Download or read book Mechanisms of Image Deterioration in Early Photographs written by Mike Ware and published by NMSI Trading Ltd. This book was released on 1994 with total page 98 pages. Available in PDF, EPUB and Kindle. Book excerpt: The considerations offered in this analysis of the conditions required for the conservation of early photographs will help inform difficult ethical decision-making by curators faced with the conflicting obligations of access and conservation, and will also be of interest to photohistorians, conservators and collectors.
Download or read book Mechanisms of Image Deterioration in Early Photographs the Sensitivity to Light of W H F Talbot s Halide fixed Images 1834 44 written by and published by . This book was released on 1994 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book MECHANISM OF IMAGE DETERIORATION IN EARLY PHOTOGRAPHS written by Mike Ware and published by . This book was released on 1994 with total page 89 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Salted Paper Printing written by Christina Z. Anderson and published by Taylor & Francis. This book was released on 2017-09-01 with total page 451 pages. Available in PDF, EPUB and Kindle. Book excerpt: Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists makes one of the oldest known photographic processes easy for the 21st century using simple digital negative methods. Christina Z. Anderson’s in-depth discussion begins with a history of salted paper printing, then covers the salted paper process from beginner to intermediate level, with step-by-step instructions and an illustrated troubleshooting guide. Including cameraless imagery, hand-coloring, salt in combination with gum, and printing on fabric, Salted Paper Printing contextualizes the practice within the varied alternative processes. Anderson offers richly-illustrated profiles of contemporary artists making salted paper prints, discussing their creative process and methods. Salted Paper Printing is perfect for the seasoned photographer looking to dip their toe into alternative processes, or for the photography student eager to engage with photography’s rich history.
Download or read book Encyclopedia of Nineteenth Century Photography written by John Hannavy and published by Routledge. This book was released on 2013-12-16 with total page 1629 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
Download or read book 15th Triennial Conference New Delhi 22 26 September 2008 written by ICOM Committee for Conservation. Meeting and published by Allied Publishers. This book was released on 2008 with total page 612 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Painting with Fire written by Matthew C. Hunter and published by University of Chicago Press. This book was released on 2020-03-23 with total page 298 pages. Available in PDF, EPUB and Kindle. Book excerpt: Painting with Fire shows how experiments with chemicals known to change visibly over the course of time transformed British pictorial arts of the long eighteenth century—and how they can alter our conceptions of photography today. As early as the 1670s, experimental philosophers at the Royal Society of London had studied the visual effects of dynamic combustibles. By the 1770s, chemical volatility became central to the ambitious paintings of Sir Joshua Reynolds, premier portraitist and first president of Britain’s Royal Academy of Arts. Valued by some critics for changing in time (and thus, for prompting intellectual reflection on the nature of time), Reynolds’s unstable chemistry also prompted new techniques of chemical replication among Matthew Boulton, James Watt, and other leading industrialists. In turn, those replicas of chemically decaying academic paintings were rediscovered in the mid-nineteenth century and claimed as origin points in the history of photography. Tracing the long arc of chemically produced and reproduced art from the 1670s through the 1860s, the book reconsiders early photography by situating it in relationship to Reynolds’s replicated paintings and the literal engines of British industry. By following the chemicals, Painting with Fire remaps familiar stories about academic painting and pictorial experiment amid the industrialization of chemical knowledge.
Download or read book Cyanotype written by Christina Z Anderson and published by CRC Press. This book was released on 2019-01-30 with total page 306 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cyanotype: The Blueprint in Contemporary Practice is a two part book on the much admired blue print process. Part One is a comprehensive how-to on the cyanotype process for both beginner and advanced practitioners, with lots of photographs and clear, step-by-step directions and formulas. Part Two highlights contemporary artists who are using cyanotype, making work that ranges from the photographic to the abstract, from the traditional to the conceptual, with tips on their personal cyanotype methods alongside their work. These artists illustrate cyanotype’s widespread use in contemporary photography today, probably the most of any alternative process. Book features include: A brief discussion of the practice of the process with some key historical points How to set up the cyanotype ÒdimroomÓ The most extensive discussion of suitable papers to date, with data from 100+ papers Step-by-step digital negative methods for monochrome and duotone negatives Chapters on classic, new, and other cyanotype formulas Toning to create colors from yellow to brown to violet Printing cyanotype over palladium, for those who want to temper cyanotype’s blue nature Printing cyanotype on alternate surfaces such as fabric, glass, and wood More creative practice ideas for cyanotype such as handcoloring and gold leafing Troubleshooting cyanotype, photographically illustrated Finishing, framing, and storing cyanotype Contemporary artists’ advice, techniques, and works Cyanotype is backed with research from 120 books, journals, and magazine articles from 1843 to the present day. It is richly illustrated with 400 photographs from close to 80 artists from 14 countries. It is a guide for the practitioner, from novice to expert, providing inspiration and proof of cyanotype’s original and increasing place in historical and contemporary photography.
Download or read book Camera Geologica written by Siobhan Angus and published by Duke University Press. This book was released on 2024-02-16 with total page 238 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Camera Geologica Siobhan Angus tells the history of photography through the minerals upon which the medium depends. Challenging the emphasis on immateriality in discourses on photography, Angus focuses on the inextricable links between image-making and resource extraction, revealing how the mining of bitumen, silver, platinum, iron, uranium, and rare earth elements is a precondition of photography. Photography, Angus contends, begins underground and, in photographs of mines and mining, frequently returns there. Through a materials-driven analysis of visual culture, she illustrates histories of colonization, labor, and environmental degradation to expose the ways in which photography is enmeshed within and enables global extractive capitalism. Angus places nineteenth-century photography in dialogue with digital photography and its own entangled economies of extraction, demonstrating the importance of understanding photography’s complicity in the economic, geopolitical, and social systems that order the world.
Download or read book Records of the Dawn of Photography written by Larry J. Schaaf and published by Cambridge University Press. This book was released on 1996-04-18 with total page 457 pages. Available in PDF, EPUB and Kindle. Book excerpt: Full facsimile of two of the most important documents in the history of photography.
Download or read book The Salt Print Manual written by Ellie Young and published by Lulu.com. This book was released on 2011 with total page 106 pages. Available in PDF, EPUB and Kindle. Book excerpt: The salt print is the foundation of photography. William Henry Fox Talbot, known as the of photography, discovered the salt print process in 1834. The history of Talbot is quite remarkable. His early discoveries were the foundation of numerous photographic and print processes, many still practiced today. Due to the inherent masking ability the salt print can create a greater tonal range than other photographic print processes. The challenge is to create negatives that reach this extraordinary range. The salt print offers flexibility in controlling the colour, tones and hues.
Download or read book A Guide to the Preventive Conservation of Photograph Collections written by Bertrand Lavédrine and published by Getty Publications. This book was released on 2003 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A resource for the photographic conservator, conservation scientist, curator, as well as professional collector, this volume synthesizes both the masses of research that has been completed to date and the international standards that have been established on the subject.
Download or read book Effects of Light on Materials in Collections written by Terry T. Schaeffer and published by Getty Publications. This book was released on 2001-08-16 with total page 221 pages. Available in PDF, EPUB and Kindle. Book excerpt: The impact of light on works of art and archival materials has long been an issue of concern to conservators and other museum professionals, yet the literature on this subject has never been systematically reviewed. This volume fills that gap by providing a survey of the impact of exposure to light with an emphasis on photoflash and reprographic sources. The information provided will assist the professional audience, especially conservators and collections managers, in assessing the risk to art and archival objects of such exposures. The text surveys relevant photophysical and photochemical principles, photometric and radiometric measurement, and the spectral outputs of several light sources. Materials discussed include colorants and natural fibers; pulp, paper, and wood; natural and synthetic polymers; fluorescent whitening agents; photographic and reprographic materials; and objects containing combinations of materials. Approximations and assumptions used in the evaluation process are discussed in some detail, with examples of the different types of calculations. The Research in Conservation reference series presents the findings of research conducted by the Getty Conservation Institute and its individual and institutional research partners, as well as state-of-the-art reviews of conservation literature. Each volume covers a topic of current interest to conservators and conservation scientists.
Download or read book Issues in the Conservation of Photographs written by Debra Hess Norris and published by Getty Publications. This book was released on 2010 with total page 754 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is an authoritative and insightful survey of the evolving field of photograph conservation. This volume is the first publication to chronicle the emergence and systematic development of photograph conservation as a profession.
Download or read book Scientific Investigation of Copies Fakes and Forgeries written by Paul Craddock and published by Taylor & Francis. This book was released on 2009-02-04 with total page 642 pages. Available in PDF, EPUB and Kindle. Book excerpt: The faking and forgery of works of art and antiquities is probably now more extensive than ever before. The frauds are aided by new technologies, from ink jet printers to epoxy resins, and driven by the astronomic prices realised on the global market. This book aims to provide a comprehensive survey of the subject over a wide range of materials, emphasising how the fakes and forgeries are produced and how they may be detected by technical and scientific examination. The subject is exemplified by numerous case studies, some turning out not to be as conclusive as is sometimes believed. The book is aimed at those likely to have a serious interest in these investigations, be they curator, collector, conservator or scientist. Paul Craddock has recently retired from the Department of Conservation, Documentation and Science at the British Museum, where he was a materials scientist.
Download or read book Risk Assessment for Object Conservation written by Jonathan Ashley-Smith and published by Routledge. This book was released on 2013-10-28 with total page 386 pages. Available in PDF, EPUB and Kindle. Book excerpt: 'Risk Assessment for Object Conservation' reflects Dr Jonathan Ashley-Smith's personal interests and views in areas including materials science, the ethics of restoration, the costs of conservation and the philosophy of museums. This valuable book explains the mechanisms of deterioration of museum artifacts, quantifying the probability that damage will occur and estimating the rate of progress when it does. The principles outlined and the information provided will form a foundation for cost-benefit analysis of conservation proposals. Dr Ashley-Smith also gives comprehensive explanations of scientific of mathematical material to take into consideration the readers who have no background in these areas, alongside a basic introduction. The structure of the book provides a logical progression through tools, concepts information and examples. This is a must-have purchase for all conservators, curators and administrators of historic artifacts at both student and professional level.
Download or read book Impressed by Light written by Roger Taylor and published by Metropolitan Museum of Art. This book was released on 2007 with total page 456 pages. Available in PDF, EPUB and Kindle. Book excerpt: Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
