Download or read book Material Culture of the Blackfoot Blood Indians of Southern Alberta written by James W. VanStone and published by . This book was released on 1992 with total page 88 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Material Culture of the Blackfoot Indians written by Clark Wissler and published by . This book was released on 1910 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Material Culture of the Blackfoot Indians written by Clark Wissler and published by New York : AMS Press. This book was released on 1975 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the 1910 ed. published by order of the Trustees of the American Museum of Natural History, New York, which was issued as v. 5, pt. 1 of the Museum's Anthropological papers.
Download or read book Gifts from the Thunder Beings written by Roland Bohr and published by U of Nebraska Press. This book was released on 2014-05-01 with total page 446 pages. Available in PDF, EPUB and Kindle. Book excerpt: Gifts from the Thunder Beings examines North American Aboriginal peoples’ use of Indigenous and European distance weapons in big-game hunting and combat. Beyond the capabilities of European weapons, Aboriginal peoples’ ways of adapting and using this technology in combination with Indigenous weaponry contributed greatly to the impact these weapons had on Aboriginal cultures. This gradual transition took place from the beginning of the fur trade in the Hudson’s Bay Company trading territory to the treaty and reserve period that began in Canada in the 1870s. Technological change and the effects of European contact were not uniform throughout North America, as Roland Bohr illustrates by comparing the northern Great Plains and the Central Subarctic—two adjacent but environmentally different regions of North America—and their respective Indigenous cultures. Beginning with a brief survey of the subarctic and Northern Plains environments and the most common subsistence strategies in these regions around the time of contact, Bohr provides the context for a detailed examination of social, spiritual, and cultural aspects of bows, arrows, quivers, and firearms. His detailed analysis of the shifting usage of bows and arrows and firearms in the northern Great Plains and the Central Subarctic makes Gifts from the Thunder Beings an important addition to the canon of North American ethnology.
Download or read book Blackfoot War Art written by L. James Dempsey and published by University of Oklahoma Press. This book was released on 2016-01-29 with total page 517 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the Blackfoot Indians were confined to reservations in the late nineteenth century, their pictographic representations of warfare kept alive the rituals associated with war, which were essential facets of Blackfoot culture. Their war ethic served as a unifying force among the four tribes of the Blackfoot nation—Siksika, Blood, and North and South Piegan. In this visually stunning survey, L. James Dempsey, a member of the Blood tribe, plumbs the breadth and depth of warrior representational art. He has mined archival resources and museum collections and interviewed many tribal members to provide a uniquely Native perspective on the importance of warrior art in Blackfoot history and culture. Filled with 160 images of startling beauty and power, Blackfoot War Art tells how pictographs served as a record of both tribal and personal accomplishment. This singular historical record of all available information on Blackfoot warrior pictography depicts painted robes; war tepee covers, liners, and doors; and painted panels. Dempsey provides descriptions and a great deal of other information about the pieces included here. His survey focuses especially on recent paintings that scholars have overlooked. In revealing changing trends in the representation of war, Dempsey skillfully weaves together pictures, people, and histories to convey a fascinating view of this warrior art from a Blood perspective.
Download or read book We are Coming Home written by Gerald T. Conaty and published by . This book was released on 2015 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Learning Things written by Doug Blandy and published by Teachers College Press. This book was released on 2018-06-08 with total page 145 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nothing provided
Download or read book Fieldiana written by and published by . This book was released on 2003 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book First Nations Museums Narrations written by Alison K. Brown and published by UBC Press. This book was released on 2014-04-15 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: When the Franklin Motor Expedition set out across the Canadian Prairies to collect First Nations artifacts, brutal assimilation policies threatened to decimate these cultures and extensive programs of ethnographic salvage were in place. Despite having only three members, the expedition amassed the largest single collection of Prairie heritage items currently housed in a British museum. Through the voices of descendants of the collectors and members of the affected First Nations, this book looks at the relationships between indigenous peoples and the museums that display their cultural artifacts, raising timely and essential questions about the role of collections in the twenty-first century.
Download or read book Old Man s Playing Ground written by Gabriel M. Yanicki and published by University of Ottawa Press. This book was released on 2014-03-27 with total page 312 pages. Available in PDF, EPUB and Kindle. Book excerpt: When Hudson’s Bay Company surveyor Peter Fidler made contact with the Ktunaxa at the Gap of the Oldman River in the winter of 1792, his Piikáni guides brought him to the river’s namesake. These were the playing grounds where Napi, or Old Man, taught the various nations how to play a game as a way of making peace. In the centuries since, travellers, adventurers, and scholars have recorded several accounts of Old Man’s Playing Ground and of the hoop-and-arrow game that was played there. Although it has been destroyed, much can be learned from an interdisciplinary study of Old Man’s Playing Ground. Oral traditions of the Piikáni and other First Nations of the Northwest Plains and Interior Plateau, together with textual records spanning centuries, show it to be a place of enduring cultural significance irrespective of its physical remains. Knowledge of the site and the hoop-and-arrow game played there is widespread, in keeping with historic and ethnographic accounts of multiple groups meeting and gambling at the site. In this work, oral tradition, history, and ethnography are brought together with a geomorphic assessment of the playing ground’s most probable location—a floodplain scoured and rebuilt by floodwaters of the Oldman—and the archaeology of adjacent prehistoric campsite DlPo-8. Taken together,the locale can be understood as a nexus for cultural interaction and trade,through the medium of gambling and games, on the natural frontier between peoples of the Interior Plateau and Northwest Plains.
Download or read book Material Culture of the Chilcotin Athapaskans of West Central British Columbia written by James W. VanStone and published by . This book was released on 1993 with total page 40 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Indigenous War Painting of the Plains written by Arni Brownstone and published by University of Oklahoma Press. This book was released on 2024-07-23 with total page 299 pages. Available in PDF, EPUB and Kindle. Book excerpt: In the nineteenth and early twentieth centuries, the Indigenous peoples of the Great Plains practiced an archival art—narrating war exploits in large-scale paintings executed on animal hide robes, shirts, tipi covers, and tipi liners. Essentially autobiographical, the paintings were worn and lived in by the men whose war exploits they portrayed, and were made to be “read” by the public at large. Executed in a pictorial narrative style and documenting actual events, these paintings blend visual art and history. Indigenous War Painting of the Plains is the first comprehensive look at this important North American art form, covering the full corpus of war paintings from fourteen tribes across the plains. Two impediments have previously made such a book impractical: photography alone falls short of rendering war paintings for the printed page, and only about half of the surviving works have reliable documentation on their cultural origins. Arni Brownstone surmounts these difficulties by producing precise electronic redrawings and by using well-documented paintings to inform poorly documented examples, bolstered by a careful examination of collection histories. Featuring some 300 photographs and electronic redrawings, the book focuses on 83 paintings organized into four chapters covering the paintings of tribes associated with a specific geographical sphere of artistic influence. Four appendixes feature paintings combined with “translations” by Indigenous collaborators who had intimate knowledge of the depicted events. Offering vivid access to the key works of war painting preserved in 37 museums throughout North America and Europe, Indigenous War Painting of the Plains illuminates distinctions between painting styles of different tribes, reveals how they influenced one another and changed over time, and conveys a deep understanding of how war painting developed in relation to profound social changes in Plains Indian cultures.
Download or read book Pictures Bring Us Messages written by Alison Kay Brown and published by University of Toronto Press. This book was released on 2006-01-01 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1925, Beatrice Blackwood of the University of Oxford's Pitt Rivers Museum took thirty-three photographs of Kainai people on the Blood Indian Reserve in Alberta as part of an anthropological project. In 2001, staff from the museum took copies of these photographs back to the Kainai and worked with community members to try to gain a better understanding of Kainai perspectives on the images. 'Pictures Bring Us Messages' is about that process, about why museum professionals and archivists must work with such communities, and about some of the considerations that need to be addressed when doing so. Exploring the meanings that historic photographs have for source communities, Alison K. Brown, Laura Peers, and members of the Kainai Nation develop and demonstrate culturally appropriate ways of researching, curating, archiving, accessing, and otherwise using museum and archival collections. They describe the process of relationship building that has been crucial to the research and the current and future benefits of this new relationship. While based in Canada, the dynamics of the 'Pictures Bring Us Messages' project is relevant to indigenous peoples and heritage institutions around the world.
Download or read book Handbook of North American Indians written by William C. Sturtevant and published by . This book was released on 2001 with total page 704 pages. Available in PDF, EPUB and Kindle. Book excerpt: Encyclopedic summary of prehistory, history, cultures and political and social aspects of native peoples.
Download or read book Curators Collections and Contexts written by Stephen Edward Nash and published by . This book was released on 2003 with total page 352 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Protection of First Nations Cultural Heritage written by Catherine Bell and published by UBC Press. This book was released on 2009-05-01 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt: Indigenous peoples around the world are seeking greater control over tangible and intangible cultural heritage. In Canada, issues concerning repatriation and trade of material culture, heritage site protection, treatment of ancestral remains, and control over intangible heritage are governed by a complex legal and policy environment. This volume looks at the key features of Canadian, US, and international law influencing indigenous cultural heritage in Canada. Legal and extralegal avenues for reform are examined and opportunities and limits of existing frameworks are discussed. Is a radical shift in legal and political relations necessary for First Nations concerns to be meaningfully addressed?
Download or read book Visiting with the Ancestors written by Laura Peers and published by Athabasca University Press. This book was released on 2016-09-29 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford’s Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson’s Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people—hundreds altogether—participated in special “handling sessions,” in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum’s institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage.
