Download or read book Manoel de Oliveira e o cinema portugu s written by and published by . This book was released on 2023 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Cinema of Manoel de Oliveira written by Hajnal Király and published by Bloomsbury Publishing USA. This book was released on 2022-05-19 with total page 192 pages. Available in PDF, EPUB and Kindle. Book excerpt: Manoel de Oliveira is the only filmmaker whose career spans from the silent era to the digital age, and yet there is little written in English about his extensive filmography. This volume, the first to discuss Oliveira's later works in English, fills this incredible gap in scholarship on the director with fresh and original analysis of over 50 of Oliveira's films, ranging from 1963's Rite of Spring to 2009's Eccentricities of a Blonde-haired Girl. Organized by tropes and topics, rather than chronological order of release, The Cinema of Manoel de Oliveira creates a unique lens through which to consider the director and the ways in which his work links cinema, literature, and other artforms. Hajnal Király sheds new light on Oliveira's filmography with new readings of his work in relation to 20th and 21st century history.
Download or read book Manoel de Oliveira written by Randal Johnson and published by University of Illinois Press. This book was released on 2023-12-11 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Understanding the iconoclastic work of a lifelong cinematic pioneer Manoel de Oliveira's eighty-five year career made him a filmmaking icon and a cultural giant in his native Portugal. A lifelong cinematic pioneer, Oliveira merged distinctive formal techniques with philosophical treatments of universal themes--frustrated love, aging, nationhood, evil, and divine grace--in films that always moved against mainstream currents. Randal Johnson navigates Oliveira's massive feature film oeuvre. Locating the director's work within the broader context of Portuguese and European cinema, Johnson discusses historical and political influences on Oliveira's work, particularly Portugal's transformation from dictatorship to social democracy. He ranges from Oliveira's early concerns with cinematic specificity to hybrid discourses that suggest a tenuous line between film and theater on the one hand, and between fiction and documentary on the other. A rare English-language portrait of the director, Manoel de Oliveira invites students and scholars alike to explore the work of one of the cinema's greatest and most prolific artists.
Download or read book Manoel de Oliveira written by Randal Johnson and published by University of Illinois Press. This book was released on 2007 with total page 214 pages. Available in PDF, EPUB and Kindle. Book excerpt: Publisher description
Download or read book Placing Movies written by Jonathan Rosenbaum and published by Univ of California Press. This book was released on 1995-05-10 with total page 347 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Once or twice a generation a film critic comes along who expands or even redefines how we talk about the medium. Jonathan Rosenbaum is one of these figures."—Alan Williams, author of Republic of Images
Download or read book Portugal s Global Cinema written by Mariana Liz and published by Bloomsbury Publishing. This book was released on 2017-11-30 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy prompts the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage. Chapters argue that film industry professionals and artisans must navigate complex globalised systems that inform their filmmaking decisions. Expectations from multi-cultural audiences, as well as demands from business investors and the criteria for critical accolades put pressure on Portuguese cinema to negotiate, for example, how far to retain national identities on screen and how to interact with `popular' and `art' film tropes and labels. Exploring themes typical of Portuguese visual culture - including social exclusion and unemployment, issues of realism and authenticity, and addressing Portugal's postcolonial status - this book is a valuable study of interest to the ever-growing number of scholars looking outside the usual canons of European cinema, and those researching the ongoing implications of national cinema's global networks.
Download or read book Dekalog 2 written by Carolin Overhoff Ferreira and published by Wallflower Press. This book was released on 2008 with total page 160 pages. Available in PDF, EPUB and Kindle. Book excerpt: On December 8, 2008, the Portuguese filmmaker Manoel de Oliveira will celebrate his 100th birthday. This special issue of Dekalog pays homage not only to the world's oldest living filmmaker but also to an outstanding artist who has both captivated and bewildered audiences throughout his career. The first British publication on the filmmaker, this issue of Dekalog will enhance the study of Oliveira's work in the West. It unites researchers from Brazil, Germany, Portugal, and the United States who have devoted much of their scholarship to an analysis of the filmmaker's work.
Download or read book The Cinema of Spain and Portugal written by Alberto Mira and published by Wallflower Press. This book was released on 2005 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: Providing an overview of Spanish and Portuguese cinema, this title contains 24 essays, each on a separate seminal film from the region, profiling work from the likes of Pedro Almodıvar and João Cesar Monteiro.
Download or read book A Short History of Film Third Edition written by Wheeler Winston Dixon and published by Rutgers University Press. This book was released on 2018-03-30 with total page 525 pages. Available in PDF, EPUB and Kindle. Book excerpt: With more than 250 images, new information on international cinema—especially Polish, Chinese, Russian, Canadian, and Iranian filmmakers—an expanded section on African-American filmmakers, updated discussions of new works by major American directors, and a new section on the rise of comic book movies and computer generated special effects, this is the most up to date resource for film history courses in the twenty-first century.
Download or read book Portuguese Film 1930 1960 written by Patricia Vieira and published by Bloomsbury Publishing USA. This book was released on 2013-08-29 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portuguese Film, 1930-1960: The Staging of the New State Regime provides groundbreaking analysis of Portuguese feature films produced in the first three decades of the New State (Estado Novo), a right-wing totalitarian regime that lasted between 1933 and 1974. These films, sponsored by the National Propaganda Institute (Secretariado Nacional de Propaganda), convey a conservative image of both mainland Portugal and the country's overseas African colonies (Angola, Mozambique, Cape Verde, Guinea-Bissau and St. Thomas and Principe). The films about the mainland emphasize traditional values, the importance of obedience to authorities and a strict division of gender roles, whereby women are relegated to the domestic sphere. The Portuguese countryside, where age-old customs and a strong social hierarchy prevailed, is presented in these movies as a model for the rest of the country. The films about the colonies, in turn, underline the benefits of the Portuguese presence in Africa and portray the colonized as docile subjects to Portuguese rule. The book includes chapter summaries in the introduction, in-depth analyses of the most important Portuguese films produced between 1930 and 1960, a discussion of the main topics of Portuguese cinema from the New State, and a comprehensive bibliography that guides students who wish to read further on a specific topic. First published in Portuguese to wide acclaim, Portuguese Film, 1930-1960: The Staging of the New State Regime fills a gap in English-language scholarship on the history of the national cinema of the Iberian peninsula. Films covered include Fatima, Land of Faith (Terra de Fe), Spell of the Empire (Feitico do Imperio), and Chaimite.
Download or read book Synthetic Cinema written by Wheeler Winston Dixon and published by Springer. This book was released on 2019-02-05 with total page 91 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, Wheeler Winston Dixon argues that 21st-century mainstream filmmaking is increasingly and troublingly dominated by "synthetic cinema." He details how movies over the last two decades have fundamentally abandoned traditional filmmaking values through the overwhelming use of computer generated imagery, digital touch ups for the actors, and extensive use of green screen technology that replace sets and location shooting. Combined with the shift to digital cinematography, as well as the rise of comic book and franchise cinema, the temptation to augment movies with lavish, computer generated spectacle has proven irresistible to both directors and audiences, to the point that, Dixon argues, 21st-century commercial cinema is so far removed from the real world that it has created a new era of flawless, fake movies.
Download or read book Women s Cinema in Contemporary Portugal written by Mariana Liz and published by Bloomsbury Publishing USA. This book was released on 2020-03-05 with total page 259 pages. Available in PDF, EPUB and Kindle. Book excerpt: Women's Cinema in Contemporary Portugal brings together scholars from Portugal, UK and the USA, to discuss 14 women film directors in Portugal, focussing on their production in both feature film and documentary genres over the last half-century. It charts the specific cinematic visions that these women have brought to the re-emergence of Portuguese national cinema in the wake of the 1974 Revolution and African decolonisation, and to the growing internationalisation of Portugal's arguably 'minor' or 'small nation' cinema, with significant young women directors such as Leonor Teles achieving prominence abroad. The history of Portuguese women's cinema only begins systematically after the 1974 revolution and democratisation. This collection shows how female auteurs made their mark on Portugal's post-revolutionary conceptualisation of a differently 'national' cinema, through the ethnographic output of the late 1970s. It goes on to explore women's decisively gendered interventions in the cinematic memory practices that opened up around the masculine domain of the Colonial Wars in Africa. Feminist political issues such as Portugal's 30-year abortion campaign and LGBT status have become more visible since the 1990s, alongside preoccupations with global concerns relating to immigration, transit and minority status communities. The book also demonstrates how women have contributed to the evolution of soundscapes, the genre of essay cinema, film's relationship to the archive, and the adaptation of the written word. The result is a powerful, provocative and definitive challenge to the marginalisation of Portuguese female-directed film in terms of 'double minority'.
Download or read book Portuguese Cinema 1960 2010 written by André Rui Graça and published by Boydell & Brewer. This book was released on 2021 with total page 286 pages. Available in PDF, EPUB and Kindle. Book excerpt: Why has Portugal's vibrant and creative cinema industry not been more commercially successful?
Download or read book Identity and Difference written by Carolin Overhoff Ferreira and published by LIT Verlag Münster. This book was released on 2012 with total page 263 pages. Available in PDF, EPUB and Kindle. Book excerpt: Besides national productions, transnational films that result from agreements with ex-colonies now engage with the legacy of Portugal's colonial history and its powerful myths of cultural identity such as lusophony and lusotropicalism. This volume analyses the negotiations of ideas on identity and difference in both production modes.
Download or read book Fiery Cinema written by Weihong Bao and published by . This book was released on 2015 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Introduction -- Resonance. Fiery action: toward an aesthetics of new heroism -- A culture of resonance: hypnotism, wireless cinema, and the invention of intermedial spectatorship -- Transparency. Dances of fire: mediating affective immediacy -- Transparent Shanghai: cinema, architecture, and a left-wing culture of glass -- Agitation. "A vibrating art in the air": the infinite cinema and the media ensemble of propaganda -- Baptism by fire: atmospheric war, agitation, and a tale of three cities.
Download or read book Re imagining African Independence written by Maria do Carmo Piçarra and published by Peter Lang Limited, International Academic Publishers. This book was released on 2017 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: Cover -- Contents -- List of Figures -- Acknowledgements -- Foreword (Lúcia Nagib) -- Colonial Reflections, Post-Colonial Refractions: Film and the Moving Image in the Portuguese (Post- )Colonial Situation (Maria do Carmo Piçarra and Teresa Castro) -- Part I The Birth [through Images] of African Nations -- 1"Ruy Duarte: A Cinema of the Word Aspiring to Imagine Angolanness (Maria do Carmo Piçarra) -- 2"Between the Visible and the Invisible: Mueda, Memória e Massacre by Ruy Guerra and the Cultural Forms of the Makonde Plateau (Raquel Schefer) -- 3"Clear Lines on an Internationalist Map: Foreign Filmmakers in Angola at Independence (Ros Gray) -- 4"The Many Returns to Wiriyamu: Audiovisual Testimony and the Negotiation of Colonial Violence (Robert Stock) -- Part II The Fall of the Portuguese Empire: Foreign Gazes during the Cold War -- 5 'Rarely penetrated by camera or film': NBC's Angola:Journey to a War (1961) (Afonso Ramos) -- 6"The US and Portuguese Colonialism as Imagined through Television Drama (Rui Lopes) -- 7"African Independence and the Socialist Republic of Romania's Photographic Archive (Iolanda Vasile) -- Part III Moving Images, Post-Colonial Representations and the Archive -- 8"Colonial Collection of the Portuguese Film Archive: Shot, Reverse Shot, Off-Screen (José Manuel Costa) -- 9"A Decolonizing Impulse: Artists in the Colonial and Post-Colonial Archive, Or the Boxes of Departing Settlers between Maputo, Luanda and Lisbon (Ana Balona de Oliveira) -- 10"In-Between Memory and History: Artists' Films and the Portuguese Colonial Archive (Teresa Castro) -- Part IV Rethinking (Post- )Colonial Narratives: Artistic Takes -- 11 Drawing and Undrawing my Genealogy (Daniel Barroca) -- 12"A Grin without Marker (Filipa César) -- 13"Hotel Globo (Mónica de Miranda) -- Notes on Contributors -- Index
Download or read book Portugal s Global Cinema written by Mariana Liz and published by Bloomsbury Publishing. This book was released on 2017-11-30 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: Portuguese cinema has become increasingly prominent on the international film festival circuit, proving the country's size belies its cultural impact. From the prestige of directors Manoel de Oliveira, Pedro Costa and Miguel Gomes, to box-office hit La Cage Doree, aspects of Portuguese national cinema are widely visible although the output is comparatively small compared to European players like the UK, Germany and France. Considering this strange discrepancy prompts the question: how can Portuguese cinema be characterised and thought about in a global context? Accumulating expertise from an international group of scholars, this book investigates the shifting significance of the nation, Europe and the globe for the way in which Portuguese film is managed on the international stage. Chapters argue that film industry professionals and artisans must navigate complex globalised systems that inform their filmmaking decisions. Expectations from multi-cultural audiences, as well as demands from business investors and the criteria for critical accolades put pressure on Portuguese cinema to negotiate, for example, how far to retain national identities on screen and how to interact with `popular' and `art' film tropes and labels. Exploring themes typical of Portuguese visual culture - including social exclusion and unemployment, issues of realism and authenticity, and addressing Portugal's postcolonial status - this book is a valuable study of interest to the ever-growing number of scholars looking outside the usual canons of European cinema, and those researching the ongoing implications of national cinema's global networks.
