Download or read book Mozart Haydn and Early Beethoven 1781 1802 written by Daniel Heartz and published by W. W. Norton & Company. This book was released on 2009 with total page 876 pages. Available in PDF, EPUB and Kindle. Book excerpt: A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.
Download or read book In the Process of Becoming written by Janet Schmalfeldt and published by Oxford University Press. This book was released on 2017-02-03 with total page 344 pages. Available in PDF, EPUB and Kindle. Book excerpt: With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's ground-breaking account of the development of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and their listeners, and when music itself-in particular, instrumental music-became a topic for renewed philosophical investigation. Precedents for Adorno's and Dahlhaus's concept of form as process arise in the Athenäum Fragments of Friedrich Schlegel and in the Encyclopaedia Logic of Hegel. The metaphor common to all these sources is the notion of becoming; it is the idea of form coming into being that this study explores in respect to music by Beethoven, Schubert, Mendelssohn, Chopin, and Schumann. A critical assessment of Dahlhaus's preoccupation with the opening of Beethoven's "Tempest" Sonata serves as the author's starting point for the translation of philosophical ideas into music-analytical terms-ones that encourage listening "both forward and backward," as Adorno has recommended. Thanks to the ever-growing familiarity of late eighteenth-century audiences with formal conventions, composers could increasingly trust that performers and listeners would be responsive to striking formal transformations. The author's analytic method strives to capture the dynamic, quasi-narrative nature of such transformations, rather than only their end results. This experiential approach to the perception of form invites listeners and especially performers to participate in the interpretation of processes by which, for example, a brooding introduction-like opening must inevitably become the essential main theme in Schubert's Sonata, Op. 42, or in which tremendous formal expansions in movements by Mendelssohn offer a dazzling opportunity for multiple retrospective reinterpretations. Above all, In the Process of Becoming proposes new ways of hearing beloved works of the romantic generation as representative of their striving for novel, intensely self-reflective modes of communication.
Download or read book Wolfgang Amadeus Mozart written by and published by PediaPress. This book was released on with total page 511 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Mozart in Vienna written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2017-09-21 with total page 719 pages. Available in PDF, EPUB and Kindle. Book excerpt: Comprehensive and engaging exploration of Mozart's greatest works, focussing on his dual roles as performer and composer in Vienna.
Download or read book Sourcebook for Research in Music Third Edition written by Allen Scott and published by Indiana University Press. This book was released on 2015-06-01 with total page 518 pages. Available in PDF, EPUB and Kindle. Book excerpt: Since it was first published in 1993, the Sourcebook for Research in Music has become an invaluable resource in musical scholarship. The balance between depth of content and brevity of format makes it ideal for use as a textbook for students, a reference work for faculty and professional musicians, and as an aid for librarians. The introductory chapter includes a comprehensive list of bibliographical terms with definitions; bibliographic terms in German, French, and Italian; and the plan of the Library of Congress and the Dewey Decimal music classification systems. Integrating helpful commentary to instruct the reader on the scope and usefulness of specific items, this updated and expanded edition accounts for the rapid growth in new editions of standard works, in fields such as ethnomusicology, performance practice, women in music, popular music, education, business, and music technology. These enhancements to its already extensive bibliographies ensures that the Sourcebook will continue to be an indispensable reference for years to come.
Download or read book Cabals and Satires written by Dr. Ian Woodfield and published by Oxford University Press. This book was released on 2018-11-06 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Joseph II placed his opera buffa troupe in competition with the re-formed Singspiel, he provoked an intense struggle between supporters of the rival national genres, who organized claques to cheer or hiss at performances, and encouraged press correspondents to write slanted notices. It was in this fraught atmosphere that Mozart collaborated with librettist Lorenzo da Ponte on his three mature Italian comedies--Figaro, Don Giovanni, and Così fan tutte. In Cabals and Satires: Mozart's Comic Operas in Vienna, Ian Woodfield brings the fascinating dynamics of this inter-troupe contest into focus. He reveals how Mozart, while not immune from the infighting, was able to weather satirical attacks, successfully negotiate the unpredictable twists and turns of theatre politics during the lean years of the Austro-Turkish War, and seal his reputation with a revival of Figaro in 1789 as a Habsburg festive work. Mozart's deft navigation of the turbulent political waters of this period left him well placed to benefit from the revival of the commercial stage in Vienna--the most enduring musical consequence of the war years.
Download or read book The Virtual Haydn written by Tom Beghin and published by University of Chicago Press. This book was released on 2015-05-22 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a highly original book about Haydn s keyboard music, about 18th-century keyboard practices and culture, and about performance. Written in the first person by the author, himself a professional keyboard player, the study places the performer, both historical and contemporary, at the center of the scholarly inquiry and explores in exquisite detail the process by which a modern performer arrives at a historically-informed interpretation of Haydn s sonatas. The veiled reference to Diderot s "Paradox of an Actor "in the title explicitly situates the study within the context of 18th-century debates on performancea crucial issue in the period, with the rapid expansion of music publishing, of concert culture, of amateur music making, especially among aristocratic women performers, and with rapid changes in the technology and the physical properties of the instruments themselves. The reference to Diderot also hints at the way in which Beghin s text itself performs in the manner of many 18th-century critical texts: like them, it has a tendency to be personal and idiosyncratic. Discussing a group of Viennese sonatas, for example, the author explores the contemporary fascination with physiognomy and goes on to try out facial gestures in his own performance of the music, which he documents in photographs reproduced in the book vis-a-vis Messerschmidt s grimacing busts of the same period. Introducing the female dedicatees and performers of sonatas written for both Vienna and London, he links rhetoric and gender showing how femininity was encoded into the music through rhetorical gestures comparable to those Haydn employed in letters to female friends and patrons. Using wit and imagination to illuminate and bridge the gulf between 18th-century and 21st-century concepts of performance, this book helps define a fresh approach to keyboard studies and performance studies today. "
Download or read book Engaging Haydn written by Mary Hunter and published by Cambridge University Press. This book was released on 2012-07-12 with total page 363 pages. Available in PDF, EPUB and Kindle. Book excerpt: Haydn is enjoying renewed appreciation as one of the towering figures of Western music history. This lively collection builds upon this resurgence of interest, with chapters exploring the nature of Haydn's invention and the cultural forces that he both absorbed and helped to shape and express. The volume addresses Haydn's celebrated instrumental pieces, the epoch-making Creation and many lesser-known but superb vocal works including the Masses, the English canzonettas and Scottish songs and the operas L'isola disabitata and L'anima del filosofo. Topics range from Haydn's rondo forms to his violin fingerings, from his interpretation of the Credo to his reading of Ovid's Metamorphoses, from his involvement with national music to his influence on the emerging concept of the musical work. Haydn emerges as an engaged artist in every sense of the term, as remarkable for his critical response to the world around him as for his innovations in musical composition.
Download or read book Critical Music Historiography Probing Canons Ideologies and Institutions written by Vesa Kurkela and published by Routledge. This book was released on 2016-03-09 with total page 365 pages. Available in PDF, EPUB and Kindle. Book excerpt: During the past two decades, there has emerged a growing need to reconsider the objects, axioms and perspectives of writing music history. A certain suspicion towards Francois Lyotard’s grand narratives, as a sign of what he diagnosed as our ’postmodern condition’, has become more or less an established and unquestioned point of departure among historians. This suspicion, at its most extreme, has led to a radical conclusion of the ’end of history’ in the work of postmodern scholars such as Jean Baudrillard and Francis Fukuyama. The contributors to Critical Music Historiography take a step back and argue that the radical view of the ’impossibility of history’, as well as the unavoidable ideology of any history, are counter-productive points of departure for historical scholarship. It is argued that metanarratives in history are still possible and welcome, even if their limitations are acknowledged. Foucault, Lyotard and others should be taken into account but systematized viewpoints and methods for a more critical and multi-faceted re-evaluation of the past through research are needed. As to the metanarratives of music history, they must avoid the pitfalls of evolutionism, hagiography, and teleology, all hallmarks of traditional historiography. In this volume the contributors put these methods and principles into practice. The chapters tackle under-researched and non-conventional domains of music history as well as rethinking older historiographical concepts such as orientalism and nationalism, and consequently introduce new concepts such as occidentalism and transnationalism. The volume is a challenging collection of work that stakes out a unique territory for itself among the growing body of work on critical music history.
Download or read book Experiencing Beethoven written by Geoffrey Block and published by Rowman & Littlefield. This book was released on 2016-09-29 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt: The life and music of Beethoven still fascinate classical music lovers, new and old. His many symphonies, sonatas, concertos, string quartets, and his one opera enchant audiences, challenge performers, engage students, and support scholars in their work. In Experiencing Beethoven, music historian Geoffrey Block explores in layman’s terms a highly representative body of about two dozen Beethoven instrumental and vocal works, offering listeners who know him well, or are just discovering him, an opportunity to grasp the breadth and depth of his musical genius. Designed for those unversed in musical terminology or theory, Experiencing Beethoven places the composer’s works within the evolving context of his personal and professional life and social and cultural milieu. Block sheds light on the public and private audiences of Beethoven’s music, from the concerts for the composer’s own financial benefit to the debut of the “Eroica” Symphony at the palace of Prince Lobkowitz to the historic public premiere of his Ninth Symphony. Experiencing Beethoven paints a portrait of the composer’s youth in Bonn, his early triumphs and artistic maturation in Vienna, and—despite the challenges his music posed to his contemporaries— the recognition he received during his lifetime as the most acclaimed composer of the era. Block conveys the range and scope of Beethoven’s achievement, from his heroic style to his lyricism, grappling throughout with the composer’s power to communicate his idealistic musical vision to listeners in both his time and ours. Finally, Experiencing Beethoven explores why Beethoven’s music continues to enjoy an unwavering appeal in an age saturated with a range of musical styles.
Download or read book Mozart s Requiem written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2012-06-28 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh evaluation of Mozart's Requiem which focuses on historical and current understandings in fiction, drama, film, criticism and performance.
Download or read book Self quotation in Schubert written by Scott Messing and published by Boydell & Brewer. This book was released on 2020 with total page 335 pages. Available in PDF, EPUB and Kindle. Book excerpt: Examines the history of musical self-quotation, and reveals and explores a previously unidentified case of Schubert quoting one of his own songs in a major instrumental work.
Download or read book Mozart in Context written by Simon P. Keefe and published by Cambridge University Press. This book was released on 2018-12-20 with total page 427 pages. Available in PDF, EPUB and Kindle. Book excerpt: The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
Download or read book The Viennese Minor Key Symphony in the Age of Haydn and Mozart written by Matthew Riley and published by Oxford University Press. This book was released on 2014-05-08 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: In late eighteenth-century Vienna and the surrounding Habsburg territories, over 50 minor-key symphonies by at least 11 composers were written. These include some of the best-known works of the symphonic repertoire, such as Haydn's 'Farewell' Symphony and Mozart's Symphony No. 40 in G minor, K. 550. The driving energy, intense pathos and restlessness of these compositions demand close attention and participation from the listener, and pose urgent questions about meaning and interpretation. In response to these questions, The Viennese Minor-Key Symphony in the Age of Haydn and Mozart combines historical perspectives with recent developments in music analysis to shed new light on this distinctive part of the repertoire. Through an intertextual, analytical approach, author Matthew Riley treats the minor-key symphony as a subgenre of several strands, reconstructing the compositional world it occupied. His work enables signals to be understood, puts characteristic strategies in clear relief, and ultimately reveals the significance this music held for both composers and listeners of the time. Riley gives us a fresh picture of the familiar masterpieces of Haydn and Mozart, while also focusing on lesser known composers.
Download or read book Mozart s Music of Friends written by Edward Klorman and published by Cambridge University Press. This book was released on 2016-04-21 with total page 359 pages. Available in PDF, EPUB and Kindle. Book excerpt: This study analyzes chamber music from Mozart's time within its highly social salon-performance context.
Download or read book Instrumental Music in an Age of Sociability written by W. Dean Sutcliffe and published by Cambridge University Press. This book was released on 2019-10-10 with total page 613 pages. Available in PDF, EPUB and Kindle. Book excerpt: Interprets an eighteenth-century musical repertoire in sociable terms, both technically (specific musical patterns) and affectively (predominant emotional registers of the music).
Download or read book Music Theatre and the Holy Roman Empire written by Austin Glatthorn and published by Cambridge University Press. This book was released on 2022-07-07 with total page 391 pages. Available in PDF, EPUB and Kindle. Book excerpt: Packed full of new archival evidence that reveals the interconnected world of music theatre during the 'Classical era', this interdisciplinary study investigates key locations, genres, music, and musicians. Austin Glatthorn explores the extent to which the Holy Roman Empire delineated and networked a cultural entity that found expression through music for the German stage. He maps an extensive network of Central European theatres; reconstructs the repertoire they shared; and explores how print media, personal correspondence, and their dissemination shaped and regulated this music. He then investigates the development of German melodrama and examines how articulations of the Holy Roman Empire on the musical stage expressed imperial belonging. Glatthorn engages with the most recent historical interpretations of the Holy Roman Empire and offers quantitative, empirical analysis of repertoire supported by conventional close readings to illustrate a shared culture of music theatre that transcended traditional boundaries in music scholarship.
