Download or read book Music and Myth in Modern Literature written by Josh Torabi and published by Routledge. This book was released on 2020-12-20 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book is the first major study that explores the intrinsic connection between music and myth, as Nietzsche conceived of it in The Birth of Tragedy (1872), in three great works of modern literature: Romain Rolland’s Nobel Prize winning novel Jean-Christophe (1904-12), James Joyce’s modernist epic Ulysses (1922), and Thomas Mann’s late masterpiece Doctor Faustus (1947). Juxtaposing Nietzsche’s conception of the Apollonian and Dionysian with narrative depictions of music and myth, Josh Torabi challenges the common view that the latter half of The Birth of Tragedy is of secondary importance to the first. Informed by a deep knowledge of Nietzsche’s early aesthetics, the book goes on to offer a fresh and original perspective on Ulysses and Doctor Faustus, two world-famous novels that are rarely discussed together, and makes the case for the significance of Jean-Christophe, which has been unfairly neglected in the Anglophone world, despite Rolland’s status as a major figure in twentieth-century intellectual and literary history. This unique study reveals new depths to the work of our most enduring writers and thinkers.
Download or read book Music Myth and Story in Medieval and Early Modern Culture written by Katherine Butler and published by Boydell & Brewer. This book was released on 2019 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: The complex relationship between myths and music is here investigated.
Download or read book Myth Music and Ritual written by Gabriela Chiciudean and published by Cambridge Scholars Publishing. This book was released on 2018-12-14 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: Divided into two parts, this volume includes contributions focused on both myth and some of its contemporary reflections (Part I) and the connection between myth, music and ritual (Part II). The fifteen contributions gathered here are authored by academics and researchers from Brazil, France, Poland, Mexico, South Africa and Romania. They focus on a variety of subjects, including folklore, literature, classical and traditional music, science-fiction, philosophy, and religion, among others. The volume operates with an awareness of the capital role the study of the imaginary, with all its implications, is playing in the contemporary world.
Download or read book Prometheus in Music written by Paul Bertagnolli and published by Routledge. This book was released on 2017-07-05 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: The ancient Greek myth of Prometheus, the primordial Titan who defied the Olympian gods by stealing fire from the heavens as a gift for humanity, enjoyed unprecedented popularity during the Romantic era. An international coterie of writers such as Goethe, Monti, Byron, the Shelleys, Sainte-H?ne, Coleridge, Browning, and Bridges engaged with the legend, while composers such as Beethoven, Reichardt, Schubert, Wolf, Liszt, Hal?, Saint-Sa?, Holm? Faur?Parry, Goldmark, and Bargiel based works of diverse genres on the fable. Romantic authors and composers developed a unique perspective on the myth, emphasizing its themes of rebellion, punishment for transgression and creative autonomy, in great contrast to artists of the preceding era, who more characteristically ignored the tribulations of Prometheus and depicted him as the animator of a na?, Arcadian mankind who, when awakened from their spiritual dormancy, expressed astonishment at the wonders of nature and paid homage to the Titan as a new god. Paul Bertagnolli charts the progress of the myth during the nineteenth century, as it articulates an extraordinary variety of issues pertaining to culture, society, aesthetics, and philosophy. Drawing on archival research, dance history, sketch studies, literary theory, linear analysis, topos theory, and reception history, individual chapters demonstrate that the legend served as a vehicle to express opinions on subjects as diverse as aristocratic patronage, movements of the body on the public stage, rebellion against political and religious authority, outright atheism, humanitarianism of the German Enlightenment, interest in the music of Greek antiquity, industrialization, nationalism inflamed by war, populism, and the aesthetics of musical form. Composers often resorted to varied and unorthodox musical techniques in order to reflect such remarkable subjects: Beethoven outraged critics by implying a key other than the tonic at the outset of the overture to
Download or read book Myth and Music written by Eero Tarasti and published by Walter de Gruyter. This book was released on 2012-01-02 with total page 369 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Myth and Magic in Heavy Metal Music written by Robert McParland and published by McFarland. This book was released on 2018-06-05 with total page 211 pages. Available in PDF, EPUB and Kindle. Book excerpt: Myth pervades heavy metal. With visual elements drawn from medieval and horror cinema, the genre's themes of chaos, dissidence and alienation transmit an image of Promethean rebellion against the conventional. In dialogue with the modern world, heavy metal draws imaginatively on myth and folklore to construct an aesthetic and worldview embraced by a vast global audience. The author explores the music of Black Sabbath, Iron Maiden, Judas Priest, Metallica and many others from a mythological and literary perspective.
Download or read book The Modern Myths written by Philip Ball and published by University of Chicago Press. This book was released on 2022-10-17 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.
Download or read book The Orpheus Myth and the Powers of Music written by Vladimir L. Marchenkov and published by . This book was released on 2009 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the key turning points in the history of the Orpheus myth as factors that shaped, and continues to shape, our conceptions of music's powers. From its beginnings in archaic Antiquity to the latest major opera based on it, the story of Orpheus and Eurydice has been used by poets, philosophers, and musicians to express an increasingly complex set of ideas about what music can do. The study follows three threads in the myth's history: changes in form, cultural status, and the resulting visions of the powers of song. The most spectacular change in form is the role played by Eurydice who evolves from a generic, voiceless type into a rich music-philosophical symbol. Equally fascinating is the entangled issue of Orpheus's success and failure. In terms of cultural status, the story remains a genuine myth, ?even alongside its non-mythical forms, ?until the early modern period. Modernity problematizes the existence of myth but its mythophobia becomes a symptom of its own profound irrationality. Accordingly, the powers of music evolve from mythic omnipotence to screaming contradictions that demand, but fail to achieve, resolution. From Monteverdi and Striggio to Birtwistle and Zinovieff, composers and librettists turn to Orpheus and Eurydice to express their sense of music's place in human existence. The undulating tapestry of their strikingly diverse answers points to the need to rethink, once again, the fundamentals of our musical culture.
Download or read book The King Arthur Myth in Modern American Literature written by Andrew E. Mathis and published by McFarland. This book was released on 2001-11-16 with total page 416 pages. Available in PDF, EPUB and Kindle. Book excerpt: In American fiction, two forms of the Arthurian myth are commonly found: the use of the myth for political reasons, and the use of the myth for the continuation of an aesthetic tradition that can be traced back to the earliest use of the Arthurian cycle by writers in the British Isles. This work traces the use of the legend from Mark Twain's A Connecticut Yankee in King Arthur's Court to Donald Barthelme's novel The King. It discusses how Twain used the myth to take a stand against England, how it served cultural and aesthetic purposes in John Steinbeck's writing, how Raymond Chandler used it in complex texts with less obvious Arthurian allusions that carried strong cultural and even political associations, how John Gardner used aspects of the myth to embellish already existing narrative structures and to underscore philosophic debates, and how Donald Barthelme suggests the continuing interest of American writers in the Arthurian legend today in his novels. Also discussed is the effect of World War II on American literature and the Arthurian myth and the Camelot image surrounding the Kennedys.
Download or read book A History of Modernist Poetry written by Alex Davis and published by Cambridge University Press. This book was released on 2015-04-27 with total page 571 pages. Available in PDF, EPUB and Kindle. Book excerpt: A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
Download or read book Literature Modernism and Myth written by Michael Bell and published by Cambridge University Press. This book was released on 1997-01-28 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of myth in Modernist literature is a misleadingly familiar theme. Joyce's appropriation of Homer's Odyssey and Eliot's of Frazer's Golden Bough are, like Lawrence's primitivism or Yeats's nationalist folklore, attempts to discover an underlying metaphysic in an increasingly fragmented world. In Literature, Modernism and Myth Michael Bell also examines the relationship of myth and modernism to postmodernism. Myth, Bell shows, is inherently flexible; it was used to justify Pound's totalizing vision of society which eventually descended into fascism, and the liberal, ironic vision of human existence Joyce and Mann expressed. Those theorists who present myth as another form of mystification, a search for false origins, ignore its use by modernists to emphasise the ultimate contingency of all values. This anti-foundational element, Bell claims, enables myth to act as a corrective to the claims of ideological critique. Bell shows how postmodern concerns with political and social responsibility, and the role literature plays in formulating this, have in fact been inherited from modernism.
Download or read book Music Myth and Nature Or The Dolphins of Arion written by François Bernard Mâche and published by Taylor & Francis. This book was released on 1992 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: François Bernard-Mâche here uses music-related myths and ancient as well as more recent history to show the underlying relationship between musical thought and certain natural laws. Using original analytical techniques, he sheds new light on the history of music, showing the presence of music in the animal world to demonstrate that Nature and culture are not in opposition.
Download or read book Interrupted Music written by Verlyn Flieger and published by Kent State University Press. This book was released on 2005 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt: Tolkien made a continuous effort over several years to construct a comprehensive mythology, to include not only the stories themselves but also the storytellers, scribes, and bards who were the offspring of his thought. In Interrupted Music Flieger attempts to illuminate the structure of Tolkien's work, allowing the reader to appreciate its broad, overarching design and its careful, painstaking construction. --from publisher description.
Download or read book Myth in Modern Literature written by Francis Fergusson and published by . This book was released on 1955 with total page 9 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Popular Music and the Poetics of Self in Fiction written by and published by BRILL. This book was released on 2021-11-29 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volume explores the various intersections and interconnections of the self and popular music in fiction; it examines questions of musical taste and identity construction across decades, spaces, social groups, and cultural contexts, covering a wide range of literary and musical genres.
Download or read book Myth written by Robert Alan Segal and published by Oxford University Press, USA. This book was released on 2015 with total page 161 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Very Short Introduction explores different approaches to myth from several disciplines, including science, religion, philosophy, literature, and psychology. In this new edition, Robert Segal considers both the future study of myth as well as the impact of areas such as cognitive science and the latest approaches to narrative theory.
Download or read book Myths of the Underworld in Contemporary Culture written by Judith Fletcher and published by Oxford University Press. This book was released on 2019-04-11 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.
