Download or read book Money and Magic in Early Modern Drama written by David Hawkes and published by Bloomsbury Publishing. This book was released on 2022-12-01 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: Money, magic and the theatre were powerful forces in early modern England. Money was acquiring an independent, efficacious agency, as the growth of usury allowed financial signs to reproduce without human intervention. Magic was coming to seem Satanic, as the manipulation of magical signs to performative purposes was criminalized in the great 'witch craze.' And the commercial, public theatre was emerging – to great controversy – as the perfect medium to display, analyse and evaluate the newly autonomous power of representation in its financial, magical and aesthetic forms. Money and Magic in Early Modern Drama is especially timely in the current era of financial deregulation and derivatives, which are just as mysterious and occult in their operations as the germinal finance of 16th-century London. Chapters examine the convergence of money and magic in a wide range of early modern drama, from the anonymous Mankind through Christopher Marlowe to Ben Jonson, concentrating on such plays as The Alchemist, The New Inn and The Staple of News. Several focus on Shakespeare, whose analysis of the relations between finance, witchcraft and theatricality is particularly acute in Timon of Athens, The Comedy of Errors, Antony and Cleopatra and The Winter's Tale.
Download or read book Money and Magic in Early Modern Drama written by David Hawkes and published by . This book was released on 2022 with total page 288 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This volume considers three powerful ideological forces in early modern England: money, magic and the theatre. With the authorization of usury, financial value was developing into an independent, effective power. The mysterious, invisible nature of money's power struck many contemporaries as magical and contributed to the hysteria behind the great witch-hunts. At the same time, the public theatre emerged as a popular medium well-suited to representing the powers of magic. All the essays in this book examine the convergence of these three forces in a wide range of early modern drama. Part One considers the works of a broad array of figures ranging from Plautus through John Lyly to Christopher Marlowe - discussing plays such as Midas, The Alchemist and The Jew of Malta - while remaining tightly focussed on the nexus of money and magic. While Part Two concentrates on Shakespeare, whose diagnosis of the relations between finance, witchcraft and the stage is particularly acute in plays such as Timon of Athens, The Tempest and A Winter's Tale . The volume is especially timely in the current era of financial deregulation and derivatives, which often seem just as mysterious and occult in their operations as did the burgeoning financial system of sixteenth-century London."--
Download or read book Enchantment and Dis enchantment in Shakespeare and Early Modern Drama written by Nandini Das and published by Routledge. This book was released on 2016-12-08 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of ‘enchanted’ and ‘disenchanted’ practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world’s ordinary functioning might be said to be ‘enchanted’, is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.
Download or read book Magical Transformations on the Early Modern English Stage written by Professor Lisa Hopkins and published by Ashgate Publishing, Ltd.. This book was released on 2014-10-28 with total page 279 pages. Available in PDF, EPUB and Kindle. Book excerpt: Considering a variety of questions centering on magic and, or in, performance, this volume furthers the debate about the cultural work performed by representations of magic on the early modern English stage. Collectively the essays show that the idea of transformation applies not only to the objects and subjects of magic, but that the plays themselves can be seen as working to effect transformation in the ways that they challenge contemporary assumptions and stereotypes.
Download or read book Magical Transformations on the Early Modern English Stage written by Lisa Hopkins and published by . This book was released on 2014 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Magic and Gender in Early Modern England written by Dr. Shokhan Rasool Ahmed and published by Author House. This book was released on 2014-09-02 with total page 103 pages. Available in PDF, EPUB and Kindle. Book excerpt: Magic and Gender in Early Modern England surveys the history of male and female magic in early modern England and the factors that influenced what writers include in their work regarding magic and witchcraft. the book includes the following: --Three chapters that focus on how Renaissance drama deals with contemporary issues of witchcraft and how witchcraft was used as an element to explore ideas of power and gender in early modern England --Key secondary readings by influential critics --Selected sources and analogues for Shakespeare's Macbeth, Christopher Marlowe's Dr. Faustus, Thomas Middleton's the Witch, and the Witch of Edmonton by John Ford, Thomas Dekker, and William Rowley
Download or read book Playing with Providence and Prescience written by Anannya Dasgupta and published by . This book was released on 2011 with total page 222 pages. Available in PDF, EPUB and Kindle. Book excerpt: My dissertation interrogates the a priori narrative of decline that informs the study of early modern magic. In recent years, a number of studies have reclaimed magic from its long relegated location of obscurity and irrelevance to early modernity. In spite of this surge of interest, magic continues to be seen as eccentric in the least and as abstraction at most. What is still missing from early modern studies is the sense that magic was as prevalent a discourse in the seventeenth century as science is to the twentieth. Recent historical and historicist work on early modern science invariably make cautious distinctions between early modern science and current day scientific discourse in a salutary nod to early modern magic. In my work I argue for the necessity of a more prominent discussion of magic as magic: as literal and persistent systems of knowledge and praxis that animated social and intellectual spaces by engaging and resisting systematic suppression. Such a reading of magic in dramatic works of canonical English authors as Marlowe, Shakespeare, Jonson and Milton reveals very different stakes for both magic and early modernity. The magic in Doctor Faustus is embedded in Christian theodicy; Marlowe uses the Faustian pact with the devil to allude to traditions of knowledge outside Judeo-Christianity and subverts the cautionary tale by making it a tragic play. Shakespeare's The Tempest narrates a shift from demonic magic to the magic of theatrical mechanics and leaves the spectators with a less settled conclusion than is usually read in the play. Given the shifting parameters of magical practice, the credibility of magic is subject to considerable scrutiny. Such a scrutiny of the socio-economics of belief is motivated by fraudulent magic in The Alchemist. The dissertation concludes with the aesthetic synthesis of Christian and magical thought in Milton's A Masque at Ludlow Castle.
Download or read book Magic on the Early English Stage written by Philip Butterworth and published by Cambridge University Press. This book was released on 2005-10-06 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: An original investigation into conjuring tricks and stage magic on the medieval stage.
Download or read book Working Subjects in Early Modern English Drama written by Natasha Korda and published by Routledge. This book was released on 2016-02-11 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: Working Subjects in Early Modern English Drama investigates the ways in which work became a subject of inquiry on the early modern stage and the processes by which the drama began to forge new connections between labor and subjectivity in the period. The essays assembled here address fascinating and hitherto unexplored questions raised by the subject of labor as it was taken up in the drama of the period: How were laboring bodies and the goods they produced, marketed and consumed represented onstage through speech, action, gesture, costumes and properties? How did plays participate in shaping the identities that situated laboring subjects within the social hierarchy? In what ways did the drama engage with contemporary discourses (social, political, economic, religious, etc.) that defined the cultural meanings of work? How did players and playwrights define their own status with respect to the shifting boundaries between high status/low status, legitimate/illegitimate, profitable/unprofitable, skilled/unskilled, formal/informal, male/female, free/bound, paid/unpaid forms of work? Merchants, usurers, clothworkers, cooks, confectioners, shopkeepers, shoemakers, sheepshearers, shipbuilders, sailors, perfumers, players, magicians, servants and slaves are among the many workers examined in this collection. Offering compelling new readings of both canonical and lesser-known plays in a broad range of genres (including history plays, comedies, tragedies, tragi-comedies, travel plays and civic pageants), this collection considers how early modern drama actively participated in a burgeoning, proto-capitalist economy by staging England's newly diverse workforce and exploring the subject of work itself.
Download or read book Desires of Credit in Early Modern Theory and Drama written by Brian Sheerin and published by Routledge. This book was released on 2016-04-28 with total page 158 pages. Available in PDF, EPUB and Kindle. Book excerpt: Desires of Credit in Early Modern Theory and Drama traces the near-simultaneous rise of economic theory, literary criticism, and public theater in London at the turn of the seventeenth century, and posits that connecting all three is a fascination with creating something out of nothing simply by acting as if it were there. Author Brian Sheerin contends that the motivating force behind both literary and economic inquiry at this time was the same basic quandary about the human imagination--specifically, how investments of belief can produce tangible consequences. Just as speculators were realizing the potency of collective imagination on economic circulation, readers and dramatists were becoming newly introspective about whether or not the 'lies' of literature could actually be morally 'profitable.' Could one actually benefit by taking certain fictions 'seriously'? Each of the five chapters examines a different dimension of this question by highlighting a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson. The book fills a gap in current scholarship by keeping economic and dramatic interests rigorously grounded in early modern literary criticism, but also by emphasizing the productive nature of debt in a way that resonates with recent economic sociology.
Download or read book Money and Magic written by Hans Christoph Binswanger and published by . This book was released on 1994 with total page 148 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Money and Magic, Binswanger elucidates Goethe's remarkable prediction that, following the Industrial Revolution, economic society would be built on the transformation of natural resources into a continually expanding money supply. Yet Goethe also cautioned of the results should modern society exploit these resources and fail in its responsibility to the natural environment. Goethe meant Faust to be a warning to modern economic society.
Download or read book Shakespeare Up Close written by and published by Bloomsbury Publishing. This book was released on 2014-05-13 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: This landmark collection of newly-commissioned essays by leading international scholars, offers expert close readings of Shakespeare and other early modern authors. The book is an intervention into current critical methodology as well as an invaluable tool for all students of the literature of the period, exemplifying the possibilities of close reading in the hands of a range of gifted practitioners. Chapters cover a range of key texts from Shakespeare and other major writers of the period such as Milton, Donne, Jonson and Sidney. This is a unique collection as no other book offers such a rich variety of self-contained, short-form close readings. As such it can be used in the undergraduate classroom as well as by scholars and post-graduates and will also appeal to literary readers with an enthusiasm for Shakespeare. Contributors include leading Shakespeareans Stanley Wells, Stanley Fish, Coppelia Kahn and Lukas Erne.
Download or read book Shakespeare and Early Modern Drama written by Pamela Bickley and published by Bloomsbury Publishing. This book was released on 2016-02-25 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Where does Shakespeare fit into the drama of his day? Getting to know the work of Shakespeare's contemporaries offers an insight into Elizabethan and Jacobean preoccupations and the theatrical climate of the early modern period. This book provides an essential overview of some major dramatic works from their stage origins to today's screen productions. Each chapter includes: · a detailed analysis of a play by Shakespeare considered alongside a key work by one other significant playwright of the day (including The Merchant of Venice, Volpone, The Spanish Tragedy, Titus Andronicus, Othello, The Changeling, Romeo and Juliet, The Duchess of Malfi, Measure for Measure, 'Tis Pity She's a Whore, The Taming of the Shrew, The Tragedy of Mariam, Doctor Faustus and Hamlet) · close reading of the text · discussion of early modern theatrical practices · a focus on one ground-breaking example of early modern drama on screen · suggestions for links with other early modern texts and further reading This book provides a route map to the very latest developments in early modern drama studies, fostering confident and independent thinking, making it an ideal introduction for students of Shakespeare and his contemporaries.
Download or read book Early Modern Theatre and the Figure of Disability written by Genevieve Love and published by Bloomsbury Publishing. This book was released on 2018-10-18 with total page 215 pages. Available in PDF, EPUB and Kindle. Book excerpt: What work did physically disabled characters do for the early modern theatre? Through a consideration of a range of plays, including Doctor Faustus and Richard III, Genevieve Love argues that the figure of the physically disabled prosthetic body in early modern English theatre mediates a set of related 'likeness problems' that structure the theatrical, textual, and critical lives of the plays of Shakespeare and his contemporaries. The figure of disability stands for the relationship between actor and character: prosthetic disabled characters with names such as Cripple and Stump capture the simultaneous presence of thefictional and the material, embodied world of the theatre. When the figure of the disabled body exits the stage, it also mediates a second problem of likeness, between plays in their performed and textual forms. While supposedly imperfect textual versions of plays have been characterized as 'lame', the dynamic movement of prosthetic disabled characters in the theatre expands the figural role which disability performs in the relationship between plays on the stage and on the page. Early Modern Theatre and the Figure of Disability reveals how attention to physical disability enriches our understanding of early modern ideas about how theatre works, while illuminating in turn how theatre offers a reframing of disability as metaphor.
Download or read book Witchcraft in Early Modern England written by James Sharpe and published by Routledge. This book was released on 2014-06-06 with total page 172 pages. Available in PDF, EPUB and Kindle. Book excerpt: With the renewed interest in the history of witches and witchcraft, this timely book provides an introduction to this fascinating topic, informed by the main trends of new thinking on the subject. Beginning with a discussion of witchcraft in the early modern period, and charting the witch panics that took place at this time, the author goes on to look at the historical debate surrounding the causes of the legal persecution of witches. Contemporary views of witchcraft put forward by judges, theological writers and the medical profession are examined, as is the place of witchcraft in the popular imagination. Jim Sharpe also looks at the gender dimensions of the witch persecution, and the treatment of witchcraft in Elizabethan and Jacobean drama. Supported by a range of compelling documents, the book concludes with an exploration of why witch panics declined in the late seventeenth century and early eighteenth century.
Download or read book Women s Labour and the History of the Book in Early Modern England written by Valerie Wayne and published by Bloomsbury Publishing. This book was released on 2020-05-14 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection reveals the valuable work that women achieved in publishing, printing, writing and reading early modern English books, from those who worked in the book trade to those who composed, selected, collected and annotated books. Women gathered rags for paper production, invested in books and oversaw the presses that printed them. Their writing and reading had an impact on their contemporaries and the developing literary canon. A focus on women's work enables these essays to recognize the various forms of labour -- textual and social as well as material and commercial -- that women of different social classes engaged in. Those considered include the very poor, the middling sort who were active in the book trade, and the elite women authors and readers who participated in literary communities. Taken together, these essays convey the impressive work that women accomplished and their frequent collaborations with others in the making, marking, and marketing of early modern English books.
Download or read book White Magic and English Renaissance Drama written by David Woodman and published by Rutherford [N.J.] : Fairleigh Dickinson University Press. This book was released on 1973 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt:
