Download or read book Music Words and Nationalism written by Javier Moreno-Luzón and published by Springer Nature. This book was released on 2024-01-29 with total page 268 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music, Words and Nationalism: National Anthems and Songs in the Modern Era considers the concept of nationalism from 1780 to 2020 through anthems and national songs as symbolic and representative elements of the national identity of individuals, peoples, or collectivities. The volume shows that both the words and music of these works reveal a great deal about the defining features of a nation, its political and cultural history, and its self-perception. The book takes an interdisciplinary approach that provides a better understanding of the role of national anthems and songs in the expression of national identities and nationalistic goals. From this perspective, the relationship between hymns and political contexts, their own symbolic content (both literary and musical) and the role of specific hymns in the construction of national sentiments are surveyed.
Download or read book Song Loves the Masses written by Johann Gottfried Herder and published by Univ of California Press. This book was released on 2017-01-31 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Distinguished ethnomusicologist Philip V. Bohlman compiles Johann Gottfried Herder’s writings on music and nationalism, from his early volumes of Volkslieder through sacred song to the essays on aesthetics late in his life, shaping them as the book on music that Herder would have written had he gathered the many strands of his musical thought into a single publication. Framed by analytical chapters and extensive introductions to each translation, this book interprets Herder’s musings on music to think through several major questions: What meaning did religion and religious thought have for Herder? Why do the nation and nationalism acquire musical dimensions at the confluence of aesthetics and religious thought? How did his aesthetic and musical thought come to transform the way Herder understood music and nationalism and their presence in global history? Bohlman uses the mode of translation to explore Herder’s own interpretive practice as a translator of languages and cultures, providing today’s readers with an elegantly narrated and exceptionally curated collection of essays on music by two major intellectuals.
Download or read book Nationalist and Populist Composers written by Steve Schwartz and published by Rowman & Littlefield. This book was released on 2017-12-22 with total page 439 pages. Available in PDF, EPUB and Kindle. Book excerpt: Populism and nationalism in classical music held a significant place between the world wars with composers such as George Gershwin, Aaron Copland, and Leonard Bernstein creating a soundtrack to the lives of everyday Americans. While biographies of these individual composers exist, no single book has taken on this period as a direct contradiction to the modernist dichotomy between the music of Stravinsky and Schoenberg. In Nationalist and Populist Composers: Voices of the American People, Steve Schwartz offers an overdue correction to this distortion of the American classical music tradition by showing that not all composers of this era fall into either the Stravinsky or Schoenberg camps. Exploring the rise and decline of musical populism in the United States, Schwartz examines the major works of George Gershwin, Randall Thompson, Virgil Thomson, Aaron Copland, Roy Harris, Kurt Weill, Morton Gould, and Leonard Bernstein. Organized chronologically, chapters cover each composer’s life and career and then reveal how key works participated in populist and nationalist themes. Written for the both the scholar and amateur enthusiast interested in modern classical music and American social history, Nationalist and Populist Composers creates a contextual frame through which all audiences can better understand such works as Rhapsody in Blue, Appalachian Spring, and West Side Story.
Download or read book Musical Constructions of Nationalism written by Harry White and published by Cork University Press. This book was released on 2001 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative collection of essays applying a "new musicology" approach to the relationship between nationalist ideologies and the development of European music.
Download or read book Music and Nationalism written by Cecil Forsyth and published by London, Macmillan. This book was released on 1911 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cambridge Companion to Music and Romanticism written by Benedict Taylor and published by Cambridge University Press. This book was released on 2021-08-26 with total page 403 pages. Available in PDF, EPUB and Kindle. Book excerpt: A stimulating new approach to understanding the relationship between music and culture in the long nineteenth century.
Download or read book Music and Nationalism in 20th century Great Britain and Finland written by Tomi Mäkelä and published by . This book was released on 1997 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music National Identity and the Politics of Location written by Vanessa Knights and published by Routledge. This book was released on 2016-04-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: How are national identities constructed and articulated through music? Popular music has long been associated with political dissent, and the nation state has consistently demonstrated a determination to seek out and procure for itself a stake in the management of 'its' popular musics. Similarly, popular musics have been used 'from the ground up' as sites for both populist and popular critiques of nationalist sentiment, from the position of both a globalizing and a 'local' vernacular culture. The contributions in this book arrive at a critical moment in the development of the study of national cultures and musicology. The book ranges from considerations of the ideological focus of cultural nationalism through to analyses of musical hybridity and musical articulations of other kinds of identities at odds with national identity. The processes of global homogenization are thereby shown to have brought about a transitional crisis for national cultural identities: the evolution of these identities, particularly with reference to the concept of 'authenticity' in music, is situated within broader debates on power, political economy and constructions of the self. Theorizations of practice are employed after the manner of Bourdieu, Gramsci, Goffman, Gadamer, Habermas, Bhabha, Lacan and Zizek. Each contribution acts as a case study to characterize the strategies through which differing modes of musical discourse engage, critique or obscure discourses on national identity. The studies include discussions of: musical representations of Irishness; the relationship between Afropop and World Music; Norwegian club music; the revival of traditional music in Serbia; resistance to cultural homogeneity in Brazil; contemporary Uyghur song in Northwest China; rap and race in French society; technobanda from the barrios of Los Angeles, and Spanish/Moroccan raï. In this way, the book seeks to characterize the ideological configurations that help to activate and sustain hegemonic, amb
Download or read book Patriotism and Nationalism in Music Education written by Prof Dr Alexandra Kertz-Welzel and published by Ashgate Publishing, Ltd.. This book was released on 2012-11-01 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music has long served as an emblem of national identity in educational systems throughout the world. Patriotic songs are commonly considered healthy and essential ingredients of the school curriculum, nurturing the respect, loyalty and 'good citizenship' of students. But to what extent have music educators critically examined the potential benefits and costs of nationalism? Globalization in the contemporary world has revolutionized the nature of international relationships, such that patriotism may merit rethinking as an objective for music education. The fields of 'peace studies' and 'education for international understanding' may better reflect current values shared by the profession, values that often conflict with the nationalistic impulse. This is the first book to introduce an international dialogue on this important theme; nations covered include Germany, the USA, South Africa, Australia, Finland, Taiwan, Singapore and Canada.
Download or read book My Voice Is My Weapon written by David A. McDonald and published by Duke University Press. This book was released on 2013-11-06 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: In My Voice Is My Weapon, David A. McDonald rethinks the conventional history of the Palestinian crisis through an ethnographic analysis of music and musicians, protest songs, and popular culture. Charting a historical narrative that stretches from the late-Ottoman period through the end of the second Palestinian intifada, McDonald examines the shifting politics of music in its capacity to both reflect and shape fundamental aspects of national identity. Drawing case studies from Palestinian communities in Israel, in exile, and under occupation, McDonald grapples with the theoretical and methodological challenges of tracing "resistance" in the popular imagination, attempting to reveal the nuanced ways in which Palestinians have confronted and opposed the traumas of foreign occupation. The first of its kind, this book offers an in-depth ethnomusicological analysis of the Israeli-Palestinian conflict, contributing a performative perspective to the larger scholarly conversation about one of the world's most contested humanitarian issues.
Download or read book Musical Nationalism in Indonesia written by Sharifah Faizah Syed Mohammed and published by Springer Nature. This book was released on 2021-04-21 with total page 234 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book charts the growth of the Indonesian nationalistic musical genre of lagu seriosa in relation to the archipelago's history in the 1950s and 1960s, examining how folk songs were implemented as a valuable tool for promoting government propaganda. The author reveals how the genre was shaped to fit state ideologies and agendas in the Sukarno and Soeharto eras. It also reveals the very significant role played by Radio Republik Indonesia in the genre’s development and dissemination. Little research has been done to investigate how Indonesian music contributed to nation-building during Indonesia’s immediate post-colonial period. Emulating the European art song, the genre was adapted to compose songs with the purpose of promoting a strengthened collective Indonesian identity, fostered by a group of musicians who functioned as gatekeepers, monitoring and devising various mechanisms for songs to conform to the propagandistic needs of the Indonesian government at the time. The result was the development of classical style of singing and the cultivation of a patriotic collection of music during the Guided Democracy period (1959–1965), which peaked at the height of the Konfrontasi (1963–1966). Lagu seriosa lost popularity as popular music infiltrated Indonesia in the 1970s, but it remains an iconic yet understudied aspect of the nationalistic agenda in Indonesia. The case studies of selected songs reflected continuity and change in musical style and over time. This book is of interest to scholars studying the intersection between history, politics, identity, arts and cultural studies in Indonesia. It is also of interest to researchers investigating the role of music in identity formation and nation-building more widely.
Download or read book Brown book Nationalism in music Music in our country Historical periods in music Types of songs written by Frederic Fay Swift and published by . This book was released on 1954 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Musical Nationalism Despotism and Scholarly Interventions in Greek Popular Music written by Nikos Ordoulidis and published by Bloomsbury Publishing USA. This book was released on 2021-01-14 with total page 225 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses the relationship between Greek Orthodox ecclesiastical music and laiko (popular) song in Greece. Laiko music was long considered a lesser form of music in Greece, with rural folk music considered serious enough to carry the weight of the ideologies founded within the establishment of the contemporary Greek state. During the 1940s and 1950s, a selective exoneration of urban popular music took place, one of its most popular cases being the originating relationships between two extremely popular musical pieces: Vasilis Tsitsanis's “Synnefiasmeni Kyriaki” (Cloudy Sunday) and its descent from the hymn “Ti Ypermacho” (The Akathist Hymn). During this period the connection of these two pieces was forged in the Modern Greek conscience, led by certain key figures in the authority system of the scholarly world. Through analysis of these pieces and the surrounding contexts, Ordoulidis explores the changing role and perception of popular music in Greece.
Download or read book Composing for the Revolution written by Joshua H. Howard and published by University of Hawaii Press. This book was released on 2020-10-31 with total page 297 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Composing for the Revolution: Nie Er and China’s Sonic Nationalism, Joshua Howard explores the role the songwriter Nie Er played in the 1930s proletarian arts movement and the process by which he became a nationalist icon. Composed only months before his untimely death in 1935, Nie Er’s last song, the “March of the Volunteers,” captured the rising anti-Japanese sentiment and was selected as China’s national anthem with the establishment of the People’s Republic. Nie was quickly canonized after his death and later recast into the “People’s Musician” during the 1950s, effectively becoming a national monument. Howard engages two historical paradigms that have dominated the study of twentiethcentury China—revolution and modernity. He argues that active in the leftist artistic community and critical of capitalism, Nie Er availed himself of media technology, especially the emerging sound cinema, to create a modern, revolutionary, and nationalist music. This thesis stands as a powerful corrective to a growing literature on the construction of a Chinese modernity, which has privileged the mass consumer culture of Shanghai and consciously sought to displace the focus on China’s revolutionary experience. Composing for the Revolution also provides insight into understudied aspects of China’s nationalism—its sonic and musical dimensions. Howard’s analyses highlights Nie’s extensive writings on the political function of music, examination of the musical techniques and lyrics of compositions within the context of left-wing cinema, and also the transmission of his songs through film, social movements, and commemoration. Nie Er shared multiple and overlapping identities based on regionalism, nationalism, and left-wing internationalism. His march songs, inspired by Soviet “mass songs,” combined Western musical structure and aesthetic with elements of Chinese folk music. The songs’ ideological message promoted class nationalism, but his “March of the Volunteers” elevated his music to a universal status thereby transcending the nation. Traversing the life and legacy of Nie Er, Howard offers readers a profound insight into the meanings of nationalism and memory in contemporary China. Composing for the Revolution underscores the value of careful reading of sources and the author’s willingness to approach a subject from multiple perspectives.
Download or read book Jewish Identities written by Kl鈇ra·M鈕ricz and published by Univ of California Press. This book was released on 2008-02-05 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This book makes a decisive and controversial contribution to the history of musical modernism. Moricz radically but thoroughly scrutinizes concepts of Jewish identity, and in doing so re-orders our understanding of 'Jewish music' as an outgrowth of nationalist, racist and utopian ideologies. The scholarship is superior in every respect. Jewish Identities is destined to become a seminal work in the reception history of European musical modernism. An absolutely outstanding and intellectually brilliant work."—Harry White, author of The Keeper's Recital: Music and Cultural History in Ireland, 1770-1970
Download or read book Robert Ward s The Crucible written by Robert Paul Kolt and published by Scarecrow Press. This book was released on 2008-12-12 with total page 266 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Robert Ward's The Crucible: Creating an American Musical Nationalism, Robert Paul Kolt explores the life of the American composer Robert Ward through an examination of his most popular and enduring work, The Crucible. Focusing on the musical-linguistic relationships within the opera, Kolt demonstrates Ward's unique synthesis of text and music, one that lends itself to the perception of American musical nationalism. This book contains the most thorough and in-depth biography of Ward yet in print. Based on interviews with the composer, Kolt presents new information about Ward's life and career, focusing on his opera and examining the formation and construction of The Crucible's libretto and score, in turn offering new insights into the process of composing an opera. Kolt observes how the libretto's linguistic aspects helped Ward formulate the opera's melodic and rhythmic musical material. A detailed and unique analysis of the opera, particularly the musical and linguistic techniques Ward employed, demonstrates how these techniques lend themselves to the opera's reception as a work of American musical nationalism. The book also provides yet unpublished information on Arthur Miller's play, examining how it came to be written and soon after became the basis for Ward's work. Several appendixes provide a fuller picture, including a deleted scene from Miller's play and Ward's version of the scene, a chronological overview of the Salem Witchcraft Trials, and illustrations and photo reproductions from Ward's manuscript.
Download or read book Lyrical Nationalism in Post Apartheid Namibia written by Wendi A. Haugh and published by Lexington Books. This book was released on 2014-06-25 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Namibia gained its independence from South Africa in 1990, the new government began dismantling the divisive apartheid state and building a unified nation-state. What does this new nation look like from the perspective of ordinary citizens? In Lyrical Nationalism in Post-Apartheid Namibia, Wendi Haugh provides an ethnographic portrayal of the nation as imagined by people living in the former ethnic homeland of Ovamboland, with a particular focus on the lyrics of songs composed and performed by Catholic youth. The author argues that these youth draw on conflicting ideologies—hierarchical and egalitarian, nationalist and cosmopolitan—from multiple sources to construct a multi-faceted sense of national identity. She reveals how their vision of the nation—framed as neutrally national—is deeply rooted in specific local histories and cultures.
