total page 355 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Musical Morphology written by Siegmund Levarie and published by . This book was released on 1980 with total page 404 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of Musical Morphology written by Siegmund Levarie and published by Institute of Mediaeval Music. This book was released on 1980 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book A Dictionary of a Musical Morphology written by Siegmund Levarie and published by . This book was released on 1980 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reconceiving Structure in Contemporary Music written by Judy Lochhead and published by Routledge. This book was released on 2015-06-19 with total page 242 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book studies recent music in the western classical tradition, offering a critique of current analytical/theoretical approaches and proposing alternatives. The critique addresses the present fringe status of recent music sometimes described as crossover, postmodern, post-classical, post-minimalist, etc. and demonstrates that existing descriptive languages and analytical approaches do not provide adequate tools to address this music in positive and productive terms. Existing tools and concepts were developed primarily in the mid-20th century in tandem with the high modernist compositional aesthetic, and they have changed little since then. The aesthetics of music composition, on the other hand, have been in constant transformation. Lochhead proposes new ways to conceive musical works, their structurings of musical experience and time, and the procedures and goals of analytic close reading. These tools define investigative procedures that engage the multiple perspectives of composers, performers, and listeners, and that generate conceptual modes unique to each work. In action, they rebuild a conceptual, methodological, and experiential place for recent music. These new approaches are demonstrated in analyses of four pieces: Kaija Saariaho’s Lonh (1996), Sofia Gubaidulina’s Second String Quartet (1987), Stacy Garrop’s String Quartet no.2, Demons and Angels (2004-05), and Anna Clyne’s "Choke" (2004). This book defies the prediction of classical music’s death, and will be of interest to scholars and musicians of classical music, and those interested in music theory, musicology, and aural culture.
Download or read book Music Mind and Structure written by Eric Clarke and published by Taylor & Francis. This book was released on 1989 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1989. Routledge is an imprint of Taylor & Francis, an informa company.
Download or read book Discrete Geometry and Mathematical Morphology written by Sara Brunetti and published by Springer Nature. This book was released on with total page 462 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Structure of Objects written by Kathrin Koslicki and published by OUP Oxford. This book was released on 2008-04-17 with total page 539 pages. Available in PDF, EPUB and Kindle. Book excerpt: Kathrin Koslicki offers an analysis of ordinary materials objects, those material objects to which we take ourselves to be committed in ordinary, scientifically informed discourse. She focuses particularly on the question of how the parts of such objects are related to the wholes which they compose. Many philosophers today find themselves in the grip of an exceedingly deflationary conception of what it means to be an object. According to this conception, any plurality of objects, no matter how disparate or gerrymandered, itself composes an object, even if the objects in question fail to exhibit interesting similarities, internal unity, cohesion, or causl interaction amongst each other. This commitment to initially counterintuitive objects follows from the belief that no principled set of criteria is available by means of which to distinguish intuitively gerrymandered objects from commonsensical ones; the project of this book is to persuade the reader that systematic principles can be found by means of which composition can be restricted, and hence that we need not embrace this deflationary approach to the question of what it means to be an object. To this end, a more full-blooded neo-Aristotelian account of parthood and composition is developed according to which objects are structured wholes: it is integral to the existence and identity of an object, on this conception, that its parts exhibit a certain manner of arrangement. This structure-based conception of parthood and composition is explored in detail, along with some of its historical precursors as well as some of its contemporary competitors.
Download or read book Musical Structure and Cognition written by Peter Howell and published by Academic Press. This book was released on 1985 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume provides a wide ranging and up-to-date account of human perception and production of musical structures, with a strong emphasis on empirical investigation, and the cognitive psychological principles underlying the intuitively based theorizing prevalent within the fields of music study. The first two thirds of the book focus mainly on music perception while the final third considers instrumental and vocal production. Topics covered include models of musical structure, recall of melodies, the perception and production of rhythm, the use of contour and internal information in melody recognition, and many more. The integration of state-of-the-art research with relevant background information provides a volume that will be essential reading for graduates, researchers, and advanced undergraduates in music psychology and of great relevance to musicologists and music students. FROM THE PREFACE: Music plays an important part in the lives of people of many cultures, serving as a component of ritual and as a source of recreation. The forms it may take vary from culture to culture and change over time. One integral feature of music that remains constant is that it involves the patterning or structuring of sound. Music theory provides ways of describing structure in music, but to comprehend musical structure fully we must focus on the human activities and capacities that give rise to and respond to it. The chapters in this volume describe recent advances in our understanding of musical structure as it exists in perception and performance. The scope of the volume is intended to be broad. The content ranges from an analysis of systems of pitch organisation in music theory to an account of the constraints on musical structure that may be imposed by the human motor system. The emphasis is on empirical investigation, and the need to base theoretical accounts of musical structure on extramusical principles relating to human cognition. Though the primary purpose of this volume is to convey the "state of the art" in the study of musical cognition, many of the chapters should be accessible to undergraduate students of music and psychology, and contain sufficient background material to provide an introduction to important topics within the field.
Download or read book Morphologie written by G. E. Booij and published by Walter de Gruyter. This book was released on 2000 with total page 1184 pages. Available in PDF, EPUB and Kindle. Book excerpt: This series of HANDBOOKS OF LINGUISTICS AND COMMUNICATION SCIENCE is designed to illuminate a field which not only includes general linguistics and the study of linguistics as applied to specific languages, but also covers those more recent areas which have developed from the increasing body of research into the manifold forms of communicative action and interaction. For "classic" linguistics there appears to be a need for a review of the state of the art which will provide a reference base for the rapid advances in research undertaken from a variety of theoretical standpoints, while in the more recent branches of communication science the handbooks will give researchers both an verview and orientation. To attain these objectives, the series will aim for a standard comparable to that of the leading handbooks in other disciplines, and to this end will strive for comprehensiveness, theoretical explicitness, reliable documentation of data and findings, and up-to-date methodology. The editors, both of the series and of the individual volumes, and the individual contributors, are committed to this aim. The languages of publication are English, German, and French. The main aim of the series is to provide an appropriate account of the state of the art in the various areas of linguistics and communication science covered by each of the various handbooks; however no inflexible pre-set limits will be imposed on the scope of each volume. The series is open-ended, and can thus take account of further developments in the field. This conception, coupled with the necessity of allowing adequate time for each volume to be prepared with the necessary care, means that there is no set time-table for the publication of the whole series. Each volume will be a self-contained work, complete in itself. The order in which the handbooks are published does not imply any rank ordering, but is determined by the way in which the series is organized; the editor of the whole series enlist a competent editor for each individual volume. Once the principal editor for a volume has been found, he or she then has a completely free hand in the choice of co-editors and contributors. The editors plan each volume independently of the others, being governed only by general formal principles. The series editor only intervene where questions of delineation between individual volumes are concerned. It is felt that this (modus operandi) is best suited to achieving the objectives of the series, namely to give a competent account of the present state of knowledge and of the perception of the problems in the area covered by each volume.
Download or read book Musical Rhetoric written by Patrick Saint-Dizier and published by John Wiley & Sons. This book was released on 2014-10-06 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discourse analysis and rhetoric are very much developed in communication, linguistics, cognitive science and artificial intelligence. Besides theoretical investigations, discourse analysis is central in a number of application areas such as dialogue and negotiation, the semantic web, question answering or authoring systems. Music is also a natural language, more abstract and mathematical, which follows very strict construction principles. However, there is very limited and no recent literature on Music Discourse analysis using computational principles. This book aims at developing a central issue in musical discourse: modeling rhetoric and argumentation. It also contributes to the development of high-level multimedia annotation schemes for non-verbal communication.
Download or read book Mathematics and Computation in Music written by Mariana Montiel and published by Springer Nature. This book was released on 2022-06-03 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book constitutes the thoroughly refereed proceedings of the 8th International Conference on Mathematics and Computation in Music, MCM 2022, held in Atlanta, GA, USA, in June 2022. The 29 full papers and 8 short papers presented were carefully reviewed and selected from 45 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in Mathematical Scale and Rhythm Theory: Combinatorial, Graph Theoretic, Group Theoretic and Transformational Approaches; Categorical and Algebraic Approaches to Music; Algorithms and Modeling for Music and Music-Related Phenomena; Applications of Mathematics to Musical Analysis; Mathematical Techniques and Microtonality
Download or read book The Language Electroacoustic Music written by Simon Emmerson and published by Springer. This book was released on 1986-12-03 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the inception of electroacoustic music in 1948, much has been written about technical developments. This book is one of the first to examine aesthetic issues central to this rapidly developing genre. It brings together composers from leading academic departments and studios in Britain, the United States, Canada and Paris with a wide range of approaches and opinions, resulting in a study which is likely to have a marked impact on current debates on the future of electroacoustic music. The book is divided into three sections. The first, Culture and Language, considers the relationship between music and the listener's perception and expectation. Materials and Lanugage looks at the types of materials available to composers and the way in which the internal structure of the sound can have implications for the overall structure of a piece. The final section, The Influence of New Technology, considers the relationship between computer systems and the music they are helping to create.
Download or read book Structure and Meaning in Tonal Music written by Carl Schachter and published by Pendragon Press. This book was released on 2006 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction -- Expression. The two curious moments in Chopin's E-flat major prelude / Charles Burkhart ; Circular motion in Chopin's late B-major nocturne (op. 62, no. 1) / William Rothstein ; Of species counterpoint, gondola songs, and sordid boons / Poundie Burstein -- Theory. The spirit and technique of Schenker pedagogy / David Gagné and Allen Cadwallader ; Prolongational and hierarchical structures in 18th-century theory / Joel Lester ; Thoughts on Schenker's treatment of diminution and repetition in part III of Free composition, and its implications for analysis / Wayne Petty ; Looking at the Urlinie / Hedi Siegel -- Style. Rhythmic displacement in the music of Bill Evans / Steven Larson ; Levels of voice leading in the music of Louis Couperin / Drora Pershing ; The analysis of east Asian music / David Loeb ; Baroque styles and the analysis of baroque music / Channan Willner -- Words and music. Schumann's Das ist ein Flöten und Geigen : conflicts between local and global perspectives / Lauri Suurpaa ; Reinterpreting the past : Brahms's link to Bach in the setting of Mit Fried und Freud ich fahr dahin, from the motet op. 74, no. 1 / Robert Cuckson ; Hinauf strebt's : song study with Carl Schachter / Timothy Jackson ; Intimate immensity in Schubert's The shepherd on the rock / Frank Samarotto -- Form. Tonal conflicts in Haydn's development sections : the role of C major in symphonies nos. 93 and 102 / Mark Anson-Cartwright ; Aspects of structure in Bach's F-minor fugue, WTC II / William Renwick ; The andante from Mozart's symphony no. 40, K. 5
Download or read book Musical Motives written by Brent Auerbach and published by Oxford University Press. This book was released on 2021 with total page 397 pages. Available in PDF, EPUB and Kindle. Book excerpt: The da-da-da-DUM motive from Beethoven's Fifth Symphony is an undeniably evocative moment for any music fan. Whether it be a first foray into classical music, childhood piano lessons, or the soundtrack to a beloved movie scene, this is a moment not easily forgotten. So what makes this andother musical motives so memorable? In Musical Motives, author Brent Auerbachs look at the ways that motives - or the small-scale pitch and rhythm shapes ever-present in music - tie musical compositions together, and why we remember some more than others.Musical motives function like motifs in visual art, tying together sonic space. They repeat frequently, either as perfect copies or with slight variation. With presence in all musical genres from classical and popular to jazz and world music, motives are ideal tools for musical analysis. Openingwith an introduction to motives, Musical Motives offers a new and universal system of motivic nomenclature, then demonstrates how motives - both in small and in expanded forms stretching over many measures - help explain the structure and drama of musical works. Taking amateurs and experts alikeinto consideration, Auerbach provides two tiers of analytic method: Basic and Complex Motivic Analysis. To illustrate these methods, he offers large-scale analyses of pieces by Handel, Beethoven, Mozart, Chaminade, Radiohead, and others.
