Download or read book Mapping Tonal Harmony Workbook 1 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 170 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.
Download or read book The BB Jazz Standards Progressions Book Vol I written by mDecks Music and published by . This book was released on 2018-12-16 with total page 410 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Fake Book). Perfect Binding Edition.This unprecedented, revolutionary collection of jazz standards progressions includes all harmonic progressions with full harmonic analysis, chords, chord-scales and arrows & brackets analysis.Every Jazz Standard analysis was hand-made by well-versed jazz musicians. Every function, chord-scale, modulation and pivot-chord was carefully chosen to create the best possible harmonic interpretation of the progression.All double-page songs are presented side-by-side, so no flipping through pages is necessary.Available for Concert, Bb & Eb Instruments.Volume I has 291 songs including All Blues * Autumn Leaves * All of Me * Blue Trane * Body and Soul * Desafinado * Donna Lee * Girl From Ipanema * It Don't Mean a Thing * Like Someone in Love * Misty * Moment's Notice * My Favorite Things * Prelude to a Kiss * Stella By Starlight * Wave * and hundreds more!
Download or read book Mapping Tonal Harmony Workbook 7 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.
Download or read book Mapping Tonal Harmony Workbook 4 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.
Download or read book Mapping Tonal Harmony Workbook 6 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.
Download or read book Mapping Tonal Harmony Workbook 3 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.
Download or read book Mapping Tonal Harmony Workbook 5 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.
Download or read book Mapping Tonal Harmony Workbook 2 written by Ariel Ramos and published by . This book was released on 2013-02-04 with total page 100 pages. Available in PDF, EPUB and Kindle. Book excerpt: The volumes in the Mapping Tonal Harmony collection have been envisioned as auxiliary material in the study of Tonal Harmony. The main objective of these books is to provide the student, teachers, composers and/or songwriters with a tool that will aid them in hearing, analyzing, foreseeing, and composing harmonic progressions without struggle, in all keys alike.These workbooks are based on the map used in the Mapping Tonal Harmony Pro app by mDecks Music, which is recommended as accompanying material/tool for all volumes.All maps, progression examples and exercises in these books, were designed to improve and expand the student?s view of the harmonic surroundings around each and every tonal center. The volumes in this collection are organized in a progressive manner, each volume expanding the previous volume's map by introducing new harmonic concepts and/or functions, based on the premise that all functions introduced in earlier volumes have been understood and assimilated. Each new concept or function adds some level of detail to the map and/or extends the known area around the tonic.Many of the concepts presented in these books are simply mentioned for mapping purposes only, and should be carefully studied by using other sources such as: a harmony course, tonalharmony books, teachers, etc.Voice-leading and inversions are not covered in these volumes since their main objective is to map essential harmonic functions in every key.Vol. 1The basic major & minor diatonic neighborhoodsTonic - Sub-Dominant - Dominant. Basic harmonic progressions.Perfect Authentic Cadence (PAC). The use of V7 vs. V as a triad. Standard/Basic Harmonic Progressions in the nearby diatonic neighborhood. Use of the Tonic- Subdominant - Dominant - Tonic progressions.Progression over the Circle of Fifths: vi-ii-V-ISubstitution: IVMaj7 in place of IIm7Vol. 2Mapping IIIm , I64, V7sus4 and deceptive cadencesThe complete diatonic neighborhood for Major-MinorDeceptive and Plagal Cadences.The IIIm (ambiguous chord : Tonic vs. Dominant).Cadential I64 or I/5, Im64 or Im/5 and the V7sus4: all preceding the V7.Borrowing chords from other modesVol. 3More harmonic progressions and cadences in the diatonic neighborhoodMapping the SubV7 and its use as a Neapolitan chordInverted bass and bass lines. Pedal points: Tonic Pedal and Dominant Pedal.Backward progressions and other progressions outside the circle of fifths.The half cadence to V7 without secondary dominants.The Neapolitan Sixth Chord (bII/3 or N6) and the SubV7 (bII7).Vol. 4Basic Secondary dominants and their related IIm7V7/x, viio7/x, IIm7/xBasic Secondary functions. Creating a temporary key center in the diatonic neighborhood.Secondary Dominants (V7 and VIIo7 and the related IIm7). Extended Dominants.?Vol. 5Mapping blues I7 IV7. Additional minor mode functionsThe bIIMaj7 subdominant minor and its related IIm7-V7More borrowed chords from other modes and paths to modulations.The IV7 from dorian minor. The modal Vm.The bIIMaj7 subdominant minor chord (or root-altered IIm7b5) and its related IIm7 and V7. The I7 as tonic in the Blues and Blues form.Vol. 6Advanced secondary functions and deceptive secondary cadencesSecondary cadential I64s & V7sus. Mapping IV/x , bVI/x, bVII7/x, viio7/xOther Secondary functions: IV/x bVI/x and bVII/xCreating a temporary Tonic in the diatonic neighborhood using secondary IV/x, bVI/x and bVII/x. More borrowing from other modes and paths to modulations.Secondary cadential 64s & V7sus.Vol. 7The entire MAP, including all secondary functionsMapping all secondary subVs/x and their related IIm. The N6 and Gr+6More Secondary functions: SubV7/X . The Neapolitan 6 N6/X (same as SubV/3 no 7)The Augmented 6th chords. Gr+6, It+6, Fr+6.The related IIm7/X for the SubV7/X. Extended dominants. Reinterpreting chord functions. New paths to modulations.
Download or read book Harmonic Experience written by W. A. Mathieu and published by Simon and Schuster. This book was released on 1997-08-01 with total page 724 pages. Available in PDF, EPUB and Kindle. Book excerpt: An exploration of musical harmony from its ancient fundamentals to its most complex modern progressions, addressing how and why it resonates emotionally and spiritually in the individual. W. A. Mathieu, an accomplished author and recording artist, presents a way of learning music that reconnects modern-day musicians with the source from which music was originally generated. As the author states, "The rules of music--including counterpoint and harmony--were not formed in our brains but in the resonance chambers of our bodies." His theory of music reconciles the ancient harmonic system of just intonation with the modern system of twelve-tone temperament. Saying that the way we think music is far from the way we do music, Mathieu explains why certain combinations of sounds are experienced by the listener as harmonious. His prose often resembles the rhythms and cadences of music itself, and his many musical examples allow readers to discover their own musical responses.
Download or read book Concise Introduction to Tonal Harmony written by L. Poundie Burstein and published by . This book was released on 2019 with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Concise Introduction to Tonal Harmony written by and published by . This book was released on 2016 with total page 463 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Harmony Book written by Elliott Carter and published by Carl Fischer, L.L.C.. This book was released on 2002 with total page 390 pages. Available in PDF, EPUB and Kindle. Book excerpt: This comprehensive resource features more than 400 projections and colour illustrations augmented by MRI images for added detail to enhance the anatomy and positioning presentations.
Download or read book Harmony Through Melody written by Charles Horton and published by Rowman & Littlefield. This book was released on 2020-10-15 with total page 786 pages. Available in PDF, EPUB and Kindle. Book excerpt: Harmony Through Melody:The Interaction of Melody, Counterpoint, and Harmony in Western Music, Second Editionoffers a robust, composition-based approach to tonal music theory, ranging from early modality to recent film and popular music. Charles Horton, David A. Byrne, and Lawrence Ritchey develop techniques and strategies for exploring the fundamental interaction of melody and counterpoint with harmony, and provide students with opportunities to creatively express what they have learned in the writing and analysis of short passages and complete pieces in historical styles. This second edition contains additional examples from the standard literature, film music, and popular song, and features new assignments involving late nineteenth-century chromatic practice. The textbook present a step-by-step method for the composition and analysis of short passages and complete pieces, with more than 1400 musical examples drawn from a variety of styles and genres, plus classroom-tested examples for study and suggested assignments at the end of each chapter. The second edition has an online companion website (textbooks.rowman.com/horton2e) featuring: A student workbook with more than 260 assignments for individual work and classroom use Audio links to 315 newly-recorded live performances of model compositions and fully realized settings An instructor’s manual with guidelines for evaluation of assignments, additional repertoire for in-class analysis and assignments, sample syllabi, and other useful information is also available. Please email [email protected] for more information.
Download or read book Materials and Techniques of Post Tonal Music written by Stefan Kostka and published by Routledge. This book was released on 2018-03-13 with total page 338 pages. Available in PDF, EPUB and Kindle. Book excerpt: Materials and Techniques of Post-Tonal Music, Fifth Edition provides the most comprehensive introduction to post-tonal music and its analysis available. Covering music from the end of the nineteenth century through the beginning of the twenty-first, it offers students a clear guide to understanding the diverse and innovative compositional strategies that emerged in the post-tonal era, from Impressionism to computer music. This updated fifth edition features: chapters revised throughout to include new examples from recent music and insights from the latest scholarship; the introduction of several new concepts and topics, including parsimonius voice-leading, scalar transformations, the New Complexity, and set theory in less chromatic contexts; expanded discussions of spectralism and electronic music; timelines in each chapter, grounding the music discussed in its chronological context; a companion website that provides students with links to recordings of musical examples discussed in the text and provides instructors with an instructor’s manual that covers all of the exercises in each chapter. Offering accessible explanations of complex concepts, Materials and Techniques of Post-Tonal Music, Fifth Edition is an essential text for all students of post-tonal music theory.
Download or read book A Geometry of Music written by Dmitri Tymoczko and published by OUP USA. This book was released on 2011-03-21 with total page 469 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this groundbreaking book, Tymoczko uses contemporary geometry to provide a new framework for thinking about music, one that emphasizes the commonalities among styles from Medieval polyphony to contemporary jazz.
Download or read book Improvise for Real written by David Reed and published by . This book was released on 2013-02-27 with total page 260 pages. Available in PDF, EPUB and Kindle. Book excerpt: Improvise for Real is a step-by-step method that teaches you to improvise your own music through progressive exercises that anyone can do. You'll learn to understand the sounds in the music all around you. And you'll learn to express your own musical ideas exactly as you hear them in your mind. The method starts with very simple creative exercises that you can begin right away. As you progress, the method leads you on a guided tour through the entire world of modern harmony. You will be improvising your own original melodies from the very first day, and your knowledge will expand with each practice session as you explore and discover our musical system for yourself. Improvise for Real brings together creativity, ear training, music theory and physical technique into a single creative daily practice that will show you the entire path to improvisation mastery. You will learn to understand the sounds in the music all around you and to improvise with confidence over jazz standards, blues songs, pop music or any other style you would like to play. And you'll be jamming, enjoying yourself and creating your own music every step of the way. The method is open to all instruments and ability levels. The exercises are easy to understand and fun to practice. There is no sight reading required, and you don't need to know anything about music theory to begin. Already being used by both students and teachers in more than 20 countries, Improvise for Real is now considered by many people to be the definitive system for learning to improvise. If you have always dreamed of truly understanding music and being able to improvise with complete freedom on your instrument, this is the book for you
Download or read book The Jazz Theory Book written by Mark Levine and published by "O'Reilly Media, Inc.". This book was released on 2011-01-12 with total page 725 pages. Available in PDF, EPUB and Kindle. Book excerpt: The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.
