Download or read book Mughal Painters and Their Work written by Som Prakash Verma and published by . This book was released on 1994 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt: An invaluable reference work, this catalogue offers the first critical documentation of the 300-odd miniature painters who worked in the Mughal style over the period 1550-1707, spanning the reigns of the Mughal emperors Humayun to Aurangzeb. Biographical sketches precede each entry, which is listed alphabetically. A unique feature is the scholarly transliteration and translation of all Persian inscriptions on the paintings on the basis of which attributions have been made, sometimes mistakenly. The catalogue is preceded by an introduction which gives the social, historical, and artistic context within which the painters worked.
Download or read book Painting for the Mughal Emperor written by Susan Stronge and published by Victoria & Albert Museum. This book was released on 2002-05 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique blend of Indian, Persian, and Islamic styles, Mughal painting reached its golden age during the reigns of the emperors Akbar, Jahangir, and Shah Jahan in the 16th and 17th centuries. This gloriously illustrated book is the first to examine the Victoria and Albert Museum's remarkable collection of Mughal paintings, one of the finest in the world. Richly detailed battle scenes, scenes of court life, and lively depictions of the hunt were commissioned by the royal courts, along with a remarkable series of portraits, studies of wildlife, and decorative borders. The authoritative text contains much new research, and the beautifully reproduced color illustrations give this stunning volume wide appeal.
Download or read book Mug h al Painter of Flora and Fauna Ust d Man r written by Som Prakash Verma and published by Abhinav Publications. This book was released on 1999 with total page 199 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume follows Mughal Painters and their Work-A Biographical Survey and Comprehensive Catalogue (Oxford University Press, New Delhi, 1994), the first comprehensive book of reference on the work of nearly 200 Mughal painters; and has been conceived to provide readers much information on the Mughal painting through the contribution of individual master painters. Need not say ample information is available about the artists of the Mughal atelier (sixteenth-seventeenth centuries). Yet, to date, except for some articles on a few painters, no book has been published on individual artist. Ustad Mansur, a keen observer of nature endowed with almost Euclidean intellect, deserved a more detailed study to re-evaluate his merit as an artist whose achievement in naturalistic portraiture of a large number of species from the world of flora and fauna has remained unsurpassed till today. Our attempt is to enter into the very creative process of this great Mughal painter; to relive in his times and environment, in order to discover real Mansur. The whole panorama of Mansur’s portraits of birds, animals and flowers set in marvellously and uniquely laid background represents, in his true spirit and characteristics, the very quintessence of nature’s endless variety of creation and beauty. Part I provides historical and artistic context in which Ustad Mansur worked. Information about him has been gleaned from original texts (principally Persian historical sources), supplemented by the evidence of artist’s own work. Part II comprises the plate section of representative eighteen miniatures that illustrate our painter’s style and his specialisation in painting. The appendix further enhances the value of this work since it provides correct rendering of contemporary inscriptions and determines genuine signatures and contemporary ascriptions. The volume is richly illustrated with a large number of black-and-white and colour illustrations. These illustrate the art and style of Ustad Mansur Nadir u’l ‘Asr (Unequalled of the Age), the most illustrious naturalist painter of India. It will naturally be of interest to students of art and natural history. It is also recommended to persons curious to know about the Mughal times. It is hoped that other volumes on individual Mughal painters will follow’ and monographs on their lives and work with a criticale valuation will be available.
Download or read book The Emperors Album written by Stuart Cary Welch and published by Metropolitan Museum of Art. This book was released on 1987 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: Fifty leaves that form the sumptuous Kevorkian Album, one of the world's greatest assemblages of Mughal art. -- Metropolitan Museum of Art website.
Download or read book Flora and Fauna in Mughal Art written by Som Prakash Verma and published by . This book was released on 1999 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Crossing Cultural Frontiers written by Som Prakash Verma and published by . This book was released on 2011 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Early Mughal Painting written by Milo Cleveland Beach and published by Harvard University Press. This book was released on 1987 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
Download or read book The Imperial Image written by Milo Cleveland Beach and published by Mapin. This book was released on 2012 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: Books have been treasured for centuries in the Islamic world, as precious objects worthy of royal admiration. This was especially true in Muslim India, where generations of Mughal emperors commissioned and collected volumes of richly illuminated manuscripts and lavishly illustrated folios. They assembled workshops of the leading artists and calligraphers to produce the books that filled their extensive libraries. Today, those works remain a vibrant part of India's cultural and artistic history in the sixteenth and seventeenth centuries. In this revised and expanded edition of his popular 1981 book, Dr Milo Beach presents the superb collection of Mughal painting in the Freer Gallery of Art. He adds many of the outstanding works that entered the collection with the opening of the Arthur M. Sackler Gallery in 1987. Together, the Freer and Sackler Galleries, the Smithsonian's museums of Asian art, have the distinction of being one of the world's leading repositories of Mughal art. An introductory essay examines the Mughal art of the book and traces the contributions of a succession of rulers in Muslim India. Brief artist biographies and an extensive bibliography complete this updated volume.
Download or read book Rembrandt and the Inspiration of India written by Stephanie Schrader and published by Getty Publications. This book was released on 2018-03-20 with total page 162 pages. Available in PDF, EPUB and Kindle. Book excerpt: This sumptuously illustrated volume examines the impact of Indian art and culture on Rembrandt (1606–1669) in the late 1650s. By pairing Rembrandt’s twenty-two extant drawings of Shah Jahan, Jahangir, Dara Shikoh, and other Mughal courtiers with Mughal paintings of similar compositions, the book critiques the prevailing notion that Rembrandt “brought life” to the static Mughal art. Written by scholars of both Dutch and Indian art, the essays in this volume instead demonstrate how Rembrandt’s contact with Mughal painting inspired him to draw in an entirely new, refined style on Asian paper—an approach that was shaped by the Dutch trade in Asia and prompted by the curiosity of a foreign culture. Seen in this light, Rembrandt’s engagement with India enriches our understanding of collecting in seventeenth-century Amsterdam, the Dutch global economy, and Rembrandt’s artistic self-fashioning. A close examination of the Mughal imperial workshop provides new insights into how Indian paintings came to Europe as well as how Dutch prints were incorporated into Mughal compositions.
Download or read book Paintings from Mughal India written by Andrew Topsfield and published by . This book was released on 2008 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique style of painting developed in India during the reigns of the Mughal emperors (sixteenth-eighteenth century), which blended Indian, Persian and Islamic styles. Usually confined to book illustrations, these elegant works came to be known as Mughal miniatures. They reflect the splendour of the Mughal empire, depicting its art and architecture, from court scenes to legendary stories, in striking, vivid colours.This book reproduces some of the finest surviving examples of Mughal paintings drawn from a unique collection in the Bodleian Library, many of which have never been seen before in print. They include court paintings from the reign of Akbar to the fall of Shah Jehan (1560-1660), generally regarded as the most inspired century of Mughal painting, and images from the celebrated Bah§rist§n manuscript of 1595, which was prepared for the Emperor Akbar and illustrated by leading artists of the time.Each image is presented as a large-format colour plate on a single page with facing text describing its historical and cultural significance, while the introduction situates the works in the context of the period and its art generally.
Download or read book Mughal Painting written by Ashok Kumar Srivastava and published by . This book was released on 2000 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illustrations: Numerous B/w & Colour Illustrations Description: The present work is based on an extensive and critical study of the original Mughal paintings supported by contemporary historical literature and provides fresh perspective for the interpretation and analysis of the painter's art under the Mughals. After a brief discussion on painting in Islam the author goes on to expound the nature and role of pre-Mughal indigenous traditions in the making of Mughal style. Thereafter, the study turns towards the origin and development of Mughal painting from Humayun to Aurangzeb. Finally, the various influences--Persian, Chinese and European--have been examined. The author concludes that Mughal painting reflecte a non-mechanical fusion of the different cultures of Asia and Europe. It had never been a colonial expression of Persian painting. Despite the presence of a number of elements borrowed from foreign sources, it remained truly Indian from the very beginning. This richly illustrated volume carries finest treasures of Mughal court paintings.
Download or read book Indian Court Painting 16th 19th Century written by Steven Kossak and published by Metropolitan Museum of Art. This book was released on 1997 with total page 154 pages. Available in PDF, EPUB and Kindle. Book excerpt: A catalogue to accompany an exhibit held at the museum from March to July 1997. Color reproductions of 83 paintings are presented chronologically rather than in the usual separate sections on Mughal, Deccani, Rijput, and Pahari traditions. Kossak, associate curator of Asian art at the museum, offers an introductory essay. Distributed in the US by Harry N. Abrams. Annotation copyrighted by Book News, Inc., Portland, OR
Download or read book The History of Akbar written by Abū al-Faz̤l ibn Mubārak and published by . This book was released on 2015 with total page 614 pages. Available in PDF, EPUB and Kindle. Book excerpt: The History of Akbar, by Abu'l-Fazl, is one of the most important works of Indo-Persian history and a touchstone of prose artistry. It is at once a biography of the Mughal emperor Akbar that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
Download or read book Indian Miniatures of the Mughal Court written by Amina Okada and published by ABRAMS. This book was released on 1992 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Wonder of the Age written by John Guy and published by Metropolitan Museum of Art. This book was released on 2011 with total page 226 pages. Available in PDF, EPUB and Kindle. Book excerpt: Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 28, 2011-Jan. 8, 2012.
Download or read book Real Birds in Imagined Gardens written by Kavita Singh and published by Getty Publications. This book was released on 2017-03-07 with total page 120 pages. Available in PDF, EPUB and Kindle. Book excerpt: Accounts of paintings produced during the Mughal dynasty (1526–1857) tend to trace a linear, “evolutionary” path and assert that, as European Renaissance prints reached and influenced Mughal artists, these artists abandoned a Persianate style in favor of a European one. Kavita Singh counters these accounts by demonstrating that Mughal painting did not follow a single arc of stylistic evolution. Instead, during the reigns of the emperors Akbar and Jahangir, Mughal painting underwent repeated cycles of adoption, rejection, and revival of both Persian and European styles. Singh’s subtle and original analysis suggests that the adoption and rejection of these styles was motivated as much by aesthetic interest as by court politics. She contends that Mughal painters were purposely selective in their use of European elements. Stylistic influences from Europe informed some aspects of the paintings, including the depiction of clothing and faces, but the symbolism, allusive practices, and overall composition remained inspired by Persian poetic and painterly conventions. Closely examining magnificent paintings from the period, Singh unravels this entangled history of politics and style and proposes new ways to understand the significance of naturalism and stylization in Mughal art.
Download or read book Portraiture in South Asia Since the Mughals written by Crispin Branfoot and published by . This book was released on 2018 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: Deriving from Persian artistic techniques, Mughal portraiture reached its apogee during the reigns of the great Mughal emperor-patrons Akbar, Shah Jahan and Jahangir. Much of the art produced in this period was commissioned for political reasons, and art was one method of ensuring power, increasing prestige and sending messages to the kingdom and rival dynasties. Western portraiture has become an incredibly important source of historical study because of what it can tell us about the tastes, rules, dress, politics and identity of periods and rulers. One of the reasons this hasn't quite happened for Mughal painting is that we often think of these paintings as authorless, but of course the great Mughal artists were in demand, and were able to bring unique skills to their work--the Emperor Jahangir claimed to be able to instantly recognize an artist's work by sight. This collection seeks to enrich our understanding of Mughal culture through its portraiture, examining the artistic conventions and cultural norms from the Persianate early works through to the Europeanization of South Asian traditions in the 19th century and the continuation of the tradition today. A specially commissioned collection of studies from an exceptionally strong list of established scholars and rising stars on both sides of the Atlantic; this marks a major breakthrough in South Asian history.
