Download or read book The works of Hubert Howe Bancroft written by Hubert Howe Bancroft and published by . This book was released on 1884 with total page 814 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literary Industries written by Hubert Howe Bancroft and published by Heyday.ORIM. This book was released on 2013-12-09 with total page 212 pages. Available in PDF, EPUB and Kindle. Book excerpt: An autobiography of the bookseller, library collector, man of letters, and historian of the American West edited by his great-great granddaughter. A bookseller in San Francisco during the gold rush, Hubert Howe Bancroft (1832–1918) rose to become the man who would define the early history of California and the West. Creating what he called a “history factory,” he assembled a vast library of over sixty thousand books, maps, letters, and documents; hired scribes to copy material in private hands; employed interviewers to capture the memories of early Spanish and Mexican settlers; and published multiple volumes sold throughout the country by his subscription agents. In 1890 he published an eight-hundred-page autobiography, aptly entitled Literary Industries. Literary Industries sparkles with the exuberance of nineteenth-century California and introduces us to a man of great complexity and wit. Edited for the modern reader and yet relating the history of the West as it was taking place—and as it was being recorded—Kim Bancroft’s edition of Literary Industries is a joy to read.
Download or read book Literary Industries written by Hubert Howe Bancroft and published by . This book was released on 1890 with total page 918 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literary industries 1890 written by Hubert Howe Bancroft and published by . This book was released on 1890 with total page 832 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Works of Hubert Howe Bancroft Literary Industries written by Anonymous and published by BoD – Books on Demand. This book was released on 2024-04-10 with total page 818 pages. Available in PDF, EPUB and Kindle. Book excerpt: Reprint of the original, first published in 1890.
Download or read book The Works of Hubert Howe Bancroft Literary industries written by Hubert Howe Bancroft and published by . This book was released on 1890 with total page 834 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book The Works of Hubert Howe Bancroft Literary industries 1890 written by Hubert Howe Bancroft and published by . This book was released on 1890 with total page 852 pages. Available in PDF, EPUB and Kindle. Book excerpt:
Download or read book Literary Festivals and Contemporary Book Culture written by Millicent Weber and published by Springer. This book was released on 2018-04-09 with total page 272 pages. Available in PDF, EPUB and Kindle. Book excerpt: There has been a proliferation of literary festivals in recent decades, with more than 450 held annually in the UK and Australia alone. These festivals operate as tastemakers shaping cultural consumption; as educational and policy projects; as instantiations, representations, and celebrations of literary communities; and as cultural products in their own right. As such they strongly influence how literary culture is produced, circulates and is experienced by readers in the twenty-first century. This book explores how audiences engage with literary festivals, and analyses these festivals’ relationship to local and digital literary communities, to the creative industries focus of contemporary cultural policy, and to the broader literary field. The relationship between literary festivals and these configuring forces is illustrated with in-depth case studies of the Edinburgh International Book Festival, the Port Eliot Festival, the Melbourne Writers Festival, the Emerging Writers’ Festival, and the Clunes Booktown Festival. Building on interviews with audiences and staff, contextualised by a large-scale online survey of literary festival audiences from around the world, this book investigates these festivals’ social, cultural, commercial, and political operation. In doing so, this book critically orients scholarly investigation of literary festivals with respect to the complex and contested terrain of contemporary book culture.
Download or read book Literature and the Creative Economy written by Sarah Brouillette and published by Stanford University Press. This book was released on 2014-04-15 with total page 249 pages. Available in PDF, EPUB and Kindle. Book excerpt: This book contends that mainstream considerations of the economic and social force of culture, including theories of the creative class and of cognitive and immaterial labor, are indebted to historic conceptions of the art of literary authorship. It shows how contemporary literature has been involved in and has responded to creative-economy phenomena, including the presentation of artists as models of contentedly flexible and self-managed work, the treatment of training in and exposure to art as a pathway to social inclusion, the use of culture and cultural institutions to increase property values, and support for cultural diversity as a means of growing cultural markets. Contemporary writers have tended to explore how their own critical capacities have become compatible with or even essential to a neoliberal economy that has embraced art's autonomous gestures as proof that authentic self-articulation and social engagement can and should occur within capitalism. Taking a sociological approach to literary criticism, Sarah Brouillette interprets major works of contemporary fiction by Monica Ali, Aravind Adiga, Daljit Nagra, and Ian McEwan alongside government policy, social science, and theoretical explorations of creative work and immaterial labor.
Download or read book The Adaptation Industry written by Simone Murray and published by Routledge. This book was released on 2012-03-12 with total page 273 pages. Available in PDF, EPUB and Kindle. Book excerpt: Adaptation constitutes the driving force of contemporary culture, with stories adapted across an array of media formats. However, adaptation studies has been concerned almost exclusively with textual analysis, in particular with compare-and-contrast studies of individual novel and film pairings. This has left almost completely unexamined crucial questions of how adaptations come to be made, what are the industries with the greatest stake in making them, and who the decision-makers are in the adaptation process. The Adaptation Industry re-imagines adaptation not as an abstract process, but as a material industry. It presents the adaptation industry as a cultural economy of six interlocking institutions, stakeholders and decision-makers all engaged in the actual business of adapting texts: authors; agents; publishers; book prize committees; scriptwriters; and screen producers and distributors. Through trading in intellectual property rights to cultural works, these six nodal points in the adaptation network are tightly interlinked, with success for one party potentially auguring for success in other spheres. But marked rivalries between these institutional forces also exist, with competition characterizing every aspect of the adaptation process. This book constructs an overdue sociology of contemporary literary adaptation, never losing sight of the material and institutional dimensions of this powerful process.
Download or read book Live Literature written by Ellen Wiles and published by Springer Nature. This book was released on 2021-05-21 with total page 380 pages. Available in PDF, EPUB and Kindle. Book excerpt: This ground-breaking book explores the phenomenal growth of live literature in the digitalizing 21st century. Wiles asks why literary events appeal and matter to people, and how they can transform the ways in which fiction is received and valued. Readers are immersed in the experience of two contrasting events: a major literary festival and an intimate LGBTQ+ salon. Evocative scenes and observations are interwoven with sharp critical analysis and entertaining conversations with well-known author-performers, reader-audiences, producers, critics, and booksellers. Wiles’s experiential literary ethnography represents an innovative and vital contribution, not just to literary research, but to research into the value of cultural experience across art forms. This book probes intersections between readers and audiences, writers and performers, texts and events, bodies and memories, and curation and reception. It addresses key literary debates from cultural appropriation to diversity in publishing, the effects of social media, and the quest for authenticity. It will engage a broad audience, from academics and producers to writers and audiences.
Download or read book Writing Cultures and Literary Media written by Anna Kiernan and published by Springer Nature. This book was released on 2021-07-20 with total page 113 pages. Available in PDF, EPUB and Kindle. Book excerpt: This Pivot investigates the impact of the digital on literary culture through the analysis of selected marketing narratives, social media stories, and reading communities. Drawing on the work of contemporary writers, from Bernardine Evaristo to Patricia Lockwood, each chapter addresses a specific tension arising from the overarching question: How has writing culture changed in this digital age? By examining shifting modes of literary production, this book considers how discourses of writing and publishing and hierarchies of cultural capital circulate in a socially motivated post-digital environment. Writing Cultures and Literary Media combines compelling accounts of book trends, reader reception, and interviews with writers and publishers to reveal fresh insights for students, practitioners, and scholars of writing, publishing, and communications.
Download or read book The American Comic Book Industry and Hollywood written by Alisa Perren and published by Bloomsbury Publishing. This book was released on 2021-07 with total page 265 pages. Available in PDF, EPUB and Kindle. Book excerpt: The last decade has seen a proliferation of hugely successful film franchises and television shows - such as Batman, Spiderman, X-Men, The Walking Dead and many more - based on comic books which have avid fan followings of their own. Comic books have now assumed an enormously important position within the American entertainment business, where they function as intellectual property (IP) development wings for major producers and studios, important brand management tools for studio marketing departments, and major divisions in their own right within powerful entertainment conglomerates such as Disney and Warner Bros. Even fifteen years ago, however, comic books' ascendancy within the entertainment industry would have been impossible to anticipate. With dwindling consumer interest, a collapsing retail market, and several high-profile bankruptcies (including Marvel Comics), comic books seemed an increasingly marginal - and unprofitable - business at the start of the twenty-first century. The American Comic Book Industry and Hollywood charts the transformation of the American comic book industry as it became increasingly integrated into Hollywood between 2000 and 2015. What were the economic factors, organizational contexts, and technological changes responsible for the industry's sudden renaissance? How has the comic industry's greater integration into Hollywood altered the former's business, labour, and creative practices? Conversely, how has this integration affected the business, labour, and creative practices of Hollywood film, television, and video game companies? In answering these questions, this book provides a detailed account of how the comic book industry functions today, including details about its labour practices, corporate structures, product development, creative practices and consumer markets. This is the first book to provide a broad overview of the industry side of the comic book genre and associated franchises. It synthesises and expands upon existing scholarship on the comic book and Hollywood film industries, and draws on historical documents, original interviews with industry workers, and case studies of specific properties (such as Batman, The Walking Dead and Mass Effect) and specific companies (e.g. Marvel, Avatar Press). It also provides a corrective to the popular view that the comic book industry and its ties to Hollywood revolve primarily around superheroes and the properties owned by Marvel and DC Comics.
Download or read book How to be a historian written by Herman Paul and published by Manchester University Press. This book was released on 2019-07-04 with total page 342 pages. Available in PDF, EPUB and Kindle. Book excerpt: What is unique about this volume is that is explores the history of historical studies through the prism of ‘scholarly personae’ (models of virtue, embodying how to be a historian). It offers a stimulating new perspective on the unity, or disunity, of historical scholarship as it existed in nineteenth- and twentieth-century.
Download or read book The Digital Literary Sphere written by Simone Murray and published by Johns Hopkins University Press. This book was released on 2018-10-01 with total page 252 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on approaches from literary studies, media and cultural studies, book history, cultural policy, and the digital humanities, this book asks: What is the significance of authors communicating directly to readers via social media? How does digital media reframe the “live” author-reader encounter? And does the growing army of reader-reviewers signal an overdue democratizing of literary culture or the atomizing of cultural authority? In exploring these questions, The Digital Literary Sphere takes stock of epochal changes in the book industry while probing books’ and digital media’s complex contemporary coexistence.
Download or read book UNESCO and the Fate of the Literary written by Sarah Brouillette and published by Stanford University Press. This book was released on 2019-09-10 with total page 270 pages. Available in PDF, EPUB and Kindle. Book excerpt: A case study of one of the most important global institutions of cultural policy formation, UNESCO and the Fate of the Literary demonstrates the relationship between such policymaking and transformations in the economy. Focusing on UNESCO's use of books, Sarah Brouillette identifies three phases in the agency's history and explores the literary and cultural programming of each. In the immediate postwar period, healthy economies made possible the funding of an infrastructure in support of a liberal cosmopolitanism and the spread of capitalist democracy. In the decolonizing 1960s and '70s, illiteracy and lack of access to literature were lamented as a "book hunger" in the developing world, and reading was touted as a universal humanizing value to argue for a more balanced communications industry and copyright regime. Most recently, literature has become instrumental in city and nation branding that drive tourism and the heritage industry. Today, the agency largely treats high literature as a commercially self-sustaining product for wealthy aging publics, and fundamental policy reform to address the uneven relations that characterize global intellectual property creation is off the table. UNESCO's literary programming is in this way highly suggestive. A trajectory that might appear to be one of triumphant success—literary tourism and festival programming can be quite lucrative for some people—is also, under a different light, a story of decline.
Download or read book Contemporary Publishing and the Culture of Books written by Alison Baverstock and published by Routledge. This book was released on 2020-01-16 with total page 353 pages. Available in PDF, EPUB and Kindle. Book excerpt: Contemporary Publishing and the Culture of Books is a comprehensive resource that builds bridges between the traditional focus and methodologies of literary studies and the actualities of modern and contemporary literature, including the realities of professional writing, the conventions and practicalities of the publishing world, and its connections between literary publishing and other media. Focusing on the relationship between modern literature and the publishing industry, the volume enables students and academics to extend the text-based framework of modules on contemporary writing into detailed expositions of the culture and industry which bring these texts into existence; it brings economic considerations into line alongside creative issues, and examines how employing marketing strategies are utilized to promote and sell books. Sections cover: The standard university-course specifications of contemporary writing, offering an extensive picture of the social, economic, and cultural contexts of these literary genres The impact and status of non-literary writing, and how this compares with certain literary genres as an index to contemporary culture and a reflection of the state of the publishing industry The practicalities and conventions of the publishing industry Contextual aspects of literary culture and the book industry, visiting the broader spheres of publishing, promotion, bookselling, and literary culture Carefully linked chapters allow readers to tie key elements of the publishing industry to the particular demands and features of contemporary literary genres and writing, offering a detailed guide to the ways in which the three core areas of culture, economics, and pragmatics intersect in the world of publishing. Further to being a valuable resource for those studying English or Creative Writing, the volume is a key text for degrees in which Publishing is a component, and is relevant to those aspects of Media Studies that look at interactions between the media and literature/publishing.
