Download or read book Kohn on Music Licensing 5th Edition Plan IL written by Kohn and published by Wolters Kluwer. This book was released on 2019-01-01 with total page 1832 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether you are a music publisher or songwriter looking to maximize the value of your music catalog, or a producer, ad agency, or internet music service seeking to clear music rights for products, performances, and other uses, the new Fifth Edition of Kohn On Music Licensing offers you comprehensive and authoritative guidance. This one-of-a-kind resource takes you through the various music licensing processes, type-by-type and step-by-step. In clear, coherent language, the author, a seasoned attorney and executive in both the entertainment and high-tech industries, provides detailed explanations of the many kinds of music licenses, identifies the critical issues addressed in each, and offers valuable strategy and guidance to both rights owners and prospective licensees. Kohn on Music Licensing, Fifth Edition: Walks the reader through the history of the music publishing business, from Tin Pan Alley to the user-generated content phenomena of the present. Dissects the songwriter agreement, providing the reader with a clause-by-clause analysis and offering the best negotiating strategies to achieve the best possible outcome for their clients. Analyses the newly enacted Music Modernization Act, signed into law in September 2018, which significantly changed the way music is licensed in sound recordings in the United States. Guides the reader through the complexities of co-publishing agreements, administration agreements, and international subpublishing agreements, with a report on the rapidly changing music licensing landscape in Europe. Takes on the intricacies of licensing music in sound recordings, from the traditional CD format to the newer delivery methods, including downloads, streams, ringtones and ringbacks--including the rates and terms used in the U.S., Canada and the United Kingdom. Confronts the pitfalls of licensing music for audiovisual works (synchronization licenses) using history as a guide, from the early talkies through streaming internet content. Explores new media and its impact on the licensing process. Technological developments have forced the industry to rethink licenses when dealing with video games, computer software, karaoke, and digital print (including downloadable sheet music, lyric database websites, and digital guitar tabs.. Sizes up the digital sampling controversy and offers up suggestions for negotiating licenses for digital samples. Explores the ever-evolving concept of Fair Use and its application to the music industry. Provides the reader with a look at the landscape of licensing fees, including "going rates" for synch, print, radio & TV advertising, new media, and other licenses, to assist in negotiating the best rates for their clients. Proven tips and suggestions, along with the most up-to-date analysis, are given for the technical aspects of music licensing, from the perspective of both the rights owners and prospective licensees, including How to "clear" a license Advice on maximizing the value of your music copyrights Formalities of licensing Duration of copyright, renewal and termination of grants Typical fees And much more Every chapter of Kohn on Music Licensing has been completely updated in this expanded Fifth Edition. New topics include: The Music Modernization Act, enacted in 2018, which changed the way music is licensed in sound recordings in the United States. Mechanical license fee regimes, including rates for ringtones and on-demand streaming for U.S., Canada, and U.K. Webcasting rates in the U.S., Canada, and U.K. A discussion of the right of publicity in the context of digital sampling. Print License chapter has an updated discussion on adaptation right as well as examines terms for digital print, digital guitar tabs, etc. Custom musical arrangements are also covered. Synch License chapter now covers terms for downloading and streaming of video. Previous Edition: Kohn on Music Licensing, Fourth Edition, ISBN : 9780735590908

Download or read book Music Rights Without Fights US Edition The Smart Marketer s Guide To Buying Music For Brand Campaigns written by Richard Kirstein and published by Rethink Press. This book was released on 2020-03-04 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Buying music is complex and few marketers or agencies truly understand how to broker licences with the music business. Music Rights Without Fights will empower advertisers to understand how music rights work, how to control costs and mitigate risks, and the strategies for securing smarter deals and sustainable relationships.

Download or read book Copyright and the Music Marketplace written by United States United States Copyright Office and published by Createspace Independent Publishing Platform. This book was released on 2015-12-21 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.

Download or read book Master Music Licensing written by Michael Elsner and published by Independently Published. This book was released on 2019-05-17 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt: Want to get your music heard by millions of people world-wide, and make a great living in the process? The traditional music industry has been in a rapid decline since the early 2000's, and these days, listeners expect your music to be free. So, as creative individuals, how can we share our gifts with the world, without struggling to pay the rent. The answer is through Sync Licensing. Successfully licensing your songs to TV Shows, Films and Commercials is a MUST if you want to survive in the Modern Music Industry. But there's a process that must be followed to not only get your songs placed. This book details the 4 Steps that will allow you to generate consistent placements of your music. It's not about 1 or 2 random placements here and there... it's about strategically getting 10, then 100, then 1000.

Download or read book Money for Something written by Congressional Service and published by Createspace Independent Publishing Platform. This book was released on 2018-05-30 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: Songwriters and recording artists are legally entitled to get paid for (1) reproductions and public performances of the notes and lyrics they create (the musical works), as well as (2) reproductions, distributions, and certain digital performances of the recorded sound of their voices combined with instruments (the sound recordings). The amount they get paid, as well as their control over their music, depends on market forces, contracts among a variety of private-sector entities, and laws governing copyright and competition policy. Congress first enacted laws governing music licensing in 1909, when music was primarily distributed through physical media such as sheet music and phonograph records. At the time, some Members of Congress expressed concerns that absent a statutory requirement to make musical works widely available, licensees could use exclusive access to musical works to thwart competition. The U.S. Department of Justice (DOJ) expressed similar concerns in the 1940s, when it entered into antitrust consent decrees requiring music publishers to license their musical works to radio broadcast stations. As technological changes made it possible to reproduce sound recordings on tape cassettes in the late 1960s and in the form of digital computer files in the 1990s, Congress extended exclusive reproduction and performance rights to sound recordings as well. Many of the laws resulted from compromises between those who own the rights to music and those who license those rights from copyright holders. In some cases, the government sets the rates for music licensing, and the rate-setting standards that it uses reflect those compromises among interested parties. As consumers have purchased fewer albums over the last 20 years, overall spending on music has declined. Nevertheless, as streaming services that incorporate attributes of both radio and physical media have entered the market, consumer spending has increased during the last two years. In 2016, for the first time ever, streaming and other digital music services represented the majority of the recorded music industry's revenues. As these services have proliferated and the number of songs released has increased, the process of ensuring that the various copyright holders are paid for their musical works and their sound recordings has grown more complex. Performers, songwriters, producers, and others have complained that in some cases current copyright laws make it difficult to earn enough money to support their livelihoods and create new music. In addition, several songwriters and publishers have sued music streaming services, claiming that the services have streamed their songs while making little effort to locate and pay the rights holders. In April 2018, the U.S. House of Representatives voted 415-0 to pass H.R. 5447, the Music Modernization Act, as amended. The bill would modify copyright laws related to the process of granting, receiving, and suing for infringement of mechanical licenses, would create a new nonprofit "mechanical licensing collective" through which musical work copyright owners could collect royalties from online music services, and would change the standards used by a federal agency, the Copyright Royalty Board, to set royalty rates for certain statutory music licenses.

Download or read book Music Licensing Under Title 17 written by United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, Intellectual Property, and the Internet and published by . This book was released on 2014 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music Money and Success written by Jeffrey Brabec and published by Schirmer Trade Books. This book was released on 2011-07-18 with total page 537 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Insider's Guide to Making Money in the Music Industry. Millions dream of attaining glamour and wealth through music. This book reveals the secrets of the music business that have made fortunes for the superstars. A must-have for every songwriter, performer and musician.

Download or read book Direct Licensing and the Music Industry written by Ivan L Pitt and published by Springer. This book was released on 2015-10-13 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt: ​This book discusses the economics of the music industry in the context of the changing landscape brought about by innovation, technological change, and rapid digitization. The ability of digital technology to reduce the transaction costs of music copyright licensing has all but destroyed the traditional media business models of incumbent Performance Rights Organizations (PROs), music publishers, record labels, and radio and television stations. In a climate where streaming services are rapidly proliferating and consumers prefer subscription models over direct ownership, new business models, such as direct licensing, are developing. This book provides an overview of the economics of the traditional music industry, the technology-induced changes in business models and copyright law, and the role of publishers, copyright holders and songwriters in the emerging direct licensing model. In Part One, the author examines the economic aspects of direct licensing as an alternative to the traditional blanket license for copyrighted musical compositions, with an emphasis on the often monopolistic nature of PROs. In Part Two, the author focuses on the music publisher and the role direct licensing and competition may play in the changing business models in the music industry and the potential benefits this may bring to copyright holders, such as songwriters. To compliment this model, the author proposes a maximum statutory fixed-rate for musical performances to further streamline the royalty process, especially where distributors such as Google and YouTube are concerned. This book adds to the growing body of literature on the economics of music licensing in the digital age. It will be useful to those in the fields of economics and law, as well as music executives, musicians, songwriters, composers, and other industry professionals who are interested in understanding how technology, innovation and competition have reshaped the music industry.​

Download or read book Music Licensing and Copyright written by Gregory L. West and published by . This book was released on 2015 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: The laws that determine who pays whom in the digital world were written, by and large, at a time when music was distributed mainly via radio broadcasts or physical media, such as sheet music and phonograph records, and when each of these forms of distribution represented a distinct channel with unique characteristics. With the emergence of the Internet, Congress updated some copyright laws in the 1990s. It applied one set of copyright laws to digital services it viewed as akin to radio broadcasts, and another set of laws to digital services it viewed as akin to physical media. Since that time, however, consumers have increasingly been consuming music via digital services that incorporate attributes of both radio and physical media. Under existing law, the companies that compete in delivering music to listeners face very different cost structures, depending on the royalty provisions applicable to their unique business models. The royalties received by songwriters, performers, music publishers, and record companies for one play or sale of a particular song may vary greatly, depending upon the particular business model of the company delivering music. This book describes the current legal framework governing licensing and rate-setting in the music industry. It also examines the changes in technology and consumer behavior that have reshaped the industry.

Download or read book The Insider s Guide to Music Licensing written by Brian Tarquin and published by Simon and Schuster. This book was released on 2014-03-04 with total page 256 pages. Available in PDF, EPUB and Kindle. Book excerpt: First-hand advice for musicians from Brian Tarquin, author, who has over twenty years of experience in licensing music to record labels, TV shows, feature films, radio promos, and network promos. This book takes you through how licensing really works: what type of royalties are expected, digital royalties from companies, receiving royalties from iTunes, Rhapsody, Napster through digital distributors like IODA/The Orchard, and how they pay. Also covered are mechanical royalties from broadcast radio licenses, how foreign royalties are collected, publishing administration deals, and a breakdown of sync and master licenses. Interviews with major industry players offer advice directly to musicians. Allworth Press, an imprint of Skyhorse Publishing, publishes a broad range of books on the visual and performing arts, with emphasis on the business of art. Our titles cover subjects such as graphic design, theater, branding, fine art, photography, interior design, writing, acting, film, how to start careers, business and legal forms, business practices, and more. While we don't aspire to publish a New York Times bestseller or a national bestseller, we are deeply committed to quality books that help creative professionals succeed and thrive. We often publish in areas overlooked by other publishers and welcome the author whose expertise can help our audience of readers.

Download or read book The Art of Music Licensing written by Al Kohn and published by Aspen Publishers. This book was released on 1992 with total page 1012 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Running a Bar For Dummies written by Ray Foley and published by John Wiley & Sons. This book was released on 2011-02-25 with total page 366 pages. Available in PDF, EPUB and Kindle. Book excerpt: Have you ever thought of owning your own bar? Did you ever stumble into an overpriced watering hole and think how much better it could be if you ran the place? Or maybe you walked into your dream bar and realized that running one was the dream job you’ve always wanted? With Running a Bar for Dummies, you can live your dream of operating your own establishment. This hands-on guide shows you how to maintain a successful bar, manage the business aspect of it, and stake your place in your town’s nightlife. It provides informative tips on: Understanding the business and laws of owning a bar Developing a business plan Creating a menu, choosing décor, and establishing a theme Stocking up on equipment Choosing and dealing with employees Handling tough customers Controlling expenses, managing inventory, and controlling cash flow Getting the word out about your place Preparing for your grand opening, step-by-step This guide cues you in on how to keep your bar safe and clean, making sure everyone is having fun. It warns you about the pitfalls and no-nos that every owner should avoid. There are also helpful resources, such as contact information for State Alcohol Control Boards and Web sites with valuable information.

Download or read book Music Licensing Under written by United States. Congress and published by Createspace Independent Publishing Platform. This book was released on 2017-09-26 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music licensing under title 17. part I & II : hearing before the Subcommittee on Courts, Intellectual Property, and the Internet of the Committee on the Judiciary, House of Representatives, One Hundred Thirteenth Congress, second session, June 10 and June 25, 2014.

Download or read book Music Licensing Under Title 17 Part I and II written by United States. Congress and published by Createspace Independent Publishing Platform. This book was released on 2017-12-10 with total page 454 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music licensing under title 17. part I & II : hearing before the Subcommittee on Courts, Intellectual Property, and the Internet of the Committee on the Judiciary, House of Representatives, One Hundred Thirteenth Congress, second session, June 10 and June 25, 2014.

Download or read book Music Rights Unveiled written by Brooke Wentz and published by Taylor & Francis. This book was released on 2017-09-22 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Rights Unveiled provides an inside look at the complex world of music rights for film and video and includes step-by-step guidance to navigate these tricky waters. Authors Brooke Wentz and Maryam Battaglia share their decades of expertise in this user-friendly guide, designed specifically with filmmakers and producers in mind. The book provides a brief history of the pricing of music in film, television and digital media markets, and explains the process by which music is licensed or acquired for films, highlighting pitfalls to avoid and strategies for success. Further features include: A discussion of new media platforms and the intricacies of the rights needed to use music on those platforms; Tips for working with key music staff on a production – the Composer, the Music Supervisor and the Music Editor; An in-depth explanation of building a budget for the music component of your media project.

Download or read book Getting Permission written by Richard Stim and published by NOLO. This book was released on 2004 with total page 480 pages. Available in PDF, EPUB and Kindle. Book excerpt: Detailed advice (and plenty of sample forms, worksheets and agreements) on everything from getting a business started to kicking out an unwanted partner later. - Los Angeles Times - It is the most definitive, complete and current do-it-yourself patent book ever written and it is written in easy-to-understand laymen's terms. - Mary Bellis, Inventor's Guide at About.com - Every step of the patent process is presented in order in this gem of a book, complete with official forms - San Francisco Chronicle - David Pressman is a practicing patent attorney, a former patent examiner, and the author of Patent It Yourself. His book is easy to understand and can save thousands of dollars by writing your own patent application, or by writing much of it, and having a patent agent or attorney edit and write the claims section. - Jack Lander, The Inventor's Bookstore - Like all law, [patent law] is pretty complex stuff. This clearly written guide will help minimize legal fees by preparing you to do what you can for yourself.- Mike Maza, Dallas Morning News - The book presents complicated procedures in easily digested chunks, with anecdotes, forms and plenty of old-fashioned good advice - The Denver Post - The most complete and authoritative work on patents and inventions for laypersons - InventNet - Contains all necessary forms and instructions plus advice on marketing your invention. - Money Magazine - The best roll-up-your-sleeves guide for filers who don't want to pay a ransom. - Inc.- Patent It Yourself is a top-notch reference for patent and trademark information. - San Francisco Examiner

Download or read book Music Licensing a Practical Guide written by Janet McHugh and published by . This book was released on 2021-10 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: The world of music licensing can be complex and confusing. Whether you produce programming for broadcast, own a radio station (or a bar!), or stream content through the internet, you are probably using music. That music was composed and recorded by someone who owns the copyright to that music, or has passed their rights along to someone else. Under our copyright laws, royalties are paid to composers and songwriters for the use of their music.Who gets paid? How do they get paid? How much do they get paid? How does the system of music licensing work? Is there a system at all?If you are a music user, these are all questions you might ask. This Guide takes you step-by-step through the process of music licensing from the perspective of a music user - whether broadcaster, streamer or content creator.The Guide is designed for both lawyers and business folks who work with music licensing all of the time or just occasionally. This Guide attempts to reduce the complexity of music licensing. Our goal is to help you understand the business and legal system that surrounds music licensing so that - you know who to pay and how.