Download or read book Motion Pictures in Argentina and Brazil written by and published by . This book was released on 1929 with total page 20 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Brazilian National Cinema written by Lisa Shaw and published by Routledge. This book was released on 2014-05-01 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Brazilian cinema is one of the most influential national cinemas in Latin America and this wide-ranging study traces the evolution of Brazilian film from the silent era to the present day, including detailed studies of more recent international box-office hits, such as Central Station (1998) and City of God (2002). Brazilian National Cinema gives due importance to traditionally overlooked aspects of Brazilian cinema, such as popular genres, ranging from musical comedies (the chanchada) to soft-core porn films (the pornochanchada) and horror films, and also provides a fresh approach to the internationally acclaimed avant-garde Cinema Novo of the 1960s. Lisa Shaw and Stephanie Dennison apply recent theories on stardom, particularly relating to issues of ethnicity, race and gender, to both well-known Brazilian performers, such as Carmen Miranda and Sonia Braga, and lesser known domestic icons, such as the Afro-Brazilian comic actor, Grande Otelo (Big Othello), and the uberblonde children’s TV and film star, and media mogul, Xuxa. This timely addition to the National Cinemas series provides a comprehensive overview of the relationship between Brazilian cinema and issues of national and cultural identity.
Download or read book The Brazilian Road Movie written by Sara Brandellero and published by University of Wales Press. This book was released on 2013-06-15 with total page 257 pages. Available in PDF, EPUB and Kindle. Book excerpt: The innovative collection of essays by a distinguished group of scholars brought together in The Brazilian Road Movie - Journeys of (Self) Discovery represents the first book-length publication on Brazil's encounters with and reworkings of one of cinema's most enduringly popular genres.
Download or read book Foundational Films written by Maite Conde and published by Univ of California Press. This book was released on 2018-08-21 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: In her authoritative new book, Maite Conde introduces readers to the crucial early years of Brazilian cinema. Focusing on silent films released during the First Republic (1889-1930), Foundational Films explores how the medium became implicated in a larger project to transform Brazil into a modern nation. Analyzing an array of cinematic forms, from depictions of contemporary life and fan magazines, to experimental avant-garde productions, Conde demonstrates the distinct ways in which Brazil’s early film culture helped to project a new image of the country.
Download or read book Films from Brazil written by Amir Labaki and published by . This book was released on 1998 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: An anthology of film reviews previously published in the newspaper Folha de S. Paulo. Includes five new reviews commissioned for this book and a brief chronology of Brazilian cinema.
Download or read book The New Brazilian Cinema written by Lúcia Nagib and published by Bloomsbury Publishing. This book was released on 2006-11-22 with total page 247 pages. Available in PDF, EPUB and Kindle. Book excerpt: Lucia Nagib presents a comprehensive critical survey of Brazilian film production since the mid 1990s, which has become known as the "renaissance of Brazilian cinema". Besides explaining the recent boom, this book elaborates on the new aesthetic tendencies of recent productions, as well as their relationships to earlier traditions of Brazilian cinema. Internationally acclaimed films, such as "Central Station", "Seven Days in September" and "Orpheus", are analysed alongside daringly experimental works, such as "Chronically Unfeasible", "Starry Sky" and "Perfumed Ball". Contributors include Carlos Diegues, Robert Stam, Laura Mulvey and Jose Carlos Avellar.
Download or read book Brazilian Cinema written by Randal Johnson and published by Columbia University Press. This book was released on 1995 with total page 496 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the documentary to the cinema novo and cannibalism, from Nelson Pereira dos Santos's Vidas Secas to music in the films of Glauber Rocha, this third, revised edition is a century-spanning introduction to the story of a medium that flourished in one of the most developed of 'underdeveloped' nations.
Download or read book The Film Daily Year Book of Motion Pictures written by and published by . This book was released on 1938 with total page 1296 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Library of Congress Subject Headings written by Library of Congress and published by . This book was released on 2013 with total page 1624 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Popular cinema in Brazil 1930 2001 written by Stephanie Dennison and published by Manchester University Press. This book was released on 2019-01-31 with total page 264 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking study provides an entertaining insight into popular film in Brazil, situating major box-office successes such as 'Central Station' (Walter Salles, 1998), in their socio-historical context.
Download or read book Brazilian Cinema and the Aesthetics of Ruins written by Guilherme Carréra and published by Bloomsbury Publishing. This book was released on 2021-12-16 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: WINNER of the British Association of Film, Television and Screen Studies (BAFTSS) 2023 Award for Best First Monograph WINNER of the Association of Moving Image Researchers (AIM) 2022 Best Monograph prize Guilherme Carréra's compelling book examines imagery of ruins in contemporary Brazilian cinema and considers these representations in the context of Brazilian society. Carréra analyses three groups of unconventional documentaries focused on distinct geographies: Brasília - The Age of Stone (2013) and White Out, Black In (2014); Rio de Janeiro - ExPerimetral (2016), The Harbour (2013), Tropical Curse (2016) and HU Enigma (2011); and indigenous territories - Corumbiara: They Shoot Indians, Don't They? (2009), Tava, The House of Stone (2012), Two Villages, One Path (2008) and Guarani Exile (2011). In portraying ruinscapes in different ways, these powerful films articulate critiques of the notions of progress and (under) development in the Brazilian nation. Carréra invites the reader to walk amid the debris and reflect upon the strategies of spatial representation employed by the filmmakers. He addresses this body of films in relation to the legacies of Cinema Novo, Tropicália and Cinema Marginal, asking how these presentday films dialogue with or depart from previous traditions. Through this dialogue, he argues, the selected films challenge not only documentary-making conventions but also the country's official narrative.
Download or read book Cinema Novo x 5 written by Randal Johnson and published by University of Texas Press. This book was released on 2014-11-06 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: With such stunning films as Dona Flor and Her Two Husbands, Bye Bye Brazil, and Pixote, Brazilian cinema achieved both critical acclaim and popular recognition in the 1970s and 1980s, becoming the premier cinema of Latin America and one of the largest film producers in the western world. But the success of Brazilian film at home and abroad came after many years of struggle by filmmakers determined to create a strong film industry in Brazil. At the forefront of this struggle were the filmmakers of Cinema Novo, the internationally acclaimed movement whose flowering in the 1960s marked the birth of modern Brazilian film. Cinema Novo x 5 places the success of Brazilian cinema in perspective by examining the films of the five leaders of this groundbreaking movement—Andrade, Diegues, Guerra, Rocha, and dos Santos. By exploring the individuality of these masters of contemporary Brazilian film, Randal Johnson reveals the astonishing stylistic and thematic diversity of Cinema Novo. His emphasis is on the films themselves, as well as their makers’ distinctive cinematic vision and views of what cinema should be and is. At the same time, he provides a wealth of valuable background information to enhance readers’ understanding of the historical, cultural, and economic context in which Cinema Novo was born and flourished.
Download or read book Remaking Brazil written by Tatiana Signorelli Heise and published by University of Wales Press. This book was released on 2012-07-15 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume examines Brazilian films released between 1995 and 2010, with special attention to issues of race, ethnicity and national identity. Focusing on the idea of the nation as an 'imagined community', the author discuss the various ways in which dominant ideas about brasilidade (Brazilian national consciousness) are dramatised, supported or attacked in contemporary fiction and documentary films.
Download or read book Brazil on Screen written by Lúcia Nagib and published by Bloomsbury Publishing. This book was released on 2007-07-30 with total page 185 pages. Available in PDF, EPUB and Kindle. Book excerpt: Two periods of Brazilian film history are particularly notable for their artistic momentum: the Cinema Novo movement of the 1960s and early '70s, and the film revival from the mid 1990s onwards. What makes them especially strong, this book argues, is their utopian impulse. By adopting Utopia as a theme, as well as a method of film analysis, Lucia Nagib unveils, organises and interprets a fascinating wealth of recurrent images, which are a bridge between a cinema strongly concerned with the national project and another informed by global culture. Outstanding recent films, such as "Central Station", "Perfumed Ball", "Hans Staden", "Orfeu", "City of God" and "The Trespasser", are illuminated by Nagib's sharp analysis, which detects utopian, anti-utopian and even dystopian impulses in them. They are at once representatives of a political arena in constant struggle against underdevelopment and legitimate (as well as critical) heirs of past cinematic traditions. Throwing new light on a large selection of Cinema Novo and contemporary films, this book thus presents a national cinema that rejects the end of history and of film history, while benefiting from, and contributing to, a new transnational aesthetics.
Download or read book Documentary Filmmaking in Contemporary Brazil written by Gustavo Procopio Furtado and published by Oxford University Press, USA. This book was released on 2019-01-08 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Like Brazilian society, documentary filmmaking is undergoing transformation, becoming an increasingly inclusive and diverse field, intervening in the ongoing struggle for social justice and equal distribution of power. As the first English-language monograph to focus on this body of work, this book examines the ways in which contemporary documentaries explore the borders between centers and margins, visibilities and invisibilities, silences and speech, and forms of authority and their contestation. Centered on an eclectic cluster of documentaries -from ethnographic documentaries and indigenous videos to films concerned with social and criminal justice, including first-person, essayistic films - this book brings into view the transformations of both Brazilian society and filmmaking, ultimately examining the genre's preoccupation with archival content"--
Download or read book Allegories of Underdevelopment written by Ismail Xavier and published by U of Minnesota Press. This book was released on 1997 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: " 'A camera in the hand and ideas in the head' was the primary axiom of the young originators of Brazil's Cinema Novo. This movement of the 1960s and early 1970s overcame technical constraints and produced films on minimal budgets. In Allegories of Underdevelopment, Ismail Xavier examines a number of these films, arguing that they served to represent a nation undergoing a political and social transformation into modernity. Its best-known voice, filmmaker Glauber Rocha claimed that Cinema Novo was driven by an "aesthetics of hunger." This scarcity of means demanded new cinematic approaches that eventually gave rise to a legitimate and unique Third World cinema. Xavier stands in the vanguard of scholars presenting and interpreting these revolutionary films - from the masterworks of Rocha to the groundbreaking experiments of Julio Bressane, Rogério Sganzerla, Andrea Tonacci and Arthur Omar - to an English-speaking audience. Focusing on each filmmaker's use of narrative allegories for the "conservative modernization" Brazil and other nations underwent in the 1960s and 1970s, Xavier asks questions relating to the connection between film and history. He examines the way Cinema Novo transformed Brazil's cultural memory and charts the controversial roles that Marginal Cinema and Tropicalism played in this process. Among the films he discusses are Black God, White Devil, Land in Anguish, Red Light Bandit, Macunaíma, Antônio das Mortes, The Angel Is Born, and Killed the Family and Went to the Movies." -- Book cover.
Download or read book The Film Industry in Brazil written by Randal Johnson and published by University of Pittsburgh Pre. This book was released on 2010-11-23 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Looking back through the prism of the severe economic crisis for filmmaking in the 1980s, The Film Industry in Brazil explores the unusual relationship between the state-supported industry, which often produced politically radical films, and the authoritarian regime that had held sway for twenty years. To ground his analysis, Johnson covers the early years of the film industry, 1898-1930; attempts at industrialization during the 1930s and 1940s; film industry congresses and government film boards, 1950-1966; the National Film Institute, 1966-1975; and the expansion of the state's role from 1969 through 1980.Well-conceived, carefully researched and documented, Johnson's study fills a major gap in film studies by tracing the development of this industry in Brazil, focusing specifically on its relationship to the state.
