Download or read book Melodramatic Voices written by Sarah Hibberd and published by Ashgate Publishing, Ltd.. This book was released on 2011 with total page 326 pages. Available in PDF, EPUB and Kindle. Book excerpt: The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image.
Download or read book Melodramatic Voices Understanding Music Drama written by Sarah Hibberd and published by Routledge. This book was released on 2016-04-22 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: The genre of mélodrame à grand spectacle that emerged in the boulevard theatres of Paris in the 1790s - and which was quickly exported abroad - expressed the moral struggle between good and evil through a drama of heightened emotions. Physical gesture, mise en scène and music were as important in communicating meaning and passion as spoken dialogue. The premise of this volume is the idea that the melodramatic aesthetic is central to our understanding of nineteenth-century music drama, broadly defined as spoken plays with music, operas and other hybrid genres that combine music with text and/or image. This relationship is examined closely, and its evolution in the twentieth century in selected operas, musicals and films is understood as an extension of this nineteenth-century aesthetic. The book therefore develops our understanding of opera in the context of melodrama's broader influence on musical culture during the nineteenth and twentieth centuries. This book will appeal to those interested in film studies, drama, theatre and modern languages as well as music and opera.
Download or read book The Cambridge Companion to English Melodrama written by Carolyn Williams and published by Cambridge University Press. This book was released on 2018-10-04 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
Download or read book The Melodramatic Moment written by Katherine Hambridge and published by University of Chicago Press. This book was released on 2018-07-16 with total page 295 pages. Available in PDF, EPUB and Kindle. Book excerpt: We seem to see melodrama everywhere we look—from the soliloquies of devastation in a Dickens novel to the abject monstrosity of Frankenstein’s creation, and from Louise Brooks’s exaggerated acting in Pandora’s Box to the vicissitudes endlessly reshaping the life of a brooding Don Draper. This anthology proposes to address the sometimes bewilderingly broad understandings of melodrama by insisting on the historical specificity of its genesis on the stage in late-eighteenth-century Europe. Melodrama emerged during this time in the metropolitan centers of London, Paris, Vienna, and Berlin through stage adaptations of classical subjects and gothic novels, and they became famous for their use of passionate expression and spectacular scenery. Yet, as contributors to this volume emphasize, early melodramas also placed sound at center stage, through their distinctive—and often disconcerting—alternations between speech and music. This book draws out the melo of melodrama, showing the crucial dimensions of sound and music for a genre that permeates our dramatic, literary, and cinematic sensibilities today. A richly interdisciplinary anthology, The Melodramatic Moment will open up new dialogues between musicology and literary and theater studies.
Download or read book The Elocutionists written by Marian Wilson Kimber and published by University of Illinois Press. This book was released on 2017-01-19 with total page 348 pages. Available in PDF, EPUB and Kindle. Book excerpt: Emerging in the 1850s, elocutionists recited poetry or drama with music to create a new type of performance. The genre--dominated by women--achieved remarkable popularity. Yet the elocutionists and their art fell into total obscurity during the twentieth century. Marian Wilson Kimber restores elocution with music to its rightful place in performance history. Gazing through the lenses of gender and genre, Wilson Kimber argues that these female artists transgressed the previous boundaries between private and public domains. Their performances advocated for female agency while also contributing to a new social construction of gender. Elocutionists, proud purveyors of wholesome entertainment, pointedly contrasted their "acceptable" feminine attributes against those of morally suspect actresses. As Wilson Kimber shows, their influence far outlived their heyday. Women, the primary composers of melodramatic compositions, did nothing less than create a tradition that helped shape the history of American music.
Download or read book The Cambridge Companion to English Melodrama written by Carolyn Williams and published by Cambridge University Press. This book was released on 2018-10-04 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: This newly commissioned series of essays by leading scholars is the first volume to offer both an overview of the field and also current emerging critical views on the history, form, and influence of English melodrama. Authoritative voices provide an introduction to melodrama's early formal features such as tableaux and music, and trace the development of the genre in the nineteenth century through the texts and performances of its various sub-genres, the theatres within which the plays were performed, and the audiences who watched them. The historical contexts of melodrama are considered through essays on topics including contemporary politics, class, gender, race, and empire. And the extensive influences of melodrama are demonstrated through a wide-ranging assessment of its ongoing and sometimes unexpected expressions - in psychoanalysis, in other art forms (the novel, film, television, musical theatre), and in popular culture generally - from the nineteenth to the twenty-first century.
Download or read book Melodrama written by Jonathan Goldberg and published by Duke University Press. This book was released on 2016-07-21 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Offering a new queer theorization of melodrama, Jonathan Goldberg explores the ways melodramatic film and literature provide an aesthetics of impossibility. Focused on the notion of what Douglas Sirk termed the "impossible situation" in melodrama, such as impasses in sexual relations that are not simply reflections of social taboo and prohibitions, Goldberg pursues films by Rainer Werner Fassbinder and Todd Haynes that respond to Sirk's prompt. His analysis hones in on melodrama's original definition--a form combining music and drama--as he explores the use of melodrama in Beethoven's opera Fidelio, films by Alfred Hitchcock, and fiction by Willa Cather and Patricia Highsmith, including her Ripley novels. Goldberg illuminates how music and sound provide queer ways to promote identifications that exceed the bounds of the identity categories meant to regulate social life. The interaction of musical, dramatic, and visual elements gives melodrama its indeterminacy, making it resistant to normative forms of value and a powerful tool for creating new potentials.
Download or read book Liszt and the Symphonic Poem written by Joanne Cormac and published by Cambridge University Press. This book was released on 2017-10-26 with total page 381 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fresh evaluation of Liszt's symphonic poems, based on contextual, philosophical and musical evidence.
Download or read book Werner s Voice Magazine written by Edgar S. Werner and published by . This book was released on 1896 with total page 1366 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book What do you understand by the term melodrama Melodramatic components of Jane Eyre written by Reni Ernst and published by GRIN Verlag. This book was released on 2008-01-03 with total page 11 pages. Available in PDF, EPUB and Kindle. Book excerpt: Seminar paper from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, University College Dublin (Faculty of Arts; School of English and Drama), language: English, abstract: In the following essay I will examine the term melodrama and its features. Accompanying I will give an account of the melodramatic components of the 19th century novel Jane Eyre by Charlotte Brontë. Both, melodrama and Jane Eyre, had their biggest impetus in the 19th century, thus have specific elements in common. Although Jane Eyre is not a drama to be played on stage it still concludes several melodramatic attributes, which will be specified after analyzing the term melodrama. The term melo originates from the Greek word melos, meaning music, which together with the annex drama simply refers to a stage play accompanied with music. Jean Jacques Rousseau is said to have firstly used a method of linking words with music in Pygmalion of 1770. In early 19th century use, melodrama referred to a stage play with interspersing songs and actors supported by music. By the end of the century the term had almost exclusively narrowed down to a dramatic piece marked by sensations, appeals to the emotions and a happy ending. Nevertheless music remained and still remains a crucial element to emphasize and intensify characters and scenes presented on stage and nowadays particularly in films. This musical element can also be found in the novels primarily of the 19th century expressed in a specific literary style, Brooks describes as follows:
Download or read book Music for the Melodramatic Theatre in Nineteenth Century London and New York written by Michael V. Pisani and published by University of Iowa Press. This book was released on 2014-06-01 with total page 415 pages. Available in PDF, EPUB and Kindle. Book excerpt: Throughout the nineteenth century, people heard more music in the theatre—accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom’s Cabin, Lady Audley’s Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller—than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sounds. Mining old manuscripts and newspapers, he finds that starting in the 1790s, theatrical managers in Britain and the United States began to rely on music to play an interpretive role in melodramatic productions. During the nineteenth century, instrumental music—in addition to song—was a common feature in the production of stage plays. The music played by instrumental ensembles not only enlivened performances but also served other important functions. Many actors and actresses found that accompanimental music helped them sustain the emotional pitch of a monologue or dialogue sequence. Music also helped audiences to identify the motivations of characters. Playwrights used music to hold together the hybrid elements of melodrama, heighten the build toward sensation, and dignify the tragic pathos of villains and other characters. Music also aided manager-directors by providing cues for lighting and other stage effects. Moreover, in a century of seismic social and economic changes, music could provide a moral compass in an uncertain moral universe. Featuring dozens of musical examples and images of the old theatres, Music for the Melodramatic Theatre charts the progress of the genre from its earliest use in the eighteenth century to the elaborate stage productions of the very early twentieth century.
Download or read book Between Hisses written by Paul Nolan and published by . This book was released on 2005-04-10 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt: An overview of melodrama and its distinct characteristics, historical development with intellectual commentary on how to present it most effectively including how to: stage a production, warm up the audience, introduce characters, use melodramatic gestures, and incorporate olios. Includes easy-to-read music for 12 songs from the era.
Download or read book Wagner s Melodies written by David Trippett and published by Cambridge University Press. This book was released on 2013-05-02 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Wagner's Melodies places the composer's ideas about melody in the context of the scientific discourse of his age.
Download or read book Melodrama Unbound written by Christine Gledhill and published by Columbia University Press. This book was released on 2018-05-08 with total page 761 pages. Available in PDF, EPUB and Kindle. Book excerpt: For too long melodrama has been associated with outdated and morally simplistic stereotypes of the Victorian stage; for too long film studies has construed it as a singular domestic genre of familial and emotional crises, either subversively excessive or narrowly focused on the dilemmas of women. Drawing on new scholarship in transnational theatrical, film, and cultural histories, this collection demonstrates that melodrama is a transgeneric mode that has long spoken to fundamental aspects of modern life and feeling. Pointing to melodrama’s roots in the ancient Greek combination of melos and drama, and to medieval Christian iconography focused on the pathos of Christ as suffering human body, the volume highlights the importance to modernity of melodrama as a mode of emotional dramaturgy, the social and aesthetic conditions for which emerged long before the French Revolution. Contributors articulate new ways of thinking about melodrama that underscore its pervasiveness across national cultures and in a variety of genres. They examine how melodrama has traveled to and been transformed in India, China, Japan, and South America, whether through colonial circuits or later, globalization; how melodrama mixes with other modes such as romance, comedy, and realism; and finally how melodrama has modernized the dramatic functions of gender, class, and race by orchestrating vital aesthetic and emotional experiences for diverse audiences.
Download or read book Musical News written by and published by . This book was released on 1901 with total page 742 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Theatre and Voice written by Konstantinos Thomaidis and published by Red Globe Press. This book was released on 2017-07-27 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: How can we rethink the importance of voice in performance? How can we understand voice simultaneously as music and text, as sound and body, or as both personal and political? This book explores voice across genres, media and cultures, inviting the reader to reassess established ways of analysing, enjoying and listening to voice. Using a wide range of case studies integrated with critical and philosophical frameworks, it makes audible the multiple ways in which voice contributes to how we perform identities. From opera and musical theatre to live art and immersive audio walks, Konstantinos Thomaidis presents voice as plural, elusive and ripe for reinvention. Konstantinos Thomaidis is Lecturer in Drama, Theatre and Performance at the University of Exeter, UK.
Download or read book The Cambridge Companion to Film Music written by Mervyn Cooke and published by Cambridge University Press. This book was released on 2016-12-08 with total page 756 pages. Available in PDF, EPUB and Kindle. Book excerpt: This wide-ranging and thought-provoking collection of specially-commissioned essays provides a uniquely comprehensive overview of the many and various ways in which music functions in film soundtracks. Citing examples from a variety of historical periods, genres and film industries - including those of the USA, UK, France, Italy, India and Japan - the book's contributors are all leading scholars and practitioners in the field. They engage, sometimes provocatively, with numerous stimulating aspects of the history, theory and practice of film music in a series of lively discussions which will appeal as much to newcomers to this fascinating subject as to seasoned film music aficionados. Innovative research and fresh interpretative perspectives are offered alongside practice-based accounts of the film composer's distinctive art, with examples cited from genres as contrasting as animation, the screen musical, film noir, Hollywood melodrama, the pop music and jazz film, documentary, period drama, horror, science fiction and the Western.
