Download or read book Modernism and Authority written by Charles Palermo and published by Univ of California Press. This book was released on 2015-10-13 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: Modernism and Authority presents a provocative new take on the early paintings of Pablo Picasso and the writings of Guillaume Apollinaire. Charles Palermo argues that references to theology and traditional Christian iconography in the works of Picasso and Apollinaire are not mere symbolic gestures; rather, they are complex responses to the symbolist art and poetry of figures important to them, including Paul Gauguin, Charles Morice, and Santiago Rusi–ol. The young Picasso and his contemporaries experienced the challenges of modernity as an attempt to reflect on the lost relation to authority. For the symbolists, art held authority by revealing something compellingÑsomething to which audiences must respond lest they lose claim to their own moral authority. Instead of the total transformation of the reader or viewer that symbolist creators envision, Picasso and Apollinaire imagine a divided self, responding only partially or ambivalently to the work of artÕs call. Navigating these problems of symbolist art and poetry entails considering the nature of the work of art and of oneÕs response to it, the modern subjectÕs place in history, and the relevance of historical truth to our methodological choices in the present.
Download or read book Power in Modernity written by Isaac Ariail Reed and published by . This book was released on 2020 with total page 283 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Isaac Reed's Power in Modernity aims to be a major contribution to social theory. It is a bold and innovative theoretical reimagining of power. Drawing on an eclectic range of ideas from across the humanities and social sciences, Reed rethinks the fundamentals of sociological theorizing of power-upsetting canonical traditions and remaking them with insights from poststructuralism, postcolonial theory, and critical race studies. First, Reed conceptualizes power as having three aspects: relational, discursive, and performative. He explores these aspects in relation to three different kinds of social actors-rector, agent, and other-and their connections. In essence, Reed brings power in the actions of individuals into relation with a wide range of institutional circumstances of power while neatly finessing the outmoded agency/structure binary. The result is a framework for the analysis of power that allows us to see both its sometimes fragile and precarious character, as well as its more typical stability and durability. We also get a window onto the episodic performances of power and how they institutionalize or unravel social orders. Power in Modernity is sure to be of interest to political sociologists and social theorists especially, and it will serve sociologists and other social scientists well who are interested in how power operates across many different social situations"--
Download or read book Modernism and Authority written by Mark Conroy and published by . This book was released on 1985-01-01 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Promise of Pragmatism written by John Patrick Diggins and published by University of Chicago Press. This book was released on 1995-05-15 with total page 534 pages. Available in PDF, EPUB and Kindle. Book excerpt: For much of our century, pragmatism has enjoyed a charmed life, holding the dominant point of view in American politics, law, education, and social thought in general. After suffering a brief eclipse in the post-World War II period, pragmatism has enjoyed a revival, especially in literary theory and such areas as poststructuralism and deconstruction. In this sweeping critique of pragmatism and neopragmatism, one of our leading intellectual historians traces the attempts of thinkers from William James to Richard Rorty to find a response to the crisis of modernism. John Patrick Diggins analyzes the limitations of pragmatism from a historical perspective and dares to ask whether America's one original contribution to the world of philosophy has actually fulfilled its promise. In the late nineteenth century, intellectuals felt themselves in the grips of a spiritual crisis. This confrontation with the "acids of modernity" eroded older faiths and led to a sense that life would continue in the awareness, of absences: knowledge without truth, power without authority, society without spirit, self without identity, politics without virtue, existence without purpose, history without meaning. In Europe, Friedrich Nietzsche and Max Weber faced a world in which God was "dead" and society was succumbing to structures of power and domination. In America, Henry Adams resigned from Harvard when he realized there were no truths to be taught and when he could only conclude: "Experience ceases to educate." To the American philosophers of pragmatism, it was experience that provided the basis on which new methods of knowing could replace older ideas of truth. Diggins examines how, in different ways, William James, Charles Peirce, John Dewey, George H. Mead, and Oliver Wendell Holmes, Jr., demonstrated that modernism posed no obstacle in fields such as science, education, religion, law, politics, and diplomacy. Diggins also examines the work of the neopragmatists Jurgen Habermas and Richard Rorty and their attempt to resolve the crisis of postmodernism. Using one author to interrogate another, Diggins brilliantly allows the ideas to speak to our conditions as well as theirs. Did the older philosophers succeed in fulfilling the promises of pragmatism? Can the neopragmatists write their way out of what they have thought themselves into? And does America need philosophers to tell us that we do not need foundational truths when the Founders already told us that the Constitution would be a "machine" that would depend more upon the "counterpoise" of power than on the claims of knowledge? Diggins addresses these and other essential questions in this magisterial account of twentieth-century intellectual life. It should be read by everyone concerned about the roots of postmodernism (and its links to pragmatism) and about the forms of thought and action available for confronting a world after postmodernism.
Download or read book The Crisis of Authority in Catholic Modernity written by Michael J. Lacey and published by Oxford University Press. This book was released on 2011-04-06 with total page 393 pages. Available in PDF, EPUB and Kindle. Book excerpt: It is fairly clear that, while Rome continues to teach as if its authority were unchanged from the days before Vatican II (1962-65), the majority of Catholics - within the first-world church, at least - take a far more independent line, and increasingly understand themselves (rather than the church) as the final arbiter of decision-making, especially on ethical questions. This collection of essays explores the historical background and present ecclesial situation, explaining the dramatic shift in attitude on the part of contemporary Catholics in the U.S. and Europe.
Download or read book Modernism written by Richard Weston and published by . This book was released on 2001-04-24 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: A comprehensive survey tracing the course of the Modernist movement.
Download or read book Modernism and Revolution written by Victor Erlich and published by Harvard University Press. This book was released on 1994 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Now that the political rhetoric can end, Erlich (Russian literature, Yale U.) examines the impact of the 1917 revolution on Russian poetry, criticism, and artistic prose. He looks at the flirtations with modernism of the early 20th century and compares the futurists, formalists, novelists, and short-story writers of the first decade of the new social and political order. Assumes no knowledge of Russian. Annotation copyright by Book News, Inc., Portland, OR
Download or read book Modernism written by Alfred Leslie Lilley and published by . This book was released on 1908 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Modernism written by Michael Levenson and published by Yale University Press. This book was released on 2011-01-01 with total page 493 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this wide-ranging and original account of Modernism, Michael Levenson draws on more than twenty years of research and a career-long fascination with the movement, its participants, and the period during which it thrived. Seeking a more subtle understanding of the relations between the period's texts and contexts, he provides not only an excellent survey but also a significant reassessment of Modernism itself. Spanning many decades, illuminating individual achievements and locating them within the intersecting histories of experiment (Symbolism to Surrealism, Naturalism to Expressionism, Futurism to Dadaism), the book places the transformations of culture alongside the agitations of modernity (war, revolution, feminism, psychoanalysis). In this perspective, Modernism must be understood more broadly than simply in terms of its provocative works, experimental forms, and singular careers. Rather, as Levenson demonstrates, Modernism should be viewed as the emergence of an adversary culture of the New that depended on audiences as well as artists, enemies as well as supporters. -- Book Description.
Download or read book Modernism written by Anna Anselmo and published by EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica. This book was released on 2014-10-01 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: The term “modernism” serves as a label for a variety of tendencies, attitudes, convictions, and for works of art disparate in quality and meaning, but alike in spirit and, sometimes, conception. Critics have been at pains to define modernism; some even wonder whether it should be defined at all. This introduction aims at presenting a number of critical attitudes to modernism in the hope of offering readers both a critical landscape and the necessary coordinates for the discovery of the literary and cultural patchwork of which modernism is composed. The Oxford English Dictionary identifies “modernism” as the portmanteau term for “[a]ny of various movements in art, architecture, literature, etc., generally characterized by a deliberate break with classical and traditional forms or methods of expression;” moreover, ‘modernism’ refers to “the work or ideas of the adherents of such a movement”. The definition is sufficiently informative, but it offers no chronological coordinates and is rather general. Every new artistic movement is characterized by “a deliberate break with classical and traditional forms or methods of expression”; in this respect, the Elizabethans were modernists, as were the Romantics; moreover, the definition not only considers “modernism” as referring to “various movements”, but also mentions such disparate fields as “art, architecture, literature, etc.”. In pointing out the limits of the OED definition, I do not intend to question the lexicographers’ ability; on the contrary, I intend to set forth a hypothesis: when attempting to define modernism, every effort, even the most accurate and refined, falls short of the mark, because modernism simply defies definition, as would any artistic movement which counts relative chronological indeterminateness and inherent diversity among its more interesting peculiarities. Furthermore, the idea of modernism is perhaps more enticing and familiar than the reality of it, it is thus hard to step away from prejudices and commonplaces to look at the object of study itself. “Modernism,” Lawrence Rainey writes, “is preceded by its reputation, or even by several reputations: it is endowed with authority so monumental that a reader is tempted to overlook the very experience of encountering modernist works; or it is attended with such opprobrium (the modernists were all fascists or anti-Semites, or if not that, “elitists”) that one might wonder why anyone had bothered to read them at all. It is easy, too easy, to slight the grisly comedy or miss the mordant wit, to skim the surface of dazzling surprises, to neglect the sheer wildness and irredeemable opacity at the heart of modernist work”. Tratto dall'Introduzione dell'Autrice
Download or read book A Catechism of Modernism written by J. B. Lemius and published by . This book was released on 1908 with total page 178 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Programme of Modernism written by Ernesto Buonaiuti and published by . This book was released on 1908 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literature Modernism and Myth written by Michael Bell and published by Cambridge University Press. This book was released on 1997-01-28 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: The use of myth in Modernist literature is a misleadingly familiar theme. Joyce's appropriation of Homer's Odyssey and Eliot's of Frazer's Golden Bough are, like Lawrence's primitivism or Yeats's nationalist folklore, attempts to discover an underlying metaphysic in an increasingly fragmented world. In Literature, Modernism and Myth Michael Bell also examines the relationship of myth and modernism to postmodernism. Myth, Bell shows, is inherently flexible; it was used to justify Pound's totalizing vision of society which eventually descended into fascism, and the liberal, ironic vision of human existence Joyce and Mann expressed. Those theorists who present myth as another form of mystification, a search for false origins, ignore its use by modernists to emphasise the ultimate contingency of all values. This anti-foundational element, Bell claims, enables myth to act as a corrective to the claims of ideological critique. Bell shows how postmodern concerns with political and social responsibility, and the role literature plays in formulating this, have in fact been inherited from modernism.
Download or read book Modernist Impersonalities written by R. Rives and published by Springer. This book was released on 2012-08-16 with total page 203 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rives uncovers a context of aesthetic and social debate that modernist studies has yet to fully articulate, examining what it meant, for various intellectuals working in early twentieth-century Britain and America, to escape from personality.
Download or read book Modernism and Race written by Len Platt and published by Cambridge University Press. This book was released on 2011-02-24 with total page 231 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 'transnational' turn has transformed modernist studies, challenging Western authority over modernism and positioning race and racial theories at the very centre of how we now understand modern literature. Modernism and Race examines relationships between racial typologies and literature in the late nineteenth and early twentieth centuries, drawing on fin de siécle versions of anthropology, sociology, political science, linguistics and biology. Collectively, these essays interrogate the anxieties and desires that are expressed in, or projected onto, racialized figures. They include new outlines of how the critical field has developed, revaluations of canonical modernist figures like James Joyce, T. S. Eliot, Ford Madox Ford and Wyndham Lewis, and accounts of writers often positioned at the margins of modernism, such as Zora Neale Hurston, Claude McKay and the Holocaust writers Solomon Perel and Gisella Perl. This collection by leading scholars of modernism will make an important contribution to a growing field.
Download or read book Modernism A Very Short Introduction written by Christopher Butler and published by Oxford University Press. This book was released on 2010-07-29 with total page 137 pages. Available in PDF, EPUB and Kindle. Book excerpt: A compact introduction to modernism--why it began, what it is, and how it hasshaped virtually all aspects of 20th and 21st century life
