Download or read book Lettre autographe sign e de B Aubert Jules Massenet Paris 10 janvier 1910 written by Jules Massenet and published by . This book was released on 1910 with total page 2 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettre autographe sign e de Jules Massenet Paris 1er janvier 1885 written by Jules Massenet and published by . This book was released on 1885 with total page 2 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettre autographe sign e de Jules Massenet Paris 4 janvier 1883 written by Jules Massenet and published by . This book was released on 1883 with total page 2 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettre autographe sign e de Jules Massenet Paris 8 janvier 1895 written by Jules Massenet and published by . This book was released on 1895 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettre autographe sign e de Jules Massenet Paris 23 janvier 1886 written by Jules Massenet and published by . This book was released on 1886 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettre autographe sign e de Jules Massenet La Haye 28 janvier 1888 written by Jules Massenet and published by . This book was released on 1888 with total page 4 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettre autographe sign e de Jules Massenet Pedro Gailhard Paris 14 janvier 1905 written by Jules Massenet and published by . This book was released on 1905 with total page 2 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Lettre autographe sign e d Eug ne Descambres Jules Massenet Chauny 29 janvier 1910 written by Eugène Descambres and published by . This book was released on 1910 with total page 2 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Confessions of a Literary Archaeologist written by Carlton Lake and published by New Directions Publishing. This book was released on 1990 with total page 236 pages. Available in PDF, EPUB and Kindle. Book excerpt: The author recounts his experiences in building collections of rare books and manuscripts of French literature, and reveals little-known facts about French artists, composers, and writers.

Download or read book Musical Encounters at the 1889 Paris World s Fair written by Annegret Fauser and published by Boydell & Brewer. This book was released on 2005 with total page 417 pages. Available in PDF, EPUB and Kindle. Book excerpt: The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.

Download or read book Le Tr sor Du Bibliophile Romantique Et Moderne 1801 1875 written by Léopold Carteret and published by . This book was released on 1925 with total page 224 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Composing the Citizen written by Jann Pasler and published by Univ of California Press. This book was released on 2009 with total page 812 pages. Available in PDF, EPUB and Kindle. Book excerpt: "Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967

Download or read book French Music Culture and National Identity 1870 1939 written by Barbara L. Kelly and published by University Rochester Press. This book was released on 2008 with total page 300 pages. Available in PDF, EPUB and Kindle. Book excerpt: Heroism, art, and new media : France and identity formation. Unifying the French nation : Savorgnan de Brazza and the Third Republic / Edward Berenson ; New media, source-bonding, and alienation : listening at the 1889 Exposition Universelle / Annegret Fauser ; Debussy and the making of a musicien français : Pelléas, the press, and World War I / Barbara L. Kelly ; A bas Wagner! : the French press campaign against Wagner during World War I / Marion Schmid -- Canon, style, and political alignment. D'Indy's Beethoven / Steven Huebner ; Messidor : republican patriotism and the French revolutionary tradition in Third Republic opera / James Ross ; The symphony and national identity in early twentieth-century France / Brian Hart ; Transcending the word? : religion and music in Gauguin's quest for abstraction / Debora Silverman ; Jolivet's search for a new French voice : spiritual otherness in Mana (1935) / Deborah Mawer -- Regionalism. Rameau in late nineteenth-century Dijon : memorial, festival, fiasco / Katharine Ellis ; Becoming Alsatian : anti-German and pro-French cultural propaganda in Alsace, 1898-1914 / Detmar Klein ; National identity and the double border in Lorraine, 1870-1914 / Didier Francfort.

Download or read book The Paris Commune of 1871 written by Eugene Schulkind and published by . This book was released on 1972 with total page 308 pages. Available in PDF, EPUB and Kindle. Book excerpt:

Download or read book Satie the Bohemian written by Steven Moore Whiting and published by Clarendon Press. This book was released on 1999-02-18 with total page 610 pages. Available in PDF, EPUB and Kindle. Book excerpt: Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.

Download or read book French Opera at the Fin de Si cle written by Steven Huebner and published by Oxford University Press. This book was released on 2006-02-02 with total page 552 pages. Available in PDF, EPUB and Kindle. Book excerpt: This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.

Download or read book Writing through Music written by Jann Pasler and published by Oxford University Press. This book was released on 2007-12-12 with total page 528 pages. Available in PDF, EPUB and Kindle. Book excerpt: Drawing on a passion for music, a remarkably diverse interdisciplinary toolbox, and a gift for accessible language that speaks equally to scholars and the general public, Jann Pasler invites us to read as she writes "through" music, unveiling the forces that affect our sonic encounters. In an extraordinary collection of historical and critical essays, some appearing for the first time in English, Pasler deconstructs the social, moral, and political preoccupations lurking behind aesthetic taste. Arguing that learning from musical experience is vital to our understanding of past, present, and future, Pasler's work trenchantly reasserts the role of music as a crucial contributor to important public debates about who we can be as individuals, communities, and nations. The author's wide-ranging and perceptive approaches to musical biography and history challenge us to rethink our assumptions about important cultural and philosophical issues including national identity and postmodern musical hybridity, material culture, the economics of power, and the relationship between classical and popular music. Her work uncovers the self-fashioning of modernists such as Vincent d'Indy, Augusta Holm?s, Jean Cocteau, and John Cage, and addresses categories such as race, gender, and class in the early 20th century in ways that resonate with experiences today. She also explores how music uses time and constructs narrative. Pasler's innovative and influential methodological approaches, such as her notion of "question-spaces," open up the complex cultural and political networks in which music participates. This provides us with the reasons and tools to engage with music in fresh and exciting ways. In these thoughtful essays, music--whether beautiful or cacophonous, reassuring or seemingly incomprehensible--comes alive as a bearer of ideas and practices that offers deep insights into how we negotiate the world. Jann Pasler's Writing through Music brilliantly demonstrates how music can be a critical lens to focus the contemporary critical, cultural, historical, and social issues of our time.