Download or read book Music and the French Revolution written by Malcolm Boyd and published by Cambridge University Press. This book was released on 1992-04-02 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rouget de Lisle's famous anthem, La marseillaise, admirably reflects the confidence and enthusiasm of the early years of the French Revolution. But the effects on music of the Revolution and the events that followed it in France were more far-reaching than that. Hymns, chansons and even articles of the Constitution set to music in the form of vaudevilles all played their part in disseminating Revolutionary ideas and principles; music education was reorganized to compensate for the loss of courtly institutions and the weakened maitrises of cathedrals and churches. Opera, in particular, was profoundly affected, in both its organization and its subject matter, by the events of 1789 and the succeeding decade. The essays in this book, written by specialists in the period, deal with all these aspects of music in Revolutionary France, highlighting the composers and writers who played a major role in the changes that took place there. They also identify some of the traditions and genres that survived the Revolution, and look at the effects on music of Napoleon's invasion of Italy.
Download or read book Band Music of the French Revolution written by David Whitwell and published by . This book was released on 1979 with total page 220 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music in the French Revolution written by Charles Clary Onion and published by . This book was released on 1948 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Singing the French Revolution written by Laura Anne Mason and published by . This book was released on 1993 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Singing the French Revolution written by Laura Mason and published by Cornell University Press. This book was released on 2018-09-05 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Laura Mason examines the shifting fortunes of singing as a political gesture to highlight the importance of popular culture to revolutionary politics. Arguing that scholars have overstated the uniformity of revolutionary political culture, Mason uses songwriting and singing practices to reveal its diverse nature. Song performances in the streets, theaters, and clubs of Paris showed how popular culture was invested with new political meaning after 1789, becoming one of the most important means for engaging in revolutionary debate.Throughout the 1790s, French citizens came to recognize the importance of anthems for promoting their interpretations of revolutionary events, and for championing their aspirations for the Revolution. By opening new arenas of cultural activity and demolishing Old Regime aesthetic hierarchies, revolutionaries permitted a larger and infinitely more diverse population to participate in cultural production and exchange, Mason contends. The resulting activism helps explain the urgency with which successive governments sought to impose an official political culture on a heterogeneous and mobilized population. After 1793, song culture was gradually depoliticized as popular classes retreated from public arenas, middle brow culture turned to the strictly entertaining, and official culture became increasingly rigid. At the same time, however, singing practices were invented which formed the foundation for new, activist singing practices in the next century. The legacy of the Revolution, according to Mason, was to bestow new respectability on popular singing, reshaping it from an essentially conservative means of complaint to an instrument of social and political resistance.
Download or read book British Music and the French Revolution written by Paul F. Rice and published by Cambridge Scholars Publishing. This book was released on 2010-04-16 with total page 401 pages. Available in PDF, EPUB and Kindle. Book excerpt: British Music and the French Revolution investigates the nature of British musical responses to the cataclysmic political events unfolding in France during the period of 1789–1795, a time when republican and royalist agendas were in conflict in both nations. While the parallel demands for social and political change resulted from different stimuli, and were resolved very differently, the 1790s proved to be a defining period for each country. In Britain, the combination of a protracted period of Tory conservatism, and the strong spirit of patriotism which swept the nation, had a profound influence on the arts. There was an outpouring of concert and theatrical music dealing with the French Revolution and the subsequent war with France. While patriotic songs might be expected when a country is at war, the number of recreations on the London stages of events taking place on the Continent may surprise. Initially, such topical subjects were restricted to the summer or “minor” theatres; however, government restrictions were relaxed after 1793, giving Londoners the opportunity to see topical theatre in the royal or “patent” theatres, as well. The resulting repertoire of plays and recreations (often propagandist in nature) made considerable use of music, and those performed in the “minor” theatres were all-sung. Consequently, there exists a large repertoire of music which has been little studied. British Music and the French Revolution investigates this repertoire within a social and political context. Initial chapters examine the historical relationship between France and Britain from a musical perspective, the powerful symbols of national identity in both countries, and the complex laws that governed commercial theatres in London. Thereafter, the materials are presented in a chronological fashion, starting with the fall of the Bastille in 1789, and the Fête de la Fédération in 1790. The period of the Captivity was one of growing tension and fear in both France and Britain as war became an ever-increasing threat between the two nations. Two subsequent chapters examine the war years of 1793 until first half of 1795. The choice of a five-year period allows the reader to follow British musical reactions to the fall of the Bastille and subsequent events up to the rise of Napoléon.
Download or read book Band music of the french revolution written by and published by . This book was released on 1979 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book From Servant to Savant written by Rebecca Dowd Geoffroy-Schwinden and published by Oxford University Press. This book was released on 2022 with total page 337 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction -- Part I. Musical Privilege. Legal Privilège and Musical Production ; Social Privilège and Musician-Masons -- Part II. Property. Private Property : Music and Authorship ; Public Servants ; Cultural Heritage : Music as Work of Art ; National Industry : Music as a "Useful" Art and Science -- Postlude : A "Detractor" Breaks his "Silence" -- Conclusion : Privilege by Any Other Name.
Download or read book Official Control of Music During the French Revolution written by Mildred Jean Headings and published by . This book was released on 1931 with total page 65 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Music of the French Revolution written by M. Corine Burns and published by . This book was released on 1948 with total page 108 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Music of the French Revolution and Empire written by Frederick L. Millner and published by . This book was released on 1968 with total page 486 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Songs on the French Revolution that took place at Paris 14th July 1789 sung at the celebration thereof at Belfast on Saturday 14th July 1792 To which are added four other songs written by France and published by . This book was released on 1792 with total page 8 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book America in the French Imaginary 1789 1914 written by Diana R. Hallman and published by Boydell & Brewer. This book was released on 2022-05-17 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following the American Revolution, French observers often viewed the United States as a laboratory for the forging of new practices of liberté and égalité, in affinity with and divergence from France's own Revolutionary ideals and experiences. The volume examines French views through musical/theatrical portrayals of the American Revolution and Republic, soundscapes of the Statue of Liberty, and homages to the glorified figures of Washington, Franklin and Lafayette. Essays investigate paradoxical depictions of slavery in the United States and French Caribbean colonies of 'Amérique'. French critiques of American music and musicians, including the reception of Americanized or Creolized adaptations of European art traditions as well as American popular music and dance, are also presented. The subject of race features prominently in French interpretations of American music and identity. These interpretations see French constructions of the Indigenous American and African American "exotic" that intersect with tropes of noble, pastoral savagery, menacing barbarism, and the "civilizing" potency of French culture. The French reinterpretation of African American music and dance reveals both a revulsion of Black alterity and an attraction to the expressive freedom, and even subversiveness, of these "foreign" forms of music and dance. Contributions include essays by music, dance, theatre and opera scholars, and the volume will be essential reading for students and scholars of these disciplines.
Download or read book Musical Debate and Political Culture in France 1700 1830 written by Robert James Arnold and published by Boydell & Brewer. This book was released on 2017 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: The first full-length treatment of the operatic querelles in eighteenth-century France, placing individual querelles in historical context and tracing common themes of authority, national prestige and the power of music over popular sentiment.
Download or read book The Wind Ensemble and Its Music During the French Revolution 1789 1795 written by David Paul Swanzy and published by . This book was released on 1966 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Comedians of the King written by Julia Doe and published by University of Chicago Press. This book was released on 2021-03-21 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lyric theater in ancien régime France was an eminently political art, tied to the demands of court spectacle. This was true not only of tragic opera (tragédie lyrique) but also its comic counterpart, opéra comique, a form tracing its roots to the seasonal trade fairs of Paris. While historians have long privileged the genre’s popular origins, opéra comique was brought under the protection of the French crown in 1762, thus consolidating a new venue where national music might be debated and defined. In The Comedians of the King, Julia Doe traces the impact of Bourbon patronage on the development of opéra comique in the turbulent prerevolutionary years. Drawing on both musical and archival evidence, the book presents the history of this understudied genre and unpacks the material structures that supported its rapid evolution at the royally sponsored Comédie-Italienne. Doe demonstrates how comic theater was exploited in, and worked against, the monarchy’s carefully cultivated public image—a negotiation that became especially fraught after the accession of the music-loving queen, Marie Antoinette. The Comedians of the King examines the aesthetic and political tensions that arose when a genre with popular foundations was folded into the Bourbon propaganda machine, and when a group of actors trained at the Parisian fairs became official representatives of the sovereign, or comédiens ordinaires du roi.
Download or read book Staging the French Revolution written by Mark Darlow and published by Oxford University Press. This book was released on 2012-05-03 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: Over the last decade, the theatre and opera of the French Revolution have been the subject of intense scholarly reassessment, both in terms of the relationship between theatrical works and politics or ideology in this period and on the question of longer-scale structures of continuity or rupture in aesthetics. Staging the French Revolution: Cultural Politics and the Paris Opera, 1789-1794 moves these discussions boldly forward, focusing on the Paris Opéra (Académie Royale de Musique) in the cultural and political context of the early French Revolution. Both institutional history and cultural study, this is the first ever full-scale study of the Revolution and lyric theatre. The book concentrates on three aspects of how a royally-protected theatre negotiates the transition to national theatre: the external dimension, such as questions of ownership and governance and the institution's relationship with State institutions and popular assemblies; the internal management, finances, selection and preparation of works; and the cultural and aesthetic study of the works themselves and of their reception. In Staging the French Revolution, author Mark Darlow offers an unprecedented view of the material context of opera production, combining in-depth archival research with a study of the works themselves. He argues that a mixture of popular and State interventions created a repressive system in which cultural institutions retained agency, compelling individuals to follow and contribute to a shifting culture. Theatre thereby emerged as a locus for competing discourses on patriotism, society, the role of the arts in the Republic, and the articulation of the Revolution's relation with the 'Old Regime', and is thus an essential key to the understanding of public opinion and publicity at this crucial historical moment. Combining recent approaches to institutions, sociability, and authors' rights with cultural studies of opera, Staging the French Revolution takes a historically grounded and methodologically innovative cross-disciplinary approach to opera and persuasively re-evaluates the long-standing, but rather sterile, concept of propaganda.
