Download or read book Mughal Jali Art written by Ajay Nath Agarwal and published by . This book was released on 2020-06 with total page 230 pages. Available in PDF, EPUB and Kindle. Book excerpt: Like the Mughal INLAY Art (v. Pachchīkārī; Per. Parchīnkārī) (for full details whereof, see Prof R.Nath, Mughal Inlay Art, Amazon.com, Mughal JĀLĪ Art is a STONE ART which was developed to perfection, indigenously, by the Imperial Mughals (from Akbar to Shah Jehan, 1556 to 1658 A.D.). And, like their Inlay Art, their Jālī Art is also unique in the whole range of architectural ornamental schemes of ancient and medieval civilizations of the world, so much so that such wonderful jālīs are not available anywhere else!Mughal jālīs have been carved in stone (both in red sandstone and in white marble) in infinite variety of designs (in different shapes and forms, composed of stars, trigons, squares, pentagons, hexagons, octagons, decagons and other motifs), in incalculable numbers, with precise spatial adaptability, unprecedented fineness and exquisite aesthetic effect.With thorough historical background, both from indigenous and exotic sources, the Mughal jālīs have been studied here with 200 illustrations which have been selected from 800 digital images. I believe, this shall be of use and interest, not only for students, scholars, historians and architects, academically, but also for builders and artisans of handicrafts, practically.Though Jālī (from Sanskrit "Jāla' and "Jālaka') has been described in ancient architectural texts, it owes its growth and development, to this magnificent scale and stature, to the Mughals and it belongs to the 16th and 17th century stone-art of India. It is an essential element of Mughal Architecture.In fact, there is no equivalent word in English and "perforated screen‟ is just a workable substitute used by English authors like Percy Brown. Jālī is not lattice.Red sandstone and white marble jālīs have been universally used in Mughal monuments, on edges of platforms, causeways and terraces (as railings, with balusters), and also on the edges of the projecting chhajjas, jharokhas and gaukhs (balconies); and along with chhatris. Jālīs are also used gorgeously to close window and door openings for purdah (veil) and for effect. While they admit free air, they temper sunlight and eliminate its glare. Jālīs are used as excellent ventilators in private inner rooms, toilets and on drains. Essentially a useful architectural accessory, the Mughals made it a work of art.The Mughals have mostly used geometrical jālīs, both with straight and curved lines. Mughal artist‟s ingenuity knew no bounds and the number of Mughal jālīs is legion and variety unlimited. They have also used floral, arabesque and stylized designs.Jālīs have been used in different shapes and forms, and are square, rectangular, circular, triangular and arched. The arched form, owing to its unusual effect, is most popularly used. Jālīs have been used vertically as well as horizontally, the distinction being almost imperceptible.The space on which jālī is used is as important as is its design. The meaning and purpose, as much as its artistic effect, can not be fully understood and appreciated without knowing the place where it is used, like a gem in its casket. Exquisitely carved jālīs, beautifully placed on appropriate space, create an atmosphere of mystery and grace.As jālīs in Mughal Architecture are mostly in geometrical designs, a study of Mughal geometric workmanship, with a thorough historical background, is essentially needed, in this context. (A Chapter is here on this subject)
Download or read book Jali written by Navina Najat Haidar and published by Mapin Publishing Pvt. This book was released on 2023-10-16 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: A 'jali' is a perforated stone or latticed screen, with ornamental patterns that draw on the compositional rhythms of calligraphy and geometry. In the parts of Asia and the Mediterranean where solar rays are strongest and brightest is where ustads, or master artisans, were able to evolve an aesthetic language of light, giving it form and shape through stone and other materials. Jalis share a common aim to bring filtered light into enclosed spaces, while providing protection and privacy. Additionally, they shape the atmosphere of a sacred space, augment the grandeur of palaces and enhance the charm of domestic interiors.0This book explores the delicate beauty of more than two-hundred jalis across India, from fourteenth-century examples in Delhi to those designed by global contemporary artists inspired by historical styles. This expansive volume covers the temple designs of the Gujarat Sultanates, imperial symbolism and Sufi allusions in Mughal jalis, the innovations and adaptations of jalis across Rajasthan and central India and, further south, calligraphy in stone relief and pierced stone in the Deccan.0With contributions by American art historian Mitchell Abdul Karim Crites, George Michell, an authority on South Asian architecture, and renowned art and architectural historian Ebba Koch, this lavishly illustrated publication reveals the poetry etched in these stone screens.
Download or read book Majesty of Mughal Decoration written by George Michell and published by Thames and Hudson. This book was released on 2007-10-30 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exquisitely illustrated survey of the decorative motifs and visual themes from one of the great artistic periods in Indian history. Mughal decorative arts delight in arabesque and geometric designs, as well as scenes of nature (flowers, birds, and animals) and human pleasure (music, dancing, feasting, love-making). Master craftsmen at the Mughal and Rajput courts employed a variety of materials and techniques to produce marble panels inlaid with semi-precious stones, sandstone screens perforated with geometric designs, brass vessels inlaid with strips of silver and gold, jade drinking cups, dagger hilts encrusted with rubies and emeralds, and costumes and sashes embroidered with silk and golden threads. No less gorgeous were the vividly toned and exquisitely detailed miniature paintings that portrayed contemporary events as well as epic tales. Drawing on the finest and most representative examples in public and private collections in India, Europe, and America, this stunning survey examines common decorative motifs and themes in Mughal art. More than 300 illustrations amply convey the virtuoso workmanship and the sheer elegance of design common to all objects. It will be an essential reference work for art historians, designers, and anyone interested in the arts and life of India. 300+ color photographs and illustrations.
Download or read book History of Decorative Art in Mughal Architecture written by Ram Nath and published by . This book was released on 1976 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mughal Inlay Art written by Ram Nath and published by . This book was released on 2004 with total page 124 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Book Studies Inlay Art That Developed In Mughal Architecture Indigenously, From Humayun To Shah Jehan (C. 1535 To 1658 Ad). Mughal Inlay Is Architectural And To Brand It Pietra-Dura , Which Was A Florentine Picture-Art Used On Wooden Furniture, Is A Misnomer. This Book Also Reveals That Orpheus Plaques Which Led The Colonial Historians To Florence To Trace The Origin Of Mughal Inlay Were Imported Ready-Made And There Is No Other Example Of Florentine Pietra-Dura.
Download or read book History of Decorative Art in Mughal Architecture written by Ajay Nath and published by . This book was released on 2020-05-21 with total page 278 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Present work is an intensive study of the origin and development of the ornament in Mughal Architecture. It is the 'beautiful' which is most distinctive characteristic and the dominating theme of this style and it is this which primarily occupied contemplation of Mughal Builders. This 'beautiful' has not appeared in the Mughal Monuments unconsciously or by chance; this has been brought about with greatest amount of thought and planning through various means and methods.The Mughal Architects from Akbar to Shah Jehan worked out the minutest details of the structure and the surface which he intended to adorn. Mughals adopted almost all the decorative schemes, designs and motifs which were then known in the Orient. They used arch and dome, and also pillars, strut, chhatri and kalasa; inscriptions in Naskhi and Nastaliq characters, arabesque, stalactite and geometricals and also animate designs composed of hastin, makara, hansa, and mayura and symbolic motifs of the ancient Hindus such as kalasa, padma, gavaksa, kirttimukha, svastika, cakra and satkona - to quote some examples of his choice of ornament - is representative of lucid skill and amazing capacity to accept, adopt and assimilate.This book explains scores of obscure and controversial points and corrects the popular misnomers; it brings to light facts which were not known, e.g. the use by the Mughals of fabulous animals, Tantric symbols and Chinese Cloud forms to quote only a few examples. Study of this aspect of Mughal Architecture would help us to present the History of our Medieval culture in its true spirit and correct perspective.This title was published in 1980 and it is its updated second edition. Ajay Nath
Download or read book History Of Decorative Art In Mughal Architecture written by R. Nath and published by Motilal Banarsidass Publ.. This book was released on 1976-01-01 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mughal Style written by George Michell and published by . This book was released on 2007 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: A visual and intellectual treat awaits the reader ofthis book, ranging from monumental architecture,sumptuous textiles, a flood of the finest miniaturepaintings down to exquisitely crafted objects of jade all marked by a common aesthetic coherence that isthe hallmark of Mughal style.
Download or read book Mughal Inlay Art written by Prof R Nath and published by . This book was released on 2020-06-05 with total page 112 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is study of the INLAY art as it developed in Mughal Architecture, from Humayun to Shah Jehan (c. AD 1535-1658) indigenously, and independent of any extraneous inspiration or influence, landmark examples whereof have been cited with illustrations (64 b&w and 16 colour plates). It is wrong to brand it: pietra-dura or pietre-dure which misnomer was pasted upon it by nineteenth and early twentieth century colonial historians who suffered by a sense of inherent superiority of European culture and art, and who could not believe that the Indian people, whom Macaulay fondly called 'semi-savage' could develop such a fine and exquisite art as this, which even the classical Greeks and the Romans, who also worked in marbles, could not do!
Download or read book The Art of Cloth in Mughal India written by Sylvia Houghteling and published by Princeton University Press. This book was released on 2022-03-15 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: A richly illustrated history of textiles in the Mughal Empire In the sixteenth and seventeenth centuries, a vast array of textiles circulated throughout the Mughal Empire. Made from rare fibers and crafted using virtuosic techniques, these exquisite objects animated early modern experience, from the intimate, sensory pleasure of garments to the monumentality of imperial tents. The Art of Cloth in Mughal India tells the story of textiles crafted and collected across South Asia and beyond, illuminating how cloth participated in political negotiations, social conversations, and the shared seasonal rhythms of the year. Drawing on small-scale paintings, popular poetry, chronicle histories, and royal inventory records, Sylvia Houghteling charts the travels of textiles from the Mughal imperial court to the kingdoms of Rajasthan, the Deccan sultanates, and the British Isles. She shows how the “art of cloth” encompassed both the making of textiles as well as their creative uses. Houghteling asks what cloth made its wearers feel, how it acted in space, and what images and memories it conjured in the mind. She reveals how woven objects began to evoke the natural environment, convey political and personal meaning, and span the distance between faraway people and places. Beautifully illustrated, The Art of Cloth in Mughal India offers an incomparable account of the aesthetics and techniques of cloth and cloth making and the ways that textiles shaped the social, political, religious, and aesthetic life of early modern South Asia.
Download or read book Mughal Art written by Shanti Swarup and published by . This book was released on 1996 with total page 216 pages. Available in PDF, EPUB and Kindle. Book excerpt: For the first time a book on Mughal Handicrafts is brought out, and superbly so. After a general discussion on the social, political and economic conditions in Mughal India, the author goes on to expound the sources of Mughal decorative arts and the designs of decoration and finally describes the various forms of Mughal handicrafts illustrating them with works found on archaeological sites in India and select objects preserved in museums and private collection all over the world.
Download or read book Jahangir a Connoisseur of Mughal Art written by Sanjeev Prasad Srivastava and published by Abhinav Publications. This book was released on 2001 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt: Jahangir : A Connoisseur Of Mughal Art Is Author'S Third Great Work Showing The Character And Personality Of Prince Salim Who Ruled India After The Death Of Akbar. It Tends To Portray The Aesthetic Taste Of Emperor Jahangir As An Unrivalled Connoisseur Of Mughal Art Besides Being A Shrewd Administrator Of Mughal Empire. The Primary Sources Attempts To Present The Artistic Heritage Of His Ancestors Followed By His Own Innovations Known As Muraqqas In Miniature Painting Which Stand Out As Rare Specimens Of Mughal Painting In The Entire Range Of Art History.Jahangir, Who Has Been Depicted As A Great Campaigner Of Wars, Was Also An Avowed Lover Of Natural Phenomena As Also Famous Naturalist Lover Of Mughal Art. What Excelled All Others Styles Of His Reign Was Aspect Of Sophistication And Refinement Which Characterize The Miniatures, Muraqqas Produced In Jahangir'S Atelier.It Was Based On Detailed Analytical Study Of The Trends And Tendencies Patronised By Him. Jahangir Devoted Enough Time To The Study And Enjoyment Of Painting During His Stay At Lahore Which Became A Hub Of Artistic Activity. It Was Here That Most Significant Manuscripts Were Illustrated. Many Noted Artists Worked At Lahore Kingdom. Lahore Became The Second Capital Of The Mughal Empire From Where Radiated Art, Culture, Language And Literature Throughout India.He Was A Man Of Wide Literary Taste, Having Intense Love For Poetry, Music, History, Geography, Architecture, Painting And Fine Arts. A Typical Mughal Culture Would Have Been Impossible Without This Intellectual And Artistic Contribution.
Download or read book Calligraphic Art in Mughal Architecture written by R. Nath and published by Calcutta : Iran Society. This book was released on 1979 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Reflections on Mughal Art and Culture written by Roda Ahluwalia and published by . This book was released on 2021-07-28 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: - Offers fresh insights into the rich aesthetic and cultural legacy of the Imperial Mughal age in the Indian subcontinent - Essays by 13 eminent international scholars draw comparisons between the Mughals, the Safavids and the Ottomans - Over 159 images of Mughal artifacts, paintings, gardens and monuments illustrate the lasting heritage of the Imperial Mughals Enter the splendid world of Mughal India and explore its rich aesthetic and cultural legacy through fresh insights offered by 13 eminent scholars. Recent scholarship in this field has offered deeper analysis into established norms, explored pan-Indian connections and drawn comparisons with contemporaneous regions of the early modern world. Further studies along these lines were encouraged in a seminar held by the K.R. Cama Oriental Institute, Mumbai, and the formidable scholarship presented by contributors forms the content of this volume. The articles in this book explore varied subjects under the Mughal umbrella, challenge long-held ideas and draw comparisons between the artistic expressions and material culture of the powerful Islamicate triumvirate of the early modern period - the Safavids in Iran, the European-based Ottomans and the Mughals in the Indian subcontinent. Themes as diverse as portraits of royal women, sub-imperial patronage of temples, word-image relationship, the lapidary arts and the Imperial Library of the Mughals, a reconsideration of Mughal garden typologies, murals painted on architectural surfaces, the textile culture of the city of Burhanpur, changes in visual language and content of painting, and Imperial objets d'art have been discussed, challenged and analyzed. The final three articles are groundbreaking comparisons across Ottoman, Safavid and Mughal spheres. This beautifully illustrated book is sure to appeal to c
Download or read book Early Mughal Painting written by Milo Cleveland Beach and published by Harvard University Press. This book was released on 1987 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: One of the minor miracles of art history is the extraordinary flowering of Indian painting that began in the mid-sixteenth century under the early Mughal emperors of Indian, notably Akbar the Great. Only in recent decades has the consummate artistry of early Mughal painting come to be widely appreciated in the West. Scholars have noted the innovations--departures from both Islamic and native Indian tradition--of the new, highly distinctive school of painting, among them natural history studies, a concern for portraiture, and the documentation of contemporary court events. Milo Beach traces, with an abundance of captivating illustrations, the evolution of the Mughal style. While acknowledging the influence of Akbar's interests and changing tastes (related in turn to historical and biographical circumstances), he shows that many of the new tendencies were evident during the short reign of Akbar's father, the Emperor Humayun, whose role as patron of the arts is thereby reassessed. Beach also stresses the traditionalism of the individual painters, who only gradually changed their concepts and compositions in response to foreign influences and to imperial taste. Mughal art, he affirms, can no longer be regarded as simply a reflection of its imperial patrons. The book takes account of recently discovered material and reproduces for the first time important paintings from unpublished manuscripts and albums. It will appeal to the general reader as well as the scholar.
Download or read book Flora and Fauna in Mughal Art written by Som Prakash Verma and published by . This book was released on 1999 with total page 180 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Paintings from Mughal India written by Andrew Topsfield and published by . This book was released on 2008 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: A unique style of painting developed in India during the reigns of the Mughal emperors (sixteenth-eighteenth century), which blended Indian, Persian and Islamic styles. Usually confined to book illustrations, these elegant works came to be known as Mughal miniatures. They reflect the splendour of the Mughal empire, depicting its art and architecture, from court scenes to legendary stories, in striking, vivid colours.This book reproduces some of the finest surviving examples of Mughal paintings drawn from a unique collection in the Bodleian Library, many of which have never been seen before in print. They include court paintings from the reign of Akbar to the fall of Shah Jehan (1560-1660), generally regarded as the most inspired century of Mughal painting, and images from the celebrated Bah§rist§n manuscript of 1595, which was prepared for the Emperor Akbar and illustrated by leading artists of the time.Each image is presented as a large-format colour plate on a single page with facing text describing its historical and cultural significance, while the introduction situates the works in the context of the period and its art generally.
