Download or read book Malevich and Interwar Modernism written by Éva Forgács and published by Bloomsbury Publishing. This book was released on 2022-01-13 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968.
Download or read book Malevich and Interwar Modernism written by Éva Forgács and published by Bloomsbury Publishing. This book was released on 2022-01-13 with total page 329 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book examines the legacy of international interwar modernism as a case of cultural transfer through the travels of a central motif: the square. The square was the most emblematic and widely known form/motif of the international avant-garde in the interwar years. It originated from the Russian artist Kazimir Malevich who painted The Black Square on White Ground in 1915 and was then picked up by another Russian artist El Lissitzky and the Dutch artist Theo van Doesburg. It came to be understood as a symbol of a new internationalism and modernity and while Forgács uses it as part of her overall narrative, she focuses on it and its journey across borders to follow its significance, how it was used by the above key artists and how its meaning became modified in Western Europe. It is unusual to discuss interwar modernism and its postwar survival, but this book's chapters work together to argue that the interwar developments signified a turning point in twentieth-century art that led to much creativity and innovation. Forgács supports her theory with newly found and newly interpreted documents that prove how this exciting legacy was shaped by three major agents: Malevich, Lissitzsky and van Doesburg. She offers a wider interpretation of modernism that examines its postwar significance, reception and history up until the emergence of the New Left in 1956 and the seismic events of 1968.
Download or read book Kazimir Malevich and Russian Modernism written by Daniel Kalman Phillips and published by . This book was released on 2017 with total page 248 pages. Available in PDF, EPUB and Kindle. Book excerpt: Although Malevich's abstract Suprematist paintings are canonical images of modern art, standard avant-garde or modernist paradigms have little purchase on them. This dissertation proposes that Malevich's modernism was the product of an attempt to make sense of both Russian and Western art of the recent past. Such an approach shows that Malevich's art is both an idiosyncratic elaboration of Russia's own image-making traditions and a self-conscious attempt to participate in Western European modernism. To make this case, I sketch an alternative to the story of post-Enlightenment aesthetics that ground received histories of modernism. Emphasizing the weakness of a secularizing tradition in Russia, I look to texts by Russian religious and secular thinkers to understand Russian modernism in the visual arts as a departure from traditional ideas of modernist medium specificity. Malevich's autobiography demonstrates his sympathy with this alternative tradition. This is not to say that Malevich sought to create a purely national art; in fact, I begin by showing that Malevich's early career was defined by its "mimesis" of predominantly French painting. This practice of creative imitation dislocated styles from their original socio-historical contexts, thereby generating a "meta-modernist" practice. Suprematist painting too challenged notions of mimesis apropos abstract art. A critical reading of Malevich's Suprematist manifestos discloses their constitutive contradictions between virulent attacks on objects and the persistence of the tradition of painting. I conclude by demonstrating that Malevich's late works, rather than a form of artistic reaction, self-consciously put on view the local and international origins of the artist's practice.
Download or read book Modernism and the Spiritual in Russian Art written by Louise Hardiman and published by Open Book Publishers. This book was released on 2017-11-13 with total page 243 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Download or read book 100 Years On Revisiting the First Russian Art Exhibition of 1922 written by Isabel Wünsche and published by Böhlau Köln. This book was released on 2022-12-12 with total page 277 pages. Available in PDF, EPUB and Kindle. Book excerpt: The First Russian Art Exhibition (Erste Russische Kunstausstellung), which opened at the Galerie van Diemen in Berlin on October 15, 1922, and later travelled to Amsterdam, introduced a broad Western audience to the most recent artistic developments in Russia. The extensive show – more than a thousand works, including paintings, graphic works, sculptures, stage designs, architectural models, and works of porcelain – was remarkably inclusive in its scope, which ranged from traditional figurative painting to the latest constructions of the Russian avant-garde. Coming on the heels of the Treaty of Rapallo, the exhibition was a first cultural step towards bilateral relations between two young and yet internationally isolated new states – the Weimar Republic and the Russian Soviet Republic. Moving away from the narrow focus on the avant-garde, the volume presents new research that examines the exhibition's broader historical scope and cultural implications. The reception of the exhibition within artistic circles in Germany, Europe, the United States, and Japan in the 1920s is addressed, as well as the disposition of many of the works exhibited. The combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.
Download or read book Rethinking Postwar Europe written by Barbara Lange and published by Böhlau Köln. This book was released on 2019-12-09 with total page 269 pages. Available in PDF, EPUB and Kindle. Book excerpt: The book "Rethinking Postwar Europe" offers an in-depth insight into the largely unexplored topic of artistic practices in the 1940s and 1950s in Europe which until recently had been obscured by ideologies of the Cold War. Thanks to the authors' diverse methodological backgrounds, the volume presents – for the first time – a comprehensive multilayered narrative, focusing on the complexities and entanglements in the artistic field. Instead of assessing the postwar period in the traditional way as divided by the Iron Curtain, the contributions investigate processes of contact, interaction, dissemination, overlapping, and networking. Consequently, the analysis of a diversified European modernism in both its aesthetic and its socio-political dimension resonates with all the different case studies. In particular, the volume looks at how artists developed, designed and (re)negotiated identities and discourses, and sheds new light on the power of art – and creative powers in general – in a postwar setting of mutilations, losses, and devastations.
Download or read book New Art for a New Era written by Barbican Art Gallery and published by . This book was released on 1999 with total page 150 pages. Available in PDF, EPUB and Kindle. Book excerpt: This work looks at the remarkable body of work that was collected from 1919 under the guidance of the artist Kazimir Malevich.
Download or read book Modernism and the Spiritual in Russian Art written by Louise Hardiman and published by . This book was released on 2017-11-13 with total page 320 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1911 Vasily Kandinsky published the first edition of 'On the Spiritual in Art', a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia - a culture deeply influenced by the regime's adoption of Byzantine Orthodoxy centuries before - questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with 'the spiritual' - broadly defined - was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia. Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions.
Download or read book Celebrating Suprematism written by Christina Lodder and published by BRILL. This book was released on 2018-10-22 with total page 330 pages. Available in PDF, EPUB and Kindle. Book excerpt: Celebrating Suprematism throws vital new light on Kazimir Malevich’s abstract style and the philosophical, scientific, aesthetic, and ideological context within which it emerged and developed. The essays in the collection, which have been produced by established specialists as well as new scholars in the field, tackle a wide range of issues and establish a profound and nuanced appreciation of Suprematism’s place in twentieth-century visual and intellectual culture. Complementing detailed analyses of The Black Square (1915), Malevich’s theories and statements, various developments at Unovis, Suprematism’s relationship to ether physics, and the impact that Malevich’s style had on the design of textiles, porcelain and architecture, there are also discussions of Suprematism’s relationship to Russian Constructivism and avant-garde groups in Poland and Hungary.
Download or read book Modernism and the Spiritual in Russian Art written by Louise Hardiman and published by Saint Philip Street Press. This book was released on 2020-10-09 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1911 Vasily Kandinsky published the first edition of 'On the Spiritual in Art', a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia - a culture deeply influenced by the regime's adoption of Byzantine Orthodoxy centuries before - questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with 'the spiritual' - broadly defined - was inextricably linked to their roles as pioneers of modernism.This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia.Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
Download or read book Making Modernism Soviet written by Pamela Kachurin and published by Northwestern University Press. This book was released on 2013-10-31 with total page 171 pages. Available in PDF, EPUB and Kindle. Book excerpt: Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.
Download or read book Malevich and Film written by Margarita Tupitsyn and published by Yale University Press. This book was released on 2002-01-01 with total page 198 pages. Available in PDF, EPUB and Kindle. Book excerpt: "The book begins with a re-evaluation of Malevich's most famous painting, Black Square, a work whose meaning and function was in constant flux. Through Black Square Malevich began to cross the bridge from the painting medium to mechanically generated production, ultimately influencing the post-revolutionary phase of his Suprematism and leading to his abandonment of abstraction in the late 1920s.
Download or read book Kazimir Malevich written by Matthew Drutt and published by . This book was released on 2003 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt: In 1915, Malevich (1878-1935) changed the future of Modern art when his experiments in painting led the Russian avant-grade into pure abstraction. This book features 120 paintings, drawings, and objects, among them several recently rediscovered masterworks. 180 illustrations.
Download or read book Rethinking Malevich written by Charlotte Douglas and published by Pindar Press. This book was released on 2006-12-31 with total page 413 pages. Available in PDF, EPUB and Kindle. Book excerpt: The Russian artist Kazimir Malevich was one of the great figures of twentieth-century art, and a pioneer of abstraction, whose painting The Black Square of 1915 has become an icon of modernism. Yet he is a creative figure about whom much still remains to be elucidated. Soviet scholarship ignored him for decades, and Western scholars were inevitably only able to work with the limited visual and documentary material that was available to them. It was only after the fall of Communism in 1991 that access to such material became easier. This book represents the fruits of the research that has been conducted since then by a range of Russian and Western scholars who have been able to shed vital new light on the artist's life, his training, his art, his career, his relationships with other artists and movements, and his theories.
Download or read book Kazimir Malevich written by Kazimir Severinovitch Malevitch and published by Hatje Cantz. This book was released on 2014 with total page 0 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is a presentation of the work of Kazimir Malevich.
Download or read book Delphi Complete Paintings of Kazimir Malevich Illustrated written by Kazimir Malevich and published by Delphi Classics. This book was released on 2020-12-13 with total page 617 pages. Available in PDF, EPUB and Kindle. Book excerpt: The work of the Russian modernist Kazimir Malevich had a profound influence on the development of abstract art in the twentieth century. He developed his own art movement, Suprematism, which sought a form of expression away from the world of natural forms and subject matter, accessing the supremacy of pure feeling and spirituality. Malevich worked in a variety of styles, assimilating the movements of Impressionism, Symbolism, Fauvism and Cubism. Gradually simplifying his style, he developed an approach consisting of pure geometric forms and their relationships to one another, set against minimal backgrounds. Many art historians now regard Malevich as the first prominent artist to exhibit paintings composed entirely of abstract geometrical elements. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing readers to explore the works of great artists in comprehensive detail. This volume presents Malevich’s complete paintings in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Kazimir Malevich – over 300 images, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Malevich’s celebrated works in detail, as featured in traditional art books * Hundreds of images in colour – highly recommended for viewing on tablets and smartphones or as a valuable reference tool on more conventional eReaders * Easily locate the artworks you wish to view * Includes a wide selection of Malevich’s drawings and posters – explore the artist’s varied works Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights Landscape with Yellow House (1904) Self Portrait (1909) On the Boulevard (1911) The Mower (1912) Woman with Water Pails (1913) The Knife Grinder (1913) Samovar (1913) Lamp (1914) Black Square (1915) Airplane Flying (1915) Supremus No. 57(1915) Suprematist Composition: White on White (1918) To the Harvest (1927) Unemployed Girl (1930) The Athletes (1931) The Artist (1933) The Paintings The Complete Paintings Alphabetical List of Paintings The Drawings List of Drawings Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Download or read book New Art for a New Era written by Barbican Art Gallery and published by . This book was released on 1999 with total page 144 pages. Available in PDF, EPUB and Kindle. Book excerpt:
