Download or read book Music Time written by Gwendolyn Hooks and published by . This book was released on 2017-03-15 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Henry's drum practice at home is too loud so he goes outside and when he sees his friends playing jump rope he figures out a way to play drums and play with his friends.
Download or read book Music in Time written by Suzannah Clark and published by Harvard University Press. This book was released on 2016 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music in Time probes the temporality of music from many perspectives, in response to Christopher F. Hasty's groundbreaking Meter as Rhythm. The essays bridge the conventional divides between theory, history, ethnomusicology, aesthetics, performance practice, cognitive psychology, and dance studies.
Download or read book Music Quickens Time written by Daniel Barenboim and published by Verso. This book was released on 2008 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: From Israel's most celebrated musician and outspoken critic comes an examination of the power of music to transform society.
Download or read book The Music of Time written by John Burnside and published by Princeton University Press. This book was released on 2021-04-06 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: "First published in a slight different form in Great Britain in 2019 by Profile Books Ltd."--Title page verso.
Download or read book Music Through Time written by Christopher P. Gordon and published by . This book was released on 2007 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Enacting Musical Time written by Mariusz Kozak and published by . This book was released on 2020 with total page 325 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compelling approach among works on temporality, phenomenology, and the ecologies of the new sound worlds, Enacting Musical Time argues that musical time is itself the site of the interaction between musical sounds and a situated, embodied listener, created by the moving bodies of participants engaged in musical activities.
Download or read book Theology Music and Time written by Jeremy Begbie and published by Cambridge University Press. This book was released on 2000-07-24 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Theology, Music and Time aims to show how music can enrich and advance theology, extending our wisdom about God and God's ways with the world. Instead of asking: what can theology do for music?, it asks: what can music do for theology? Jeremy Begbie argues that music's engagement with time gives the theologian invaluable resources for understanding how it is that God enables us to live 'peaceably' with time as a dimension of the created world. Without assuming any specialist knowledge of music, he explores a wide range of musical phenomena - rhythm, metre, resolution, repetition, improvisation - and through them opens up some of the central themes of the Christian faith - creation, salvation, eschatology, time and eternity, Eucharist, election and ecclesiology. He shows that music can not only refresh theology with new models, but also release it from damaging habits of thought which have hampered its work in the past.
Download or read book Music for the End of Time written by Jennifer Bryant and published by Eerdmans Publishing Company. This book was released on 2005 with total page 32 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents the story of how French composer Olivier Messiaen was able to overcome the desolation of a World War II prison camp through the power of music.
Download or read book Meter As Rhythm written by Christopher Hasty and published by Oxford University Press. This book was released on 1997-04-10 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book Christopher Hasty presents a striking new theory of musical duration. Drawing on insights from modern "process" philosophy, he advances a fully temporal perspective in which meter is released from its mechanistic connotations and recognized as a concrete, visceral agent of musical expression. Part one of the book reviews oppositions of law and freedom, structure and process, determinacy and indeterminacy in the speculations of theorists from the eighteenth century to the present. Part two reinterprets these contrasts to form a highly original account of meter that engages diverse musical repertories and aesthetic issues.
Download or read book Shaping Time written by David Epstein and published by Wadsworth Publishing Company. This book was released on 1995 with total page 636 pages. Available in PDF, EPUB and Kindle. Book excerpt: Epstein investigates the relationship between the ineffable art of music and the hard science of neurobiology. He integrates philosophic and scientific inquiry to formulate a theory of the fundamental yet elusive quality in music time. Derived from an analytical study of motion, tempo and emotion, Shaping Time offers a theory of the way we percieve, perform and interpret music. Epstein suggests that audience satisfaction with a musical performance results from timing trajectories established by the performer at the beginning of the piece. When the timing of a performance conflicts with audience anticipation, listeners experience physical and affective discomfort. Epstein applies his thesis to a wide range of examples for the repertoire.
Download or read book The Time of Music written by Jonathan D. Kramer and published by MacMillan Publishing Company. This book was released on 1988 with total page 520 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Performance and Popular Music written by Dr Ian Inglis and published by Ashgate Publishing, Ltd.. This book was released on 2013-01-28 with total page 228 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since the emergence of rock'n'roll in the early 1950s, there have been a number of live musical performances that were not only memorable in themselves, but became hugely influential in the way they shaped the subsequent trajectory and development of popular music. Each, in its own way, introduced new styles, confronted existing practices, shifted accepted definitions, and provided templates for others to follow. Performance and Popular Music explores these processes by focusing on some of the specific occasions when such transformations occurred. An international array of scholars reveal that it is through the (often disruptive) dynamics of performance – and the interaction between performer and audience – that patterns of musical change and innovation can best be recognised. Through multi-disciplinary analyses which consider the history, place and time of each event, the performances are located within their social and professional contexts, and their immediate and long-term musical consequences considered. From the Beatles and Bob Dylan to Michael Jackson and Madonna, from Woodstock and Monterey to Altamont and Live Aid, this book provides an indispensable assessment of the importance of live performance in the practice of popular music, and an essential guide to some of the key moments in its history.
Download or read book Music as a Chariot written by Richard K. Thomas and published by Taylor & Francis. This book was released on 2018-02-02 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: Music as a Chariot offers a multidisciplinary perspective whose primary proposition is that theatre is a type of music. Understanding how music enables the theatre experience helps to shape our entire approach to the performing arts. Beginning with a discussion on the origin and nature of time, the author takes us on an evolutionary journey to discover how music, language and mimesis co-evolved, eventually coming together to produce the complex way we experience theatre. The book integrates the evolutionary neuroscience of the human brain into this journey, offering practical implications and applications for the auditory expression of this concept—namely the fundamental techniques artists use to create sound scores for theatre. With contributions from directors, playwrights, actors and designers, Music as a Chariot explores the use of music to carry ideas into the human soul—a concept that extends beyond the theatrical to include film, video gaming, dance, or anywhere art is manipulated in time.
Download or read book Old Time Music Makers of New York State written by Simon J. Bronner and published by Syracuse University Press. This book was released on 1988-01-01 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: Ask an old-timer what life was like in rural upstate New York during the nineteenth and early twentieth centuries and you will hear about the dances and bees that brought villagers and farmers together. You will hear of favorite fiddlers who held center stage with dance tunes taken from early British and American sources. You will hear of old-time music and its significance to a people making the transition from a rural, agricultural life to an urban, industrial one. Old-Time Music Makers of New York State is the first book published on this rich legacy of traditional Anglo-American music and dance. It traces the development of old-time music beginning with its movement into New York State from New England in the early nineteenth century and to its combination with commercial country music in the twentieth century. Exploring the regional character of the music and its meaning co the people who enjoy it, Bronner introduces memorable figures from the major periods in the development of old-time music, and he places their stories, their lives, and their music in the context of the region's cultural and historical changes. This is much more than a regional study, however. Bronner brings to the fore issues of national scope and interest. He discusses the relationship of old-time music to the commercial country music with which it has been closely aligned, and he challenges the prevailing wisdom that the origins of country music are in the South. Musician, fan, folklorist, and historian alike will benefit from and enjoy this book. The many musical transcriptions, annotations, photographs, and appendixes provide a valuable reference to be used again and again.
Download or read book James Galway s Music in Time written by William Mann and published by Parker Publishing Company. This book was released on 1983 with total page 398 pages. Available in PDF, EPUB and Kindle. Book excerpt: Presents a chronological approach to music, featuring biographical material on the famous musicians of successive years.
Download or read book Unfolding Time written by Mark Delaere and published by Leuven University Press. This book was released on 2009 with total page 201 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book addresses the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy.
Download or read book Music in the Present Tense written by Emanuele Senici and published by University of Chicago Press. This book was released on 2019-11-13 with total page 371 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the early 1800s, Rossini’s operas permeated Italy, from the opera house to myriad arrangements heard in public and private. But after Rossini stopped composing, a sharp decline in popularity drove most of his works out of the repertory. In the past half century, they have made a spectacular return to operatic stages worldwide, but this recent fame has not been accompanied by a comparable critical reevaluation. Emanuele Senici’s new book provides a fresh look at the motives behind the Rossinian furore and its aftermath by examining the composer’s works in the historical context in which they were conceived, performed, seen, heard, and discussed. Situating the operas firmly within the social practices, cultural formations, ideological currents, and political events of early nineteenth-century Italy, Senici reveals Rossini’s dramaturgy as a radically new and specifically Italian reaction to the epoch-making changes witnessed in Europe at the time. The first book-length study of Rossini’s Italian operas to appear in English, Music in the Present Tense exposes new ways to explore nineteenth-century music and addresses crucial issues in the history of modernity, such as trauma, repetition, and the healing power of theatricality.
