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Book Music Printing and Publishing

Download or read book Music Printing and Publishing written by Donald William Krummel and published by . This book was released on 1990 with total page 648 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divided into three sections, this handbook covers a detailed survey of the history and techniques of music printing and publishing, including discussion of modern computer methods, with technical terms explained.

Book Early Music Printing in German Speaking Lands

Download or read book Early Music Printing in German Speaking Lands written by Andrea Lindmayr-Brandl and published by Routledge. This book was released on 2018-03-14 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book draws upon the rich information gathered for the online database Catalogue of early German printed music / Verzeichnis deutscher Musikfrühdrucke (vdm), the first systematic descriptive catalogue of music printed in the German-speaking lands between c. 1470 and 1540, allowing precise conclusions about the material production of these printed musical sources. Chapters 8 and 9 of this book are freely available as downloadable Open Access PDFs at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Book A Companion to the History of the Book

Download or read book A Companion to the History of the Book written by Simon Eliot and published by John Wiley & Sons. This book was released on 2009-03-30 with total page 617 pages. Available in PDF, EPUB and Kindle. Book excerpt: A COMPANION TO THE HISTORY OF THE BOOK A COMPANION TO THE HISTORY OF THE BOOK Edited by Simon Eliot and Jonathan Rose “As a stimulating overview of the multidimensional present state of the field, the Companion has no peer.” Choice “If you want to understand how cultures come into being, endure, and change, then you need to come to terms with the rich and often surprising history Of the book ... Eliot and Rose have done a fine job. Their volume can be heartily recommended. “ Adrian Johns, Technology and Culture From the early Sumerian clay tablet through to the emergence of the electronic text, this Companion provides a continuous and coherent account of the history of the book. A team of expert contributors draws on the latest research in order to offer a cogent, transcontinental narrative. Many of them use illustrative examples and case studies of well-known texts, conveying the excitement surrounding this rapidly developing field. The Companion is organized around four distinct approaches to the history of the book. First, it introduces the variety of methods used by book historians and allied specialists, from the long-established discipline of bibliography to newer IT-based approaches. Next, it provides a broad chronological survey of the forms and content of texts. The third section situates the book in the context of text culture as a whole, while the final section addresses broader issues, such as literacy, copyright, and the future of the book. Contributors to this volume: Michael Albin, Martin Andrews, Rob Banham, Megan L Benton, Michelle P. Brown, Marie-Frangoise Cachin, Hortensia Calvo, Charles Chadwyck-Healey, M. T. Clanchy, Stephen Colclough, Patricia Crain, J. S. Edgren, Simon Eliot, John Feather, David Finkelstein, David Greetham, Robert A. Gross, Deana Heath, Lotte Hellinga, T. H. Howard-Hill, Peter Kornicki, Beth Luey, Paul Luna, Russell L. Martin Ill, Jean-Yves Mollier, Angus Phillips, Eleanor Robson, Cornelia Roemer, Jonathan Rose, Emile G. L Schrijver, David J. Shaw, Graham Shaw, Claire Squires, Rietje van Vliet, James Wald, Rowan Watson, Alexis Weedon, Adriaan van der Weel, Wayne A. Wiegand, Eva Hemmungs Wirtén.

Book Music and the Cultures of Print

Download or read book Music and the Cultures of Print written by Kate van Orden and published by Routledge. This book was released on 2018-12-07 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection of essays explores the cultures that coalesced around printed music in previous centuries. It focuses on the unique modes through which print organized the presentation of musical texts, the conception of written compositions, and the ways in which music was disseminated and performed. In highlighting the tensions that exist between musical print and performance this volume raises not only the question of how older scores can be read today, but also how music expressed its meanings to listeners in the past.

Book Print Culture and Music in Sixteenth century Venice

Download or read book Print Culture and Music in Sixteenth century Venice written by Jane A. Bernstein and published by Oxford University Press, USA. This book was released on 2001 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines the commerce of music and its connection to the printing and publishing industry in mid-sixteenth century Venice. It presents a broad portrayal of the Venetial music booktrade and explores business strategies.

Book Music Printing in Renaissance Venice

Download or read book Music Printing in Renaissance Venice written by Jane A. Bernstein and published by Oxford University Press. This book was released on 1998-10-29 with total page 1196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Venetian music print culture of the mid-sixteenth century is presented here through a study of the Scotto press, one of the foremost dynastic music publishers of the Renaissance. For over a century, the house of Scotto played a pivotal role in the international book trade, publishing in a variety of fields including philosophy, medicine, religion, and music. This book examines the mercantile activities of the firm through both a historical study, which illuminates the wide world of the Venetian music printing industry, and a catalog, which details the music editions brought out by the firm during its most productive period. A valuable reference work, this book not only enhances our understanding of the socioeconomic and cultural history of Renaissance Venice, it also helps to preserve our knowledge of a vast musical repertory.

Book Music  Authorship  and the Book in the First Century of Print

Download or read book Music Authorship and the Book in the First Century of Print written by Kate van Orden and published by Univ of California Press. This book was released on 2013-10-19 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

Book The Plain and Simple Guide to Music Publishing

Download or read book The Plain and Simple Guide to Music Publishing written by Randall D. Wixen and published by Hal Leonard Corporation. This book was released on 2009 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Book). Publishing is one of the most complex and lucrative parts of the music business. Industry expert Randall Wixen covers everything from mechanical, performing and synch rights to sub-publishing, foreign rights, copyright basics, types of publishing deals, advice on representation and more. Get a view from the top, in plain English. This updated and revised edition has been prepared in light of the ever-changing landscape of music publishing, taking into account factors like illegal downloading and recent announcements from the Copyright Royalty Board. With an added "DIY" chapter, the author demonstrates why the playing field has changed for the traditional copyright adminstrators, and how musicians just starting out can protect their own work until they hit the big time.

Book Music Publishing in Europe 1600 1900

Download or read book Music Publishing in Europe 1600 1900 written by Rudolf Rasch and published by BWV Verlag. This book was released on 2005-01-01 with total page 322 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries

Download or read book A Companion to Music at the Habsburg Courts in the Sixteenth and Seventeenth Centuries written by and published by BRILL. This book was released on 2020-09-25 with total page 653 pages. Available in PDF, EPUB and Kindle. Book excerpt: A Companion to Music at the Habsburgs Courts in the Sixteenth and Seventeenth Centuries, edited by Andrew H. Weaver, is the first in-depth survey of Habsburg musical patronage over a broad timeframe. Bringing together existing research and drawing upon primary sources, the authors, all established experts, provide overviews of the musical institutions, the functions of music, the styles and genres cultivated, and the historical, political, and cultural contexts for music at the Habsburg courts. The wide geographical scope includes the imperial courts in Vienna and Prague, the royal court in Madrid, the archducal courts in Graz and Innsbruck, and others. This broad view of Habsburg musical activities affirms the dynasty’s unique position in the cultural life of early modern Europe. Contributors are Lawrence Bennett, Charles E. Brewer, Drew Edward Davies, Paula Sutter Fichtner, Alexander J. Fisher, Christine Getz, Beth L. Glixon, Jeffrey Kurtzman, Virginia Christy Lamothe, Honey Meconi, Sara Pecknold, Jonas Pfohl, Pablo L. Rodríguez, Steven Saunders, Herbert Seifert, Louise K. Stein, and Andrew H. Weaver.

Book Thomas Morley

Download or read book Thomas Morley written by Tessa Murray and published by Boydell & Brewer Ltd. This book was released on 2014 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: An essential book for scholars and students of renaissance music, as well as the history of music publishing and print. The Renaissance composer and organist Thomas Morley (c.1557-1602) is best known as a leading member of the English Madrigal School, but he also built a significant business as a music publisher. This book looks at Morley's pioneering contribution to music publishing in England, inspired by an established music printing culture in continental Europe. A student of William Byrd, Morley had a conventional education and early career as a cathedral musician both in Norwich and at St Paul's cathedral. Morley lived amongst the traders, artisans and gentry of England's major cities at a time when a market for recreational music was beginning to emerge. His entrepreneurial drive combinedwith an astute assessment of his market resulted in a successful and influential publishing business. The turning point came with a visit to the Low Countries in 1591, which gave him the opportunity to see a thriving music printpublication business at first hand. Contemporary records provide a detailed picture of the processes involved in early modern music publishing and enable the construction of a financial model of Morley's business. Morley died too young to reap the full rewards of his enterprise, but his success inspired the publication by his contemporaries of a significant corpus of readily available recreational music for the public. Critical to Morley's successwas his identification of the sort of music, notably the Italianate lighter style of madrigal, that would appeal to amateur musicians. Surviving copies of the original prints show that this music continued to be used for severalgenerations: new editions in modern notation started to appear from the mid eighteenth century onwards, suggesting that Morley truly had the measure of the market for recreational music. Thomas Morley: Elizabethan Music Publisher will be of particular interest to scholars and students of renaissance music, as well as the history of music publishing and print. Tessa Murray is an honorary research fellow at the University of Birmingham.

Book English Music Printing  1553 1700

Download or read book English Music Printing 1553 1700 written by Donald William Krummel and published by London : Bibliographical Society. This book was released on 1975 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Literature of Music Bibliography

Download or read book The Literature of Music Bibliography written by Donald William Krummel and published by Berkeley, Calif. : Fallen Leaf Press. This book was released on 1992 with total page 474 pages. Available in PDF, EPUB and Kindle. Book excerpt: In tracing the history of writings on music printing and publishing, this book discusses the theory of music bibliography. It examines such major topics as historical surveys of music printing and musical commerce and property; and surveys specific subjects ranging from type-specimen books to patent registrations, from the history of music libraries to bibliophilic editions.

Book Beethoven s Symphonies Arranged for the Chamber

Download or read book Beethoven s Symphonies Arranged for the Chamber written by Nancy November and published by Cambridge University Press. This book was released on 2021-06-10 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: Early nineteenth-century composers, publishers and writers evolved influential ideals of Beethoven's symphonies as untouchable masterpieces. Meanwhile, many and various arrangements of symphonies, principally for amateur performers, supported diverse and 'hands-on' cultivation of the same works. Now mostly forgotten, these arrangements served a vital function in nineteenth-century musical life, extending works' meanings and reach, especially to women in the home. This book places domestic music-making back into the history of the classical symphony. It investigates a largely untapped wealth of early nineteenth-century arrangements of symphonies by Beethoven - for piano, string quartet, mixed quintet and other ensembles. The study focuses on three key agents in the nineteenth-century culture of musical arrangement: arrangers, publishers and performers. It investigates significant functions of those musical arrangements in the era: sociability, reception and canon formation. The volume also explores how conceptions of Beethoven's symphonies, and their arrangement, changed across the era with changing conception of musical works.

Book Printed Musical Propaganda in Early Modern England

Download or read book Printed Musical Propaganda in Early Modern England written by Joseph Arthur Mann and published by Liverpool University Press. This book was released on 2020-09-11 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Printed Musical Propaganda in Early Modern England reveals how consistently music, in theory and practice, was used as propaganda in a variety of printed genres that included or discussed music from the English Civil Wars through the reign of William and Mary. These printed items—bawdy broadside ballads, pamphlets paid for by Parliament, sermons advertising the Church of England’s love of music, catch-all music collections, music treatises addressed to monarchs, and masque and opera texts—when connected in a contextual mosaic, reveal a new picture of not just individual propaganda pieces, but multi-work propaganda campaigns with contributions that cross social boundaries. Musicians, Royalists, Parliamentarians, government officials, propagandists, clergymen, academics, and music printers worked together setting musical traps to catch the hearts and minds of their audiences and readers. Printed Musical Propaganda proves that the influential power of music was not merely an academic matter for the early modern English, but rather a practical benefit that many sought to exploit for their own gain.

Book The Shy Little Monster

    Book Details:
  • Author : Stephanie Leavell
  • Publisher :
  • Release : 2024-09-27
  • ISBN : 9781639911325
  • Pages : 0 pages

Download or read book The Shy Little Monster written by Stephanie Leavell and published by . This book was released on 2024-09-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Shy Little Monster began as a children's song created by Stephanie Leavell. Stephanie - a mom, music educator, and Berklee-trained music therapist - wanted to create a sweet and silly (not scary!) Halloween song that would delight her preschool music groups. Illustrator Sarah Pilar Echeverria and Stephanie are friends (they were born on the same day, in the same hospital, but became friends much later!) who bonded over their love of creating. Sarah is a mom of two with a lifelong passion for art and an everlasting love for children's books. She hopes her own illustrations can spark excitement and creativity in kids. This book shows kids that it's okay to be shy (so are Stephanie and Sarah!), it's okay to ask for help and, most importantly, good friends are always there to offer some encouragement and help you find your voice.

Book Primacy of the Ear

Download or read book Primacy of the Ear written by Ran Blake and published by . This book was released on 2010 with total page 118 pages. Available in PDF, EPUB and Kindle. Book excerpt: Many music books are designed to help better understand written music and theory, but "Primacy of the Ear" focuses on the development of the ear."Primacy" outlines pianist and MacArthur Fellow Ran Blake's approach to growing the ear and explains how musical memory is the key to becoming a more potent musician and shaping a personal musical style.Included are the legendary "ear-robics" exercises, developed by Ran over the course of 30 years as head of the Contemporary Improvisation Department at New England Conservatory of Music.Also covered: The Auteur Theory and how it translates into music making, developing and differentiating between the conscious and subconscious mind, listening and musical memory, how to learn from your musical heroes without being consumed by them, developing and using repertoire, and how to record your music most effectively.Primacy of the Ear is Ran Blake's genius distilled--his teaching and musical philosophy in one volume. Co-written by Jason Rogers.