Download or read book Memoirs of Charles Macklin Comedian written by William Cook and published by . This book was released on 1804 with total page 542 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Memoirs of Charles Macklin Comedian written by William Cooke and published by . This book was released on 1806 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Memoirs of Charles Macklin Comedian written by Charles Macklin and published by . This book was released on 1804 with total page 470 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Memoirs of Charles Macklin Comedian The second edition With a portrait written by William COOKE (Barrister-at-Law, of the Middle Temple.) and published by . This book was released on 1806 with total page 488 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Memoirs of Charles Macklin Comedian with the Dramatic Characters Manners Anecdotes c of the Age in which He Lived and a Chronological List of All the Parts Played by Him written by Charles Macklin and published by . This book was released on 1804 with total page 472 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Authentic Memoirs of the late Mr Charles Macklin comedian etc With a portrait written by Francis Aspry CONGREVE and published by . This book was released on 1798 with total page 56 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Charles Macklin and the Theatres of London written by Ian Newman and published by Liverpool University Press. This book was released on 2022-02-15 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt: Charles Macklin (1699?–1797) was one of the most important figures in the eighteenth-century theatre. Born in Ireland, he began acting in London in around 1725 and gave his final performance in 1789 – no other actor can claim to have acted across seven decades of the century, from the reign of George I to the Regency Crisis of 1788. He is credited alongside Garrick with the development of the natural school of acting and gave a famous performance of Shylock that gave George II nightmares. As a dramatist, he wrote one of the great comic pieces of the mid-century (Love à la Mode, 1759), as well as the only play of the century to be twice refused a performance licence (The Man of the World, 1781). He opened an experimental coffeehouse in Covent Garden, he advocated energetically for actors’ rights and copyright reform for dramatists, and he successfully sued theatre rioters. In short, he had an astonishingly varied career. With essays by leading experts on eighteenth-century culture, this volume provides a sustained critical examination of his career, illuminating many aspects of eighteenth-century theatrical culture and of the European Enlightenment, and explores the scholarly benefit – and thrill – of restaging Macklin’s work in the twenty-first century.
Download or read book The Birth of Modern Theatre written by Norman S. Poser and published by Routledge. This book was released on 2018-09-20 with total page 305 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Birth of Modern Theatre: Rivalry, Riots, and Romance in the Age of Garrick is a vivid description of the eighteenth-century London theatre scene—a time when the theatre took on many of the features of our modern stage. A natural and psychologically based acting style replaced the declamatory style of an earlier age. The theatres were mainly supported by paying audiences, no longer by royal or noble patrons. The press determined the success or failure of a play or a performance. Actors were no longer shunned by polite society, some becoming celebrities in the modern sense. The dominant figure for thirty years was David Garrick, actor, theatre manager and playwright, who, off the stage, charmed London with his energy, playfulness, and social graces. No less important in defining eighteenth-century theatre were its audiences, who considered themselves full-scale participants in theatrical performances; if they did not care for a play, an actor, or ticket prices, they would loudly make their wishes known, sometimes starting a riot. This book recounts the lives—and occasionally the scandals—of the actors and theatre managers and weaves them into the larger story of the theatre in this exuberant age, setting the London stage and its leading personalities against the background of the important social, cultural, and economic changes that shaped eighteenth-century Britain. The Birth of Modern Theatre brings all of this together to describe a moment in history that sowed the seeds of today’s stage.
Download or read book Lives of Shakespearian Actors Part I Volume 2 written by Gail Marshall and published by Taylor & Francis. This book was released on 2024-10-28 with total page 331 pages. Available in PDF, EPUB and Kindle. Book excerpt: Focuses on David Garrick and the leading actors of his company at Drury Lane. This book tells how, in their time, Garrick, Macklin and Woffington were as famous for their achievements on the stage as they were infamous for their activities off it. It draws a selection of the actors' own words with those of their contemporaries and critics.
Download or read book Staging Memory and Materiality in Eighteenth Century Theatrical Biography written by Amanda Weldy Boyd and published by Anthem Press. This book was released on 2017-12-15 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: “Staging Memory and Materiality in Eighteenth-Century Theatrical Biography” examines theatrical biography as a nascent genre in eighteenth-century England. This study specifically focuses on Thomas Davies’ 1780 memoir of David Garrick as the first moment of mastery in the genre’s history, the three-way war for the right to tell Charles Macklin’s story at the turn of the century and James Boaden’s theatrical biography spree in the 1820s and 1830s, including the lives of John Philip Kemble, Sarah Siddons, Dorothy Jordan and Elizabeth Inchbald. This project investigates the extent to which biographers envisioned themselves as artists, inheriting the anxiety of impermanence and correlating fear of competition that plagued their thespian subjects. It traces a suggestive, but not determinative, outline of generic development, noting the shifting generic features that emerge in context of a given work’s predecessors. Drawing heavily on primary sources, then-contemporary reviews and archival material in the form of extra-illustrated or “scrapbooked” editions of the biographies, this text is invested in the ways that the increasing emphasis on materiality was designed to consolidate, but often challenged, the biographer’s authority. This turn to materiality also authorized readerly participation, allowing readers to “co-author” biographies through the use of material insertions, asserting their own presence in the texts about beloved thespians.
Download or read book Anti Semitic Stereotypes written by Frank Felsenstein and published by JHU Press. This book was released on 1999-03-19 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work focuses on English cultural attitudes toward Jews from roughly 1660 to 1830. Frank Felsenstein describes the persistence through the period of certain negative biases that, in many cases, can be traced back at least to the late Middle Ages
Download or read book A Catalogue of the Allen A Brown Collection of Books Relating to the Stage in the Public Library of the City of Boston written by Allen A. Brown Collection (Boston Public Library) and published by Boston : The Trustees. This book was released on 1919 with total page 976 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Owning Performance Performing Ownership written by Jane Wessel and published by University of Michigan Press. This book was released on 2022-07-14 with total page 229 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays. Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.
Download or read book British Museum Catalogue of printed Books written by and published by . This book was released on 1891 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Catalogue of Printed Books written by and published by . This book was released on 1891 with total page 466 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Great Shakespeare Actors written by Stanley Wells and published by OUP Oxford. This book was released on 2015-04-23 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Great Shakespeare Actors offers a series of essays on great Shakespeare actors from his time to ours, starting by asking whether Shakespeare himself was the first--the answer is No--and continuing with essays on the men and women who have given great stage performances in his plays from Elizabethan times to our own. They include both English and American performers such as David Garrick, Sarah Siddons, Charlotte Cushman, Ira Aldridge, Edwin Booth, Henry Irving, Ellen Terry, Edith Evans, Laurence Olivier, John Gielgud, Ralph Richardson, Peggy Ashcroft, Janet Suzman, Judi Dench, Ian McKellen, and Kenneth Branagh. Individual chapters tell the story of their subjects' careers, but together these overlapping tales combine to offer a succinct, actor-centred history of Shakespearian theatrical performance. Stanley Wells examines what it takes to be a great Shakespeare actor and then offers a concise sketch of each actor's career in Shakespeare, an assessment of their specific talents and claims to greatness, and an account, drawing on contemporary reviews, biographies, anecdotes, and, for some of the more recent actors, the author's personal memories of their most notable performances in Shakespeare roles.
Download or read book The New Cambridge Bibliography of English Literature Volume 2 1660 1800 written by George Watson and published by Cambridge University Press. This book was released on 1971-07-02 with total page 1698 pages. Available in PDF, EPUB and Kindle. Book excerpt: More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
