Download or read book Musica Asiatica Volume 5 written by Richard Widdess and published by Cambridge University Press. This book was released on 1988-07-07 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifth volume of Musica Asiatica is a collection of essays on the music of East Asia.
Download or read book Musica Asiatica Volume 4 written by Laurence Picken and published by CUP Archive. This book was released on 1984-03-29 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this fourth volume of studies in the historical musicology and organology of Asia, Jonathan Condit completes his survey of Korean scores in mensural notation, and Roger Blench examines the morphology and distribution of sub-Saharan musical instruments of North African, Middle Eastern, and Asian origin.
Download or read book Music from the Tang Court Volume 5 written by R. F. Wolpert and published by CUP Archive. This book was released on 1990-06-29 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: The fifth volume in this study of the music of the Tang Court.
Download or read book Musica Asiatica Volume 6 written by Allan Marett and published by Cambridge University Press. This book was released on 1991-05-16 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the sixth volume in a series of books devoted to the history, documentation and analysis of music in Asia. Four essays are dedicated to documents from the past: fifth-century Korean tomb paintings; tenth-century Chinese scores for lute; eighth-century Japanese documents; early Chinese sutras on the perception of sound. The remainder concern contemporary documents: the notations of the Japanese end-blown flute (shakuhachi) and lute (biwa) and their relationship to performance; acoustical analysis of contemporary shakuhachi. The focus on musical documents, whether ancient or modern, provides a unifying thread which renders this volume unique in the ethnomusicological literature on East Asian music.
Download or read book The Cambridge World History Volume 5 Expanding Webs of Exchange and Conflict 500CE 1500CE written by Benjamin Z. Kedar and published by Cambridge University Press. This book was released on 2015-04-09 with total page 749 pages. Available in PDF, EPUB and Kindle. Book excerpt: Volume 5 of the Cambridge World History series uncovers the cross-cultural exchange and conquest, and the accompanying growth of regional and trans-regional states, religions, and economic systems, during the period 500 to 1500 CE. The volume begins by outlining a series of core issues and processes across the world, including human relations with nature, gender and family, social hierarchies, education, and warfare. Further essays examine maritime and land-based networks of long-distance trade and migration in agricultural and nomadic societies, and the transmission and exchange of cultural forms, scientific knowledge, technologies, and text-based religious systems that accompanied these. The final section surveys the development of centralized regional states and empires in both the eastern and western hemispheres. Together these essays by an international team of leading authors show how processes furthering cultural, commercial, and political integration within and between various regions of the world made this millennium a 'proto-global' era.
Download or read book Analytical and Cross Cultural Studies in World Music written by Michael Tenzer and published by Oxford University Press. This book was released on 2011-10-06 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection presents intriguing explanations of extraordinary musical creations from across the world, concentrating on how the music works as sound in process. It suggests analytical approaches that apply across cultures, proposes a new way of classifying music, and treats provocative questions about the juxtaposition of music from different cultures.
Download or read book The Music and Dance of the World s Religions written by E. Rust and published by Bloomsbury Publishing USA. This book was released on 1996-08-23 with total page 500 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
Download or read book Thai Classical Singing written by Dusadee Swangviboonpong and published by Routledge. This book was released on 2017-07-05 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: Thai classical singing is a genre that blossomed during the golden age of music in the royal court at Bangkok during the nineteenth century. It took a variety of forms including unaccompanied songs used for narration in plays, instrumental music that was used to accompany mimed actions, and songs of entertainment accompanied by an instrumental ensemble. Today, Thai classical singing is found widely outside the court, and its influence is evident in many traditional songs. This book is the first in English to provide a detailed study of Thai classical singing. Dusadee Swangviboonpong discusses the historical background to this long-established genre, the vocal techniques that it employs, the contexts in which it is performed, the degree of improvisation that performers use, the setting of texts and the methods used to teach the songs. Teaching methods still tend to focus on oral transmission, although there have been recent attempts by the Thai authorities to standardize the way singing is taught and practised. These controls are, argues the author, a threat to the the variety in style and approach that has characterised this music and kept it alive. The book features transcriptions of Thai classical songs and a glossary of Thai terms, so making it a useful introduction to the genre.
Download or read book Music from the Tang Court Volume 6 written by Laurence E. R. Picken and published by Cambridge University Press. This book was released on 1997-10-30 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume brings to an end the transcription and description of thirty-one items from the Court Entertainment Music of the Tang. Of particular interest are a tune for a birthplace-ode by the Taizong Emperor, music for spear throwing, and a piece imitating calls between sexual partners in a flock of geese. Important appendices discuss stylistic differences between music of the Tang and imitative Japanese compositions, Tang compositions with military associations, and relatedness between movements in suites from the Tang.
Download or read book Music Mind and Language in Chinese Poetry and Performance written by Casey Schoenberger and published by Oxford University Press. This book was released on 2024-02-28 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Poetry puts intent into words; singing lengthens words"--this is one of the earliest Chinese comments on artistic expression. Poetic language extends the reach of a sentiment beyond the individual, and musicality extends the reach of poetic language, not only across a room, but across geography and generations. The "extended mind thesis" (EMT) views minds as extending beyond individual nervous systems to include material and social environments. Music, Mind, and Language in Chinese Poetry and Performance: The Voice Extended offers a comprehensive overview of the interwoven histories of traditional Chinese poetry and performing arts. It employs cognitive and quantitative methods such as EMT, and a database of over six thousand traditional melodies, to describe cyclical, continuous interactions between social minds and material artifacts. From the ancient Canon of Poetry to the song-lyrics (ci) of the late medieval period and the dramatic arias of Kun and Beijing operas, Casey Schoenberger introduces the rhythms, melodies, pronunciation, and grammatical stylistics of the major Chinese verse and performance traditions. In doing so, he gleans insights from cognitive neuroscience, digital humanities, musicology, and linguistics to explain not only the trajectory of Chinese arts, but also bigger phenomena, like vernacularisation and improvisation.
Download or read book Music and Musical Thought in Early India written by Lewis Rowell and published by University of Chicago Press. This book was released on 2015-12-25 with total page 428 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a broad perspective of the philosophy, theory, and aesthetics of early Indian music and musical ideology, this study makes a unique contribution to our knowledge of the ancient foundations of India's musical culture. Lewis Rowell reconstructs the tunings, scales, modes, rhythms, gestures, formal patterns, and genres of Indian music from Vedic times to the thirteenth century, presenting not so much a history as a thematic analysis and interpretation of India's magnificent musical heritage. In Indian culture, music forms an integral part of a broad framework of ideas that includes philosophy, cosmology, religion, literature, and science. Rowell works with the known theoretical treatises and the oral tradition in an effort to place the technical details of musical practice in their full cultural context. Many quotations from the original Sanskrit appear here in English translation for the first time, and the necessary technical information is presented in terms accessible to the nonspecialist. These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make Music and Musical Thought in Early India an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists.
Download or read book Theory and Practice in the Music of the Islamic World written by Rachel Harris and published by Routledge. This book was released on 2017-11-20 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of original essays is dedicated to Owen Wright in recognition of his formative contribution to the study of music in the Islamic Middle East. Wright’s work, which comprises, at the time of writing, six field-defining volumes and countless articles, has reconfigured the relationship between historical musicology and ethnomusicology. No account of the transformation of these fields in recent years can afford to ignore his work. Ranging across the Middle East, Central Asia and North India, this volume brings together historical, philological and ethnographic approaches. The contributors focus on collections of musical notation and song texts, on commercial and ethnographic recordings, on travellers’ reports and descriptions of instruments, on musical institutions and other spaces of musical performance. An introduction provides an overview and critical discussion of Wright’s major publications. The central chapters cover the geographical regions and historical periods addressed in Wright’s publications, with particular emphasis on Ottoman and Timurid legacies. Others discuss music in Greece, Iraq and Iran. Each explores historical continuities and discontinuities, and the constantly changing relationships between music theory and practice. An edited interview with Owen Wright concludes the book and provides a personal assessment of his scholarship and his approach to the history of the music of the Islamic Middle East. Extending the implications of Wright’s own work, this volume argues for an ethnomusicology of the Islamic Middle East in which past and present, text and performance are systematically in dialogue.
Download or read book Interpreting Islam written by Hastings Donnan and published by SAGE. This book was released on 2002-02-15 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Islam is one of the most misunderstood concepts in the West. Myths and stereotypes surround it. This clear and penetrating volume helps readers to make sense of Islam. It offers a penetrating guide to the diversity and richness of contemporary knowledge about Islam and Muslim society. Throughout, the emphasis is upon the value of pluralistic approaches to Islam, rather than condensing complexity with unifying concepts such as `Orientalism'. Interdisciplinary in scope and organization, the book cuts through the bewildering and seemingly anarchic diversity of contemporary knowledge about Islam and Muslim society. The methodological difficulties and advantages of Western researchers focusing on Islam are fully documented. The book demonstrates how gender, age, status and `insider' / `outsider' status impacts upon research and inflects research findings.
Download or read book The Garland Encyclopedia of World Music written by Robert C. Provine and published by Routledge. This book was released on 2017-11-22 with total page 2195 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume explores not only the close ties that link the cultures and musics of East and Northeast Asia, but also the distinctive features that separate them.
Download or read book The Garland Encyclopedia of World Music written by Virginia Danielson and published by Routledge. This book was released on 2017-09-25 with total page 1212 pages. Available in PDF, EPUB and Kindle. Book excerpt: Expert writers present the major traditions of North Africa, the Middle East, and Central Asia, together with personal accounts of performers, composers, teachers, and ceremonies. A special feature of this volume is the inclusion of dozens of brief snap-shot essays that offer "lifestories" of typical musicmakers and their art, as well as first-person descriptions of specific music performances and events. Also includes maps and music examples.
Download or read book Sounding Roman written by Sonia Tamar Seeman and published by Oxford University Press. This book was released on 2019-06-12 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: How do marginalized communities speak back to power when they are excluded from political processes and socially denigrated? In what ways do they use music to sound out their unique histories and empower themselves? How can we hear their voices behind stereotyped and exaggerated portrayals promoted by mainstream communities, record producers and government officials? Sounding Roman: Music and Performing Identity in Western Turkey explores these questions through a historically-grounded and ethnographic study of Turkish Roman ("Gypsies") from the Ottoman period up to the present. Drawing on extensive ethnographic fieldwork (1995 to the present), collected oral histories, historical documents of popular culture (recordings, images, song texts, theatrical scripts), legal and administrative documents, this book takes a hard look at historical processes by which Roman are stereotyped as and denigrated as "çingene"---a derogatory group name equivalent to the English term, "gypsy", and explores creative musical ways by which Roman have forged new musical forms as a means to create and assert new social identities. Sounding Roman presents detailed musical analysis of Turkish Roman musical genres and styles, set within social, historical and political contexts of musical performances. By moving from Byzantine and Ottoman social contexts, we witness the reciprocal construction of ethnic identity of both Roman and Turk through music in the 20th century. From neighborhood weddings held in the streets, informal music lessons, to recording studios and concert stages, the book traces the dynamic negotiation of social identity with new musical sounds. Through a detailed ethnography of Turkish Roman ("Gypsy") musical practices from the Ottoman period to the present, this work investigates the power of music to configure new social identities and pathways for political action, while testing the limits of cultural representation to effect meaningful social change.
