Download or read book Luths et luthistes en Occident written by Musée de la musique (Paris, France) and published by Cite de La Musique. This book was released on 1999 with total page 368 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Instrumentalists and Renaissance Culture 1420 1600 written by Victor Coelho and published by Cambridge University Press. This book was released on 2016-05-26 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance.
Download or read book The Lute in Britain written by Matthew Spring and published by Oxford University Press, USA. This book was released on 2001 with total page 576 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Spring focuses on the lute in Britain, but also includes two chapters devoted to continental developments: one on the transition from medieval to renaissance, the other on renaissance to baroque, and the lute in Britain is never treated in isolation. Six chapters cover all aspects of the lute's history and its music in England from 1285 to well into the eighteenth century, whilst other chapters cover the instrument's early history, the lute in consort, lute song accompaniment, the theorbo, and the lute in Scotland."--Jacket.
Download or read book The Birth of the Orchestra History of an Institution 1650 1815 written by Music History and Literature San Francisco Conservatory of Music John Spitzer Chair and published by Oxford University Press, USA. This book was released on 2005-08-05 with total page 670 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.
Download or read book From Renaissance to Baroque written by Jonathan Wainwright and published by Routledge. This book was released on 2017-07-05 with total page 507 pages. Available in PDF, EPUB and Kindle. Book excerpt: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Download or read book The Renaissance Vihuela Guitar in Sixteenth Century Spain written by Frank W. Koonce and published by Mel Bay Publications. This book was released on 2010-10-07 with total page 193 pages. Available in PDF, EPUB and Kindle. Book excerpt: Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. for instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing the transcription!This 188-page anthology is designed as a companion volume to the Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576.As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar.A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576A companion volume to the Baroque Guitar in Spain and the New World (MB21122)Intended to help bridge the gap between scholarly editions and performance editionsAn introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar.
Download or read book Eros and Music in Early Modern Culture and Literature written by Claire Bardelmann and published by Routledge. This book was released on 2018-05-15 with total page 437 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is the relationship between Eros and music? How does the intersection of love and music contribute to define the perimeter of Early Modern love? The Early Moderns hold parallel discourses on the metaphysical doctrines of love and music as theories of harmony. Statements of love as music, of music as love, and of both as harmonic ideals, are found across a wide range of cultural contexts, highlighting the understanding of love as a cultural construct. The book assesses the complexity of cultural discourses on this linkage of Eros and music. The ambivalence of music as an erotic agent is enacted in the controversy over dancing and reflected in the ubiquitous symbolism of music instruments. Likewise, the trivialization of musical imagery in madrigal lyrics and love poetry highlights a sense of degradation and places the love-music relationship at the meeting point of two epistemes. The book also shows the symbolic deployment of the intertwined ideas of love and music in the English epyllion, and offers close readings of Shakespeare’s poems The Rape of Lucrece and Venus and Adonis. The book is the first to propose an overview of the theoretical, cultural and poetical intersections of Eros and music in Early Modern England. It discusses the connections in a richly interdisciplinary manner, drawing on a wealth of primary material which includes rhetoric, natural philosophy, educational literature, medicine, music theory and musical performance, dance books, performance politics, Protestant pamphlets and sermons, and emblem books.
Download or read book The Birth of the Orchestra written by John Spitzer and published by OUP Oxford. This book was released on 2004-04-29 with total page 650 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book traces the emergence of the orchestra from 16th-century string bands to the 'classical' orchestra of Haydn, Mozart, Beethoven, and their contemporaries. Ensembles of bowed stringed instruments, several players per part plus continuo and wind instruments, were organized in France in the mid-17th century and then in Rome at the end of the century. The prestige of these ensembles and of the music and performing styles of their leaders, Jean-Baptiste Lully and Arcangelo Corelli, caused them to be imitated elsewhere, until by the late 18th century, the orchestra had become a pan-European phenomenon. Spitzer and Zaslaw review previous accounts of these developments, then proceed to a thoroughgoing documentation and discussion of orchestral organization, instrumentation, and social roles in France, Italy, Germany, England, and the American colonies. They also examine the emergence of orchestra musicians, idiomatic music for orchestras, orchestral performance practices, and the awareness of the orchestra as a central institution in European life.
Download or read book Defining Strains written by James Porter and published by Peter Lang. This book was released on 2007 with total page 392 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume is the result of new research into such key figures as the composers Tobias Hume, William Kinloch, Patrick MacCrimmon and John Forbes; it looks at the important manuscripts, imported French and Italian music, burgh and ceremonial music, secular songs and their texts, and the psalm singing that dominated public life.
Download or read book Stradivari written by Stewart Pollens and published by Cambridge University Press. This book was released on 2010-02-11 with total page 367 pages. Available in PDF, EPUB and Kindle. Book excerpt: A highly illustrated biography and study of Stradivari, the greatest violin maker, including colour photographs of his most famous instruments.
Download or read book A History of the Lute from Antiquity to the Renaissance written by Douglas Alton Smith and published by . This book was released on 2002 with total page 420 pages. Available in PDF, EPUB and Kindle. Book excerpt: By the year 1500, the lute's almost universal appeal throughout Europe had made it a unifying element of Western music and culture. Renaissance composers, singers and dancers all found in the lute a perfect tool for the musical development and maturation of their art. In fact, the lute's unique musical and physical characteristics inspired artists and poets alike to elevate it to a place of such high honor that the lute's image has come to symbolize music itself. This traces the lute's development from the early instruments of Classical Greece to its glorious flowering in Renaissance Europe's golden age of polyphony. This illustrated and comprehensive book explores the historical and cultural reasons behind the lute's importance as the preeminent musical instrument of the Renaissance. With its lengthy bibliography, index, 74 illustrations and 55 musical examples, the author has told the lute's story with a scholarly and visual depth.
Download or read book Music and Visual Culture in Renaissance Italy written by Chriscinda Henry and published by Taylor & Francis. This book was released on 2023-05-24 with total page 411 pages. Available in PDF, EPUB and Kindle. Book excerpt: The chapters in this volume explore the relationship between music and art in Italy across the long sixteenth century, considering an era when music-making was both a subject of Italian painting and a central metaphor in treatises on the arts. Beginning in the fifteenth century, transformations emerge in the depiction of music within visual arts, the conceptualization of music in ethics and poetics, and in the practice of musical harmony. This book brings together contributors from across musicology and art history to consider the trajectories of these changes and the connections between them, both in theory and in the practices of everyday life. In sixteen chapters, the contributors blend iconographic analysis with a wider range of approaches, investigate the discourse surrounding the arts, and draw on both social art history and the material turn in Renaissance studies. They address not only paintings and sculpture, but also a wide range of visual media and domestic objects, from instruments to tableware, to reveal a rich, varied, and sometimes tumultuous exchange among musical and visual arts and ideas. Enriching our understanding of the subtle intersections between visual, material, and musical arts across the long Renaissance, this book offers new insights for scholars of music, art, and cultural history. Chapter 15 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Download or read book John Dowland written by K. Dawn Grapes and published by Routledge. This book was released on 2019-08-02 with total page 237 pages. Available in PDF, EPUB and Kindle. Book excerpt: John Dowland: A Research and Information Guide offers the first comprehensive guide to the musical works and literature on one of the major composers of the English Renaissance. Including a catalog of works, discography of recordings, extensive annotated bibliography of secondary sources, and substantial indexes, this volume is a major reference tool for all those interested in Dowland's works and place in music history, and a valuable resource for researchers of Renaissance and English music.
Download or read book The Guitar in Stuart England written by Christopher Page and published by Cambridge University Press. This book was released on 2017-11-16 with total page 309 pages. Available in PDF, EPUB and Kindle. Book excerpt: The guitar is the most played instrument in the West. This is the first account of its rise in Stuart England.
Download or read book Music in Golden Age Florence 1250 1750 written by Anthony M. Cummings and published by University of Chicago Press. This book was released on 2023-05-10 with total page 512 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Florence is justly celebrated as one of the world's most important cities. It enjoys mythic status and occupies an enviable place in the historical imagination. But its music-historical importance is less well understood than it should be. If Florence was the city of Dante, Michelangelo, and Galileo, it was also the birthplace of the madrigal, opera, and the piano. This is the only book of its kind, a comprehensive account of music in Florence from the late Middle Ages until the end of the Medici dynasty in the mid-eighteenth century. It recounts the principal developments in the history of Florence's contributions to music and how music was heard and cultivated in the city, from civic and religious institutions to private patronage and the academies. Scholars from sister disciplines and a general readership interested in the history and culture of Florence will find this book an invaluable complement to studies of the art, literature, and political thought of the late-medieval and early-modern eras and the quasi-legendary figures in the Florentine cultural pantheon"--
Download or read book Dowland written by K. Dawn Grapes and published by Oxford University Press. This book was released on 2022-10-28 with total page 281 pages. Available in PDF, EPUB and Kindle. Book excerpt: Dowland celebrates the story of one of the most important composers to emerge from early modern England. This book contextualizes the geographical, political, religious, cultural, and musical aspects of the life of John Dowland (1563-1626). It provides a window into life as a musician in the Elizabethan-Jacobean era, illuminating the importance of social, courtly, and academic connections as it closely explores the composer's musical compositions. During his lifetime, Dowland was well-known for his prowess as a performing lutenist who established a reputation not only in England, but also in the German and Italian lands, Denmark, and beyond. His lute solos and duos survive in manuscripts collected across Europe. He also issued four books of lute song-ayres, including the most successful secular music anthology of the era, one collection of consort music, and a theoretical translation, all printed in London. In these publications, Dowland utilized innovative print formats and set new standards for contemporary genres. Collectively, Dowland's compositions and writings present the self-styled image of a man always seeking more. This book places these activities within a biographical timeline of ongoing artistic, commercial, and reputational pursuits. As a complete record, Dowland captures the entrepreneurial resourcefulness of the foremost musician of his day, a performing composer who understood expected conventions, seized opportunities, and created a musical legacy that still stands firm 400 years after his death.
Download or read book Dancing Queen written by Melinda J. Gough and published by University of Toronto Press. This book was released on 2019-01-01 with total page 395 pages. Available in PDF, EPUB and Kindle. Book excerpt: Under glittering lights in the Louvre palace, the French court ballets danced by Queen Marie de M?dicis prior to Henri IV's assassination in 1610 attracted thousands of spectators ranging from pickpockets to ambassadors from across Europe. Drawing on newly discovered primary sources as well as theories and methodologies derived from literary studies, political history, musicology, dance studies, and women's and gender studies, Dancing Queen traces how Marie's ballets authorized her incipient political authority through innovative verbal and visual imagery, avant-garde musical developments, and ceremonial arrangements of objects and bodies in space. Making use of women's "semi-official" status as political agents, Marie's ballets also manipulated the subtle social and cultural codes of international courtly society in order to more deftly navigate rivalries and alliances both at home and abroad. At times the queen's productions could challenge Henri IV's immediate interests, contesting the influence enjoyed by his mistresses or giving space to implied critiques of official foreign policy, for example. Such defenses of Marie's own position, though, took shape as part of a larger governmental program designed to promote the French consort queen's political authority not in its own right but as a means of maintaining power for the new Bourbon monarchy in the event of Henri IV's untimely death.
