Download or read book Music Study in Germany From the Home Correspondence written by Amy Fay and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book offers a fascinating glimpse into the life and culture of Germany in the 19th century, as experienced through the eyes of an American music student. It provides insights into the music education system in Germany, as well as the broader social and cultural context in which music was produced and enjoyed. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book Music study in Germany in the 19th Century written by Amy Fay and published by . This book was released on 1965 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music study in Germany in the 19th Century written by Amy Fay and published by . This book was released on 1965 with total page 388 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dating from 1869 to 1875, this famous series of engaging letters by a young American pianist uniquely describes study with Liszt, Tausig, and other luminaries. Fay offers firsthand, and little known, impressions of performances by Rubinstein, Clara Schumann, Wagner (as conductor), Joachim, and many others, including a masterly portrait of Liszt as a man, teacher, and performer. A fascinating read for any music enthusiast.
Download or read book Music Study in Germany in the nineteenth century written by Amy Fay and published by . This book was released on 1965 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Study in Germany written by Amy Fay and published by Courier Corporation. This book was released on 2014-05-05 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: Famous letters by a young American pianist, dating from 1869 to 1875, uniquely describe study with Liszt, Tausig, and other luminaries. Fay offers firsthand impressions of performances by Rubinstein, Clara Schumann, Wagner (as conductor), Joachim, and many others.
Download or read book Music Study in Germany Classic Reprint written by Amy Fay and published by Forgotten Books. This book was released on 2015-07-14 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: Excerpt from Music Study in Germany In preparing for the public letters which were written only for home, I have hoped that some readers would find in them the charm of style which the writer's friends fancy them to possess; that others would think the description of her masters, and especially Liszt, amid their pupils worth preserving; and that piano students would be grateful for the information that such an analysis of the piano technique of the greatest artists has been made, that any earnest pupil can with comparative ease and certainty conquer the difficulty of the piano-forte which includes all others - the Scale. How much of Herr Deppe's piano "method" is original with himself, pianists must decide. That he has at least made an invaluable resume of all or most of their secrets, my sister believes that no student of the instrument who fairly and conscientiously examines into the matter will deny. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
Download or read book Choral Fantasies written by Ryan Minor and published by Cambridge University Press. This book was released on 2012-04-05 with total page 285 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first study to connect the exponential growth in amateur choral singing to the culture of public celebrations and festivals.
Download or read book Music study in Germany in the nineteenth century From the home correspondence of Amy Fay With a new introduction by Frances Dillon Unabridged and corrected republication written by Amy FAY and published by . This book was released on 1965 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Choral Fantasies written by Ryan Minor and published by Cambridge University Press. This book was released on 2015-08-06 with total page 501 pages. Available in PDF, EPUB and Kindle. Book excerpt: Most histories of nineteenth-century music portray 'the people' merely as an audience, a passive spectator to the music performed around it. Yet, in this reappraisal of choral singing and public culture, Minor shows how a burgeoning German bourgeoisie sang of its own collective aspirations, mediated through the voice of celebrity composers. As both performer and idealized community, the chorus embodied the possibilities and limitations of a participatory, national identity. Starting with the many public festivals at which the chorus was a featured participant, Minor's account of the music written for these occasions breaks new ground not only by taking seriously these often-neglected works, but also by showing how the contested ideals of German nationhood suffused the music itself. In situating both music and festive culture within the milieu of German bourgeois liberals, this study uncovers new connections between music and politics during a century that sought to redefine both spheres.
Download or read book Schumann s Virtuosity written by Alexander Stefaniak and published by Indiana University Press. This book was released on 2016-09-19 with total page 311 pages. Available in PDF, EPUB and Kindle. Book excerpt: “A valuable resource for musicologists, theorists, pianists, and aestheticians interested in reading about Schumann’s views on virtuosity.” —Notes Considered one of the greatest composers—and music critics—of the Romantic era, Robert Schumann (1810–1856) played an important role in shaping nineteenth-century German ideas about virtuosity. Forging his career in the decades that saw abundant public fascination with the feats and creations of virtuosos (Liszt, Paganini, and Chopin among others), Schumann engaged with instrumental virtuosity through not only his compositions and performances but also his music reviews and writings about his contemporaries. Ultimately, the discourse of virtuosity influenced the culture of Western “art music” well beyond the nineteenth century and into the present day. By examining previously unexplored archival sources, Alexander Stefaniak looks at the diverse approaches to virtuosity Schumann developed over the course of his career, revealing several distinct currents in nineteenth-century German virtuosity and the enduring flexibility of virtuosity discourse.
Download or read book Palestrina and the German Romantic Imagination written by James Garratt and published by Cambridge University Press. This book was released on 2010-06-10 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt: James Garratt explores the revival of sixteenth-century music in nineteenth-century Germany, focusing on the reception of Palestrina by critics, historians, performers and composers. He demonstrates that the Palestrina revival was just as significant for nineteenth-century culture as parallel movements in the other arts. This study is of relevance to scholars, students and devotees of nineteenth-century music, as well as those with interests in nineteenth-century culture, art, architecture, literature and aesthetics, the history of church music and the early music revival.
Download or read book Medievalism and Nationalism in German Opera written by Michael S. Richardson and published by Routledge. This book was released on 2020-11-29 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medievalism, or the reception or interpretation of the Middle Ages, was a prominent aesthetic for German opera composers in the first half of the nineteenth century. A healthy competition to establish a Germanic operatic repertory arose at this time, and fascination with medieval times served a critical role in shaping the desire for a unified national and cultural identity. Using operas by Weber, Schubert, Marshner, Wagner, and Schumann as case studies, Richardson investigates what historical information was available to German composers in their recreations of medieval music, and whether or not such information had any demonstrable effect on their compositions. The significant role that nationalism played in the choice of medieval subject matter for opera is also examined, along with how audiences and critics responded to the medieval milieu of these works. In this book, readers will gain a clear understanding of the rise of German opera in the early nineteenth century and the cultural and historical context in which this occurred. This book will also provide insight on the reception of medieval history and medieval music in nineteenth-century Germany, and will demonstrate how medievalism and nationalism were mutually reinforcing phenomena at this time and place in history.
Download or read book The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century written by Paul Watt and published by Oxford University Press. This book was released on 2020-08-04 with total page 720 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rarely studied in their own right, writings about music are often viewed as merely supplemental to understanding music itself. Yet in the nineteenth century, scholarly interest in music flourished in fields as disparate as philosophy and natural science, dramatically shifting the relationship between music and the academy. An exciting and much-needed new volume, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century draws deserved attention to the people and institutions of this period who worked to produce these writings. Editors Paul Watt, Sarah Collins, and Michael Allis, along with an international slate of contributors, discuss music's fascinating and unexpected interactions with debates about evolution, the scientific method, psychology, exoticism, gender, and the divide between high and low culture. Part I of the handbook establishes the historical context for the intellectual world of the period, including the significant genres and disciplines of its music literature, while Part II focuses on the century's institutions and networks - from journalists to monasteries - that circulated ideas about music throughout the world. Finally, Part III assesses how the music research of the period reverberates in the present, connecting studies in aestheticism, cosmopolitanism, and intertextuality to their nineteenth-century origins. The Handbook challenges Western music history's traditionally sole focus on musical work by treating writings about music as valuable cultural artifacts in themselves. Engaging and comprehensive, The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century brings together a wealth of new interdisciplinary research into this critical area of study.
Download or read book Composing the Canon in the German Democratic Republic written by Elaine Kelly and published by Oxford University Press, USA. This book was released on 2014 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the German Democratic Republic (GDR) was founded in 1949, its leaders did not position it as a new state. Instead, they represented East German socialism as the culmination of all that was positive in Germany's past. The GDR was heralded as the second German Enlightenment, a society in which the rational ideals of progress, Bildung, and revolution that had first come to fruition with Goethe and Beethoven would finally achieve their apotheosis. Central to this founding myth was the Germanic musical heritage. Just as the canon had defined the idea of the German nation in the nineteenth-century, so in the GDR it contributed to the act of imagining the collective socialist state. Composing the Canon in the German Democratic Republic uses the reception of the Germanic musical heritage to chart the changing landscape of musical culture in the German Democratic Republic. Author Elaine Kelly demonstrates the nuances of musical thought in the state, revealing a model of societal ascent and decline that has implications that reach far beyond studies of the GDR itself. The first book-length study in English devoted to music in the GDR, Composing the Canon in the German Democratic Republic is a seminal text for scholars of music in the Cold War and in Germany more widely.
Download or read book Early German Music in Philadelphia written by Robert Rutherford Drummond and published by Legare Street Press. This book was released on 2023-07-18 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: An academic study of the role of German music in the cultural history of Philadelphia during the 18th and 19th centuries. The book explores the contributions of German composers and performers to the local music scene, as well as the influence of German cultural traditions on the broader community. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Download or read book History in Mighty Sounds written by Barbara Eichner and published by Boydell Press. This book was released on 2012 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: An indispensable study of nineteenth-century German music, history and nationalism. Music played a central role in the self-conception of middle-class Germans between the March Revolution of 1848 and the First World War. Although German music was widely held to be 'universal' and thus apolitical, it participated- like the other arts - in the historicist project of shaping the nation's future by calling on the national heritage. Compositions based on - often heavily mythologised - historical events and heroes, such as the Battle of the Teutoburg Forest or the medieval Emperor Barbarossa, invited individual as well as collective identification and brought alive a past that compared favourably with contemporary conditions. History in Mighty Sounds mapsout a varied picture of these 'invented traditions' and the manifold ideas of 'Germanness' to which they gave rise, exemplified through works by familiar composers like Max Bruch or Carl Reinecke as well as their nowadays little-known contemporaries. The whole gamut of musical genres, ranging from pre- and post-Wagnerian opera to popular choruses to symphonic poems, contributes to a novel view of the many ways in which national identities were constructed, shaped and celebrated in and through music. How did artists adapt historical or literary sources to their purpose, how did they negotiate the precarious balance of aesthetic autonomy and political relevance, and how did notions of gender, landscape and religion influence artistic choices? All musical works are placed within their broader historical and biographical contexts, with frequent nods to other arts and popular culture. History in Mighty Sounds will be indispensable reading for anyone interested in nineteenth-century German music, history and nationalism. Barbara Eichner is Senior Lecturer in Musicology at Oxford Brookes University.
Download or read book Music Theory in Nineteenth century Germany as a Context for Wagner s G tterd mmerung written by A. Armitage and published by . This book was released on 1999 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
