Download or read book Paris in old and Present Times written by Philip Gilbert Hamerton and published by . This book was released on 1892 with total page 364 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Bulletin of the New York Public Library written by New York Public Library and published by . This book was released on 1926 with total page 1044 pages. Available in PDF, EPUB and Kindle. Book excerpt: Includes its Report, 1896-19 .

Download or read book Bulletin of the New York Public Library written by and published by . This book was released on 1926 with total page 1032 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Noir written by Lee Hendrix and published by Getty Publications. This book was released on 2016-02-09 with total page 186 pages. Available in PDF, EPUB and Kindle. Book excerpt: Due to the technological advances of the nineteenth century, an abundance of black drawing media exploded onto the market. Charcoal, conte crayon, and fabricated black chalks and crayons; fixatives; various papers; and many lifting devices gave rise to an unprecedented amount of experimentation. Indeed, innovation became the rule, as artists developed their own unique—and often experimental—processes. The exploration of black media in drawing is inextricably bound up with the exploration of black in prints, and this volume presents an integrated study that rises above specialization in one over the other. Noir brings together such diverse artists as Francisco de Goya, Maxime Lalanne, Gustave Courbet, Odilon Redon, and Georges Seurat and explores their inventive works on paper. Sidelining labels like “conservative” or “avant-garde,” the essays in this book employ all the tools that art history and modern conservation have given us, inviting the reader to look more broadly at the artists’ methods and materials. This volume accompanies an eponymous exhibition on view at the J. Paul Getty Museum from February 9 to May 15, 2016.

Download or read book The Academy written by and published by . This book was released on 1874 with total page 880 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Academy and Literature written by Charles Edward Cutts Birch Appleton and published by . This book was released on 1881 with total page 502 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Pen Drawing written by Charles D. Maginnis and published by E-Kitap Projesi & Cheapest Books. This book was released on 2024-02-10 with total page 123 pages. Available in PDF, EPUB and Kindle. Book excerpt: Art, with its finite means, cannot hope to record the infinite variety and com-plexity of Nature, and so contents itself with a partial statement, addressing this to the imagination for the full and perfect meaning. This inadequation, and the artificial ad-justments which it involves, are tolerated by right of what is known as artistic convention; and as each art has its own particular limitations, so each has its own particular conventions. Sculpture reproduces the forms of Nature, but discards the color without any shock to our ideas of verity; Painting gives us the color, but not the third dimension, and we are satisfied; and Architecture ispurely conventional, since it does not even aim at the imitation of natural form. The Conventions of Line Drawing, Of the kindred arts which group themselves under the head of Painting, none is based on such broad conventions as that with which we are immediately concerned—the art of Pen Drawing. In this medium, Nature's variety of color, when not positively ignored, is suggested by means of sharp black lines, of varying thickness, placed more or less closely together upon white paper; while natural form depends primarily for its representation upon arbitrary boundary lines. There is, of course, no authority in Na-ture for a positive outline: We see objects only by the difference in color of the other objects behind and around them. The technical capacity of the pen and ink medium, however, does not provide a value corresponding to every natural one, so that a broad interpretation has to be adopted which eliminates the less positive values; and, that form may not likewise be sacrificed, the outline becomes necessary, that light objects may stand relieved against light. This outline is the most characteristic, as it is the most indispensable, of the conventions of line drawing. To seek to abolish it only involves a resort to expedients no less artificial, and the results of all such attempts, dependent as they necessarily are upon elaboration of color, and a general indirectness of method, lack some of the best characteristics of pen drawing. More frequently, however, an elaborate color-scheme is merely a straining at the technical limitations of the pen in an effort to render the greatest possible number of values. It may be worth while to inquire whether excellence in pen drawing consists in thus dispensing with its recognized conventions, or in otherwise taxing the technical re-sources of the instrument. This involves the question of Style,—of what characteristic pen methods are,—a question which we will briefly consider...

Download or read book French Etchers of the Second Empire written by William Aspenwall Bradley and published by . This book was released on 1916 with total page 240 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Promenades of an Impressionist written by James Huneker and published by . This book was released on 1910 with total page 412 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Pen Drawing and Pen Draughtsmen Their Work and Their Methods written by Joseph Pennell and published by . This book was released on 1894 with total page 514 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Rodolphe Bresdin written by Dirk Gelder and published by Springer Science & Business Media. This book was released on 2012-12-06 with total page 208 pages. Available in PDF, EPUB and Kindle. Book excerpt: Rai lu et relu {laquo}Rodolphe Bresdim. C'est un beau livre, obscurs-Ia question des reports sur pierre des eaux et qui aura grand sucd~s. On ne Ie refera plus; on sera fortes, celle de la metamorphose de plusieurs cuivres, oblige de toujours s'y referer. C'est serieux, precis, in celle de la premiere litho de l'artiste, catalogue 82 telligent. (Neumann n6, complete par une piece de l'ancienne Un des grands interets du livre est une chronologie collection Bonger). II etait bien place pour Ie faire, serieuse, et tres sou vent nouvelle, des gravures et etant lui-meme graveur. lith os (l'auteur a eu raison de ne pas les separer dans II tient a ce qu'on n'oublie pas que, comme son son catalogue). Van Gelder croit-et sans doute les frere aine, l'historien de l'art J.G. van Gelder, il a eu lecteurs avec lui-avoir resolu les problemes si deli pour modele son pere, grand historien, fondateur du cats du classement anterieur a 1854; apres 1854, les hesi Musee municipal de La Haye. tations etaient moins nombreuses, mais Van Gelder On a donc ici, redisons-le, un beau travail, serieux, montre qu'on ne peut se fier completement aux indi honnete, representant plus de dix ans de la vie de son cations confuses de Bresdin lui-meme. auteur, intelligent et particulierement bien informe.

Download or read book Museum News written by Toledo Museum of Art and published by . This book was released on 1914 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Illustrated Catalogue No 10 of Etchings and Engravings written by Frederick Keppel & Co and published by . This book was released on 1900 with total page 128 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Dictionary Catalog of the Prints Division written by New York Public Library. Prints Division and published by . This book was released on 1975 with total page 776 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Photojournalism and the Origins of the French Writer House Museum 1881 1914 written by Elizabeth Emery and published by Routledge. This book was released on 2017-07-05 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why did writers' private homes become so linked to their work that contemporaries began preserving them as museums? Photojournalism and the Origins of the French Writer House Museum addresses this and other questions by providing an overview of the social forces that brought writers' homes to the forefront of the French imagination at the end of the nineteenth century and the beginning of the twentieth. This study analyzes representations of the apartments and houses of Corneille, Hugo, Balzac, Dumas, Sand, Zola, Loti, Montesquiou, Mallarm?and Proust, among others, arguing that the writer's home became a contested space and an important part of the French patrimony at this time. This is the first book to emphasize the house museum as an essentially modern construct, and to trace the history of ideas leading to its institutionalization in twentieth-century France. The interdisciplinary study also brings new attention to the importance of photojournalism for fin-de-si?e France - and brings to light fascinating and forgotten examples of 'at home' photography by Dornac and Henri Mairet. Elizabeth Emery provides a fresh and compelling perspective on conjunctions between visual, literary, and material cultures.

Download or read book Pen Drawing written by Charles Donagh Maginnis and published by . This book was released on 1899 with total page 146 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book K the Kollwitz written by Louis Marchesano and published by Getty Publications. This book was released on 2020-01-07 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt: This collection explores Kollwitz’s most creative years, examining her sequences of images, with a focus on the tension between making and meaning. German printmaker Käthe Kollwitz (1867–1945) is known for her unapologetic social and political imagery; her representations of grief, suffering, and struggle; and her equivocal ideas about artistic and political labels. This volume explores her most creative years, roughly the late 1890s to the mid-1920s, highlighting the tension between making and meaning throughout her work. Correlating Kollwitz’s obsessive printmaking experiments with the evolution of her images, it assesses the unusually rich progressions of preparatory drawings, proofs, and rejected images behind Kollwitz’s compositions of struggling workers, rebellious peasants, and grieving mothers. This selected catalogue of the Dr. Richard A. Simms collection at the Getty Research Institute provides a bird’s-eye view of Kollwitz’s sequences of images as well as the interrelationships among prints produced over multiple years. The meanings and sentiments emerging from Kollwitz’s images are not, as is often implied, unmediated expressions of her politics and emotions. Rather, Kollwitz transformed images with deliberate technical and formal experiments, seemingly endless adjustments, wholesale rejections, and strategic regroupings of figures and forms—all of which demonstrate that her obsessive dedication to making art was never a straightforward means to political or emotional ends.