Download or read book Mallarm Wagner Music and Poetic Language written by Heath Lees and published by Routledge. This book was released on 2017-07-05 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges and replaces the existing view of Mallarm mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannhäuser, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm best-known texts, hitherto judged 'difficult' by those who have failed to

Download or read book Mallarm and Wagner written by Heath Lees and published by Ashgate Publishing, Ltd.. This book was released on 2007-01-01 with total page 280 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges and replaces the existing view of Mallarmé's mission to 're-possess' music on behalf of poetic language. Professor Heath Lees shows that Mallarmé's early knowledge and experience of music was much greater than commentators have realis

Download or read book Mallarm nd Wagner Music and Poetic Language written by Heath Lees and published by Routledge. This book was released on 2017-07-05 with total page 294 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book challenges and replaces the existing view of Mallarm? mission to 're-possess' music on behalf of poetic language. Traditionally, this view focused on only the last fifteen years of the poet's life, and sprang from a belief in Mallarm? 'sudden awakening' to music during an all-Wagner concert in Paris, in 1885. Professor Heath Lees shows that Mallarm? early knowledge and experience of music was much greater than commentators have realized, and that the French poet actually began his writing career with the explicit aim of making music's performance-language of 'effect' the ground of his poetic expression. Integral to the argument is Mallarm? reaction to the work and ideas of Richard Wagner, whose impact on France came in two waves: the first broke during the tempestuous 1860s days of the Paris Tannh?er, while the second arrived in the mid-1880s, and gave birth to the Revue Wagn?enne. In refuting the critical literature that focuses on only the second of these waves, Lees shows that Mallarm?xhibited a highly informed Wagnerian background during the first wave, and that his grasp of the composer's gestural motives and flexible musical prose led him towards a new kind of self-expressive, gestural rhythm that aimed musically to reinvent poetic language. In support of this, the book examines closely what Wagner 'really' said in the prose works that were becoming known in Paris by the 1860s, in particular, Wagner's important French text, the Lettre sur la musique. It also re-examines Baudelaire's classic Wagner-brochure, and reveals its author's surprisingly firm grasp of Wagner's musico-poetic fusion. In musically informed commentary, Professor Lees surveys the four decades of success and failure that resulted from Mallarm? repeated attempts to draw out the musical gestures and resonances of words alone. In the process, he throws new light on many of Mallarm? best-known texts, hitherto judged 'difficult' by those who have failed to

Download or read book Between Baudelaire and Mallarm written by Helen Abbott and published by Routledge. This book was released on 2016-04-15 with total page 258 pages. Available in PDF, EPUB and Kindle. Book excerpt: As the status of poetry became less and less certain over the course of the nineteenth century, poets such as Baudelaire and Mallarmé began to explore ways to ensure that poetry would not be overtaken by music in the hierarchy of the arts. Helen Abbott examines the verse and prose poetry of these two important poets, together with their critical writings, to address how their attitudes towards the performance practice of poetry influenced the future of both poetry and music. Central to her analysis is the issue of 'voice', a term that remains elusive in spite of its broad application. Acknowledging that voice can be physical, textual and symbolic, Abbott explores the meaning of voice in terms of four categories: (1) rhetoric, specifically the rules governing the deployment of voice in poetry; (2) the human body and its effect on how voice is used in poetry; (3) exchange, that is, the way voices either interact or fail to interact; and (4) music, specifically the question of whether poetry should be sung. Abbott shows how Baudelaire and Mallarmé exploit the complexity and instability of the notion of voice to propose a new aesthetic that situates poetry between conversation and music. Voice thus becomes an important process of interaction and exchange rather than something stable or static; the implications of this for Baudelaire and Mallarmé are profoundly significant, since it maps out the possible future of poetry.

Download or read book Frameworks for Mallarm written by Gayle Zachmann and published by State University of New York Press. This book was released on 2008-11-05 with total page 227 pages. Available in PDF, EPUB and Kindle. Book excerpt: Countering the conventional image of the deliberately obscure "ivory-tower poet," Frameworks for Mallarmé presents Stéphane Mallarmé as a journalist and critic who was actively engaged with the sociocultural and technological shifts of his era. Gayle Zachmann introduces a writer whose aesthetic was profoundly shaped by contemporary innovations in print and visual culture, especially the nascent art of photography. She analyzes the preeminence of the visual in conjunction with Mallarmé's quest for "scientific" language, and convincingly links the poet's production to a nineteenth-century understanding of cognition that is articulated in terms of optical perception. The result is a distinctly modern recuperation of the Horatian doctrine of ut pictura poesis in Mallarmé's poetry and his circumstantial writings.

Download or read book Mallarm and Circumstance written by Roger Pearson and published by Clarendon Press. This book was released on 2004 with total page 296 pages. Available in PDF, EPUB and Kindle. Book excerpt: Following his Unfolding Mallarme: The Development of a Poetic Art, this book is the second in Roger Pearson's authoritative two-volume study of the work of Stephanie Mallarme (1842-1898), and the first comprehensive study of Mallarme's 'poetry of circumstance' in any language. For Mallarme,in a world without God, the role of the poet is to break the silence with language and to confer upon the contingency of circumstance a therapeutic semblance of formal and semantic pattern. Literature provides a 'translation of silence', 'intimate galas' in which the mysterious drama of the humancondition is performed for and by the reader on the stage of the verse poem, the prose poem, and what Mallarme calls the 'poeme critique'. In Part 1, Pearson examines the prose poems within the context of Mallarme's writing about the theatre. In Part II, he focuses on the 'circumstanzas' - thefamous 'Tombeaux', 'Hommages', 'Eventails', and 'vers de circonstance' - in which Mallarme invests the quotidian with the 'glorious lie' of poetry. In a series of close readings Pearson demonstrates how complex poetic structures, and especially the sonnet, may serve to guide the human search formeaning and shape our anguish in a 'ceremony of the Book.'

Download or read book Performance in the Texts of Mallarm written by Mary Lewis Shaw and published by Penn State Press. This book was released on 1993-03-01 with total page 293 pages. Available in PDF, EPUB and Kindle. Book excerpt: Performance in the Texts of Mallarmé offers a new theory of performance in the poetic and critical texts of Stephane Mallarmé, a theory challenging the prevailing interpretation of his work as epitomizing literary purism and art for art's sake. Following an analytical presentation of the concepts of ritual and performance generally applied, Mary Shaw shows that Mallarmé perceived music, dance, and theater as ideal languages of the body and therefore as ideal forms of ritual through which to supplement and celebrate poetic texts. She focuses on previously unexplored references to supplementary, extratextual performances in four of Mallarmé's major poetic texts—Herodiade, L'après-midi d'un faune, Igitur, and Un coup de des—revealing the consistent formal expression of his original conception of literature's relationship to the performing arts. Shaw then discusses Mallarmé's monumental project, Le Livre, a metaphysical book designed to be performed in a series of ritual celebrations. She analyzes and describes the intrinsic structure and contents of this unfinished work as the fullest realization of the text-performance relationship elaborated throughout Mallarmé's corpus. Shaw offers Le Livre as a prototype of avant-garde performance, drawing important parallels between Mallarmé's literary experimentation and crucial developments in twentieth-century arts.

Download or read book Mallarm s Ideas in Language written by Heather Williams and published by Peter Lang. This book was released on 2004 with total page 184 pages. Available in PDF, EPUB and Kindle. Book excerpt: In this book, the author discusses the sheer improbability of Mallarmé's joint concern with concepts, or ideas, on the one hand, and with language as it behaves within the constraints of poetic convention on the other.

Download or read book The Muse as Eros written by Stephen Downes and published by Routledge. This book was released on 2017-09-29 with total page 301 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Muse has long been figured as a divine or erotically alluring consort to the virile male artist, who may inspire him or lead him to the edge of madness. This book explores the changing cultural expressions of the relationship between the male artist with a beloved, imagined or desired Muse, to offer new and penetrating perspectives on musical representations and transformations of creative masculine subjectivity, and important aspects of the shift from the styles and aesthetics of Romantic Idealism to Modernist Anxiety in music of the nineteenth and twentieth centuries. Each of the chapters begins with explorations into male artists' relationships with their Muse, and moves to analysis and interpretation which uncovers cultural constructions of masculine artistic inspiration and production, and their association with creatively inspiring and erotically charged relationships with a Muse. New insights are offered into the musical meaning and cultural significance of selected works by Rossini, Beethoven, Chopin, Liszt, Schumann, Wagner, Sibelius, Mahler, Bartók, Scriabin, Szymanowski, Debussy, Berg, Poulenc and Weill.

Download or read book Meetings with Mallarm written by Michael Temple and published by University of Exeter Press. This book was released on 1998 with total page 292 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Meetings with Mallarme, top scholars from the UK and USA have been specially commissioned to explore the significance of Mallarme's influence on some of the major players in French psychoanalysis, music, poetry, philosophy and literary theory.

Download or read book Mallarm written by Rosemary H. Lloyd and published by Cornell University Press. This book was released on 2018-08-06 with total page 287 pages. Available in PDF, EPUB and Kindle. Book excerpt: Upon his death in 1898, the French Symbolist poet Stephane Mallarmé (b. 1842) left behind a body of published work which though modest in quantity was to have a seminal influence on subsequent poetry and aesthetic theory. He also enjoyed an unparalleled reputation for extending help and encouragement to those who sought him out. Rosemary Lloyd has produced a fascinating literary biography of the poet and his period, offering a subtle exploration of the mind and letters of one of the giants of modern European poetry.Every Tuesday, from the late 1870s on, Mallarmé hosted gatherings that became famous as the "Mardis" and that were attended by a cross section of significant writers, artists, thinkers, and musicians in fin-de-siecle France, England, and Belgium. Through these gatherings and especially through a voluminous correspondence—eventually collected in eleven volumes—Mallarmé developed and recorded his friendships with Paul Valery, Andre Gide, Berthe Morisot, and many others. Attractively written and scrupulously documented, Mallarme: The Poet and His Circle is unique in offering a biographical account of the poet's literary practice and aesthetics which centers on that correspondence.

Download or read book Afternoon of a Faun written by Harvey Lee Snyder and published by Hal Leonard Corporation. This book was released on 2015-09-01 with total page 372 pages. Available in PDF, EPUB and Kindle. Book excerpt: (Amadeus). Claude Debussy was the father of the modern era in classical music. His innovations liberated Stravinsky, Schoenberg, and Bartok to write their iconoclastic works, and his harmonic inventions are still heard in American jazz. Though he was among the most compelling figures of the Belle Epoque, his life is little known to all but scholars; and of his considerable musical output, only Prelude to the Afternoon of a Faun , La mer , and Clair de lune are widely known. Harvey Lee Snyder addresses this cultural neglect by presenting the composer and his music, without jargon or biographical trivia, in a richly detailed, accurate narrative that reads like a novel. Here is the story of a poor, unschooled Parisian boy swept by odd coincidences to the Paris Conservatory at age ten. Here is a brilliant man struggling to invent a tonal language capable of expressing his unique musical vision, finding inspiration not in Bach and Beethoven but in Mallarme's poetry and the paintings of Whistler and Turner; a man determined to end two centuries of Germanic domination of European music. Here is a reclusive, gentle man whose misguided love affairs ended in scandal and scorn. His hard work failed to end decades of poverty and debt, but when he died in 1918, he was and has remained the foremost French composer of the twentieth century.

Download or read book Musical Constructions of Nationalism written by Harry White and published by Cork University Press. This book was released on 2001 with total page 310 pages. Available in PDF, EPUB and Kindle. Book excerpt: An innovative collection of essays applying a "new musicology" approach to the relationship between nationalist ideologies and the development of European music.

Download or read book A New History of French Literature written by Denis Hollier and published by Harvard University Press. This book was released on 1998-08-19 with total page 1202 pages. Available in PDF, EPUB and Kindle. Book excerpt: Designed for the general reader, this splendid introduction to French literature from 842 A.D.—the date of the earliest surviving document in any Romance language—to the present decade is the most compact and imaginative single-volume guide available in English to the French literary tradition. In fact, no comparable work exists in either language. It is not the customary inventory of authors and titles but rather a collection of wide-angled views of historical and cultural phenomena. It sets before us writers, public figures, criminals, saints, and monarchs, as well as religious, cultural, and social revolutions. It gives us books, paintings, public monuments, even TV shows. Written by 164 American and European specialists, the essays are introduced by date and arranged in chronological order, but here ends the book’s resemblance to the usual history of literature. Each date is followed by a headline evoking an event that indicates the chronological point of departure. Usually the event is literary—the publication of an original work, a journal, a translation, the first performance of a play, the death of an author—but some events are literary only in terms of their repercussions and resonances. Essays devoted to a genre exist alongside essays devoted to one book, institutions are presented side by side with literary movements, and large surveys appear next to detailed discussions of specific landmarks. No article is limited to the “life and works” of a single author. Proust, for example, appears through various lenses: fleetingly, in 1701, apropos of Antoine Galland’s translation of The Thousand and One Nights; in 1898, in connection with the Dreyfus Affair; in 1905, on the occasion of the law on the separation of church and state; in 1911, in relation to Gide and their different treatments of homosexuality; and at his death in 1922. Without attempting to cover every author, work, and cultural development since the Serments de Strasbourg in 842, this history succeeds in being both informative and critical about the more than 1,000 years it describes. The contributors offer us a chance to appreciate not only French culture but also the major critical positions in literary studies today. A New History of French Literature will be essential reading for all engaged in the study of French culture and for all who are interested in it. It is an authoritative, lively, and readable volume.

Download or read book A Companion to Modernist Poetry written by David E. Chinitz and published by John Wiley & Sons. This book was released on 2014-06-23 with total page 626 pages. Available in PDF, EPUB and Kindle. Book excerpt: A COMPANION TO MODERNIST POETRY A Companion to Modernist Poetry A Companion to Modernist Poetry presents contemporary approaches to modernist poetry in a uniquely in-depth and accessible text. The first section of the volume reflects the attention to historical and cultural context that has been especially fruitful in recent scholarship. The second section focuses on various movements and groupings of poets, placing writers in literary history and indicating the currents and countercurrents whose interaction generated the category of modernism as it is now broadly conceived. The third section traces the arcs of twenty-one poets’ careers, illustrated by analyses of key works. The Companion thus offers breadth in its presentation of historical and literary contexts and depth in its attention to individual poets; it brings recent scholarship to bear on the subject of modernist poetry while also providing guidance on poets who are historically important and who are likely to appear on syllabi and to attract critical interest for many years to come. Edited by two highly respected and notable critics in the field, A Companion to Modernist Poetry boasts a varied list of contributors who have produced an intense, focused study of modernist poetry.

Download or read book Resonant Gaps written by Margaret Miner and published by University of Georgia Press. This book was released on 1995 with total page 274 pages. Available in PDF, EPUB and Kindle. Book excerpt: Resonant Gaps examines the ways in which Charles Baudelaire exploited certain powers of figurative language while writing on music, particularly that of Richard Wagner. Unlike many recent music/literature studies, Margaret Miner focuses less on the possible convergences of text and music than on their productive distances and divergences. At the heart of this study is Baudelaire's 1861 essay Richard Wagner et Tannhauser à Paris, which is included in this volume in the French text of the 1861 Dentu edition. Called a "long-meditated work of circumstance" by its author, Richard Wagner is the only piece of music criticism that Baudelaire ever attempted, despite the prominence of music as a theme and a metaphor throughout his writings. In the essay, says Miner, Baudelaire strove to erase the distinction between reading about Wagner's music and listening to it. Continually sidestepping expectations and evading classification, Baudelaire makes connections among musical understanding, concrete or spatial distance, and the abstract or conceptual distance between different arts. Miner discusses such topics related to Baudelaire's project as his repertoire of textual and rhetorical maneuvers, including italicization, quotation, personification, digression, and metaphor; his assessment of the music's seductive ability to surround and suffuse the listener; and the misunderstandings about and prejudices against Wagner and his music that hampered its critical reception in France. Throughout her study, Miner also refers to similar literary undertakings by Liszt, Nietzsche, Mallarmé, and Proust, which involved the music of Wagner and Debussy. Miner argues that Baudelaire's aim in attempting to lessen or suppress various distances that he discovers between his text and the music is not to freeze movement entirely but to inscribe his writing on Wagner's music so that the two might travel together over an aesthetic landscape that shelters rather than separates them.

Download or read book Mallarm and Music written by Jane Kyle Brumage and published by . This book was released on 1969 with total page 166 pages. Available in PDF, EPUB and Kindle. Book excerpt: