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Book Making of a Minstrel Show

Download or read book Making of a Minstrel Show written by Seymour Selden Tibbals and published by . This book was released on 1920 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book A History of the Minstrel Show

Download or read book A History of the Minstrel Show written by Frank W. Sweet and published by Backintyme. This book was released on 2000-09-01 with total page 36 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book The Blackface Minstrel Show in Mass Media

Download or read book The Blackface Minstrel Show in Mass Media written by Tim Brooks and published by McFarland. This book was released on 2019-11-15 with total page 291 pages. Available in PDF, EPUB and Kindle. Book excerpt:  The minstrel show occupies a complex and controversial space in the history of American popular culture. Today considered a shameful relic of America's racist past, it nonetheless offered many black performers of the 19th and early 20th centuries their only opportunity to succeed in a white-dominated entertainment world, where white performers in blackface had by the 1830s established minstrelsy as an enduringly popular national art form. This book traces the often overlooked history of the "modern" minstrel show through the advent of 20th century mass media--when stars like Al Jolson, Bing Crosby and Mickey Rooney continued a long tradition of affecting black music, dance and theatrical styles for mainly white audiences--to its abrupt end in the 1950s. A companion two-CD reissue of recordings discussed in the book is available from Archeophone Records at www.archeophone.com.

Book Birth of an Industry

Download or read book Birth of an Industry written by Nicholas Sammond and published by Duke University Press. This book was released on 2015-08-27 with total page 232 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Birth of an Industry, Nicholas Sammond describes how popular early American cartoon characters were derived from blackface minstrelsy. He charts the industrialization of animation in the early twentieth century, its representation in the cartoons themselves, and how important blackface minstrels were to that performance, standing in for the frustrations of animation workers. Cherished cartoon characters, such as Mickey Mouse and Felix the Cat, were conceived and developed using blackface minstrelsy's visual and performative conventions: these characters are not like minstrels; they are minstrels. They play out the social, cultural, political, and racial anxieties and desires that link race to the laboring body, just as live minstrel show performers did. Carefully examining how early animation helped to naturalize virulent racial formations, Sammond explores how cartoons used laughter and sentimentality to make those stereotypes seem not only less cruel, but actually pleasurable. Although the visible links between cartoon characters and the minstrel stage faded long ago, Sammond shows how important those links are to thinking about animation then and now, and about how cartoons continue to help to illuminate the central place of race in American cultural and social life.

Book Oxford Bibliographies

Download or read book Oxford Bibliographies written by and published by . This book was released on with total page pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book    Gentlemen  Be Seated     The Rise and Fall of the Minstrel Show

Download or read book Gentlemen Be Seated The Rise and Fall of the Minstrel Show written by Marc A. Bauch and published by GRIN Verlag. This book was released on 2011-12-20 with total page 52 pages. Available in PDF, EPUB and Kindle. Book excerpt: Document from the year 2011 in the subject American Studies - Literature, grade: --, Saarland University (Amerikanistik), language: English, abstract: A native form of entertainment that came up in around 1843 was the minstrel show. The minstrel show was a show that consisted of melodies by slaves and jokes by white actors in blackface in order to imitate the blacks. Led by Mr. Interlocutor, the master of ceremonies, three more actors in blackface sat in a semicircle. The endmen or cornermen were known as Mr. Bones and Mr. Tambo, who joked together or made fun of slaves. Thus, the minstrel show was double-edged: on the one hand, racism in the United States was reinforced; on the other hand, so many white Americans have become aware of black popular culture. No wonder therefore, the rise of the minstrel show coincided with the growth of the abolitionist movement in the 19th century. But without doubt, racial discrimination was played down in the minstrel show. The minstrel show was meant as a form of entertainment, which was not intended to be taken seriously. Although the minstrel aimed to create a native and distinctly American form of entertainment, the songs they adopted were of English, Irish or Scottish origin. Furthermore, they presented parodies of European-style entertainment or parodied works by William Shakespeare. The book gives an overview of the history of the minstrel show. Marc A. Bauch is a scholar of American Literature and has specialized in American Theater, including the American Musical.

Book The History of Minstrelsy  A Short Overview

Download or read book The History of Minstrelsy A Short Overview written by Elena Agathokleous and published by GRIN Verlag. This book was released on 2021-05-11 with total page 9 pages. Available in PDF, EPUB and Kindle. Book excerpt: Essay from the year 2018 in the subject Musicology - Historical musicology, grade: A, , language: English, abstract: This essay gives a short overview about the history of minstrelsy from different perspectives. Minstrel shows were a form of an entertainment show that appeared in America around the 1820’s, which was centered on the stereotype of African American slaves with themes from slavery and plantation life. After their first appearance, Minstrel shows became very popular very fast and soon they became a phenomenon that spread throughout America. The origins of Minstrelsy are traced back to the creation of a character named "Jim Crow", a plantation worker dressed in rugs and who had a limp, dancing and singing in the street in a funny way.

Book Demons of Disorder

    Book Details:
  • Author : Dale Cockrell
  • Publisher : Cambridge University Press
  • Release : 1997-07-28
  • ISBN : 9780521568289
  • Pages : 262 pages

Download or read book Demons of Disorder written by Dale Cockrell and published by Cambridge University Press. This book was released on 1997-07-28 with total page 262 pages. Available in PDF, EPUB and Kindle. Book excerpt: A study of blackface minstrels in the first half of the nineteenth century.

Book Darkest America  Black Minstrelsy from Slavery to Hip Hop

Download or read book Darkest America Black Minstrelsy from Slavery to Hip Hop written by Yuval Taylor and published by W. W. Norton & Company. This book was released on 2012-08-27 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Investigates the origin and heyday of black minstrelsy, which in modern times is considered an embarrassment, and discusses whether or not the art form is actually still alive in the work of contemporary performers--from Dave Chappelle and Flavor Flav to Spike Lee.

Book Burnt Cork

Download or read book Burnt Cork written by Stephen Burge Johnson and published by Univ of Massachusetts Press. This book was released on 2012 with total page 282 pages. Available in PDF, EPUB and Kindle. Book excerpt: Beginning in the 1830s and continuing for more than a century, blackface minstrelsy--stage performances that claimed to represent the culture of black Americans--remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished--and recently, even the makeup has been making a comeback. This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad. In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.

Book Behind the Burnt Cork Mask

    Book Details:
  • Author : William John Mahar
  • Publisher : University of Illinois Press
  • Release : 1999
  • ISBN : 9780252066962
  • Pages : 476 pages

Download or read book Behind the Burnt Cork Mask written by William John Mahar and published by University of Illinois Press. This book was released on 1999 with total page 476 pages. Available in PDF, EPUB and Kindle. Book excerpt: The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.

Book Blacking Up

    Book Details:
  • Author : Robert C. Toll
  • Publisher : New York : Oxford University Press
  • Release : 1974
  • ISBN :
  • Pages : 328 pages

Download or read book Blacking Up written by Robert C. Toll and published by New York : Oxford University Press. This book was released on 1974 with total page 328 pages. Available in PDF, EPUB and Kindle. Book excerpt: From the Peter Neil Isaacs collection.

Book Love and Theft

    Book Details:
  • Author : Eric Lott
  • Publisher : Oxford University Press, USA
  • Release : 1993
  • ISBN :
  • Pages : 336 pages

Download or read book Love and Theft written by Eric Lott and published by Oxford University Press, USA. This book was released on 1993 with total page 336 pages. Available in PDF, EPUB and Kindle. Book excerpt: Blackface and blackness : the minstrel show in American culture -- Love and theft : "racial" production and the social unconscious of blackface -- White kids and no kids at all : working-class culture and languages of race -- The blackening of America : popular culture and national cultures -- "The seeming counterfeit" : early blackface acts, the body, and social contradiction -- "Genuine Negro fun" : racial pleasure and class formation in the 1840s -- California gold and European revolution : Stephen Foster and the American 1848 -- Uncle Tomitudes : racial melodrama and modes of production.

Book Commodore Perry s Minstrel Show

Download or read book Commodore Perry s Minstrel Show written by Richard Wiley and published by . This book was released on 2007-03 with total page 304 pages. Available in PDF, EPUB and Kindle. Book excerpt: A sword-swinging page-turner infused with a heady mix of Japanese etiquette, American ideals, and Machiavellian philosophy, written by a PEN/Faulkner Award winner.

Book How to Put on a Minstrel Show

Download or read book How to Put on a Minstrel Show written by Harold Rossiter and published by . This book was released on 1921 with total page 68 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book This Grotesque Essence

Download or read book This Grotesque Essence written by Gary D. Engle and published by . This book was released on 1978 with total page 200 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Book Minstrel Traditions

Download or read book Minstrel Traditions written by Kevin James Byrne and published by Routledge. This book was released on 2020-05-06 with total page 275 pages. Available in PDF, EPUB and Kindle. Book excerpt: Minstrel Traditions: Mediated Blackface in the Jazz Age explores the place and influence of black racial impersonation in US society during a crucial and transitional time period. Minstrelsy was absorbed into mass-culture media that was either invented or reached widespread national prominence during this era: advertising campaigns, audio recordings, radio broadcasts, and film. Minstrel Traditions examines the methods through which minstrelsy's elements connected with the public and how these conventions reified the racism of the time. This book explores blackface and minstrelsy through a series of overlapping case studies which illustrate the extent to which blackface thrived in the early twentieth century. It contextualizes and analyzes the last musical of black entertainer Bert Williams, the surprising live career of pancake icon Aunt Jemima, a flourishing amateur minstrel industry, blackface acts of African American vaudeville, and the black Broadway shows which brought new musical styles and dances to the American consciousness. All reflect, and sometimes incorporate, the mass-culture technologies of the time, either in their subject matter or method of distribution. Retrograde blackface seamlessly transitioned from live to mediated iterations of these cultural products, further pushing black stereotypes into the national consciousness. The book project oscillates between two different types of performances: the live and the mediated. By focusing on how minstrelsy in the Jazz Age moved from live performance into mediatized technologies, the book adds to the intellectual and historical conversation regarding this pernicious, racist entertainment form. Jazz Age blackface helped normalize new media technologies and that technology extended minstrelsy's influence within US culture. Minstrel Traditions tracks minstrelsy's social impact over the course of two decades to examine how ideas of national identity employ racial nostalgias and fantasias. This book will be of great interest to scholars and researchers in theatre studies, communication studies, race and media, and musical scholarship