Download or read book The Philosophy of Music written by William Pole and published by London : Trübner. This book was released on 1879 with total page 340 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Philosophy of Music written by William Pole and published by Routledge. This book was released on 2014-06-23 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is Volume V in a series of seven on the Philosophy of Religion and General Philosophy. Originally published in 1924. The trained musician may have made a thorough study of technical methods in composition, but yet have no knowledge either of the physical basis of music or of the philosophical reasons underlying accepted technical principles. There are various questions which any person interested in music may reasonably ask, but to which no satisfactory answers have as yet been given. What does music mean? What is the composer trying to express? What does music express to the listener? Why is one kind of music considered good and another bad? This study looks at music which is, which of all the arts, the most universally practised, the most complex and elaborate in its technique, the most direct in its emotional appeal and at the same time the least understood.

Download or read book Barclay s English Dictionary With which is incorporated a complete modern gazetteer a beautiful atlas of maps and also a pronouncing dictionary written by James Barclay (Curate of Edmonton.) and published by . This book was released on 1822 with total page 992 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A complete and universal English Dictionary written by James Barclay and published by . This book was released on 1824 with total page 980 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Humboldt Library of Popular Science Literature written by and published by . This book was released on 1881 with total page 792 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Music News written by and published by . This book was released on 1920 with total page 1144 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book How Early America Sounded written by Richard Cullen Rath and published by Cornell University Press. This book was released on 2003 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: In early America, every sound had a living, willful force at its source.

Download or read book Negro Slave Songs In The United States written by Miles Mark Fisher and published by Read Books Ltd. This book was released on 2013-01-04 with total page 246 pages. Available in PDF, EPUB and Kindle. Book excerpt: This early work by Miles Mark Fisher is both expensive and hard to find in its first edition. It details the importance and meaning of slave songs in America. This fascinating work is thoroughly recommended for inclusion on the bookshelf of all with an interest in slave music and the political history of the United States. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.

Download or read book The Musical Quarterly written by Oscar George Sonneck and published by . This book was released on 1922 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Musical Cultures in Seventeenth Century Russia written by Claudia R. Jensen and published by Indiana University Press. This book was released on 2009-10-05 with total page 377 pages. Available in PDF, EPUB and Kindle. Book excerpt: Claudia R. Jensen presents the first unified study of musical culture in the court and church of Muscovite Russia. Spanning the period from the installation of Patriarch Iov in 1589 to the beginning of Peter the Great's reign in 1694, her book offers detailed accounts of the celebratory musical performances for Russia's first patriarch -- events that were important displays of Russian piety and power. Jensen emphasizes music's varied roles in Muscovite society and the equally varied opinions and influences surrounding it. In an attempt to demystify what has previously been an enigma to Western readers, she paints a clear picture of the dazzling splendor of musical performances and the ways in which 17th-century Muscovites employed music for spiritual enlightenment as well as entertainment.

Download or read book Music History in Layers written by Michael G. Cunningham and published by AuthorHouse. This book was released on 2015-10-23 with total page 115 pages. Available in PDF, EPUB and Kindle. Book excerpt: Layer I is for rank beginners, freshmen music majors, and informed, casual readers. Layers I and II are for music professionals, sophomore music majors, and those who will not use or benefit from excessive details.

Download or read book The History of Music to the Death of Schubert written by John Knowles Paine and published by . This book was released on 1907 with total page 334 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Temple of Music by Robert Fludd written by Peter Hauge and published by Routledge. This book was released on 2017-03-02 with total page 290 pages. Available in PDF, EPUB and Kindle. Book excerpt: Robert Fludd (1574-1637) is well known among historians of science and philosophy for his intriguing work, The Metaphysical, Physical and Technical History of both Major and Minor Worlds, in which music plays an important role in his system of neoplatonic correspondences: the harmony of the universe (macrocosm) as well as the harmony of man (microcosm). 'The Temple of Music' (1617-18) is one section of this work, and deals with music theory, practice and organology. Many musicologists today have dismissed his musical ideas as conservative and outmoded or mainly based on fantasy; only the chapters on instruments have received some attention. However, reading Fludd's work on music theory and practice in the context of his own time and comparing it with other contemporary treatises, it is apparent that much of it contains highly original ideas and cannot be considered old fashioned or conservative. It is evident that Fludd's music philosophy influenced and provoked contemporary natural philosophers such as Marin Mersenne and Johannes Kepler. Less well known is the fact that Fludd's music theory reveals aspects of the development of new concepts that appear to reflect contemporary writers on music such as John Coprario and Thomas Campion. Before now, 'The Temple of Music' has not been easily accessible or available, and the fact that Fludd wrote in Latin has also been prohibitive. This critical edition provides the original Latin, an English translation and essential illustrations. The book will therefore be a useful tool for understanding the position of English music theory around 1600.

Download or read book The Figure of Music in Nineteenth Century British Poetry written by Phyllis Weliver and published by Routledge. This book was released on 2017-07-05 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: How was music depicted in and mediated through Romantic and Victorian poetry? This is the central question that this specially commissioned volume of essays sets out to explore in order to understand better music's place and its significance in nineteenth-century British culture. Analysing how music took part in and commented on a wide range of scientific, literary, and cultural discourses, the book expands our knowledge of how music was central to the nineteenth-century imagination. Like its companion volume, The Idea of Music in Victorian Fiction (Ashgate, 2004) edited by Sophie Fuller and Nicky Losseff, this book provides a meeting place for literary studies and musicology, with contributions by scholars situated in each field. Areas investigated in these essays include the Romantic interest in national musical traditions; the figure of the Eolian harp in the poetry of Coleridge and Shelley; the recurring theme of music in Blake's verse; settings of Tennyson by Parry and Elgar that demonstrate how literary representations of musical ideas are refigured in music; George Eliot's use of music in her poetry to explore literary and philosophical themes; music in the verse of Christina and Dante Gabriel Rossetti; the personification of lyric (Sappho) in a song cycle by Granville and Helen Bantock; and music and sexual identity in the poetry of Wilde, Symons, Michael Field, Beardsley, Gray and Davidson.

Download or read book The Theory of Sound in Its Relation to Music written by Pietro Blaserna and published by . This book was released on 1876 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book The Theory of Sound in its Relation to Music written by Pietro Blaserna and published by BoD – Books on Demand. This book was released on 2024-06-18 with total page 202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1876.

Download or read book A Two Voice Fugue written by Araks Shahinyan and published by Yavruhrat Publishing. This book was released on 2015-05-03 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Sometimes I succumb to long sentences. This is it: when I – innocently new to all-devouring classical music world and cowardly naked to any independent opinion on it – ardently asked a once acquaintance of mine, a professional musician (still cannot figure out where exactly that professionalism lied in her), to interpret the psychological intention behind the delay in a measure of a Rachmaninoff prelude (I did not know the word “rubato” then), she said: “God, what will you ever understand? If I said [put here abundant professional terminology to terrify any novitiate away to deserts or to open space, depending how easy you are to scare], would you get it? Would that make any sense or difference to you?” Well yes. It would. It always has. And it always will. Classical music is nobody’s property, it does not rightlessly belong to anybody, to those professionals – first of all. It does not belong to everybody either. It belongs to each and every eager heart out there thirsty for the most accessible form of the Truth this world has ever seen and will ever know. It belongs individually. Equally. With nil discrimination.” Araks Shahinyan