Download or read book War Dance written by William K. Powers and published by . This book was released on 1990 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Eleven essays on shared characteristics of traditional dances and music used in modern day Pow Wows.
Download or read book War Dance written by William K. Powers and published by University of Arizona Press. This book was released on 1993-01-01 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Compiled from a thirty year study, this volume provides a look at the history and culture of the Plains Indians
Download or read book Music of North American Indians written by Louis W. Ballard and published by . This book was released on 1975 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The American Indians and Their Music written by Frances Densmore and published by . This book was released on 1926 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music of the American Indian Plains written by Library of Library of Congress and published by Createspace Independent Publishing Platform. This book was released on 2016-01-19 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music lover who is listening to Indian music for the first time is apt to be perplexed by his novel experience. He may protest that "It all sounds alike," that "They only have one tune," and in all seriousness finally ask, "But is it music?" Such honest reactions are not uncommon among the uninitiated. They are normal human responses to the unfamiliar and are not peculiarly related to Indian music. Similar questions have been raised about the art work of our best contemporary composers, artists, writers, and architects by those who are unable to view the new art in its social setting and to see it in its historic relationship with the past. Persons who would know more about the "first Americans," with whom our past three and a half centuries of history is so intimately connected, will find in Indian musical traditions a full, expressive revelation of the inner life of these interesting people. For the Indian, music is a medium of communication and contact with the supernatural, and since all the varied activities of life find their respective places in the Indian's cosmos, there are songs for every occasion. The hard and fast distinction between sacred and secular which we are accustomed to make loses its definiteness in the Indian's world. There are songs for the making of rain, Guardian Spirit songs for success in hunting, fishing, and gambling, songs for the protection of the home, the curing of the sick, lullabies, love songs, corn-grinding songs, social dance songs, and songs connected with legends. From this brief, functional listing, it will be noted that music was closely associated with the daily and seasonal activities of living. Though the Indian is not lacking in aesthetic enjoyment of his native music, he rarely regards it as something to listen to apart from its social and ceremonial function. For the open-minded, open-eared listener, Indian music is neither inaccessible nor difficult to enjoy. Patient and repeated hearings of these songs will gradually reveal the subtle, haunting beauty that is enfolded in their carefully modelled forms. Here one will find the same artistic features-color, symmetry and balance of form, bold, striking designs, logical unity and coherence of thought -that distinguish Indian painting, pottery, weaving, and silversmithing, so widely admired and enjoyed. Like the music of the Greeks, and like folk music in its purest, primeval form, Indian music is basically monophonic, single-lined. There are occasional excursions into heterophony whereby one voice or group of voices temporarily deviates from the melodic line of the song while others adhere to the established pattern. Such examples of part singing, however, are relatively rare. The simplicity of this monophonic music may fall strangely on ears that have been conditioned by the thick harmonic and contrapuntal texture, rich orchestration, and massive volume of our Western European music. Just as it becomes necessary to adjust one's aural perspective in turning from symphonic music to the more modest and economical medium of chamber music, so must one adjust one's listening for Indian music.
Download or read book Myth Music and Dance of the American Indian written by and published by Alfred Music Publishing. This book was released on 1997-09 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: An introduction to the Native American culture. The Teacher's Resource Book provides pronunciations, tribe information, maps and instructions on making Indian instruments.
Download or read book Music of the American Indian Plains written by Library of Library of Congress and published by CreateSpace. This book was released on 2015-06-12 with total page 24 pages. Available in PDF, EPUB and Kindle. Book excerpt: The music lover who is listening to Indian music for the first time is apt to be perplexed by his novel experience. He may protest that "It all sounds alike," that "They only have one tune," and in all seriousness finally ask, "But is it music?" Such honest reactions are not uncommon among the uninitiated. They are normal human responses to the unfamiliar and are not peculiarly related to Indian music. Similar questions have been raised about the art work of our best contemporary composers, artists, writers, and architects by those who are unable to view the new art in its social setting and to see it in its historic relationship with the past. Persons who would know more about the "first Americans," with whom our past three and a half centuries of history is so intimately connected, will find in Indian musical traditions a full, expressive revelation of the inner life of these interesting people. For the Indian, music is a medium of communication and contact with the supernatural, and since all the varied activities of life find their respective places in the Indian's cosmos, there are songs for every occasion. The hard and fast distinction between sacred and secular which we are accustomed to make loses its definiteness in the Indian's world. There are songs for the making of rain, Guardian Spirit songs for success in hunting, fishing, and gambling, songs for the protection of the home, the curing of the sick, lullabies, love songs, corn-grinding songs, social dance songs, and songs connected with legends. From this brief, functional listing, it will be noted that music was closely associated with the daily and seasonal activities of living. Though the Indian is not lacking in aesthetic enjoyment of his native music, he rarely regards it as something to listen to apart from its social and ceremonial function. For the open-minded, open-eared listener, Indian music is neither inaccessible nor difficult to enjoy. Patient and repeated hearings of these songs will gradually reveal the subtle, haunting beauty that is enfolded in their carefully modelled forms. Here one will find the same artistic features-color, symmetry and balance of form, bold, striking designs, logical unity and coherence of thought -that distinguish Indian painting, pottery, weaving, and silversmithing, so widely admired and enjoyed. Like the music of the Greeks, and like folk music in its purest, primeval form, Indian music is basically monophonic, single-lined. There are occasional excursions into heterophony whereby one voice or group of voices temporarily deviates from the melodic line of the song while others adhere to the established pattern. Such examples of part singing, however, are relatively rare. The simplicity of this monophonic music may fall strangely on ears that have been conditioned by the thick harmonic and contrapuntal texture, rich orchestration, and massive volume of our Western European music. Just as it becomes necessary to adjust one's aural perspective in turning from symphonic music to the more modest and economical medium of chamber music, so must one adjust one's listening for Indian music.
Download or read book North American Indian Musical Styles written by Bruno Nettl and published by Philadelphia : American Folklore Society. This book was released on 1954 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt: An eminent musicologist describes the various styles and forms of music of the North American Indians, examining rhythm, melodic movement, and vocal techniques of tribes from each geographic area.
Download or read book North American Indian Music written by Richard Keeling and published by Routledge. This book was released on 2013-10-15 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 1997. The present volume contains references and descriptive annotations for 1,497 sources on North American Indian and Eskimo music. As conceived here, the subject encompasses works on dance, ritual, and other aspects of religion or culture related to music, and selected "classic" recordings have also been included. The coverage is equally broad in other respects, including writings in several different languages and spanning a chronological period from 1535 to 1995. The book is intended as a reference tool for researchers, teachers, and college students. With their needs in mind, the sources are arranged in ten sections by culture area, and the introduction includes a general history of research. Finally, there are also indices by author, tribe, and subject.
Download or read book Native American Music written by Marcia Herndon and published by Norwood, Pa. : Norwood Editions. This book was released on 1980 with total page 254 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music of the First Nations written by Tara Browner and published by University of Illinois Press. This book was released on 2010-10-01 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: This unique anthology presents a wide variety of approaches to an ethnomusicology of Inuit and Native North American musical expression. Contributors include Native and non-Native scholars who provide erudite and illuminating perspectives on aboriginal culture, incorporating both traditional practices and contemporary musical influences. Gathering scholarship on a realm of intense interest but little previous publication, this collection promises to revitalize the study of Native music in North America, an area of ethnomusicology that stands to benefit greatly from these scholars' cooperative, community-oriented methods. Contributors are T. Christopher Aplin, Tara Browner, Paula Conlon, David E. Draper, Elaine Keillor, Lucy Lafferty, Franziska von Rosen, David Samuels, Laurel Sercombe, and Judith Vander.
Download or read book The Indians Book written by Natalie Curtis and published by Courier Corporation. This book was released on 2013-11-07 with total page 672 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lore, music, narratives, dozens of drawings survey the native culture among Plains, Southwestern, Lake, and Pueblo Indians. Standard work in popular ethnomusicology. Features 149 songs in full notation, 23 drawings, and 23 photos.
Download or read book Costumes of the Plains Indians written by Clark Wissler and published by . This book was released on 1915 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Comanches were fierce warriors who lived on the Southern Plains. The Southern Plains extend down from the state of Nebraska into the north part of Texas. The chief object of this 1915 volume is to shed light not just on the particular garments of Plains Indians, but on their material culture as a whole.
Download or read book Encyclopedia of Native American Music of North America written by Timothy Archambault and published by Bloomsbury Publishing USA. This book was released on 2013-03-27 with total page 501 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is a one-stop reference resource for the vast variety of musical expressions of the First Peoples' cultures of North America, both past and present. Encyclopedia of Native American Music of North America documents the surprisingly varied musical practices among North America's First Peoples, both historically and in the modern context. It supplies a detailed yet accessible and approachable overview of the substantial contributions and influence of First Peoples that can be appreciated by both native and nonnative audiences, regardless of their familiarity with musical theory. The entries address how ethnomusicologists with Native American heritage are revolutionizing approaches to the discipline, and showcase how musicians with First Peoples' heritage are influencing modern musical forms including native flute, orchestral string playing, gospel, and hip hop. The work represents a much-needed academic study of First Peoples' musical cultures—a subject that is of growing interest to Native Americans as well as nonnative students and readers.
Download or read book Moving Within the Circle written by Bryan Burton and published by Danbury, CT : World Music Press. This book was released on 1993 with total page 188 pages. Available in PDF, EPUB and Kindle. Book excerpt: "A dynamic collection of twenty-four social songs and dances, flute songs and guided listening experiences, as well as instructions for making present day instruments. Representing the music of the Pueblo, Lakota, Kiowa, Nanticoke, Hidatsa, Haliwa-Saponi, Seneca and other peoples, [the book] includes in-depth cultural and historical background"--Back cover.
Download or read book Heartbeat Warble and the Electric Powwow written by Craig Harris and published by University of Oklahoma Press. This book was released on 2016-04-11 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Despite centuries of suppression and oppression, American Indian music survives today as a profound cultural force. Heartbeat, Warble, and the Electric Powwow celebrates in depth the vibrant soundscape of Native North America, from the “heartbeat” of intertribal drums and “warble” of Native flutes to contemporary rock, hip-hop, and electronic music. Drawing on more than one hundred interviews with musicians, producers, ethnographers, and record-label owners, author and musician Craig Harris conjures an aural tapestry in which powwow drums and end-blown woodwinds resound alongside operatic and symphonic strains, jazz and reggae, country music, and blues. Harris begins with an exploration of the powwow, from sacred ceremonies to intertribal gatherings. He examines the traditions of the Native American flute and its revival with artists such as two-time Grammy winners R. Carlos Nakai and Mary Youngblood. Singers and songwriters, including Buffy Sainte-Marie, Keith Secola, and Joanne Shenandoah, provide insights into their music and their lives as American Indians. Harris also traces American Indian rock, reggae, punk, and pop over four decades, punctuating his survey with commentary from such artists as Tom Bee, founder of Native America’s first rock band, XIT. Grammy-winner Taj Mahal recalls influential guitarist Jesse Ed Davis; ex-bandmates reflect on Rock Hall of Fame inductee Redbone; Robbie Robertson, Pura Fe, and Rita Coolidge describe how their groundbreaking 1993 album, Music for the Native Americans, evolved; and DJs A Tribe Called Red discuss their melding of archival powwow recordings into fiery dance music. The many voices and sounds that weave throughout Harris’s engaging, accessible account portray a sonic landscape that defies stereotyping and continues to expand. Heartbeat, Warble, and the Electric Powwow is the story—told by those who live it—of resisting a half-millennium of cultural suppression to create new sounds while preserving old roots. Listen in! Visit this book’s page on the oupress.com website for a link to the book’s Spotify playlist.
Download or read book Song of the Redman Catalog 1952 53 written by American Indian Soundchiefs (Record label) and published by . This book was released on 1952 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
