Download or read book Le Guide Musical written by and published by . This book was released on 1880 with total page 370 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book G Schirmer s General Catalogue of English German and French Musical Literature and Theoretical Works written by G. Schirmer, firm, publishers, New York and published by . This book was released on 1906 with total page 196 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Complete Musical Dictionary written by Julius Schuberth and published by . This book was released on 1895 with total page 190 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Catalog of Copyright Entries written by Library of Congress. Copyright Office and published by . This book was released on 1958 with total page 620 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book A Concise Dictionary of Musical Terms written by Frederick Niecks and published by . This book was released on 1884 with total page 314 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Translation and Music written by Sebnem Susam-Sarajeva and published by Routledge. This book was released on 2016-04-08 with total page 255 pages. Available in PDF, EPUB and Kindle. Book excerpt: Popular and multimodal forms of cultural products are becoming increasingly visible within translation studies research. Interest in translation and music, however, has so far been relatively limited, mainly because translation of musical material has been considered somewhat outside the limits of translation studies, as traditionally conceived. Difficulties associated with issues such as the 'musicality' of lyrics, the fuzzy boundaries between translation, adaptation and rewriting, and the pervasiveness of covert or unacknowledged translations of musical elements in a variety of settings have generally limited the research in this area to overt and canonized translations such as those done for the opera. Yet the intersection of translation and music can be a fascinating field to explore, and one which can enrich our understanding of what translation is and how it relates to other forms of expression. This special issue is an attempt to open up the field of translation and music to a wider audience within translation studies, and to an extent, within musicology and cultural studies. The volume includes contributions from a wide range of musical genres and languages: from those that investigate translation and code-switching in North African rap and rai, and the intertextual and intersemiotic translations revolving around Mahler's lieder in Chinese, to the appropriation and after-life of Kurdish folk songs in Turkish, and the emergence of rock'n roll in Russian. Other papers examine the reception of Anglo-American stage musicals and musical films in Italy and Spain, the concept of 'singability' with examples from Scandinavian languages, and the French dubbing of musical episodes of TV series. The volume also offers an annotated bibliography on opera translation and a general bibliography on translation and music.

Download or read book A Dictionary of Musical Terms written by Theodore Baker and published by . This book was released on 1912 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Cataloging beyond the Notes Annotating Bibliographic Records for Music Effectively in RDA written by Ralph Hartsock and published by A-R Editions, Inc.. This book was released on 2022-06 with total page 876 pages. Available in PDF, EPUB and Kindle. Book excerpt: In Cataloging beyond the Notes: Annotating Bibliographic Records for Music Effectively in RDA, authors Ralph Hartsock and Peter Lisius present examples illustrating the effective use of notes in the description of music, and this is especially important with RDA. Since RDA has increased granularity in the description of music, whether in score, recording, video, or data formats, the expert direction offered in Cataloging beyond the Notes makes it a key reference for music cataloging. Bibliographic records are presented using MARC21. An essential resource for practicing music catalogers, Cataloging beyond the Notes begins with a comprehensive introduction, including instructions on how to use the book, and presents examples of the granular data that informs users about specific details. In addition, the examples are augmented by the authors’ commentary, so that the result is expert guidance in a single, highly accessible publication. More than that, navigation to and from the newer RDA format is facilitated by an appendix keyed to specific RDA details. Frequently used and related terms are also covered in a glossary specific to this volume. Taken as a whole, Cataloging beyond the Notes belongs in every music library and on each cataloger’s desk.

Download or read book French Baroque Music from Beaujoyeulx to Rameau written by James R. Anthony and published by Hal Leonard Corporation. This book was released on 1997 with total page 604 pages. Available in PDF, EPUB and Kindle. Book excerpt: First published in 1974, this landmark work quickly established itself as the definitive study of French music from 1581 to 1733, a period that included masters such as Marin Marais, Lully, Couperin, and Rameau. This expanded edition includes a bibliography of more than 1,300 works.

Download or read book Gender Sexuality and Early Music written by Todd Michael Borgerding and published by Psychology Press. This book was released on 2002 with total page 316 pages. Available in PDF, EPUB and Kindle. Book excerpt: First Published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Download or read book A Dictionary of Musical Terms Containing Upwards of 9 000 English French German Italian Latin and Greek Words and Phrases Used in the Art and Science of Music Carefully Defined and with the Accent of the Foreign Words Marked Preceded by Rules for the Pronunciation of Italian German and French With a Supplement Containing an English Italian Vocabulary for Composers written by Theodore Baker and published by . This book was released on 1907 with total page 276 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jacques Moderne Lyons Music Printer of the Sixteenth Century written by Samuel Franklin Pogue and published by Librairie Droz. This book was released on 1969 with total page 418 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book French Musical Thought 1600 1800 written by Georgia Cowart and published by University Rochester Press. This book was released on 1989 with total page 284 pages. Available in PDF, EPUB and Kindle. Book excerpt: The seventeenth and eighteenth centuries in France were witness to dramatic changes in all aspects of social and cultural life. During this era, a new and modern spirit of critical inquiry arose, a change in ethos that had a major effect on all the arts. French Musical Thought, 1600-1800 is a diverse collection of essays offering new perspectives and insight on musical opinion during one of the most fascinating periods in French history. The essays in this volume, the authors of which include musicologists, historians and literary scholars, illuminate clearly the relationship of critical thought in music to contemporary developments in philosophy, art, literature and politics. In the final analysis, scholars contend that music aesthetics, criticism and theory can be understood only against the backdrop of a dynamic cultural milieu.Contributors: Claude V. Palisca, Jane R. Stevens, Louis E. Auld, Gloria Flaherty, Robert M. Isherwood, Albert Cohen, Barbara Russano Hanning, David Allen Duncan, Charles Dill, Georgia Cowart.

Download or read book Catalog of Copyright Entries written by and published by . This book was released on 1922 with total page 902 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Jean Baptiste Lully and the Music of the French Baroque written by James R. Anthony and published by Cambridge University Press. This book was released on 1989-02-09 with total page 360 pages. Available in PDF, EPUB and Kindle. Book excerpt: This volume of essays on Jean-Baptiste Lully and his musical legacy honours the distinguished French baroque scholar James R. Anthony. Jean-Baptiste Lully, court composer to Louis XIV, served as the principal architect of what would become known as the French style of music in the baroque era. The style he created strongly influenced the great musical figures in England (Purcell and Handel) and Germany (Bach and Telemann), but Lully's music itself has received little attention. Recently, through the efforts of scholars and musicians concerned with the performance practices of Lully's time, Lully's own music has begun to come alive in performance and recording. These essays, all by important baroque specialists, cover significant aspects of Lully's life and works and the French tradition he influenced. They constitute the first post-war collection of studies centred on Lully and form a fitting tribute to Professor Anthony whose own French baroque music provided a stimulus for the work of an emerging generation of scholars.

Download or read book Catalogue of Title entries of Books and Other Articles Entered in the Office of the Librarian of Congress at Washington Under the Copyright Law Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office written by Library of Congress. Copyright Office and published by . This book was released on 1926 with total page 1210 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Giacomo Meyerbeer and Music Drama in Nineteenth Century Paris written by Mark Everist and published by Taylor & Francis. This book was released on 2023-04-28 with total page 464 pages. Available in PDF, EPUB and Kindle. Book excerpt: Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.