Download or read book Medieval and Renaissance Manuscripts in the Walters Art Gallery France 1420 1540 2 v written by Walters Art Gallery (Baltimore, Md.) and published by . This book was released on 1989 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
Download or read book Medieval and Renaissance Manuscripts in the Walters Art Gallery France 1420 1540 written by Walters Art Gallery (Baltimore, Md.) and published by . This book was released on 1989 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
Download or read book Medieval and Renaissance Manuscripts in the Walters Art Gallery France 875 1420 written by Walters Art Gallery (Baltimore, Md.) and published by . This book was released on 1989 with total page 422 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
Download or read book Medieval and Renaissance Manuscripts in the Walters Art Gallery Belgium 1250 1530 2 v written by Walters Art Gallery (Baltimore, Md.) and published by . This book was released on 1997 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
Download or read book Medieval and Renaissance Manuscripts in the Walters Art Gallery France 875 1420 written by Walters Art Gallery (Baltimore, Md.) and published by . This book was released on 1989 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
Download or read book Medieval and Renaissance Manuscripts in the Walters Art Gallery written by Walters Art Gallery (Baltimore, Md.) and published by . This book was released on 1989 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the second of four volumes that will catalog these holdings at the Walters, the curator of the collection describes in detail 113 manuscripts produced in France from the 1420s to 1540.
Download or read book Illuminating the Renaissance written by Thomas Kren and published by Getty Publications. This book was released on 2003-07-01 with total page 593 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive and richly illustrated catalogue focuses on the finest illustrated manuscripts produced in Europe during the great epoch in Flemish illumination. During this aesthetically fertile period – beginning in 1467 with the reign of the Burgundian duke Charles the Bold and ending in 1561 with the death of the artist Simon Bening – the art of book painting was raised to a new level of sophistication. Sharing inspiration with the celebrated panel painters of the time, illuminators achieved astonishing innovations in the handling of color, light, texture, and space, creating a naturalistic style that would dominate tastes throughout Europe for nearly a century. Centering on the notable artists of the period – Simon Marmion, the Vienna Master of Mary of Burgundy, Gerard David, Gerard Horenbout, Bening, and others – the catalogue examines both devotional and secular manuscript illumination within a broad context: the place of illuminators within the visual arts, including artistic exchange between book painters and panel painters; the role of court patronage and the emergence of personal libraries; and the international appeal of the new Flemish illumination style. Contributors to the catalogue include Maryan W. Ainsworth, curator of European paintings at the Metropolitan Museum of Art; independent scholar Catherine Reynolds; and Elizabeth Morrison, assistant curator of manuscripts at the Getty Museum. Illuminating the Renaissance is published in conjunction with an exhibition organized by the Getty Museum, the Royal Academy of Arts, London, and the British Library to be held at the Getty Museum from June 17 to September 7, 2003, and at the Royal Academy of Arts from November 25, 2003 to February 22, 2004.
Download or read book French Books of Hours written by Virginia Reinburg and published by Cambridge University Press. This book was released on 2012-02-02 with total page 313 pages. Available in PDF, EPUB and Kindle. Book excerpt: How was the Book of Hours created and used as a book and what did it mean to its owners?
Download or read book Excavating the Medieval Image written by David S. Areford and published by Routledge. This book was released on 2017-11-30 with total page 341 pages. Available in PDF, EPUB and Kindle. Book excerpt: Medieval images, especially manuscript illuminations, have long been treated independently of the contexts in which they were created. These beautiful miniature paintings, frequently valued as keepers of documentary evidence or as curious artistic commodities, have only recently become the focus of art historians concerned with new questions related to artistic working methods, audience and the status of the visual in the Middle Ages and the modern era. Excavating the Medieval Image argues that the illuminated image is best understood as thoroughly integrated in the material context of the manuscript - and thus, integrated in a cultural context of production and reception. Seen in this way, the illuminated manuscript becomes a kind of archaeological site, which must be carefully unearthed layer by layer. The fourteen essays gathered here are written by scholars of both medieval and Renaissance art history, and demonstrate varied methodological approaches that combine the pursuits of traditional connoisseurship and iconography with those of critical theory and historiography. In addition, the authors contribute more broadly to important interdisciplinary issues such as the study of gender, text and image, and the history of literacy and the book.
Download or read book Poets and Scribes in Late Medieval England written by Michael Johnston and published by Walter de Gruyter GmbH & Co KG. This book was released on 2023-10-23 with total page 327 pages. Available in PDF, EPUB and Kindle. Book excerpt: Susanna Fein’s long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the Thornton Manuscripts, John Audley’s autograph manuscript, and the Auchinleck Manuscript). She has written extensively on the more complex and challenging metrical forms the period produced. And she has edited foundational primary texts and collections of essays. A wide range of scholars have been influenced by Fein’s work, many of whom present original research—much of it following trails first laid down by Fein—in this volume.
Download or read book Death and Purgatory in Middle English Didactic Poetry written by Takami Matsuda and published by Boydell & Brewer Ltd. This book was released on 1997 with total page 302 pages. Available in PDF, EPUB and Kindle. Book excerpt: The concept of Purgatory in Middle English didactic writings is explored through examination of visions of the afterlife, sermons, homiletic treatises, and lyrics.
Download or read book The Medieval Chronicle VIII written by Erik Kooper and published by Rodopi. This book was released on 2013-10-01 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contents Contributors Preface Julia Marvin: Latinity and Vernacularity in the Tradition of Geoffrey of Monmouth: Text, Apparatus and Readership Erik Kooper: Content Markers in the Manuscripts of Robert of Gloucester¿s Chronicle Dániel Bagi: Genealogische Fälschungen und Fiktionen als Legitimierungsmittel in narrativen Quellen des Östlichen Europas im 11¿13. Jahrhundert Isabel de Barros Dias: The Emperor, the Archbishop and the Saint: One Event Told in Different Textual Forms Anders Bengtsson: L¿Essor de la proposition participiale dans la prose historique Cristian Bratu : Translatio, autorité et affirmation de soi chez Gaimar, Wace et Benoît de Sainte-Maure R. W. Burgess and Michael Kulikowski: Medieval Historiographical Terminology: The Meaning of the Word Annales Nicholas Coureas: The Conquest of Cyprus during the Third Crusade according to Greek Chronicles from Cyprus Isabelle Guyot-Bachy : La Chronique abrégée des rois de France et les Grandes chroniques de France: concurrence ou complémentarité dans la construction d¿une culture historique en France à la fin du Moyen ge? Mihkel Mäesalu: A Crusader Conflict Mediated by a Papal Legate: The Chronicle of Henry of Livonia as a Legal Text Adrien Quéret-Podesta : Le Gallus anonymus et l¿abbaye de Saint Gilles du Gard Lisa M. Ruch: Digression or Discourse? William of Newburgh¿s Ghost Stories as Urban Legends Biörn Tjällén: Political Thought and Political Myth in Late Medieval National Histories: Rodrigo Sánchez de Arévalo (¿1470)
Download or read book Medieval Iconography written by John B. Friedman and published by Routledge. This book was released on 2021-11-18 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1998, the present volume aims to help the researcher locate visual motifs, whether in medieval art or in literature, and to understand how they function in yet other medieval literary or artistic works.
Download or read book The Felton Illuminated Manuscripts in the National Gallery of Victoria written by Margaret M. Manion and published by MacMillan Art Publishing. This book was released on 2005 with total page 450 pages. Available in PDF, EPUB and Kindle. Book excerpt: "This scholarly publication 'The Felton illuminated manuscripts in the National Gallery of Victoria' celebrates the Gallery's small but distinguished collection of illuminated manuscripts and eloquently comments on the development of the handwritten and ornamented book from the twelfth century to the advent of printing in the late fifteenth century."--Page 5.
Download or read book Prayer Books and Piety in Late Medieval and Early Modern Europe Gebetb cher und Fr mmigkeit in Sp tmittelalter und Fr her Neuzeit written by Maria Crăciun and published by Vandenhoeck & Ruprecht. This book was released on 2023-05-15 with total page 408 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collected volume is dedicated to the role of prayer books in lay piety in medieval and early modern contexts. Instead of focusing on individual examples, it places them within the broader genre of devotional literature and considers them in connection with prevailing cultural, religious and artistic developments, taking into account the Reformation, the printing press and growing interest in lay piety, in the context of increasing individualism, developing literacy, privatization and/or personalization of religion. Contextualising devotional literature, the volume refines understandings of religious practice fostered by traditional Catholicism and early modern Protestantism and its relationship with the written word, locating the use of books within a devotional 'diet' that included oral recitation of prayers as well as contemplation of images. Stressing continuities, often against the grain of existing literature, this volume highlights differences between regional cultures of prayer in contrast to norms set by the universal Church and emphasizes the tension between public/communal and private/individual devotion.
Download or read book Language in the Visual Arts written by Leslie Ross and published by McFarland. This book was released on 2014-05-23 with total page 241 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book discusses text and image relationships in the history of art from ancient times to the contemporary period across a diversity of cultures and geographic areas. Focusing on the use of words in art and words as art forms, thematic chapters include "Pictures in Words/Words in Pictures," "Word/Picture Puzzles," "Picture/Word Puzzles," "Words as Images," "The Power of the Word," and "Monumental and Moving Words." Chapter subsections further explore cross-cultural themes. Examining text and image relationships from the obvious to the elusive, the puzzling to the profound, the minor to the major, the book demonstrates the diverse ways in which images and writing have been combined through the ages, and explores the interplay between visual and written communication in a wide range of thought-provoking examples. A color insert is included. Instructors considering this book for use in a course may request an examination copy here.
Download or read book Envisioning Gender in Burgundian Devotional Art 1350 1530 written by Andrea Pearson and published by Routledge. This book was released on 2017-05-15 with total page 358 pages. Available in PDF, EPUB and Kindle. Book excerpt: Illuminated here are the relationships between visual culture, faith, and gender in the courtly, monastic, and urban spheres of the early modern Burgundian Netherlands. By examining works by artists such as the Master of Mary of Burgundy, Jan van Eyck, Hans Memling, and Bernard van Orley, author Andrea Pearson identifies and explores pictorial constructions of masculinity and femininity in regard to the expectations, experiences, and practices of devotion. Specifically, she demonstrates that two of the most prominent visual genres of the period, books of hours and devotional portrait diptychs, were manipulated by patrons and spectators of both sexes to challenge and negotiate the boundaries and hierarchies of gender, and that marginalized individuals and groups appropriated the types to resist the authority of others and advance their own. Ultimately, the books and diptychs emerge as critical and often contentious sites for deliberating and transacting gender. By integrating books of hours and devotional portrait diptychs into current interdisciplinary theoretical discourse on gender, power and devotion, the author engages scholars in a range of disciplines: art history, history, religion and literature, as well as women's and men's studies.
