Download or read book Music and Revolution written by Robin D. Moore and published by Univ of California Press. This book was released on 2006 with total page 734 pages. Available in PDF, EPUB and Kindle. Book excerpt: Annotation A history of Cuban music during the Castro regime (1950s to the present.
Download or read book Music for the Revolution written by Amy Nelson and published by Penn State Press. This book was released on 2010-02-24 with total page 350 pages. Available in PDF, EPUB and Kindle. Book excerpt: Mention twentieth-century Russian music, and the names of three &"giants&"&—Igor Stravinsky, Sergei Prokofiev, and Dmitrii Shostakovich&—immediately come to mind. Yet during the turbulent decade following the Bolshevik Revolution, Stravinsky and Prokofiev lived abroad and Shostakovich was just finishing his conservatory training. While the fame of these great musicians is widely recognized, little is known about the creative challenges and political struggles that engrossed musicians in Soviet Russia during the crucial years after 1917. Music for the Revolution examines musicians&’ responses to Soviet power and reveals the conditions under which a distinctively Soviet musical culture emerged in the early thirties. Given the dramatic repression of intellectual freedom and creativity in Stalinist Russia, the twenties often seem to be merely a prelude to Totalitarianism in artistic life. Yet this was the decade in which the creative intelligentsia defined its relationship with the Soviet regime and the aesthetic foundations for socialist realism were laid down. In their efforts to deal with the political challenges of the Revolution, musicians grappled with an array of issues affecting musical education, professional identity, and the administration of musical life, as well as the embrace of certain creative platforms and the rejection of others. Nelson shows how debates about these issues unfolded in the context of broader concerns about artistic modernism and elitism, as well as the more expansive goals and censorial authority of Soviet authorities. Music for the Revolution shows how the musical community helped shape the musical culture of Stalinism and extends the interpretive frameworks of Soviet culture presented in recent scholarship to an area of artistic creativity often overlooked by historians. It should be broadly important to those interested in Soviet history, the cultural roots of Stalinism, Russian and Soviet music, and the place of music and the arts in revolutionary change.
Download or read book Talkin Bout a Revolution written by Dick Weissman and published by Backbeat Books. This book was released on 2010-05-01 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). Talkin' 'Bout a Revolution is a comprehensive guide to the relationship between American music and politics. Music expert Dick Weissman opens with the dawn of American history, then moves to the book's key focus: 20th-century music songs by and about Native Americans, African-Americans, women, Spanish-speaking groups, and more. Unprecedented in its approach, the book offers a multidisciplinary discussion that is broad and diverse, and illuminates how social events impact music as well as how music impacts social events. Weissman delves deep, covering everything from current Native American music to "music of hate" racist and neo-Nazi music to the music of the Gulf wars, union songs, patriotic and antiwar songs, and beyond. A powerful tool for professors teaching classes about politics and music and a stimulating, accessible read for all kinds of appreciators, from casual music fans to social science lovers and devout music history buffs.
Download or read book Noise Uprising written by Michael Denning and published by Verso Books. This book was released on 2015-08-18 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: A radically new reading of the origins of recorded music Noise Uprising brings to life the moment and sounds of a cultural revolution. Between the development of electrical recording in 1925 and the outset of the Great Depression in the early 1930s, the soundscape of modern times unfolded in a series of obscure recording sessions, as hundreds of unknown musicians entered makeshift studios to record the melodies and rhythms of urban streets and dancehalls. The musical styles and idioms etched onto shellac disks reverberated around the globe: among them Havana’s son, Rio’s samba, New Orleans’ jazz, Buenos Aires’ tango, Seville’s flamenco, Cairo’s tarab, Johannesburg’s marabi, Jakarta’s kroncong, and Honolulu’s hula. They triggered the first great battle over popular music and became the soundtrack to decolonization.
Download or read book Soundtrack of the Revolution written by Nahid Seyedsayamdost and published by Stanford Studies in Middle Eas. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The politics of music -- The nightingale rebels -- The musical guide : Mohammad Reza Shajarian -- Revolution and ruptures -- Opening the floodgates to pop music : Alireza Assar -- Rebirth of independent music -- Purposefully "fālsh" : Mohsen Namjoo -- Going underground -- Rap-e Farsi : Hichkas -- The music of politics
Download or read book The Sound of Innovation written by Andrew J. Nelson and published by MIT Press. This book was released on 2015-03-06 with total page 250 pages. Available in PDF, EPUB and Kindle. Book excerpt: How a team of musicians, engineers, computer scientists, and psychologists developed computer music as an academic field and ushered in the era of digital music. In the 1960s, a team of Stanford musicians, engineers, computer scientists, and psychologists used computing in an entirely novel way: to produce and manipulate sound and create the sonic basis of new musical compositions. This group of interdisciplinary researchers at the nascent Center for Computer Research in Music and Acoustics (CCRMA, pronounced “karma”) helped to develop computer music as an academic field, invent the technologies that underlie it, and usher in the age of digital music. In The Sound of Innovation, Andrew Nelson chronicles the history of CCRMA, tracing its origins in Stanford's Artificial Intelligence Laboratory through its present-day influence on Silicon Valley and digital music groups worldwide. Nelson emphasizes CCRMA's interdisciplinarity, which stimulates creativity at the intersections of fields; its commitment to open sharing and users; and its pioneering commercial engagement. He shows that Stanford's outsized influence on the emergence of digital music came from the intertwining of these three modes, which brought together diverse supporters with different aims around a field of shared interest. Nelson thus challenges long-standing assumptions about the divisions between art and science, between the humanities and technology, and between academic research and commercial applications, showing how the story of a small group of musicians reveals substantial insights about innovation. Nelson draws on extensive archival research and dozens of interviews with digital music pioneers; the book's website provides access to original historic documents and other material.
Download or read book K POP Now written by Mark James Russell and published by Tuttle Publishing. This book was released on 2014-04-29 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This is the book on K-pop everybody has been waiting for.…A must-read!" --Charlotte Naudin, PR Manager, Torpedo Productions K-Pop Now! examines Korea's high-energy pop music and is written for its growing legions of fans. Pop culture expert Mark Russell features the most famous groups and singers and takes an insider's look at how they have made it to the top. In 2012, Psy's song and music video "Gangnam Style" took the world by storm. But K-Pop, the music of Psy's homeland of Korea, has been winning fans with its infectious melodies and high-energy fun since long before that. Featuring talented singers and eye-catching visuals, K-Pop is the music of the moment. Although K-Pop is a relatively new phenomenon in the West, it is rapidly gaining traction and reaching much larger audiences --thanks in large part to social media like YouTube, Facebook, and Instagram -- the Girls Generation single "Gee" has almost three hundred million views! K-Pop Now! includes: Profiles of current K-Pop artists and their hits. A look at Seoul's trendiest hangout spots. Interviews with top artists like Kevin from Ze:A and Brian Joo from Fly to the Sky. A look at the K-Pop idols of tomorrow. You'll meet the biggest record producers, the hosts of the insanely popular "Eat Your Kimchi" website, and K-Pop groups like Big Bang, TVXQ, 2NE1, Girls Generation, HOT, SES, FinKL Busker Busker, and The Koxx. The book also includes a guide for fans who plan to visit Seoul to explore K-Pop up close. Join the K-Pop revolution today!
Download or read book The Classical Revolution written by John Borstlap and published by Courier Dover Publications. This book was released on 2017-06-15 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essays by a prominent contemporary composer explore a current trend in classical music away from atonal characteristics and toward more traditional forms. Topics include cultural identity, musical meaning, and the aesthetics of beauty.
Download or read book Girl Power written by Marisa Meltzer and published by Macmillan + ORM. This book was released on 2010-02-15 with total page 176 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early nineties, riot grrrl exploded onto the underground music scene, inspiring girls to pick up an instrument, create fanzines, and become politically active. Rejecting both traditional gender roles and their parents' brand of feminism, riot grrrls celebrated and deconstructed femininity. The media went into a titillated frenzy covering followers who wrote "slut" on their bodies, wore frilly dresses with combat boots, and talked openly about sexual politics. The movement's message of "revolution girl-style now" soon filtered into the mainstream as "girl power," popularized by the Spice Girls and transformed into merchandising gold as shrunken T-shirts, lip glosses, and posable dolls. Though many criticized girl power as at best frivolous and at worst soulless and hypersexualized, Marisa Meltzer argues that it paved the way for today's generation of confident girls who are playing instruments and joining bands in record numbers. Girl Power examines the role of women in rock since the riot grrrl revolution, weaving Meltzer's personal anecdotes with interviews with key players such as Tobi Vail from Bikini Kill and Amy Ray of the Indigo Girls. Chronicling the legacy of artists such as Bratmobile, Sleater-Kinney, Alanis Morissette, Britney Spears, and, yes, the Spice Girls, Girl Power points the way for the future of women in rock.
Download or read book Music and the French Revolution written by Malcolm Boyd and published by Cambridge University Press. This book was released on 1992-04-02 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rouget de Lisle's famous anthem, La marseillaise, admirably reflects the confidence and enthusiasm of the early years of the French Revolution. But the effects on music of the Revolution and the events that followed it in France were more far-reaching than that. Hymns, chansons and even articles of the Constitution set to music in the form of vaudevilles all played their part in disseminating Revolutionary ideas and principles; music education was reorganized to compensate for the loss of courtly institutions and the weakened maitrises of cathedrals and churches. Opera, in particular, was profoundly affected, in both its organization and its subject matter, by the events of 1789 and the succeeding decade. The essays in this book, written by specialists in the period, deal with all these aspects of music in Revolutionary France, highlighting the composers and writers who played a major role in the changes that took place there. They also identify some of the traditions and genres that survived the Revolution, and look at the effects on music of Napoleon's invasion of Italy.
Download or read book Electronic Music Revolution Exploring Sounds of the Future written by Harry Tekell and published by Richards Education. This book was released on with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: Electronic Music Revolution: Exploring Sounds of the Future is your comprehensive guide to the vibrant world of electronic music. Delve into the origins and evolution of this dynamic genre, from the pioneering days of early synthesizers to the global dominance of EDM. Discover the intricate production techniques, iconic artists, and the profound impact of electronic music on popular culture and society. This book offers a detailed exploration of various subgenres, the technological advancements that have shaped the soundscape, and the business aspects that drive the industry. Whether you're a seasoned producer, a dedicated fan, or someone new to the electronic music scene, Electronic Music Revolution provides invaluable insights into the past, present, and future of this ever-evolving musical frontier.
Download or read book Musical Revolutions written by Stuart Isacoff and published by Knopf. This book was released on 2022-06-07 with total page 321 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the critically acclaimed author of Temperament, a narrative account of the most defining moments in musical history—classical and jazz—all of which forever altered Western culture "A fascinating journey that begins with the origins of musical notation and travels through the centuries reaching all the way to our time.”—Semyon Bychkov, chief conductor and music director of the Czech Philharmonic The invention of music notation by a skittish Italian monk in the eleventh century. The introduction of multilayered hymns in the Middle Ages. The birth of opera in a Venice rebelling against the church’s pious restraints. Baroque, Romantic, and atonal music; bebop and cool jazz; Bach and Liszt; Miles Davis and John Coltrane. In telling the exciting story of Western music’s evolution, Stuart Isacoff explains how music became entangled in politics, culture, and economics, giving rise to new eruptions at every turn, from the early church’s attempts to bind its followers by teaching them to sing in unison to the global spread of American jazz through the Black platoons of the First World War. The author investigates questions like: When does noise become music? How do musical tones reflect the natural laws of the universe? Why did discord become the primary sound of modernity? Musical Revolutions is a book replete with the stories of our most renowned musical artists, including notable achievements of people of color and women, whose paths to success were the most difficult.
Download or read book By Any Means Necessary written by Malcolm X and published by . This book was released on 1992 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of Malcolm X's speeches, interviews and statements.
Download or read book Cuba Music and Revolution written by Stuart Baker and published by . This book was released on 2020-10-27 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt: Spanning Cuban music from rumba to salsa, and graphic styles from socialist realist to geometric abstraction, this volume of Cuban record cover art traces a musical form in constant revolution. The first ever book about Cuban record sleeve design, compiled by Gilles Peterson and Stuart Baker, Cuba: Music and Revolutionfeatures hundreds of rarely seen vinyl records from the start of the Cuban Revolution at the beginning of the 1960s up until 1985, when Cuba's Special Period, brought about by the dissolution of the Soviet Union and the withdrawal of Russia's financial support for the Cuban government, led to the demise of vinyl-record manufacturing in Cuba. The artwork here reflects both the cultural and musical depth of Cuba as well as the political influence of revolutionary communism. Over the past century, Cuban music has produced a seemingly endless variety of styles--rumba, mambo, son, salsa--at a dizzyingly fast rate. Since the 1940s a steady stream of Cuban musicians has also made the migration to the US, sparking changes in North American musical forms: bandleader Machito set New York's jazz and Latin scene on fire, and master drummer Chano Pozo's entry into Dizzy Gillespie's group led to the birth of Latin jazz, to name just two. After the Cuban Revolution in 1959, the new government closed American-owned nightclubs and consolidated the island's recording industry under a state-run monopoly. Out of this new socialist agenda came new musical styles, including the Nueva Trova movement of left-wing songwriters. The 1980s saw more experimentation in modernist jazz, salsa and Afro-Cuban folkloric music. Generously illustrated with hundreds of color images, Cuba: Music and Revolutionpresents the history of Cuban record cover art, including many examples previously unseen outside the island itself.
Download or read book Rock Music in American Culture written by Robert G. Pielke and published by McFarland. This book was released on 2011-12-22 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: From its roots in the black and white "under classes" through its clash with the broader culture to its multifaceted incarnation today, rock and roll has fostered and reflected a genuine cultural revolution that has gone on to influence the world. This critical work investigates rock music from a philosophical perspective, an approach rarely seen in the literature. Topics include a definition of rock music and a suggested typology; an examination of rock on radio and in television and film; and a depiction of what is to come. Of particular interest is how rock's shifting mores have mirrored the complex changes experienced by American society as it has undergone almost continuous turbulence. Instructors considering this book for use in a course may request an examination copy here.
Download or read book The Future of Music written by David Kusek and published by Berklee Press Publications. This book was released on 2005 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Music Research Institute at Berklee College of Music comes a manifesto for the ongoing music revolution. Today the record companies may be hurting, but the music making business is booming, using non-traditional digital methods and distribution models. This book explains why we got where we are and where we are heading. Kusek and Leonhard foresee the disappearance of CDs and record stores as we know them in the next decade. For the iPod, downloading market, this book will explain new ways of discovering music, new ways of acquiring it and how technology trends will make music "flow like water", benefiting the people who love music and make music.
Download or read book Sounds of the Metropolis written by Derek B. Scott and published by Oxford University Press. This book was released on 2008-07-31 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: The phrase "popular music revolution" may instantly bring to mind such twentieth-century musical movements as jazz and rock 'n' roll. In Sounds of the Metropolis, however, Derek Scott argues that the first popular music revolution actually occurred in the nineteenth century, illustrating how a distinct group of popular styles first began to assert their independence and values. He explains the popular music revolution as driven by social changes and the incorporation of music into a system of capitalist enterprise, which ultimately resulted in a polarization between musical entertainment (or "commercial" music) and "serious" art. He focuses on the key genres and styles that precipitated musical change at that time, and that continued to have an impact upon popular music in the next century. By the end of the nineteenth century, popular music could no longer be viewed as watered down or more easily assimilated art music; it had its own characteristic techniques, forms, and devices. As Scott shows, "popular" refers here, for the first time, not only to the music's reception, but also to the presence of these specific features of style. The shift in meaning of "popular" provided critics with tools to condemn music that bore the signs of the popular-which they regarded as fashionable and facile, rather than progressive and serious. A fresh and persuasive consideration of the genesis of popular music on its own terms, Sounds of the Metropolis breaks new ground in the study of music, cultural sociology, and history.
