Download or read book A Companion to Medieval Art written by Conrad Rudolph and published by John Wiley & Sons. This book was released on 2019-05-07 with total page 1040 pages. Available in PDF, EPUB and Kindle. Book excerpt: A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions covering reception, formalism, Gregory the Great, pilgrimage art, gender, patronage, marginalized images, the concept of spolia, manuscript illumination, stained glass, Cistercian architecture, art of the crusader states, and more. Newly revised edition of a highly successful companion, including 11 new articles Comprehensive coverage ranging from vision, materiality, and the artist through to architecture, sculpture, and painting Contains full-color illustrations throughout, plus notes on the book’s many distinguished contributors A Companion to Medieval Art: Romanesque and Gothic in Northern Europe, Second Edition is an exciting and varied study that provides essential reading for students and teachers of Medieval art.
Download or read book Medieval Painting in Northern Europe written by Unn Plahter and published by Archetype Publications. This book was released on 2006 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: This text of analytical and art historical research on medieval painting and polychromy is published to commemorate the 70th birthday of Unn Plahter.
Download or read book Painting and Politics in Northern Europe written by Margaret Deutsch Carroll and published by Penn State University Press. This book was released on 2008 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: " ... offers a chronological account of political engagement in works by early modern Northern European painters Jan van Eyck, Pieter Bruegel the Elder, Peter Paul Rubens, and Frans Snyders."--Page 4 of cover.
Download or read book The Agency of Art Objects in Northern Europe 1380 1520 written by Antoni Ziemba and published by Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften. This book was released on 2021-03-19 with total page 1032 pages. Available in PDF, EPUB and Kindle. Book excerpt: This monograph book offers a new interpretation of northern European art of the fifteenth century. The author presents it as a conglomerate of objects-things which act on the recipient in a specific - material and spatial - way. He analyzes macro-scale objects that impose movement on the viewer, and micro-scale objects that encourage manipulation. Inspired by the anti-anthropocentric concept of "returning to things" (B. Latour, A. Gell and others), the author searches for the "agency of things" in late-medieval art objects, which evoke specific liturgical, devotional, propaganda-political behaviors, or establish the status of social owner of the object that once co-created the network of material and spiritual culture. This methodologically innovative approach is part of the latest research in early art in Western Europe and the United States.
Download or read book A Companion to Medieval Art written by Conrad Rudolph and published by . This book was released on 2006 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Pigments of English Medieval Wall Painting written by Helen Howard and published by Archetype Publications. This book was released on 2003 with total page 400 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Pigments of English Medieval Wall Painting, the author demonstrates that the techniques of wall painting in medieval England were far more complex than had previously been supposed. This is the first systematic analysis of the pigments employed in medieval wall paintings in northern Europe, covering an extensive selection of schemes from a variety of sites including parish churches, cathedrals and abbeys (Canterbury, Westminster, Norwich, Winchester, St Albans, Sherborne and Durham). The nature and extent of the palette used is revealed as well as the sophistication with which pigments were applied to achieve differing effects. Thirty pigments are detected including four previously unknown in the context of English medieval wall paintings - vivianite, salt green, kermes lake and madder lake. Also discovered are three alterations of pigments: the lightening of red lead; alteration of vivianite to a yellow form and the transformation of verdigris to a blue chloride-based alteration product. The use of different binding media employed for particular pigments in a single paint layer demonstrates the complex manner in which paintings were executed.The findings, discussed in the context of wall painting, sculptural polychromy and panel painting techniques in medieval northern Europe, show the broad chronological development in the choice, fabrication and application of materials linked to changes in artistic intent, technology and workshop practice. Beautifully illustrated with more than 200 colour plates, Pigments of English Medieval Wall Painting has significant implications for the conservation methods of such paintings and is an important source of information for all those interested in pigments and paintings.
Download or read book Art and Architecture of Late Medieval Pilgrimage in Northern Europe and the British Isles written by and published by BRILL. This book was released on 2022-07-18 with total page 912 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Primacy of the Image in Northern European Art 1400 1700 written by Debra Cashion and published by BRILL. This book was released on 2017-08-21 with total page 631 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Primacy of the Image in Northern Art 1400-1700: Essays in Honor of Larry Silver is an anthology of 42 essays written by distinguished scholars on current research and methodology in the art history of Northern Europe of the late medieval and early modern periods. Written in tribute to Larry Silver, Farquhar Professor of the History of Art at the University of Pennsylvania, the topics are inspired by Professor Silver’s renowned scholarship in these areas: Early Netherlandish Painting and Prints; Sixteenth-Century Netherlandish Painting; Manuscripts, Patrons, and Printed Books; Dürer and the Power of Pictures; Prints and Printmaking; and Seventeenth-Century Painting. Studies of specific artists include Hans Memling, Albrecht Dürer, Hans Baldung Grien, Hieronymus Bosch, Pieter Bruegel, Hendrick Goltzius, and Rembrandt.
Download or read book Art and Architecture of Late Medieval Pilgrimage in Northern Europe and the British Isles written by and published by BRILL. This book was released on 2022-07-18 with total page 271 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painting and Patronage in Cologne 1300 1500 written by Brigitte Corley and published by Harvey Miller. This book was released on 2000 with total page 384 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cologne in the later Middle Ages was an elegant and wealthy mercantile city much favoured by popes and emperors. The largest town in Northern Europe, the site of an important university and seat of a major archbishopric, it had a cosmopolitan population of painters, illuminators, sculptors and goldsmiths and a patrician class who were sophisticated collectors and knowledgeable patrons of art. This book - the first such study in English - traces the development of the Cologne school of painting over two centuries. It begins with the period before 1400, when the adaption of French ideas to the indige- nous tradition produced an elegant, genteel art, characterized by elongated figures and graceful gestures. A change was heralded by the Veronica Master's introduction of the International Courtly Style around 1400, with its sophisticated iconography, costly pigments, exquisite punchwork, gesso jewels and precious brocade fabrics, and by the Dombild Master's introduction around 1440 of Eyckian proportions and realism. In the final phase of this development, the Master of the St Bartholomew Altarpiece opened the door to the Renaissance with his highly distinctive style and innovative iconography. The book is fully illustrated and accompanied by a translation of the guild regulations; a biographical index of archbishops and lay patrons; and a hand- list of cited panels grouped according to location.
Download or read book Early Medieval Art written by Lawrence Nees and published by Oxford University Press, USA. This book was released on 2002 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Download or read book Public Painting and Visual Culture in Early Republican Florence written by George Bent and published by Cambridge University Press. This book was released on 2017-01-16 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Street corners, guild halls, government offices, and confraternity centers contained paintings that made the city of Florence a visual jewel at precisely the time of its emergence as an international cultural leader. This book considers the paintings that were made specifically for consideration by lay viewers, as well as the way they could have been interpreted by audiences who approached them with specific perspectives. Their belief in the power of images, their understanding of the persuasiveness of pictures, and their acceptance of the utterly vital role that art could play as a propagator of civic, corporate, and individual identity made lay viewers keenly aware of the paintings in their midst. Those pictures affirmed the piety of the people for whom they were made in an age of social and political upheaval, as the city experimented with an imperfect form of republicanism that often failed to adhere to its declared aspirations.
Download or read book Almost Eternal Painting on Stone and Material Innovation in Early Modern Europe written by and published by BRILL. This book was released on 2018-03-12 with total page 387 pages. Available in PDF, EPUB and Kindle. Book excerpt: Almost Eternal: Painting on Stone and Material Innovation in Early Modern Europe gathers together an international group of ten scholars, who offer a novel account of the phenomenon of oil painting on stone surfaces in Northern and Southern Europe. This technique was devised in Rome by Sebastiano del Piombo in the early sixteenth century and was practiced until the late seventeenth century. This phenomenon has attracted little attention previously: the volume therefore makes a significant and timely contribution to the field in the light of recent studies of materiality and the rise of technical Art History. Contributors: Nadia Baadj, Piers Baker-Bates, Elena Calvillo, Ana Gonsalez Mozo, Anna Kim, Helen Langdon, Johanna Beate Lohff, Judith Mann, Christopher Nygren, Suzanne Wegmann, and Giulia Martina Weston.
Download or read book Renaissance Gothic written by Ethan Matt Kavaler and published by . This book was released on 2012-01-01 with total page 332 pages. Available in PDF, EPUB and Kindle. Book excerpt: This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Download or read book Saints Sinners and Sisters written by JaneL. Carroll and published by Routledge. This book was released on 2017-07-05 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: A collection of original essays, Saints, Sinners, and Sisters showcases the diverse questions currently being asked by gender scholars dealing with French, Netherlandish and German art from the medieval and early modern periods. Moving beyond the reclamation of personalities and oeuvres of 'lost' female artists, the contributors pose questions about gender and sex within specific historical contexts, addressing such issues as intended audience, use of the object, and patronage. These avenues of inquiry intersect with larger cultural questions concerning societal control of women. The book's three sections, 'Saints,' 'Sinners,' and 'Sisters, Wives, Poets' are each preceded by a concise introductory essay, detailing themes and offering reflective comparisons of theses and information. In 'Saints,' contributors look at women who were positive exemplar used by society to uphold standards. In the second section, the essays focus on the power of women's sexuality. The third section expands beyond the customary dichotomous division of the first two to examine women in diverse roles not widely studied as positions of women in those times. This final section expands our definitions of women's responsibilities and realigns them historically; it argues that women, and thus gender, need to be understood within a much broader historical context and beyond simplistic approaches sometimes superimposed by present-day readers on past times. This volume answers an acute need for research on the art of Northern Europe prior to the 20th century, and highlights the possibilities of new directions in the field. The effect of the new scholarship presented here is to broaden the discursive field, allowing fluidity of disciplinary boundaries, resulting in a volume that is illuminating to historians of more than art alone.
Download or read book Pen and Parchment written by Melanie Holcomb and published by Metropolitan Museum of Art. This book was released on 2009 with total page 204 pages. Available in PDF, EPUB and Kindle. Book excerpt: Discusses the techniques, uses, and aesthetics of medieval drawings; and reproduces work from more than fifty manuscripts produced between the ninth and early fourteenth century.
Download or read book Making and Transforming Art written by Hélène Dubois and published by . This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: 1. Dioscorides as an art technological source / Mark Clarke. 2. Academy and workshop: medieval transmission of late antique knowledge / Mark Clarke and Arie Wallert. 3. An elusive colorant: availability, preparation and use of anthocyanin colorants in European medieval illuminators' workshops / Sylvie Neven and Jana Sanyova. 4. Paint it red: vermilion manufacture in the Middle Ages / Stefanos Kroustallis and Rocio Bruquetas. 5. Medieval sculptures re-polychromed and re-gilded in the nineteenth century by Adrien Hubert Bressers / Delphine Steyaert. 6. 'This they use in Madrid': the ground layer in paintings on canvas in 17th-century Madrid / Maite Jover de Celis and Dolores Gayo. 7. Van Dyck and de Mayerne: a cautionary note regarding the manuscript / Rica Jones. 8. Materials for painting and gilding used in the Benedictine community of Portugal 1638-1822: other times, other ways / Agnès Le Gac, Paulo Oliveira, Isabel Dias Costa and Maria João Dias Costa. 9. Evolutions and transformations of harpsichords in France in the 17th and 18th centuries / Christine Laloue and Jean-Philippe Echard. 10. Manufacturing techniques and the art of wax modelling: from the sculptor's studio to the anatomical workshop / Alicia Sánchez Ortiz and Sandra Micó Boró. 11. Combining different types of sources for a better understanding of tempera painting around 1900 / Patrick Dietemann and Wibke Neugebauer. 12. Interpretation of documentary sources for the industrial preparation of 'zinc white' in the 19th century / Nicholas Eastaugh, Jilleen Nadolny and Weronika Swiech. 13. Hans Heysen's art materials: an investigation into suppliers, knowledge and choice / Rosemary Diana Heysen and Nicole Andrea Tse. 14. Jean Tinguely's script for Homage to New York (1960) / Reinhard Bek and Christine Frohnert. 15. Recent publications on art technological source research / Ad Stijnman. 16. 'Colour ConText': a database on colour practice and colour knowledge in pre-modern Europe / Sylvie Neven, Karin Leonhard and Sven Dupré. 17. Four paintings from St. Jerome's College, Coimbra, Portugal: conservation, technique and treatises / Vanessa Antunes, Mercês Lorena, Vítor Serrão, Virgínia Gomes, Maria José Oliveira, Luís Dias, António Candeias, Ana Isabel Seruya and João Coroado. 18. Glass and parchment with a view: oil paint and the imitation of (stained) glass windows 1400-1600 / Marjolijn Bol, Henk de Groot and Arie Wallert.
