Download or read book Music Licensing Copyright Proposals written by Dorothy Schrader and published by . This book was released on 1998 with total page 46 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Copyright and the Music Marketplace written by United States United States Copyright Office and published by Createspace Independent Publishing Platform. This book was released on 2015-12-21 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Copyright Office has previously highlighted the outmoded rules for the licensing of musical works and sound recordings as an area in significant need of reform. Moreover, the Office has underscored the need for a comprehensive approach to copyright review and revision generally. This is especially true in the case of music licensing the problems in the music marketplace need to be evaluated as a whole, rather than as isolated or individual concerns of particular stakeholders.
Download or read book Copyright Office Views on Music Licensing Reform written by United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts, the Internet, and Intellectual Property and published by . This book was released on 2005 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book United States Code written by United States and published by . This book was released on 1952 with total page 1508 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Licensing Reform written by United States. Congress. Senate. Committee on the Judiciary. Subcommittee on Intellectual Property and published by . This book was released on 2008 with total page 164 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Copyright written by John V. Martin and published by Nova Publishers. This book was released on 2002 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Preface; Copyright Term Extension: Estimating the Economic Values; Copyright Restoration for Public Domain Works; The 'Work Made for Hire and Copyright Corrections Act of 2000'; New York Times Co vs Tasini: The US Supreme Court Affirms 'Authorial' Rights in Copyright; Copyright and Fair Use After Acuff-Rose and Texaco; Criminal Copyright Infringement: Proposal to Impose Criminal Liability on Non-Profit Infringers and Felony Liability for Transmissions; Copyright Term Extension and Music Licensing: Review of Recent Developments; Copyright Issues in Online Music Delivery; The Copyright Doctrine of Fair Use and the Internet: Caselaw; Online Service Provider Copyright Liability: Analysis and Discussion of HR 2180 and S1146; Digital Millennium Copyright Act PL 105-304: Summary and Analysis; 'Digital Era Copyright Enhancement Act': Analysis of HR 3048; Copyright Term Extension and Music Licensing: Analysis of Sonny Bono Copyright Term Extension Act and Fairness in Music Licensing Act PL 105-298; Index.
Download or read book Copyright Term Extension and Music Licensing written by Dorothy Schrader and published by . This book was released on 1998 with total page 28 pages. Available in PDF, EPUB and Kindle. Book excerpt: This report explains the provisions of PL 105-298, reviews key aspects of the legislative history and notes changes from prior law.
Download or read book Copyright written by Neil Netanel and published by Oxford University Press. This book was released on 2018 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: Copyright law was once an esoteric backwater, the special province of professional authors, publishers, and entertainment companies, but it now impacts everyone who uses the Internet or consumes cultural expression on a computer, mobile phone, or personal tablet. Copyright has come to beimmensely controversial as well. For instance, the proposed Stop Online Piracy Act (SOPA), copyright-industry backed legislation met its defeat at the hands of a popular outcry spearheaded by Google, Wikipedia, and other online aggregators of content and information. SOPA and other such initiativeswould target the massive online piracy that threatens the economic viability of newspapers, movie studios, record labels, and book publishers. But the copyright industries' arguably heavy-handed response threatens to chill the free-wheeling wellspring of online creativity, expression, and readyaccess to information upon which we have all come to rely. To navigate the shoals of these opposing, equally dim prospects is a complex undertaking. No less daunting, even for the educated layperson, is to understand the legal framework, policy arguments, industry economics, legislative proposals,and judicial decisions that fuel the copyright debate.In Copyright: What Everyone Needs to KnowRG, law professor Neil Weinstock Netanel guides readers through the murky dynamics of modern copyright law, answering questions about topics such as the new challenges posed by the digital environment, copyright and piracy in the global marketplace, andproposals for future reform. From the basis and purpose of copyright law to a glimpse at what the law could - or should - become in the digital age, Netanel offers the necessary tools for following the debates that have raged everywhere from internet forums to the halls of Congress.
Download or read book Direct Licensing and the Music Industry written by Ivan L Pitt and published by Springer. This book was released on 2015-10-13 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses the economics of the music industry in the context of the changing landscape brought about by innovation, technological change, and rapid digitization. The ability of digital technology to reduce the transaction costs of music copyright licensing has all but destroyed the traditional media business models of incumbent Performance Rights Organizations (PROs), music publishers, record labels, and radio and television stations. In a climate where streaming services are rapidly proliferating and consumers prefer subscription models over direct ownership, new business models, such as direct licensing, are developing. This book provides an overview of the economics of the traditional music industry, the technology-induced changes in business models and copyright law, and the role of publishers, copyright holders and songwriters in the emerging direct licensing model. In Part One, the author examines the economic aspects of direct licensing as an alternative to the traditional blanket license for copyrighted musical compositions, with an emphasis on the often monopolistic nature of PROs. In Part Two, the author focuses on the music publisher and the role direct licensing and competition may play in the changing business models in the music industry and the potential benefits this may bring to copyright holders, such as songwriters. To compliment this model, the author proposes a maximum statutory fixed-rate for musical performances to further streamline the royalty process, especially where distributors such as Google and YouTube are concerned. This book adds to the growing body of literature on the economics of music licensing in the digital age. It will be useful to those in the fields of economics and law, as well as music executives, musicians, songwriters, composers, and other industry professionals who are interested in understanding how technology, innovation and competition have reshaped the music industry.
Download or read book Register s Perspective on Copyright Review written by United States. Congress. House. Committee on the Judiciary and published by . This book was released on 2015 with total page 96 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music Rights Unveiled written by Brooke Wentz and published by Taylor & Francis. This book was released on 2017-09-22 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music Rights Unveiled provides an inside look at the complex world of music rights for film and video and includes step-by-step guidance to navigate these tricky waters. Authors Brooke Wentz and Maryam Battaglia share their decades of expertise in this user-friendly guide, designed specifically with filmmakers and producers in mind. The book provides a brief history of the pricing of music in film, television and digital media markets, and explains the process by which music is licensed or acquired for films, highlighting pitfalls to avoid and strategies for success. Further features include: A discussion of new media platforms and the intricacies of the rights needed to use music on those platforms; Tips for working with key music staff on a production – the Composer, the Music Supervisor and the Music Editor; An in-depth explanation of building a budget for the music component of your media project.
Download or read book Musical Licensing in Restaurants and Retail and Other Establishments written by United States. Congress. House. Committee on the Judiciary. Subcommittee on Courts and Intellectual Property and published by . This book was released on 1998 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Renmin Chinese Law Review written by Jichun Shi and published by Edward Elgar Publishing. This book was released on 2017-01-27 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Renmin Chinese Law Review, Volume 4 is the fourth work in a series of annual volumes on contemporary Chinese law, which bring together the work of recognized scholars from China, offering a window on current legal research in China.
Download or read book Criminal Copyright written by Eldar Haber and published by Cambridge University Press. This book was released on 2018-08-16 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Eldar Haber analyzes the circumstances, justifications, and ramifications of the criminalization process and tells the story of how a legal right in the private enforcement realm has become over-criminalized. This work should be read by anyone concerned with the future of copyright and intellectual property.
Download or read book Kohn on Music Licensing 5th Edition Plan IL written by Kohn and published by Wolters Kluwer. This book was released on 2019-01-01 with total page 1832 pages. Available in PDF, EPUB and Kindle. Book excerpt: Whether you are a music publisher or songwriter looking to maximize the value of your music catalog, or a producer, ad agency, or internet music service seeking to clear music rights for products, performances, and other uses, the new Fifth Edition of Kohn On Music Licensing offers you comprehensive and authoritative guidance. This one-of-a-kind resource takes you through the various music licensing processes, type-by-type and step-by-step. In clear, coherent language, the author, a seasoned attorney and executive in both the entertainment and high-tech industries, provides detailed explanations of the many kinds of music licenses, identifies the critical issues addressed in each, and offers valuable strategy and guidance to both rights owners and prospective licensees. Kohn on Music Licensing, Fifth Edition: Walks the reader through the history of the music publishing business, from Tin Pan Alley to the user-generated content phenomena of the present. Dissects the songwriter agreement, providing the reader with a clause-by-clause analysis and offering the best negotiating strategies to achieve the best possible outcome for their clients. Analyses the newly enacted Music Modernization Act, signed into law in September 2018, which significantly changed the way music is licensed in sound recordings in the United States. Guides the reader through the complexities of co-publishing agreements, administration agreements, and international subpublishing agreements, with a report on the rapidly changing music licensing landscape in Europe. Takes on the intricacies of licensing music in sound recordings, from the traditional CD format to the newer delivery methods, including downloads, streams, ringtones and ringbacks--including the rates and terms used in the U.S., Canada and the United Kingdom. Confronts the pitfalls of licensing music for audiovisual works (synchronization licenses) using history as a guide, from the early talkies through streaming internet content. Explores new media and its impact on the licensing process. Technological developments have forced the industry to rethink licenses when dealing with video games, computer software, karaoke, and digital print (including downloadable sheet music, lyric database websites, and digital guitar tabs.. Sizes up the digital sampling controversy and offers up suggestions for negotiating licenses for digital samples. Explores the ever-evolving concept of Fair Use and its application to the music industry. Provides the reader with a look at the landscape of licensing fees, including "going rates" for synch, print, radio & TV advertising, new media, and other licenses, to assist in negotiating the best rates for their clients. Proven tips and suggestions, along with the most up-to-date analysis, are given for the technical aspects of music licensing, from the perspective of both the rights owners and prospective licensees, including How to "clear" a license Advice on maximizing the value of your music copyrights Formalities of licensing Duration of copyright, renewal and termination of grants Typical fees And much more Every chapter of Kohn on Music Licensing has been completely updated in this expanded Fifth Edition. New topics include: The Music Modernization Act, enacted in 2018, which changed the way music is licensed in sound recordings in the United States. Mechanical license fee regimes, including rates for ringtones and on-demand streaming for U.S., Canada, and U.K. Webcasting rates in the U.S., Canada, and U.K. A discussion of the right of publicity in the context of digital sampling. Print License chapter has an updated discussion on adaptation right as well as examines terms for digital print, digital guitar tabs, etc. Custom musical arrangements are also covered. Synch License chapter now covers terms for downloading and streaming of video. Previous Edition: Kohn on Music Licensing, Fourth Edition, ISBN : 9780735590908
Download or read book Billboard written by and published by . This book was released on 2005-07-16 with total page 84 pages. Available in PDF, EPUB and Kindle. Book excerpt: In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
Download or read book Money for Something written by Congressional Service and published by Createspace Independent Publishing Platform. This book was released on 2018-05-30 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt: Songwriters and recording artists are legally entitled to get paid for (1) reproductions and public performances of the notes and lyrics they create (the musical works), as well as (2) reproductions, distributions, and certain digital performances of the recorded sound of their voices combined with instruments (the sound recordings). The amount they get paid, as well as their control over their music, depends on market forces, contracts among a variety of private-sector entities, and laws governing copyright and competition policy. Congress first enacted laws governing music licensing in 1909, when music was primarily distributed through physical media such as sheet music and phonograph records. At the time, some Members of Congress expressed concerns that absent a statutory requirement to make musical works widely available, licensees could use exclusive access to musical works to thwart competition. The U.S. Department of Justice (DOJ) expressed similar concerns in the 1940s, when it entered into antitrust consent decrees requiring music publishers to license their musical works to radio broadcast stations. As technological changes made it possible to reproduce sound recordings on tape cassettes in the late 1960s and in the form of digital computer files in the 1990s, Congress extended exclusive reproduction and performance rights to sound recordings as well. Many of the laws resulted from compromises between those who own the rights to music and those who license those rights from copyright holders. In some cases, the government sets the rates for music licensing, and the rate-setting standards that it uses reflect those compromises among interested parties. As consumers have purchased fewer albums over the last 20 years, overall spending on music has declined. Nevertheless, as streaming services that incorporate attributes of both radio and physical media have entered the market, consumer spending has increased during the last two years. In 2016, for the first time ever, streaming and other digital music services represented the majority of the recorded music industry's revenues. As these services have proliferated and the number of songs released has increased, the process of ensuring that the various copyright holders are paid for their musical works and their sound recordings has grown more complex. Performers, songwriters, producers, and others have complained that in some cases current copyright laws make it difficult to earn enough money to support their livelihoods and create new music. In addition, several songwriters and publishers have sued music streaming services, claiming that the services have streamed their songs while making little effort to locate and pay the rights holders. In April 2018, the U.S. House of Representatives voted 415-0 to pass H.R. 5447, the Music Modernization Act, as amended. The bill would modify copyright laws related to the process of granting, receiving, and suing for infringement of mechanical licenses, would create a new nonprofit "mechanical licensing collective" through which musical work copyright owners could collect royalties from online music services, and would change the standards used by a federal agency, the Copyright Royalty Board, to set royalty rates for certain statutory music licenses.
